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15 notes for Rosata Q: text for the exhibition quinceañera works, 1984
title 15 notes for Rosata Q: text for the exhibition quinceañera works, 1984description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Trasobares, César -
Artist's Statement: Art Liberation Movement, Castillo's Manifesto, Chicago, IL, July 4, 2001
title Artist's Statement: Art Liberation Movement, Castillo's Manifesto, Chicago, IL, July 4, 2001description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Castillo, Mario -
Barricades of ideas: Latino culture, site-specific installation, and the U.S. Art Museum
title Barricades of ideas: Latino culture, site-specific installation, and the U.S. Art Museumdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Noriega, Chon A. -
Introduction : sanctums of the spirit - the altares of Amalia Mesa-Bains
title Introduction : sanctums of the spirit - the altares of Amalia Mesa-Bainsdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Ybarra-Frausto, Tomás -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Cactus Television Receivers Soils Viewers (Observers) Assimilation (Sociology) Home (Concept) Installations (Visual Works) Living Roomscontributor Calisphere -
Day Of The Dead Installation
title Day Of The Dead Installationdescription Day of the Dead art installation with a framed photograph of Diego Rivera and Frida Kahlo, a copy of Friday Kahlo's Self-portrait as a Tehuana, skulls, skeletons, and various other ex-votos. Dia de los Muertos Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Sculpture and Installationssubject Kahlo, Frida, 1907-1954 Popular Culture Marketing Mexican American Art Human Skeleton Skull Rivera, Diego, 1886-1957 All Souls' Day Household Shrines Installations (Visual Works) Votive Offeringscontributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Television Receivers Viewers (Observers) Assimilation (Sociology) Home (Concept) Installations (Visual Works) Living Roomscontributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Television Receivers Viewers (Observers) Assimilation (Sociology) Branches (Plant Components) Home (Concept) Installations (Visual Works) Living Roomscontributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Television Receivers Viewers (Observers) Assimilation (Sociology) Branches (Plant Components) Bedrooms Installations (Visual Works) Home (Concept)contributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Cactus Television Receivers Soils Assimilation (Sociology) Grinding Stones Installations (Visual Works) Home (Concept)contributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Cactus Television Receivers Soils Viewers (Observers) Assimilation (Sociology) Branches (Plant Components) Installations (Visual Works) Home (Concept)contributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Television Receivers Viewers (Observers) Assimilation (Sociology) Branches (Plant Components) Bedrooms Installations (Visual Works) Home (Concept)contributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Television Receivers Viewers (Observers) Assimilation (Sociology) Home (Concept) Installations (Visual Works) Living Roomscontributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Assimilation (Sociology) Branches (Plant Components) Bedrooms Installations (Visual Works) Home (Concept)contributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Baskets Television Receivers Viewers (Observers) Assimilation (Sociology) Grinding Stones Installations (Visual Works) Home (Concept)contributor Calisphere -
Border Realities Iii: Reception
title Border Realities Iii: Receptiondescription Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation. Sculpture and Installations The exhibition, Border Realities III, is the third in an annual series presented by the Border Arts Workshop/Taller de Arte Fronterizo, a group of artists concerned about the border.artist/creator Artenstein, Isaaccontributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Television Receivers Viewers (Observers) Assimilation (Sociology) Branches (Plant Components) Bedrooms Installations (Visual Works) Home (Concept)contributor Calisphere -
Border Realities Iii: Reception: Detail
title Border Realities Iii: Reception: Detaildescription Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation. Photographs Sculpture and Installations The exhibition, Border Realities III, is the third in an annual series presented by the Border Arts Workshop/Taller de Arte Fronterizo, a group of artists concerned about the border.artist/creator Artenstein, Isaaccontributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Baskets Television Receivers Viewers (Observers) Assimilation (Sociology) Branches (Plant Components) Grinding Stones Installations (Visual Works) Home (Concept)contributor Calisphere -
Border Realities Iii: Reception: Detail
title Border Realities Iii: Reception: Detaildescription Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation. Photographs Sculpture and Installations The exhibition, Border Realities III, is the third in an annual series presented by the Border Arts Workshop/Taller de Arte Fronterizo, a group of artists concerned about the border.artist/creator Artenstein, Isaaccontributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Baskets Television Receivers Viewers (Observers) Assimilation (Sociology) Branches (Plant Components) Bedrooms Grinding Stones Installations (Visual Works) Home (Concept)contributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Baskets Television Receivers Assimilation (Sociology) Grinding Stones Installations (Visual Works) Home (Concept)contributor Calisphere -
Kish Tetayawet Dream House Wampkish: Detail
title Kish Tetayawet Dream House Wampkish: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Luna and DeSoto's installation focuses on ethnic assimilation and cultural integrity. This seemingly homey house compresses elements from a familiar vocabulary with elements from a language beyond daily experience. Mundane, middle-class comforts mingle with organic reminders of a higher, spiritual reality. Photographs San Diego (California) San Diego Mesa College. Art Gallery Sculpture and Installationssubject Living Rooms Baskets Viewers (Observers) Assimilation (Sociology) Branches (Plant Components) Bedrooms Grinding Stones Installations (Visual Works) Home (Concept)contributor Calisphere -
Day Of The Dead Installation
title Day Of The Dead Installationdescription Day of the Dead art installation with a portrait of José Guadalupe Posada arm and arm with one of his calaveras (animated skeletons). This image is similar to Diego Rivera's portrait of Posada in Rivera's mural "Dream of a Sunday afternoon in Alameda Park." The installation also includes skulls, skeletons, and various other ex-votos. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Sculpture and Installationssubject Popular Culture Marketing Mexican American Art Human Skeleton Skull Votive Candles All Souls' Day Household Shrines Posada, José Guadalupe, 1852-1913 Installations (Visual Works) Votive Offeringscontributor Calisphere -
Heroes Of War: Film Still From Interview With Paul Gabriel Fusco
title Heroes Of War: Film Still From Interview With Paul Gabriel Fuscodescription "Heroes of War," by Gonzalo Lebrija, is a video installation projected in the auditorium of the San Diego Veterans Museum in Balboa Park. Over a year before, Lebrija began working with veterans at the Veterans Home of California in Chula Vista. Gonzalo's goal was to intervene in the museum space, creating a curatorial discourse that approximates a creative group experience. Gonzalo participated in a number of reunions of former prisoners of war, or POWs. These experiences led him to explore the notion of military paraphernalia and veterans' narratives. Gonzalo filmed a number of individuals while they discussed the public recognition accorded to them and their actions as servicemen in times of war. --inSite_05 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 188, DVD 01) Veterans Museum, Balboa Park (San Diego, Calif.) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Lebrija, Gonzalo, 1972-subject Veterans Video Art Portraits Interviews Insite_05 Mexican-American Border Region Prisoners Of War Soldiers Memorials Gesture Military Museums Installations (Visual Works) Facecontributor Calisphere -
The Virgin Of Guadalupe
title The Virgin Of Guadalupedescription California artist Jeffrey Vallance proposed to make an intervention at the Tijuana Wax Museum for inSITE2000. Collaborating with Mexico City-based wax-figure maker Victor Hugo Yanez, Vallance produced three new figures for the museum: the Virgin of Guadalupe, Dante, and former US President Richard Nixon. Vallance started with a list of about twenty-eight names of historical and contemporary figures as potential additions to the display at the museum, and arrive at the selection of the three figures based on the existing exhibition structure. The Virgin of Guadalupe could be seen in full figure situated on her own, while Nixon was placed in the presidential room holding in his hands the symbolic element that came to define his public career, a simulated set of reel-to-reel Watergate tapes, and Dante was placed at the entrance to hell with his hand pointing the way. With his project for the Wax Museum, Vallance deepened his own interest and fascination with the three selected figures. In this way, having followed stories for years from different parts of the world detailing apparitions of the Virgin of Guadalupe, Vallance, during a residency period in San Diego, could add yet another apparition to the list - he spotted her up high on a stone column at the Courtyard by Marriott downtown hotel. -- inSITE2000 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 386) Tijuana Wax Museum [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Wax Figures Popular Culture Religions (Concept) Humor Boundaries Sculpture (Visual Work) Figurative Art Mexican-American Border Region Kitsch Piety In Art Visions Prayer Waxworks Gesture Insite2000 Installations (Visual Works) Border Art Christianity And Artcontributor Calisphere -
You Can'T Get There From Here
title You Can'T Get There From Heredescription Centro Cultural de la Raza (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative contribution to inSITE94 by San Diego artists Mario Lara and Barbara Sexton, "You Can't Get There from Here/No puedes ir allá desde aquí," was located at the Centro Cultural de la Raza in San Diego. Consisting of two main elements, the installation dealt with the relationship between trophies of achievement and the individual self-image that often dispels the very essence of what is publicly recognized. The artists created numerous plaques and trophies that were displayed salon style on the walls of the space, while the other central element, a billboard prop, outwardly proclaimed the word PARADISO. - inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 199) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Collaboration Humor Pistols Collage--Technique Border Art Mexican-American Border Region Kitsch Insite94 Maps Plaques (Flat Objects) Trophies (Objects) Installations (Visual Works) Californiacontributor Calisphere -
