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Photograph of the Dowe Home
title Photograph of the Dowe Homedescription Photograph of a two-story house, belonging to O. C. and Millie Dowe, with a wooden fence and gate in front of it, and snow falling and covering the roof and the ground.artist/creator Unknownsubject Dowe, O. C. Houses Dowe, Millie Wilson Marfa (Tex.) -- History -- Photographs. Architecture - Buildingscontributor Portal to Texas History (TPTH) -
Photograph of James Edward Wilson's House
title Photograph of James Edward Wilson's Housedescription Photograph of the home of James Edward Wilson and his family, a square, stone house with trees around it.artist/creator Unknownsubject Architecture - Buildings Wilson, James Edward Houses Marfa (Tex.) -- History -- Photographs.contributor Portal to Texas History (TPTH) -
Small house with shrubbery
title Small house with shrubberydescription Photograph of a small house with shrubbery.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Mexican American housing in San Antonio, 1920s
title Mexican American housing in San Antonio, 1920sdescription Photograph of Mexican American houses in San Antonio, during the 1920s. Four small structures are visible, as well as three men and a young child. At the foreground is a large pile of branches and sticks.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Gabino Hernandez residence
title Gabino Hernandez residencedescription Photograph of a lightly painted house on Avenue I, Houston, Texas. A garage building is visible behind the house. Gabino Hernandez had the house built around 1936.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Mexican Church at the Corner of a Street
title Mexican Church at the Corner of a Streetdescription Photograph of a wood-slatted church building at the corner of a street and sidewalk. At the corner, the sidewalk turns and extends to the left-hand side of the background. It passes an old wooden house and a large brick church, which is also in the background. The tall belfry of the church is clearly visible among the power lines and poles that stretch across the image in several directions. There is a tall palm tree trunk in front of the wooden church that is parallel with the street lamp next to it. There is a handwritten note on the back of the photograph that reads, San Benito 1952 old & new churches".artist/creator Unknownsubject Texas-Mexican Presbytery Religion - Denominations - Presbyterian Manses Houses People - Ethnic Groups - Hispanics Sidewalks Streets Architecture - Buildings Corners Religion - Churchescontributor Portal to Texas History (TPTH) -
Mexican Church at the Corner of a Street
title Mexican Church at the Corner of a Streetdescription Photograph of a wood-slatted church building at the corner of a street and sidewalk. At the corner, the sidewalk turns and extends to the left-hand side of the background. It passes an old wooden house and a large brick church, which is also in the background. The tall belfry of the church is clearly visible among the power lines and poles that stretch across the image in several directions. There is a tall palm tree trunk in front of the wooden church that is parallel with the street lamp next to it. There is a handwritten note on the back of the photograph that reads, San Benito old and new churches".artist/creator Unknownsubject Texas-Mexican Presbytery Religion - Denominations - Presbyterian Manses Houses People - Ethnic Groups - Hispanics Sidewalks Streets Architecture - Buildings Corners Religion - Churchescontributor Portal to Texas History (TPTH) -
Two Cars Parked in Front of a Manse
title Two Cars Parked in Front of a Mansedescription Photograph of two cars parallel-parked in front of a small manse, which sits next to a large brick church. The manse, which is on the right-hand side of the image, has a small porch and is raised from the ground on stilts. The church, which is cut off on the left-hand side of the image, is lined with half-round arched windows on the one visible side. The is a sidewalk in front of both buildings that is parallel to the street, which is in the foreground. There are two wires stretching diagonally across the image in the foreground. There is a handwritten note on the back of the photograph that reads, "San Benito - New Mexican Presbyterian Ch. and old manse 1952".artist/creator Unknownsubject Cars Texas-Mexican Presbytery Religion - Denominations - Presbyterian Manses Automobiles Houses People - Ethnic Groups - Hispanics Architecture - Buildings Religion - Churchescontributor Portal to Texas History (TPTH) -
Portrait of a Hispanic Reverend and his Family