Airplane Parts And Building, A Large Growth For San Diego: Exterior View
title Airplane Parts And Building, A Large Growth For San Diego: Exterior Viewdescription Commissioned by the Museum of Contemporary Art, San Diego a few years prior to 1994, the Museum presented, in conjunction with inSITE94, a new installation by Los Angeles-based artist Nancy Rubins at their downtown location. Titled "Airplane Parts and Building, A Large Growth for San Diego," the installation was built of discarded airplane parts that were arranged to rise from the floor of the interior space of the Museum and pierce through the building's south-facing windows to form a large hovering growth on the exterior. The dynamic arrangement of the elements made the pieces work together as one appearing frozen in time and their careful placement as a whole suggested a rapid movement as though whirled together by some unknown force. --inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 318) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Rubins, Nancysubject Salvage Junk Sculpture Sculpture (Visual Work) Aerospace Industries Mexican-American Border Region Insite94 Recycling Installations (Visual Works)contributor Calisphere -
Abandoned Ii: Aerial View
title Abandoned Ii: Aerial Viewdescription Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 307) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Furniture Homelessness Boundaries Sculpture (Visual Work) Public Art Installations (Visual Works) Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Playgrounds Beaches Insite92 Insite94 Chimneys (Architectural Elements) Border Art Artistic Collaborationcontributor Calisphere -
Alien Toy Uco (Unidentified Crusing Object): Detail Of "Alien Toy" Logo
title Alien Toy Uco (Unidentified Crusing Object): Detail Of "Alien Toy" Logodescription Barrio Logan (San Diego, Calif.) Film, Audio, Video and Digital Art For inSITE97 Rubén Ortiz Torres collaborated with Salvador "Chava" Munoz to construct "Alien Toy UCO (Unidentified Cruising Object)/La ranfla cosmica ORNI (Objeto rodante no identificado)," a lowrider car that was converted into a dancing hydraulics wonder in the form of a Border Patrol vehicle. Chava, a world champion in radical bed dancing, reworked each section of the car to move and spin on its own set of hydraulics and arms. Ortiz Torres produced a film with alien imagery and clips of the car in action to accompany the installation. Ortiz Torres stated that the car was a product of cultural migration and exchange, a visual manifestation of the cultural hybridization in Southern California. --inSITE97 Http://www.track16.com/exhibitions/ruben/ruben.html Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 260) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Popular Culture Unidentified Flying Objects Automobiles Political Art Humor Boundaries Sculpture (Visual Work) Mexican-American Border Region Logos (Symbols) Performance Art Insite97 Hydraulics Installations (Visual Works) Border Art Video Artcontributor Calisphere -
The Great Balboa Park Landfill Exposition Of 1997: Sculptures Made From Adobe And Hay
title The Great Balboa Park Landfill Exposition Of 1997: Sculptures Made From Adobe And Haydescription Balboa Park (San Diego, Calif.) Cindy Zimmerman's Community Engagement project for inSITE97 was the development of a new park environment at the landfill adjacent to Florida Canyon in Balboa Park. Constructing the piece over several months, Zimmerman involved children and families in the creation and placement of straw bales and clay in the landfill to make labyrinths, temporary earthworks, and adobe structures. "The Great Balboa Park Landfill Exposition of 1997/La gran exposicion del relleno del Balboa Park 1997" transformed an unused and unattractive plot of land into a new community park and art installation. Zimmerman led workshops and meetings throughout the project to involve the community and collaborate with the participants to create art from organic materials. -- inSITE97 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 426) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landfills Community Arts Projects Play Workshops (Seminars) Sculpture (Visual Work) Mexican-American Border Region Insite97 Renovation Installations (Visual Works) Artistic Collaborationcontributor Calisphere -
No Title: Detail
title No Title: Detaildescription Installed in the basement of the Children's Museum in downtown San Diego, Quisqueya Henriquez's inSITE97 piece presented the viewer with an ordered, anti-labyrinth experience. Constructed from cardboard-covered wooden poles, the grid was built scaled to the human body to give a greater sensory impact as the viewer navigated the room. The experience was an attempt to balance the order of the grid with a sense of chaos derived from viewers' inability to easily decipher the intention of the installation. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 145) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Space (Composition Concept) Sculpture (Visual Work) Labyrinths Mexican-American Border Region Insite97 Installations (Visual Works) Grids (Layout Features)contributor Calisphere -
None For Political Reasons Ii
title None For Political Reasons Iidescription Carlos Aguirre's project for inSITE94, "None for Political Reasons II/Ninguno por razones politicas II," was located at the downtown space of the Museum of Contemporary Art, San Diego. Incorporating human bone, soil, refuse, man-made materials, and the central object of a funerary boat, Aguirre's project spoke of the temporal, transitional, and cyclical. The installation conjured up images of ritual and ceremony, referencing the journey from life to death. --inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 016) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Aguirre, Carlossubject Sculpture (Visual Work) Mexican-American Border Region Deaths Rituals (Events) Funeral Rites And Ceremonies Insite94 Installations (Visual Works)contributor Calisphere -
News Release: Insite_05 Announces Public Programming Beginning Aug. 28
title News Release: Insite_05 Announces Public Programming Beginning Aug. 28description Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a surrogate of a document from the InSite Archive (MSS 707, Box 233, folder 04) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Insite_05subject Tijuana (Baja California, Mexico) Documents Boundaries Press Releases Public Art San Diego (Calif.) Insite_05 Mexican-American Border Region Press Kits Performance Art Public Spaces Exhibitions (Events) Installations (Visual Works) Border Artcontributor Calisphere -
Search: General View
title Search: General Viewdescription Chicago-based artist Inigo Manglano-Ovalle proposed a transformation of the bullring at Playas de Tijuana for inSITE2000. Working on a scale indicative of the vast site, Manglano-Ovalle transformed the bullring into a large radio telescope searching for "aliens." Titled Search/En Busqueda the piece functioned as a listening device searching the atmosphere for any discernible noise made by aliens. A suspended antenna above a receiving dish located at ground level of the bullring would pick up sounds that in turn would be broadcast, along with the white sound of listening, on speakers surrounding the bullring, as well as on FM radio and the web. The notion of possible contact with aliens both at the border and in space made the piece, according to the artist, "a global event, possibly cosmic." --inSITE2000 Plaza de Toros Monumental de Aguascalientes (Aguascalientes, Mexico) Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 228) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Humor Bull Rings Sculpture (Visual Work) Antennas Mexican-American Border Region Architecture (Object Genre) Radio Telescopes Undocumented Immigrants Extraterrestrial Beings Installations (Visual Works) Insite2000contributor Calisphere -
Century 21: Shack In Courtyard Of The Centro Cultural Tijuana
title Century 21: Shack In Courtyard Of The Centro Cultural Tijuanadescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 289) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Fences Installations (Visual Works) Border Artcontributor Calisphere -
You Are Aquí: Freeway At Night
title You Are Aquí: Freeway At Nightdescription Cuban-born artist Arturo Cuenca was drawn to work with the visual language of billboards that crowd the US-Mexican border crossing at San Ysidro. With "You Are Aquí" Cuenca pointed to the obvious - locating border crossers exactly at the point of transition between the two countries. Borrowing from the visual language of the surrounding billboards. Cuenca constructed a new billboard with a manipulated satellite image of the border and had it installed on the Puente Mexico, the pedestrian bridge that crosses the lines of vehicular border traffic. Acting as a location marker, the work was seen by more than 45,000 commuters daily. --inSITE2000 Photographs Puente Mexico, San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 077) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Satellite Imagery Boundaries Night Public Art Sculpture (Visual Work) Site-Specific Works Mexican-American Border Region Billboards (Site Elements) Commuting Traffic City Planning Express Highways Insite2000 Bridges (Built Works) Installations (Visual Works) Border Artcontributor Calisphere -
Project At Maclovio Rojas: Video Documentary
title Project At Maclovio Rojas: Video Documentarydescription Brazilian artist Monica Nador began her project for inSITE2000 with a two-month residency in the community of Maclovio Rojas in Tijuana. Challenging traditional notions of the role of the artist and audience, Nador worked with ten families in the community to implement a collaborative form of decoration for the exterior of their homes. Encouraging each family to identify ancestral signs, symbols, and other imagery associated with their regional and cultural heritage, Nador and a small team of assistant artists began a process of creating stencils to be used in decorating their houses. Working in the community for approximately six months, the artist's motivation that "beauty is good for mental and spiritual health" resulted in brightly painted and decorated houses that residents in the entire community saw as unifying and adding visual wealth that could be shared by all. A video documenting Accion en Maclovio Rojas/Project at Maclovio Rojas was produced as part of the project. --inSITE2000 Decorative Arts, Utilitarian Objects and Interior Design Film, Audio, Video and Digital Art Maclovio Rojas, Tijuana, Baja California Sur, Mexico Paintings Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 257, DVD 00-30) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Nador, Mônicasubject Dwellings Painting (Coating) Houses Color Video Art Sculpture (Visual Work) Public Art Mexican-American Border Region Insite2000 Installations (Visual Works) Border Art Beautycontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 408) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Ruminations: Chair And Box Filled With Objects
title Ruminations: Chair And Box Filled With Objectsdescription "This installation, 'Ruminations,' is a dreamscape: an exploration of shifting narratives at the crossroads. In the wake of a painful and humiliating verdict in Simi Valley, and the searing image of L.A. in flames, I find myself focusing upon thresholds: a state of being on the line. The fire ain't out." -- Johnny Coleman, August, 1992 David Zapf Gallery, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 066) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Rodney King Riots (Los Angeles, California : 1992) Sculpture (Visual Work) History Mexican-American Border Region Insite92 Race Relations Installations (Visual Works)contributor Calisphere -
Blue Students
title Blue Studentsdescription Casa de la Cultura de Tijuana Liz Magor's inSITE97 project was an experiment in Photography that involved portraits of students from both the School of Creative and Performing Arts in San Diego and the Preparatoria Federal Lazaro Cardenas in Tijuana. For "Blue Students/Alumnos en Azul," Magor took portraits of numerous senior students and created various format negatives. She pressed the negatives with paper covered in iron salts that converted each into a positive blue image under exposure to Daylight. Magor placed the negatives throughout San Diego and Tijuana, and allowed the various states of light to produce the final pictures. By the end of the exhibition, only a few images had not been completely obscured by effects of the Daylight. Magor stated that the final images in their various stages of legibility represented the power of circumstance and chance that governs the path of people's lives. --inSITE97 Photographs San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 221) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Portraits Boundaries Mexican-American Border Region Photography Insite97 Blue (Color) Installations (Visual Works)contributor Calisphere -
Toaster Work Wagon: Exhibition
title Toaster Work Wagon: Exhibitiondescription Centro Cultural Tijuana Kim Adam's for inSITE97, Toaster Work Wagon, was a grafting on existing nomadic street life (i.e. concession vehicles). The trailered unit, constructed from the hoods and ends of two Volkswagen vans, set out on daily wanderings around San Diego and Tijuana like a winged toaster. Popping open into a work-waiting station, the Wagon attracted crowds of children and bystanders with its unusual contents. Children's bicycles were grafted into two-headed tricycles that were left at the site for adoption. Children experimented with the bicycles, cooperating with one another to move in one direction or the other. Adam's project experimented with notions of form and function as well as movement and direction. During the public phase of inSITE97, the Wagon was displayed at the Centro Cultural Tijuana. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 009) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Walls Bicycles Boundaries Sculpture (Visual Work) Mexican-American Border Region Trailers Fences Insite97 Public Sculpture Street Vendors Installations (Visual Works) Border Artcontributor Calisphere -
Photographs
title Photographsdescription Centro Cultural Tijuana For inSITE97, Ken Lum created two oversized large-scale photographs that were shown at the Centro Cultural Tijuana. The first photograph showed a young girl in San Diego talking on the phone about plans to eat either Mexican or Chinese food. The second photograph, with text from a popular Mexican children's rhyme, shows a young boy selling American soda and candy. The work suggests the blurring of cultural borders despite the adamantly divisive physical barrier. As a Canadian living near the northern US border, Lum stated that his experience in San Diego and Tijuana during inSITE97 caused him to rethink his notion of borders, and consider how the United States, with its pervasive capitalism and culture, borders nations throughout the world. --inSITE97 Photographs Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 210) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Cell Phones Boundaries Texts (Document Genres) Mexican-American Border Region Conversation Ethnicity Insite97 Photography Food Installations (Visual Works) Border Artcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Border Fence Decorated With Banners Behind Performance Stage
title One Flew Over The Void (Bala Perdida): Border Fence Decorated With Banners Behind Performance Stagedescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 198, DVD 01) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Political Art Spectacular, The Flight Humor Boundaries Sculpture (Visual Work) Public Art Insite_05 Audiences Mexican-American Border Region Performance Art Fences Daredevils Adventure And Adventurers Installations (Visual Works) Border Artcontributor Calisphere -
Carpark: Parking Lot Devoted To Black Cars
title Carpark: Parking Lot Devoted To Black Carsdescription Architecture and City Planning Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 189) Working as a collective for their contribution to inSITE94, Nina Katchadourian, Steven Matheson, and Mark Tribe created "Carpark/Estacionamiento" at Southwestern College in Chula Vista. The project involved the participation of students, faculty and staff of the college, all of whom were asked to park for one day in a designated area determined by the color of their vehicle, ranging from aqua to metallic raspberry. The project was carried out on August 31, 1994, and at the end of the commuter rush the parking lots of Southwestern College were completely color sorted. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Conceptual Parking Lots Black (Color) Automobiles Color Mexican-American Border Region Performance Art Insite94 Installations (Visual Works)contributor Calisphere -
Curtain Call
title Curtain Calldescription Centro Cultural Tijuana Mexico City artist Felipe Ehrenberg created a two-part installation for inSITE94, "Curtain Call," sited in the concourse of the Santa Fe Depot in San Diego and in the garden of the Centro Cultural Tijuana. The artist installed two nearly identical structures. In Tijuana, the work consisted of a metal framework of poles between which cables were stretched. Across these cables, faceless cotton cloth dolls were randomly hung like human musical notes. In San Diego, the installation took a similar form, except that the framework was built of wood and the lines were made of hemp. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 106) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ehrenberg, Felipesubject Draperies Sculpture (Visual Work) Mexican-American Border Region Insite94 Clothing Installations (Visual Works) Border Art Musical Notationcontributor Calisphere -
Mama: Video Screen
title Mama: Video Screendescription Brazilian and Swiss artist team Mauricio Dias and Walter Riedweg's inSITE2000 project, "MAMA," was based on work the artists undertook during several extended residencies in the region. Interested in investigating the issues of border security and immigration, the artists met with numerous groups, organizations, and individuals on either side of the border to collect materials. Through this process the artists narrowed their work to deal specifically with K-9 US customs officers on the one hand, and on the other, Mexican citizens trying to cross the border illegally. What interested Dias and Riedweg were the maternal relationships of the K-9 officers and how that informed the relationships they developed with their dogs and in turn the work they were performing daily. The work became an investigation of the border between private and public selves, and of the transgression and transference of private psychology on public situations. The project was shown as a video installation housed in two separate structures located in the San Ysidro pedestrian passage, Pasillo Turistico. Built to simulate the shape and size of ordinary cargo containers, one structure contained video of interviews with the customs officers and showed them interacting with their dogs. Each officer was asked to give his definition of "territory" and "authority." The other structure showed a looped video clip of illegal immigrants meeting up at night around a fire waiting for the "right" moment to jump the fence. --inSITE2000 Film, Audio, Video and Digital Art Performing Arts (including Performance Art) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 095) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Dogs Boundaries Border Art Mothers Sons Mexican-American Border Region Insite2000 Installations (Visual Works) Graphic Arts Border Patrol Agents Video Artcontributor Calisphere -
Hospitality: Painting In Progress: Day One
title Hospitality: Painting In Progress: Day Onedescription Barbosa and Ricalde proposed covering the Puente Mexico (the pedestrian bridge that crosses the Tijuana River and leads from Avenida Revolucion toward the international border crossing at San Ysidro) with a carpet of painted names: a "welcome mat." The project, entitled "Hospitality," was inspired by the way in which color, typography, and first names are employed as marks of identity, much like the woven bracelets sold in handcraft market stalls along the border. Performing Arts (including Performance Art) Puente Mexico, Tijuana (Baja California, Mexico) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 181, DVD 01) Tijuana, Río, México, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Border Crossing Name Tags Political Art Carpets Collaboration Color Boundaries Names Paintings (Visual Works) Public Art Insite_05 Mexican-American Border Region Paths Information Signs Bridges (Built Works) Installations (Visual Works) Border Art Grids (Layout Features)contributor Calisphere -
The Tower
title The Towerdescription Drawing on the tradition of the California Light and Space movement, San Diego-based artist Jim Skalman created an installation titled "The Tower/La Torre" for inSITE94 that joined these sensibilities in a minimal expression of calculated form, space, and light. Skalman chose to work at La Torre in Tijuana because of its architectural space, history, and the possibilities it offered. The artist created a sparse installation housing few constructed forms and lit the interior rooms with diffused lighting to further transform them into spaces of contemplation. -- inSITE94 La Torre de Tijuana, Tijuana, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 344) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Space (Composition Concept) Contemplation Light And Space Sculpture (Visual Work) Mexican-American Border Region Light (Energy) Insite94 Installations (Visual Works)contributor Calisphere -
Saline: Plexiglas Containers Filled With Water