title Portrait of a Hispanic Reverend and his Familydescription Photograph of a Hispanic Presbyterian minister and his family standing in front of a wood-slatted house. The Reverend is standing next to his wife, who is holding a baby in a blanket and smiling at the camera. There is a young toddler girl standing at the Reverend's feet, and two slightly older boys standing to his right. The eldest daughter is standing behind the young boys and next to her father. The front porch entrance of the house is visible on the left-hand side of the image in the background, along with a fence and a part of the neighbor's house. The family is standing in front of a raised back porch. There is a handwritten note on the back of the photograph that reads, "Palacios 1953 Left to right: Aarón Raúl, Jonatán, Aurora, Rev. Bernardino del Pozo M., Margarita, Aida, Sra. M. N. del Pozo"artist/creator Unknownsubject Texas-Mexican Presbytery Religion - Denominations - Presbyterian Portraits Houses People - Ethnic Groups - Hispanics Reverends Social Life And Customs - Familiescontributor Portal to Texas History (TPTH) -
Mexican House in Fort Worth
title Mexican House in Fort Worthdescription Photograph of a Mexican House in Fort Worth, Texas. The house, which is on the corner of two streets, is overshadowed by a large tree. There is a car parked on the grass underneath the tree. The house has a wrap-around porch and large windows. There are other houses on either side of the Mexican house. The back of the photograph has a handwritten note that reads "Mexican House at Ft. Worth".artist/creator Unknownsubject Cars Texas-Mexican Presbytery Social Life And Customs - Homes Architecture - Civil Works - Streets And Roads Houses People - Ethnic Groups - Hispanicscontributor Portal to Texas History (TPTH) -
The Construction of an Adobe House
title The Construction of an Adobe Housedescription Research paper written by Joe Luis Carrasco about the process of building an adobe house. Also included are two pages of photographs that show the process. This paper was written in 1972 for an American History class at Marfa High School.artist/creator Carrasco, Joe Luiscontributor Portal to Texas History (TPTH) -
Adobe House
title Adobe Housedescription Photograph of a small adobe house. There electric poles and power lines behind the house, as well as other small houses.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
House
title Housedescription Photograph of an adobe brick house. The porch is supported by wooden beams.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Adobe House
title Adobe Housedescription Photograph of a small adobe house. There is a pile of trash on the side of the house, and a fence in the background.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Adobe House
title Adobe Housedescription Photograph of a small adobe house. There electric poles and power lines behind the house, as well as other small houses.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Building Structure - Old House
title Building Structure - Old Housedescription Photograph of a window in an old house in West Texas.artist/creator Graham, Valcontributor Portal to Texas History (TPTH) -
Building Structure - Old House
title Building Structure - Old Housedescription Photograph of a window in an old house in West Texas.artist/creator Graham, Valcontributor Portal to Texas History (TPTH) -
Building Structure - Old House
title Building Structure - Old Housedescription Photograph of a window in an old house in West Texas.artist/creator Graham, Valcontributor Portal to Texas History (TPTH) -
Ashton House and Family
title Ashton House and Familydescription Research paper written by Cheryl Donaldson about the Ashton House, a house in Marfa, Texas. The paper covers the house from when it was built in 1898 by Dr. Monagin to its sale after Mrs. Ashton's death in 1941. This paper was written in 1970 for a class at Marfa High School.artist/creator Donaldson, Cherylsubject Monagin, Eugene Architecture Social Life And Customs - Homes Monagin, Dr. Ashton, Mrs. Houses Bunton, Mrs. Joe Monagin, Berthacontributor Portal to Texas History (TPTH) -
Ashton House
title Ashton Housedescription Photograph of the roof of the Ashton House in Marfa, Texas. The house is made of brick. A handwritten note on the back of the photograph says, "Ashton House 1971."artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Ashton House
title Ashton Housedescription Photograph of the porch of the Ashton House in Marfa, Texas. The house is dilapidated and the yard is overgrown with grass and weeds. The porch roof is held up with two wooden posts. A handwritten note on the back says, "Armida Campos, Time: March 19, 1971, Place: A very old house near the "lce Plant."artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Ashton House