title Saline: Plexiglas Containers Filled With Waterdescription For inSITE94, artist Nina Karavasiles created "Saline/La salina" at the Stephen Birch Aquarium-Museum, part of Scripps Institution of Oceanography at the University of California, San Diego. The artist built a salt-filled trough that extended from the aquarium-museum courtyard down the hillside towards the water, creating a visual connection to the seaside, the Scripps Pier, and the ocean beyond. Alongside the trough were Plexiglas enclosures containing salt water. Over the course of the exhibition the water evaporated leaving behind salt crystals. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Stephen Birch Aquarium-Museum This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 178) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Karavasiles, Ninasubject Pacific Ocean Sculpture (Visual Work) Public Art Views Mexican-American Border Region Landscapes (Environments) Insite94 Oceans Process Art Installations (Visual Works) Border Artcontributor Calisphere -
Blue Granite Shift
title Blue Granite Shiftdescription California Center for the Arts Museum (Escondido, Calif.) For inSITE94, Mathieu Gregoire created a permanent installation for the central courtyard of the California Center for the Arts, Escondido. Entitled "Blue Granite Shift/Transición del granite azul," the piece is made of granite quarried from the hills surrounding the cultural complex. Extending 500 feet throughout the courtyard, the work moves from rough granite boulders to increasingly more cut and polished stones, finally ending with completely square granite elements. Likewise, the landscaping follows a similar evolution from native plants and trees to more formal and decorative varieties. The work suggests development in the area as having been wrought from the natural environment. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 131) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gregoire, Mathieusubject Landscape Architecture Abstraction Orchards Sculpture (Visual Work) Escondido (Calif.) Mexican-American Border Region Landscapes (Environments) Insite94 Installations (Visual Works) Gardenscontributor Calisphere -
Poggi Canyon
title Poggi Canyondescription Architecture and City Planning Drawings and Watercolors Poggi Canyon, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 333) Titled "Poggi Canyon/Cañón Poggi," Schnorr's project addressed the proposed development of Poggi Canyon in Chula Vista and the impact it would have on the neighboring residents. The artist erected four billboards with images of the canyon spaced about one hundred yards apart. As one would approach the canyon by car the question "When is a Canyon Not a Canyon," written out over the four billboards, highlighted a development project then being considered by the Chula Vista City Council. Over the course of the exhibition the artist gradually covered each pristine billboard image of the canyon with drawings showing the development of street systems, housing and planned landscaping, suggesting what would happen to the natural landscape should the development be approved. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Schnorr, Michaelsubject Political Art Sculpture (Visual Work) Mexican-American Border Region Landscapes (Environments) Insite94 Environmentalism Housing Development Urban Planning Nature Installations (Visual Works) Real Estate Developmentcontributor Calisphere -
The Glass Wall: Beyond Numbers: Detail Of Glass Panels
title The Glass Wall: Beyond Numbers: Detail Of Glass Panelsdescription Boehm Gallery, Palomar College Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The artist had identifying numbers sand-blasted into Plexiglas and arranged them in a grid. On another wall there are identifying labels of anonymous men and women describing them by occupation and race. The installation also included self portraits in oil with the artist depicted in various guises and identities. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 239) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mur-Ray, Mingsubject Numbers Occupations Classification Race Relations Sculpture (Visual Work) Mexican-American Border Region Insite92 Identification Installations (Visual Works) Grids (Layout Features)contributor Calisphere -
Yin/Yang, Us/Them
title Yin/Yang, Us/Themdescription Albert Chong's project, "Yin/Yang, Us/Them/Yin/yang, nosotros/ellos," was installed at La Torre de Tijuana. Gathered on the floor of the Torre were apples and oranges arranged in the Taoist symbol of yin and yang. In the words of the artist, the fruits symbolize difference and co-existence. Surrounding this circle were half-shell coconuts containing water, wine, and rum. Evoking a space of ritual, the central circular element was balanced by a cowrie-shell jacket suspended from the ceiling, bottles of liquor, and a wall text. --inSITE94 La Torre de Tijuana, Tijuana, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 063) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Chong, Albertsubject Boundaries Sculpture (Visual Work) Floor Pieces (Art) Installations (Visual Works) Mexican-American Border Region Insite94 Food Taoism Nature Infinite Border Artcontributor Calisphere -
Rain Bow: View With Blinds Open
title Rain Bow: View With Blinds Opendescription San Diego Natural History Museum San Diego-based artist Roman de Salvo created four distinct installations for inSITE94 at the San Diego Natural History Museum. Titled "Rain Bow/Arco de lluvia," "Santa Ana," "Exits/Salidas," and "Mouse Hole/Ratonera," respectively, the pieces were located in areas of the museum not normally used for exhibition. Drawing attention to the marginal with a certain measure of wit, de Salvo's minimal yet rich interjections invited visitors to contemplate freely, without detailed exposition from the artist. With "Rain Bow" engaging the drinking fountain pulls a cord which opens the shutter blinds, revealing an image of a rainbow over the park directly outside the museum. Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 088) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Salvo, Roman Desubject Rainbows Humor Sculpture (Visual Work) Windows Mexican-American Border Region Drinking Fountains Insite94 Installations (Visual Works) Views (Visual Works)contributor Calisphere -
Serpent Column, Auto-Sacrifice: Snakes Along Surface Of Column
title Serpent Column, Auto-Sacrifice: Snakes Along Surface Of Columndescription Casa de la Cultura de Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Spring Hurlbut's work for inSITE97, "Columna serpiente, autosacrificio," was installed in the staircases of the Casa de la Cultura in Tijuana. Hurlbut designed cast-plaster Greek columns covered in coiling serpents, and column bases holding pairs of skeletal feet. Referencing symbols of victimization and bloodshed from Mexican and Greek history and mythology, Hurlbut wished to use architecture to examine the development of civilization and territories around the border. --inSITE97 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 160) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Hurlbut, Springsubject Sculpture (Visual Work) Public Art Mexican-American Border Region Insite97 Snakes Sacrifice Columns (Architectural Elements) Installations (Visual Works) Border Artcontributor Calisphere -
Untitled: Gold Leaf With Plumeria Bloomin In Bottom Of Abandoned Pool
title Untitled: Gold Leaf With Plumeria Bloomin In Bottom Of Abandoned Pooldescription Architecture and City Planning Centro Escolar Agua Caliente (Tijuana, Mexico) Scottish artist Anya Gallacio created two installations for inSITE94, one untitled piece located at Centro Escolar Agua Caliente, the other titled "Preserve: Maya/Preservación: maya" at the downtown location of the Museum of Contemporary Art, San Diego. Gallacio was drawn to the site of Agua Caliente because of its history: it was built in 1929 as a resort and casino for the rich who came there to escape and play. Having been abandoned for many years, the pool was showing signs of decay with missing tiles, cracks, and broken elements. Gallacio chose to cover these exposed areas with gold foil, referencing and revealing a sense of the pool's gilded past. At MCASD, Gallacio worked with the theme of natural transformation. The artist chose a space viewable from both inside the Museum and from the bookstore, and layered red gerbera daisies between two panes of glass to create a botanical stained glass that was inserted as a window space. Over the course of the exhibition the flowers decomposed, fading to grey and revealing their own life cycle. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 124) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gallacio, Anya, 1963-subject Casinos Restoration Graffiti Resorts Swimming Pools Sculpture (Visual Work) Mexican-American Border Region Insite94 Gilding Renovation Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 362) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Signs Of Mount Signal: View Of Exhibition At Steppling Art Gallery, San Diego State University, Calexico
title Signs Of Mount Signal: View Of Exhibition At Steppling Art Gallery, San Diego State University, Calexicodescription For inSITE2000 New York-based artist Allan McCollum created a multivenue project involving the participation of residents and institutions from the Imperial Valley and Valle de Mexicali region to the east of San Diego. Interested in participating in the establishment of a cultural identity and iconography for the region, McCollum was initially drawn to the area through learning about sand spikes, a unique natural geological concretion found only at the foot of Mt. Signal/El Centinela. With the mountain straddling the US-Mexico border, it was already established as a physical landmark and identifying symbol for locals on either side of the border. During extended residency periods McCollum collected artworks by local residents depicting the mountain and performed extensive research on the sand spike and Mt. Signal, as well as the local culture surrounding both. With his project Signs of Mount Signal/Signos del Cerro del centinela, McCollum brought together the work of thirty-seven local artists showcasing the mountain and forged a collaboration between four regional institutions. The project included over one thousand cast replicas of the sand spike and Mt. Signal, a 16-foot sand spike sculpture, a large-scale model of Mt. Signal, collected historical information about the area, local artwork depicting the mountain, as well as twelve booklets produced by the artist on the subject of concretions. The project was shown in parts at the Museo de la Universidad Autonoma de Baja California, Mexicali, the Steppling Art Gallery at San Diego State University in Calexico, the Imperial County Historical Society Pioneer's Museum, and combined at the University Art Gallery at San Diego State University. --inSITE2000 Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Steppling Art Gallery, San Diego State University. Imperial Valley Campus This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 232) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landscapes (Representations) Concretions Geology Natural History Boundaries Border Art Landscape Painting, American Models (Representations) Sculpture (Visual Work) Mexican-American Border Region Mass Production Signal, Mount (Calif.) Installations (Visual Works) Insite2000 Science Museumscontributor Calisphere -
Death Perra
title Death Perradescription Casa de la Cultura de Tijuana Film, Audio, Video and Digital Art For inSITE97, Miguel Calderon created a short film spoofing satanic practices near the San Diego-Tijuana border, incorporating stereotypical UFO paraphernalia and imagery to emphasize the "cheesy" nature of both subjects. The film, "Death Perra," was shown on a small television at the Casa de la Cultural de Tijuana. Produced in the style of a music video, Calderon used satanic UFO records as the sound track, mixing scenes of his friends playing records on turntables with scenes of artificial UFOs in different locations. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 056) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Calderón, Miguelsubject Satanism Motion Pictures Unidentified Flying Objects Music Videos Mexican-American Border Region Insite97 Parody Installations (Visual Works) Border Artcontributor Calisphere -
Dante Alighieri
title Dante Alighieridescription California artist Jeffrey Vallance proposed to make an intervention at the Tijuana Wax Museum for inSITE2000. Collaborating with Mexico City-based wax-figure maker Victor Hugo Yanez, Vallance produced three new figures for the museum: the Virgin of Guadalupe, Dante, and former US President Richard Nixon. Vallance started with a list of about twenty-eight names of historical and contemporary figures as potential additions to the display at the museum, and arrive at the selection of the three figures based on the existing exhibition structure. The Virgin of Guadalupe could be seen in full figure situated on her own, while Nixon was placed in the presidential room holding in his hands the symbolic element that came to define his public career, a simulated set of reel-to-reel Watergate tapes, and Dante was placed at the entrance to hell with his hand pointing the way. With his project for the Wax Museum, Vallance deepened his own interest and fascination with the three selected figures. In this way, having followed stories for years from different parts of the world detailing apparitions of the Virgin of Guadalupe, Vallance, during a residency period in San Diego, could add yet another apparition to the list - he spotted her up high on a stone column at the Courtyard by Marriott downtown hotel. -- inSITE2000 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 387) Tijuana Wax Museum [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Authors Wax Figures Popular Culture Dante Alighieri, 1265-1321 Boundaries Sculpture (Visual Work) Figurative Art Mexican-American Border Region Kitsch Waxworks Gesture Insite2000 Installations (Visual Works) Border Artcontributor Calisphere -
The Celebration Is Over
title The Celebration Is Overdescription Film, Audio, Video and Digital Art Installation that included votive candles arranged in the form of a crucifix and oriented toward a television screen. Mission Brewery Plaza, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 081) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Popular Culture Religions (Concept) Crosses Worship Mexican-American Border Region Christianity Insite92 Installations (Visual Works)contributor Calisphere -
Minicity: General View
title Minicity: General Viewdescription For inSITE97's Community Engagement Program, Amanda Farber developed "miniCITY/miniCIUDAD," an ongoing project constructed by children visiting the San Diego Children's Museum. The miniature city was pieced together from cardboard, scrap materials, and other miscellaneous craft items gathered and donated from various local stores. The open-ended structure of the project allowed children to create their own image of a city based on their personal experiences and imagination. Farber commented that she wanted the piece to focus on the children's ideas and perceptions, not a reflection of her own opinions and preconceptions. The resulting conglomeration of buildings, parks, and spaces of "miniCITY/miniCIUDAD" became a representation not only of the children's individuality and diversity, but also the diversity within the border region of San Diego and Tijuana. --inSITE97 Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 117) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Streets Play Collaboration Children'S Art Education Sculpture (Visual Work) Public Art Mexican-American Border Region Architecture (Object Genre) Cities Insite97 Installations (Visual Works) Border Art Crafts (Art Genres)contributor Calisphere -
Airplane Parts And Building, A Large Growth For San Diego: Interior View
title Airplane Parts And Building, A Large Growth For San Diego: Interior Viewdescription Commissioned by the Museum of Contemporary Art, San Diego a few years prior to 1994, the Museum presented, in conjunction with inSITE94, a new installation by Los Angeles-based artist Nancy Rubins at their downtown location. Titled "Airplane Parts and Building, A Large Growth for San Diego," the installation was built of discarded airplane parts that were arranged to rise from the floor of the interior space of the Museum and pierce through the building's south-facing windows to form a large hovering growth on the exterior. The dynamic arrangement of the elements made the pieces work together as one appearing frozen in time and their careful placement as a whole suggested a rapid movement as though whirled together by some unknown force. --inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 319) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Rubins, Nancysubject Salvage Junk Sculpture Sculpture (Visual Work) Aerospace Industries Mexican-American Border Region Insite94 Recycling Installations (Visual Works)contributor Calisphere -
The Great Balboa Park Landfill Exposition Of 1997: Painted Concrete Barrier
title The Great Balboa Park Landfill Exposition Of 1997: Painted Concrete Barrierdescription Balboa Park (San Diego, Calif.) Cindy Zimmerman's Community Engagement project for inSITE97 was the development of a new park environment at the landfill adjacent to Florida Canyon in Balboa Park. Constructing the piece over several months, Zimmerman involved children and families in the creation and placement of straw bales and clay in the landfill to make labyrinths, temporary earthworks, and adobe structures. "The Great Balboa Park Landfill Exposition of 1997/La gran exposicion del relleno del Balboa Park 1997" transformed an unused and unattractive plot of land into a new community park and art installation. Zimmerman led workshops and meetings throughout the project to involve the community and collaborate with the participants to create art from organic materials. -- inSITE97 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 427) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Zimmerman, Cindysubject Landfills Community Arts Projects Play Workshops (Seminars) Sculpture (Visual Work) Mexican-American Border Region Insite97 Renovation Installations (Visual Works) Artistic Collaborationcontributor Calisphere -
Abandoned Ii
title Abandoned Iidescription Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 308) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Homelessness Humor Leisure Sculpture (Visual Work) Public Art Playgrounds Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Chaises Longues Insite94 Artistic Collaboration Insite92 Installations (Visual Works) Border Art Furniturecontributor Calisphere -
Public Hearing
title Public Hearingdescription Centro Cultural de la Raza (San Diego, Calif.) Puerto Rican artist Pepón Osorio's project for inSITE94 was a continuation of his exploration of the issues particular to the experience Latin immigrants have as they settle and integrate into the culture of the United States. Entitled "Vista pública/Public Hearing," the installation dealt specifically with the frustrations and misunderstandings arising from interactions with government agencies. According to the artist the piece evolves each time it is presented at a new site within a new community facing issues that describe the immigrant experience. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 261) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Hearings Place Settings Race Discrimination Sculpture (Visual Work) Clothing Insite94 Puerto Rico Immigrants Installations (Visual Works) Bronx (New York, N.Y.)contributor Calisphere -
Signs Of Mount Signal: View Of Large Sand Spike Model On A Concrete Pedestal
title Signs Of Mount Signal: View Of Large Sand Spike Model On A Concrete Pedestaldescription For inSITE2000 New York-based artist Allan McCollum created a multivenue project involving the participation of residents and institutions from the Imperial Valley and Valle de Mexicali region to the east of San Diego. Interested in participating in the establishment of a cultural identity and iconography for the region, McCollum was initially drawn to the area through learning about sand spikes, a unique natural geological concretion found only at the foot of Mt. Signal/El Centinela. With the mountain straddling the US-Mexico border, it was already established as a physical landmark and identifying symbol for locals on either side of the border. During extended residency periods McCollum collected artworks by local residents depicting the mountain and performed extensive research on the sand spike and Mt. Signal, as well as the local culture surrounding both. With his project Signs of Mount Signal/Signos del Cerro del centinela, McCollum brought together the work of thirty-seven local artists showcasing the mountain and forged a collaboration between four regional institutions. The project included over one thousand cast replicas of the sand spike and Mt. Signal, a 16-foot sand spike sculpture, a large-scale model of Mt. Signal, collected historical information about the area, local artwork depicting the mountain, as well as twelve booklets produced by the artist on the subject of concretions. The project was shown in parts at the Museo de la Universidad Autonoma de Baja California, Mexicali, the Steppling Art Gallery at San Diego State University in Calexico, the Imperial County Historical Society Pioneer's Museum, and combined at the University Art Gallery at San Diego State University. --inSITE2000 Pioneers' Park Museum, Imperial, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 229) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Concretions Geology Natural History Boundaries Border Art Models (Representations) Platforms Sculpture (Visual Work) Installations (Visual Works) Insite2000 Science Museumscontributor Calisphere -
International Waters: Detail Of Pipe Penetrating The Border Fence