title Ashton Housedescription Photograph of the Ashton House taken in December of 1972. The house is dilapidated and the yard is overgrown. The back of the photograph says, "An Original Polaroid Land Photograph," and has ordering information.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Pictures
title Picturesdescription Part of a research paper by Cheryl Donaldson about the Ashton House, a house owned by Mrs. Ashton in Marfa, Texas. This section includes photographs of the house, paintings of the house and Mrs. Ashton's piano. There is also a letter from Lee Roy Middleton to Lonnie Wiemers about Mrs. Ashton.artist/creator Donaldson, Cherylsubject Social Life And Customs - Homes Houses Mrs. Ashton Arts And Crafts - Paintings Ashton House Arts And Crafts - Music - Instruments Pianoscontributor Portal to Texas History (TPTH) -
Painting of Ashton House
title Painting of Ashton Housedescription Photograph of a painting done by Mrs. Charles Bowman of the Ashton House in 1953. The painting shows the house and a small shed. The back of the photograph says, "An Original Polaroid Land Photograph," and below there is ordering information.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Painting of Ashton House
title Painting of Ashton Housedescription Photograph of a painting done by Mrs. Charles Bowman of the Ashton House in 1953. The painting shows the house and a small shed. The back of the photograph says, "An Original Polaroid Land Photograph," and below there is ordering information.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Stone House
title Stone Housedescription Photograph of a small stone house. There is a propane tank in the background, as well as other small buildings.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Foundation for Adobe House
title Foundation for Adobe Housedescription Photograph of the foundation for an adobe house. There is a large pile of dirt in the foreground.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
View of Alpine
title View of Alpinedescription Photograph of an aerial view of Alpine, Texas. Visible are several houses and other buildings. The photograph was taken from the top of a hill. A handwritten note at the bottom of the photograph says, "Alpine Tex."artist/creator Unknownsubject Buildings Places - United States - Texas - Brewster County Alpine Landscape And Nature - Aerials Houses Neighborhoodscontributor Portal to Texas History (TPTH) -
Brite Ranch Headquarters in the 1920s.
title Brite Ranch Headquarters in the 1920s.description Panoramic photograph from the 1920s of the Brite Ranch headquarters. This was a 125,000 acre ranch in Presidio County in West Texas. The photo shows (L-R): the main house, the barn, the shed, the fort, and the store. A group of unidentified people stand near the house. This photo was included in a report by Andrew Wells for an American History class at Marfa High School on January 13, 1975.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
House on the Brite Ranch
title House on the Brite Ranchdescription Photograph of the house on the Brite Ranch in 1984. It is a one story stucco house with a red tin roof, with a chain link fence around it. Cactus and flowers grow in the yard. An old wagon wheel leans against the house to the right. This photo was included in a report for an American History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Adobe House at El Boracho Ranch
title Adobe House at El Boracho Ranchdescription Photograph of an adobe house in 1910 surrounded by a wooden fence on the El Boracho Ranch. A ladder leans against the structure. The owner of the ranch was Lino Baeza. He raised goats and cows and horses. His fields were watered by the nearby creek. He grew corn, wheat, beans, peas, watermelons, sweet potatoes, peanuts, sugar cane, and pumpkins which were all watered by the creek.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Woman Riding a Horse
title Woman Riding a Horsedescription Photograph of a woman on a horse in front of a large two-story home.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
The Brite Home in Marfa during Winter
title The Brite Home in Marfa during Winterdescription Photograph of the Brite home in Marfa, Texas on a snowy day. The house is a two-story stucco home with a tile roof. Trees surround it as well as an iron fence.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Adobe House at El Boracho Ranch