title International Waters: Detail Of Pipe Penetrating The Border Fencedescription Architecture and City Planning Border Field State Park, San Diego, California, United States For inSITE97 San Diego artist Louis Hock constructed "International Waters/Aguas internacionales" at the Border Field State Park/Playas de Tijuana section of the border fence. Using water pumped from a well several miles northeast of the site, Hock built a double-sided drinking fountain with one head on each side of the border. People bending to drink from the heads could see each other through a hole cut in the metal fence. During the exhibition, US government authorities suddenly decided to replace the opaque metal fence with a chain link fence. "International Waters/Aguas internacionales" used the valuable resource, potable water, as an example of the flow and exchange that occurs along the border, despite the barriers and questions of ownership that try to hinder it. --inSITE97 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 146) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Hock, Louissubject Drinking Water Political Art Boundaries Sculpture (Visual Work) Public Art Mexican-American Border Region Insite97 Natural Resources Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Cross The Razor
title Cross The Razordescription Border Field State Park Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Terry Allen's project, "Cross the Razor/Cruzar la navaja," was located on both sides of the US-Mexico border fence. Working to establish some sort of platform for communication across the fence, Allen's proposal for a public exchange of words and music evolved from two stationary free-speech areas to two mobile units. Two vans were outfitted with wooden platforms, microphones, amplifiers, and translators, one for each side of the border. For the duration of the project the two vans met at various points along the border fence near Playas de Tijuana and Border Field State Park; and an open invitation was extended to all to climb onto the vans and communicate by any means to listeners on the other side. - inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 017) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Allen, Terrysubject Language Public Speaking Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite94 Fences Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Boletín De Prensa #1
title Boletín De Prensa #1description Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a surrogate of a document from the InSite Archive (MSS 707, Box 233, folder 04) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Insite_05subject Tijuana (Baja California, Mexico) Documents Boundaries Press Releases Public Art San Diego (Calif.) Insite_05 Mexican-American Border Region Press Kits Performance Art Public Spaces Exhibitions (Events) Installations (Visual Works) Border Artcontributor Calisphere -
Century 21: Interior With Dining Table
title Century 21: Interior With Dining Tabledescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 290) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Ceilings Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Dining Rooms Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 409) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Ruminations: Gate And Video Monitor
title Ruminations: Gate And Video Monitordescription "This installation, 'Ruminations,' is a dreamscape: an exploration of shifting narratives at the crossroads. In the wake of a painful and humiliating verdict in Simi Valley, and the searing image of L.A. in flames, I find myself focusing upon thresholds: a state of being on the line. The fire ain't out." -- Johnny Coleman, August, 1992 David Zapf Gallery, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 067) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Rodney King Riots (Los Angeles, California : 1992) Sculpture (Visual Work) History Mexican-American Border Region Insite92 Race Relations Doorways Installations (Visual Works)contributor Calisphere -
Podría Haber Muchos Más Que Éstos: General View
title Podría Haber Muchos Más Que Éstos: General Viewdescription Installed in the Children's Museum in downtown San Diego, Anna Maria Maiolino's work was a mass collection of clay coils placed in random piles around the room. Using similar forms and processes from her previous work, "There Could Be Many More Than These/Podria haber muchos mas que estos" focused on the gesture and repetition used to create the clay coils. Molded over the course of several weeks, the number of coils was finite, but the infinite nature of the gesture creating them made the installation an act of chance. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 222) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Repetition (Aesthetics) Sculpture (Visual Work) Mexican-American Border Region Rings Insite97 Gesture Installations (Visual Works)contributor Calisphere -
Just Passing Through
title Just Passing Throughdescription Decorative Arts, Utilitarian Objects and Interior Design For her inSITE94 project Mexico City artist Yolanda Gutierrez created a total of forty-five iron clouds, which she suspended from the ceiling of the Santa Fe Depot waiting room. Each of the clouds was covered in animal bone, delicately suggesting, according to the artist, a contemplation of the journey from life to death. The installation entitled "Just Passing Through/De Paso," composed of various sized clouds, suggests motion through space and life as constant movement. --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 139) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gutiérrez, Yolandasubject Clouds Death Sculpture (Visual Work) Public Art Mexican-American Border Region Insite94 Installations (Visual Works) Border Artcontributor Calisphere -
Project Documentation: Video Wind Chimes
title Project Documentation: Video Wind Chimesdescription Architecture and City Planning Garden and Landscape Paintings Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The "Video Wind Chimes" by inSITE94 artist Sheldon Brown use the force of the wind to reveal the pervasive electro-magnetic fields inhabiting the atmosphere, particularly those that are encoded as the broadcast television spectrum. A series of video projectors are mounted inside of winged housings which cause the projectors to sway in the wind, changing the projected imagery's tuning and its position on the ground. This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 255, DVD 94-43) University of California, San Diego. Center for Research in Computing and the Arts [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Brown, Sheldonsubject Computer Art Documentaries Broadcasts Television Mexican-American Border Region Performance Art Insite94 Videorecording Information Technology Installations (Visual Works) Video Artcontributor Calisphere -
Dirty Water Initiative: Solar Collectors And Water Bottles
title Dirty Water Initiative: Solar Collectors And Water Bottlesdescription Architecture and City Planning San Ysidro (San Diego, Calif.) Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Stairway Of The Ancients: Upper Landing With Drunken Figure And Lamppost
title Stairway Of The Ancients: Upper Landing With Drunken Figure And Lamppostdescription "Stairway of the Ancients" is a complex stairway, probably built in the 1920s, leading up to the Casa de la Cultura. It is in disrepair with parts that are eroded or broken. To try to keep within this context, the figurines that MacConnel has cast, purchased from street vendors, are irregular, broken and "antiqued." The "Ancients" are funny, sad, prideful, odd remnants of tourist art. La Escalinata, Tijuana (Baja California, Mexico) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 211) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Macconnel, Kimsubject Popular Culture Stairs Aesthetics Graffiti Statues Humor Sculpture (Visual Work) Mexican-American Border Region Architecture (Object Genre) Decoration And Ornament Insite94 Kitsch Toys (Recreational Artifacts) Installations (Visual Works)contributor Calisphere -
Infosite San Diego: Open Roof
title Infosite San Diego: Open Roofdescription Architecture and City Planning Balboa Park (San Diego, Calif.) Decorative Arts, Utilitarian Objects and Interior Design Garden and Landscape San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The "infoSites" are information centers, envisioned and designed as artist projects and conceived as ephemeral architecture for two specific locations in Tijuana and San Diego. These centers serve as places for visitors to engage in educational programs such as lectures and dialogues, as well as to peruse a variety of visual displays, archival documents, books, and multimedia (videos, music, computer based) that strive to allow audiences access to inSite_05 art projects and processes. The "infoSites" also serve as starting points for inSite_05 visitors: providing maps, pamphlets, and other materials which inform the public of dates and locations of specific inSite_05 events. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 184, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Cruz, Teddysubject Political Art Education Public Art Information Centers (Facilities) Insite_05 Architecture (Object Genre) Mexican-American Border Region Information Roofs Public Spaces Recycling Temporary Structures (Building) Installations (Visual Works) Border Artcontributor Calisphere -
Curtain Call
title Curtain Calldescription Centro Cultural Tijuana Mexico City artist Felipe Ehrenberg created a two-part installation for inSITE94, "Curtain Call," sited in the concourse of the Santa Fe Depot in San Diego and in the garden of the Centro Cultural Tijuana. The artist installed two nearly identical structures. In Tijuana, the work consisted of a metal framework of poles between which cables were stretched. Across these cables, faceless cotton cloth dolls were randomly hung like human musical notes. In San Diego, the installation took a similar form, except that the framework was built of wood and the lines were made of hemp. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 107) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ehrenberg, Felipesubject Draperies Sculpture (Visual Work) Mexican-American Border Region Insite94 Clothing Installations (Visual Works) Border Art Musical Notationcontributor Calisphere -
Carpark: Parking Lot Devoted To Red Cars
title Carpark: Parking Lot Devoted To Red Carsdescription Architecture and City Planning Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 190) Working as a collective for their contribution to inSITE94, Nina Katchadourian, Steven Matheson, and Mark Tribe created "Carpark/Estacionamiento" at Southwestern College in Chula Vista. The project involved the participation of students, faculty and staff of the college, all of whom were asked to park for one day in a designated area determined by the color of their vehicle, ranging from aqua to metallic raspberry. The project was carried out on August 31, 1994, and at the end of the commuter rush the parking lots of Southwestern College were completely color sorted. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Conceptual Parking Lots Automobiles Color Mexican-American Border Region Performance Art Insite94 Red (Color) Installations (Visual Works)contributor Calisphere -
Mama: Us/Mexico Pedestrian Border Crossing, San Ysidro