title Adobe House at El Boracho Ranchdescription Photograph of an adobe house in 1910 located and surrounded by a wooden fence on the El Boracho Ranch. A ladder leans against the structure. The owner of the ranch was Lino Baeza. He raised goats and cows and horses. His fields were watered by the nearby creek. He grew corn, wheat, beans, peas, watermelons, sweet potatoes, peanuts, sugar cane, and pumpkins which were all watered by the creek.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Adobe House at El Boracho Ranch
title Adobe House at El Boracho Ranchdescription Page with a photograph and description of an adobe house in 1910 built of mud located and surrounded by a wooden fence on the El Boracho Ranch. A ladder leans against the structure. The owner of the ranch was Lino Baeza. He raised goats and cows and horses. His fields were watered by the nearby creek. He grew corn, wheat, beans, peas, watermelons, sweet potatoes, peanuts, sugar cane, and pumpkins which were all watered by the creek. This was part of a report done for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Bishop Family House
title Bishop Family Housedescription This photograph shows a house situated on a lawn. In the foreground, there are low bushes and plants lining the yard which is grassy and has scattered plants throughout. The house is a single story with several windows and a patio with several posts and a low wall enclosing it. There is ivy covering the near corner of the house and several of the posts around the patio. In the background, there are several tall trees. There is a handwritten note on the back of the frame: "Made adobes. Bishop house where Audrey Minms lives now."artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Photograph of People in the Snow
title Photograph of People in the Snowdescription Photograph of five people standing in the snow in front of a house. Three of the people are men - two appear to be middle-aged and the one to the right is older; they are all wearing shirts with ties under long coats as well as hats. In front of the men, there are two young children, also bundled up in coats and hats. The area where they are standing is covered in snow and they are directly in front of a fence that encloses the yard around the house. Within the yard, there are several bare trees and some power lines overhead. The house has several windows and a porch surrounded by posts and a short fence. The roof is peaked and mostly covered in snow. Related information identifies the house as the Bogels'.contributor Portal to Texas History (TPTH) -
Gus Bogel at Sauceda Ranch
title Gus Bogel at Sauceda Ranchdescription In this photograph, there is a man on horseback. The man is fairly young, dressed as a cowboy (wearing chaps, a vest, loose shirt, and hat) and the horse is darkly colored with white socks. They are standing in what appears to be a desert area in front of a building that seems to be half made of adobe and half of wood with a window in the adobe portion. A handwritten note at the bottom of the photograph reads "Gus Bogel" and "Sauceda Ranch" and is repeated on the back "Gus Bogel at Sauceda Ranch."artist/creator Unknownsubject Deserts Bogel Family. People Houses Agriculture - Domestic Animals - Horses Sports And Recreation - Riding - Horsescontributor Portal to Texas History (TPTH) -
Photograph of a man and children
title Photograph of a man and childrendescription This photograph shows an older man with a moustache, sitting in a wicker chair with his arms around three children. The man is wearing a white shirt with a dark tie and a dark-colored hat that has a stiff, shiny brim. Behind them, there is a house (the door and window are visible) with a porch that has pillars and a decorated fence. There are trees to the far right in front of the house and to the far left behind the house.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Fort Davis in the Snow
title Fort Davis in the Snowdescription This photograph that shows part of Fort Davis in the winter. In the foreground, there are several large rocks and behind them, to the left, there is a row of nearly identical buildings with porches that appear to be part of Officer's Row. In front of the buildings, there are trees and a road at the edge of a fenced-in field. There is some sort of structure in the middle of the field. In the background, there are other buildings and the slope of a mountain. Everything is covered in snow. Printed text on the back of the photograph reads "We have come a long way with your support! Happy Holidays From The board of directors of the friends of Fort Davis National Historic Site."artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Fort Davis, Texas