title Mama: Us/Mexico Pedestrian Border Crossing, San Ysidrodescription Brazilian and Swiss artist team Mauricio Dias and Walter Riedweg's inSITE2000 project, "MAMA," was based on work the artists undertook during several extended residencies in the region. Interested in investigating the issues of border security and immigration, the artists met with numerous groups, organizations, and individuals on either side of the border to collect materials. Through this process the artists narrowed their work to deal specifically with K-9 US customs officers on the one hand, and on the other, Mexican citizens trying to cross the border illegally. What interested Dias and Riedweg were the maternal relationships of the K-9 officers and how that informed the relationships they developed with their dogs and in turn the work they were performing daily. The work became an investigation of the border between private and public selves, and of the transgression and transference of private psychology on public situations. The project was shown as a video installation housed in two separate structures located in the San Ysidro pedestrian passage, Pasillo Turistico. Built to simulate the shape and size of ordinary cargo containers, one structure contained video of interviews with the customs officers and showed them interacting with their dogs. Each officer was asked to give his definition of "territory" and "authority." The other structure showed a looped video clip of illegal immigrants meeting up at night around a fire waiting for the "right" moment to jump the fence. --inSITE2000 Film, Audio, Video and Digital Art Performing Arts (including Performance Art) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 096) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Dogs Boundaries Border Art Mothers Sons Mexican-American Border Region Insite2000 Installations (Visual Works) Graphic Arts Border Patrol Agents Video Artcontributor Calisphere -
Hospitality: Painting In Progress: Day One
title Hospitality: Painting In Progress: Day Onedescription Barbosa and Ricalde proposed covering the Puente Mexico (the pedestrian bridge that crosses the Tijuana River and leads from Avenida Revolucion toward the international border crossing at San Ysidro) with a carpet of painted names: a "welcome mat." The project, entitled "Hospitality," was inspired by the way in which color, typography, and first names are employed as marks of identity, much like the woven bracelets sold in handcraft market stalls along the border. Performing Arts (including Performance Art) Puente Mexico, Tijuana (Baja California, Mexico) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 181, DVD 01) Tijuana, Río, México, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Border Crossing Name Tags Political Art Carpets Collaboration Color Boundaries Names Paintings (Visual Works) Public Art Insite_05 Mexican-American Border Region Paths Information Signs Bridges (Built Works) Installations (Visual Works) Border Art Grids (Layout Features)contributor Calisphere -
Blue Granite Shift
title Blue Granite Shiftdescription California Center for the Arts Museum (Escondido, Calif.) For inSITE94, Mathieu Gregoire created a permanent installation for the central courtyard of the California Center for the Arts, Escondido. Entitled "Blue Granite Shift/Transición del granite azul," the piece is made of granite quarried from the hills surrounding the cultural complex. Extending 500 feet throughout the courtyard, the work moves from rough granite boulders to increasingly more cut and polished stones, finally ending with completely square granite elements. Likewise, the landscaping follows a similar evolution from native plants and trees to more formal and decorative varieties. The work suggests development in the area as having been wrought from the natural environment. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 132) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gregoire, Mathieusubject Landscape Architecture Abstraction Orchards Sculpture (Visual Work) Escondido (Calif.) Mexican-American Border Region Landscapes (Environments) Insite94 Installations (Visual Works) Gardenscontributor Calisphere -
Family Trees
title Family Treesdescription Centro Cultural Tijuana Drawings and Watercolors Ernest Silva's inSITE97 Community Engagement project, "Family Trees/Arboles de familias," was a collaboration with artist Alberto Caro-Limón that linked the Children's Museum in San Diego to the Centro Cultural in Tijuana. Each site allowed children to write their own family stories and draw family portraits. Both installations were brightly colored and filled with images of houses, trees, birds, and birdhouses to symbolize the exchange of memories and stories from one museum to the other. The space at the Children's Museum was a Rain House that functioned as a studio, reading room, and exhibition space for the children's family projects. At the Centro, the space contained children-sized houses, benches and work spaces, and painted wood-picket fences and trees. The projects created at each installation then traveled to the other to be exhibited to complete the exchange of stories and perspectives. --inSITE97 Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 334) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Silva, Ernestsubject Collaboration Color Boundaries Sculpture (Visual Work) Trees Children (People By Age Group) Mexican-American Border Region Families Rain Fences Insite97 Drawings (Visual Works) Multimedia Works Installations (Visual Works) Border Art Crafts (Art Genres)contributor Calisphere -
Poison Shelf: Detail Of Bookshelves
title Poison Shelf: Detail Of Bookshelvesdescription Athenaeum Music & Arts Library (La Jolla (San Diego, Calif.)) Occupying a large section of the La Jolla Athenaeum Music & Arts Library, Ming Mur-Ray's installation for inSITE94 was entitled "CYM55296." Arranged on long shelves, the artist neatly installed rows of square wooden tablets displaying an invented language of calligraphy. Another element of the installation was rows of books sealed tight and with the phrase "See No Evil, Hear No Evil, Speak No Evil," on their covers, alluding to Censorship within the arts. Also, part of the work was a bookcase randomly stacked with books fond to be controversial or drawing public complaints. Together these elements created a dialogue around language and how public and private opinion often categorizes based on content. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 240) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mur-Ray, Mingsubject Language Political Art Prohibited Books Censorship Calligraphy Mexican-American Border Region Insite94 Installations (Visual Works) Writingcontributor Calisphere -
The Line
title The Linedescription Fernando Arias's project for inSITE97, The Line/La linea, was installed at the ReinCarnation Project in downtown San Diego. Using a piece of the US-Mexico border sheet metal fence slightly suspended above a concrete floor, Arias divided an interior space. Beneath the suspended edge of the fence the artist placed white powder - an image of cocaine about to be cut. Attempting to highlight the human issues raised by illegal drug trafficking among countries of the Americas, Arias focused particularly on the use of the human body as a vehicle for transport and smuggling. During the opening weekend of the exhibition, Arias invited viewers to look into an endoscope running into his body to illustrate the invasive ways in which drugs are transported. --inSITE97 ReinCarnation Project San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 028) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Walls Cocaine Boundaries Sculpture (Visual Work) Drug Traffic Mexican-American Border Region Human Body Fences Insite97 Installations (Visual Works) Border Artcontributor Calisphere -
The Good Rumor Project
title The Good Rumor Projectdescription "The Good Rumor Project" appropriates and replicates the model of a social experiment. In seeking to invert the more common negative effects of rumor Wrange and his collaborators constructed two "good" rumors: one about people in Tijuana that was spread in San Diego and one about people in San Diego that was spread in Tijuana. In contrast to normal rumors, the "good" rumors were created in dialogue with the actual subjects of the rumors through a series of focus groups. The "good" rumors were disseminated through a multifaceted strategy that combines some of the most advanced marketing techniques - viral/ word of mouth marketing - with structures borrowed from rumor theory as well as recent research on small-world networks and social network analysis. By tracing the organization of the interdependent communication channels in the border zone, as well as the spatial and temporal development of the "good" rumor, Wrange/ OMBUD reveal how Society is predicated on an ever evolving communicative process. --inSite_05 Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 202, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wrange, Måns, 1961-subject Rumor Political Art Humor Boundaries Sculpture (Visual Work) Public Art Insite_05 Mexican-American Border Region Performance Art Focus Groups Communication (Function) Installations (Visual Works) Border Art Information Signscontributor Calisphere -
Mouse Hole
title Mouse Holedescription San Diego Natural History Museum San Diego-based artist Roman de Salvo created four distinct installations for inSITE94 at the San Diego Natural History Museum. Titled "Rain Bow/Arco de lluvia," "Santa Ana," "Exits/Salidas," and "Mouse Hole/Ratonera," respectively, the pieces were located in areas of the museum not normally used for exhibition. Drawing attention to the marginal with a certain measure of wit, de Salvo's minimal yet rich interjections invited visitors to contemplate freely, without detailed exposition from the artist. Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 089) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Salvo, Roman Desubject Pests--Control Mice Humor Sculpture (Visual Work) Mexican-American Border Region Museums Labels Insite94 Installations (Visual Works)contributor Calisphere -
Drill: General View
title Drill: General Viewdescription Dolores Magdalena Memorial Recreation Center, Logan Heights, San Diego, California, United States Doug Ischar's inSITE97 project, "Drill/Taladro/Adiestramiento," was a series of video and audio installations that meandered through the gymnasium of the Dolores Magdelena Memorial Recreation Center in Logan Heights. Running for several hours on two weekends, the installations, named individually "Vent," "Seam," and "Patient," were connected by orange electrical cable, providing the viewer with a path to follow. Ischar pieced together the imagery and music that played while participants navigated the installation. --inSITE97 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 161) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Sound Art Video Art Mexican-American Border Region Insite97 Installations (Visual Works) Backboards (Sports Equipment) Gymnasiumscontributor Calisphere -
Untitled: Gold Leaf With Fountain And Graffiti
title Untitled: Gold Leaf With Fountain And Graffitidescription Architecture and City Planning Centro Escolar Agua Caliente (Tijuana, Mexico) Scottish artist Anya Gallacio created two installations for inSITE94, one untitled piece located at Centro Escolar Agua Caliente, the other titled "Preserve: Maya/Preservación: maya" at the downtown location of the Museum of Contemporary Art, San Diego. Gallacio was drawn to the site of Agua Caliente because of its history: it was built in 1929 as a resort and casino for the rich who came there to escape and play. Having been abandoned for many years, the pool was showing signs of decay with missing tiles, cracks, and broken elements. Gallacio chose to cover these exposed areas with gold foil, referencing and revealing a sense of the pool's gilded past. At MCASD, Gallacio worked with the theme of natural transformation. The artist chose a space viewable from both inside the Museum and from the bookstore, and layered red gerbera daisies between two panes of glass to create a botanical stained glass that was inserted as a window space. Over the course of the exhibition the flowers decomposed, fading to grey and revealing their own life cycle. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 125) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gallacio, Anya, 1963-subject Casinos Restoration Graffiti Ruins Resorts Swimming Pools Sculpture (Visual Work) Mexican-American Border Region Insite94 Gilding Renovation Installations (Visual Works) Border Art Fountainscontributor Calisphere -
News Release: Insite97 Conference Explores Private Time In Public Space
title News Release: Insite97 Conference Explores Private Time In Public Spacedescription Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a surrogate of a document from the InSite Archive (MSS 707, Box 82, folder 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Insite97subject Tijuana (Baja California, Mexico) Acconci, Vito (American Performance And Video Artist, Born 1940) Documents Boundaries Press Releases Public Art San Diego (Calif.) Mexican-American Border Region Press Kits Meetings Performance Art Insite97 Public Spaces Exhibitions (Events) Installations (Visual Works) Border Artcontributor Calisphere -
A Tourist'S Guide To San Diego And Tijuana: General View
title A Tourist'S Guide To San Diego And Tijuana: General Viewdescription For her inSITE97 project, Melanie Smith created "The Tourists' Guide to San Diego and Tijuana/La Guia turistica de San Diego y Tijuana," an installation at 958 Fifth Avenue in downtown San Diego. A spoof on a tourist information agency, the installation included, among other elements, large photographs of the region, postcards with commonly found imagery from the local landscape and city, and a tourist guidebook listing on the back the various hot spots in the city. The installation was a commentary on the massive tourism industry in San Diego and Tijuana and the loss of borders when dealing with consumers and their material desires. --inSITE97 San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 363) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Tourist Information Centers Humor Tourism Public Art Information Centers (Facilities) Mexican-American Border Region Satire (Artistic Device) Photography Insite97 Postcards Travel Guidebooks Parody Installations (Visual Works) Border Artcontributor Calisphere -
Signs Of Mount Signal: View Of Exhibition At San Diego State University Art Gallery
title Signs Of Mount Signal: View Of Exhibition At San Diego State University Art Gallerydescription For inSITE2000 New York-based artist Allan McCollum created a multivenue project involving the participation of residents and institutions from the Imperial Valley and Valle de Mexicali region to the east of San Diego. Interested in participating in the establishment of a cultural identity and iconography for the region, McCollum was initially drawn to the area through learning about sand spikes, a unique natural geological concretion found only at the foot of Mt. Signal/El Centinela. With the mountain straddling the US-Mexico border, it was already established as a physical landmark and identifying symbol for locals on either side of the border. During extended residency periods McCollum collected artworks by local residents depicting the mountain and performed extensive research on the sand spike and Mt. Signal, as well as the local culture surrounding both. With his project Signs of Mount Signal/Signos del Cerro del centinela, McCollum brought together the work of thirty-seven local artists showcasing the mountain and forged a collaboration between four regional institutions. The project included over one thousand cast replicas of the sand spike and Mt. Signal, a 16-foot sand spike sculpture, a large-scale model of Mt. Signal, collected historical information about the area, local artwork depicting the mountain, as well as twelve booklets produced by the artist on the subject of concretions. The project was shown in parts at the Museo de la Universidad Autonoma de Baja California, Mexicali, the Steppling Art Gallery at San Diego State University in Calexico, the Imperial County Historical Society Pioneer's Museum, and combined at the University Art Gallery at San Diego State University. --inSITE2000 Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Steppling Art Gallery, San Diego State University. Imperial Valley Campus This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 233) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landscapes (Representations) Concretions Geology Natural History Boundaries Border Art Landscape Painting, American Models (Representations) Sculpture (Visual Work) Mexican-American Border Region Mass Production Signal, Mount (Calif.) Installations (Visual Works) Insite2000 Science Museumscontributor Calisphere -
Heroes Of War: Film Still From Interview With Ronald A. Ritter
title Heroes Of War: Film Still From Interview With Ronald A. Ritterdescription "Heroes of War," by Gonzalo Lebrija, is a video installation projected in the auditorium of the San Diego Veterans Museum in Balboa Park. Over a year before, Lebrija began working with veterans at the Veterans Home of California in Chula Vista. Gonzalo's goal was to intervene in the museum space, creating a curatorial discourse that approximates a creative group experience. Gonzalo participated in a number of reunions of former prisoners of war, or POWs. These experiences led him to explore the notion of military paraphernalia and veterans' narratives. Gonzalo filmed a number of individuals while they discussed the public recognition accorded to them and their actions as servicemen in times of war. --inSite_05 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 188, DVD 01) Veterans Museum, Balboa Park (San Diego, Calif.) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Lebrija, Gonzalo, 1972-subject Veterans Video Art Portraits Interviews Insite_05 Mexican-American Border Region Prisoners Of War Soldiers Memorials Military Museums Installations (Visual Works) Facecontributor Calisphere -
Bird'S Eye View: View Of Installation From Across Railroad Tracks
title Bird'S Eye View: View Of Installation From Across Railroad Tracksdescription Eugenia Vargas, born in Chile and currently residing in Mexico City, works in the areas of Photography, performance and installation art. Her work deals with the politically charged issues of the border and the effects of pollution on the environment. In her installations, Vargas physically engages the earth and its elements in ritualistic ways - for example, by covering herself or a space with mud, straw, palm fronds or water. Vargas' project for inSITE94 will read as a large filter extending down from the ceiling of the Depot's concourse, using materials derived from the site. - inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 388) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Sculpture (Visual Work) Railroad Stations Insite94 Filters And Filtration Installations (Visual Works) Border Artcontributor Calisphere -
Arrivals And Departures
title Arrivals And Departuresdescription Christina Fernandez's inSITE97 project, "Arrivals and Departres/Llegadas y salidas," consisted of two installations, one on each side of the border. Installed at the San Ysidro Bus Station in San Diego and Colonia Libertad, Tijuana, the works functioned as information and visitor centers for people passing through the space. Displaying information on historical migration patterns that have taken place over the border, the installation challenged the notion of legality as applied to immigration. --inSITE97 Colonia Libertad, Baja California Norte, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 118) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Fernandez, Christinasubject Boundaries Sculpture (Visual Work) Public Art Views Mexican-American Border Region Landscapes (Environments) Insite97 Optical Instruments Installations (Visual Works) Border Artcontributor Calisphere -
El Niño: Proposal Drawing
title El Niño: Proposal Drawingdescription Centro Cultural Tijuana For inSITE97 Einar and Jamex de la Torre constructed "El Niño," a monumental pyramid based on pre-Hispanic design and iconography. The vinyl and glass structure was installed in the lobby of the CECUT in Tijuana, juxtaposing the contemporary architecture of the space with the ancient motifs on the pyramid. El Nino incorporated symbolism of the demigod that is part holy child, part weather demon, with the El Sexenio, the six year presidential term that prompts cycles of havoc/progress in the Mexican economy. The interior of the pyramid was visible through glass staircases on the sides of the pyramid, revealing plaster statues of Jesus in a womblike cavern. "El Niño" captured the intersection of different traditions and lifestyles within the Mexican region that create a hybridization of culture. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 082) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Arms (Animal Components) Boundaries Sculpture (Visual Work) Mexican-American Border Region Infants Signs And Symbols Insite97 Drawings (Visual Works) Hearts (Motifs) Pyramids Installations (Visual Works) Border Artcontributor Calisphere -
Installation: Model Wearing The Artist'S Clothes
title Installation: Model Wearing The Artist'S Clothesdescription A spoof of the fashion industry, the artist created a "design studio" with finished and unfinished garments on hangars and strewn across the floor of the exhibition space. Unconventional and even dangerous materials were used (bubble wrap, rusty nails, staples, rubber etc.) to construct the clothes and other artists modeled them for a series of photographs. Fashion, Costume and Jewelry Mission Brewery Plaza, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 320) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ruff, Daphnesubject Humor Sculpture (Visual Work) Irony Mexican-American Border Region Models (Persons) Performance Art Clothing Insite92 Fashion Parody Installations (Visual Works)contributor Calisphere