title Fort Davis, Texasdescription This photograph has a handwritten label "Ft. Davis Tex" written across the top and shows several buildings in front of a rocky ridge. On the far left, there is a large white building and there at least five people standing on the porch and nearby. To the right, there is a dark building with something in front of it (possibly some barrels covered in a white cloth) and another white building back behind. To the right of the dark building, there are three lighter colored buildings that look nearly identical; they seem to be made of brick and have white roofs with white pillars across the fronts of their porches. The foreground is an open area covered in desert scrub.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Officer's Line, Fort Davis, Texas
title Officer's Line, Fort Davis, Texasdescription In this photograph, there are about 10 buildings that appear to be identical, all in a line. A handwritten note on the front says "Officers Line" which suggests that the buildings are the houses of the officers and their families. Each house has a dark roof and five white pillars that form the rim of the porch. There are trees interspersed among the houses. In front of the buildings, there is a large area that is fenced in and contains several animals. Behind the houses, there is a rocky ridge covered in desert scrub and plants. This postcard was sent to "Mr. Frank Russell" in Marfa, Texas and the postmark is from Casa Piedra, Texas sent August 27, 1915. The text, handwritten in ink, reads: "Dear Frank:- This card re-calls memories of much a _happy_ day and each moon-light night that we have been riding & have wished that you were with us. Don't work too hard but come out here if you can. Lovingly, Mabel."artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Birds-Eye-View, Fort Davis, Texas
title Birds-Eye-View, Fort Davis, Texasdescription The photograph on this postcard shows the town of Fort Davis. In the foreground, there is a formation of large rocks and an unpaved road that continues into the middle of the town. To either side of the road, there are various buildings enclosed by fences and surrounded by yards, trees, and windmills. The postcard was sent from Fort Davis March 15 and arrived in Uvalde, Texas March 17, 1918 according to the postmarks. The text, handwritten in ink, reads: "Wednesday. Well Janet how are you today? This picture was taken from some big high rocks in front of my uncle's house. There are hardly any lumber houses here - nearly all dirt or stone. Some are made of pretty pink rocks. They get the different kinds of rock from the mountains in the town or near town. Hope I'll see you again sometime. Miss Ada." The postcard was addressed to Miss Janet Harris.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Photograph of Row of Officers' Houses, Fort Davis
title Photograph of Row of Officers' Houses, Fort Davisdescription Photograph of a row of 8 nearly identical houses. Each house has a white front with a short flight of stairs from the ground to a porch surrounded by white pillars. There is a mountain behind the row of houses and the foreground is covered in desert scrub. The back of the photograph is labeled: "1871 Picture of Fort Davis, The Row of Officers' Houses"artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Photograph of Row of Houses
title Photograph of Row of Housesdescription Photograph of a row of 13 nearly identical houses in Fort Davis. Each house is brick and has a white front with a short flight of stairs from the ground to a porch surrounded by white pillars. There appear to be other buildings behind the initial row. In the foreground, the ground is bare and there are several mounds of dirt. In the background, there are hills covered in desert brush.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Project At Maclovio Rojas: Video Documentary
title Project At Maclovio Rojas: Video Documentarydescription Brazilian artist Monica Nador began her project for inSITE2000 with a two-month residency in the community of Maclovio Rojas in Tijuana. Challenging traditional notions of the role of the artist and audience, Nador worked with ten families in the community to implement a collaborative form of decoration for the exterior of their homes. Encouraging each family to identify ancestral signs, symbols, and other imagery associated with their regional and cultural heritage, Nador and a small team of assistant artists began a process of creating stencils to be used in decorating their houses. Working in the community for approximately six months, the artist's motivation that "beauty is good for mental and spiritual health" resulted in brightly painted and decorated houses that residents in the entire community saw as unifying and adding visual wealth that could be shared by all. A video documenting Accion en Maclovio Rojas/Project at Maclovio Rojas was produced as part of the project. --inSITE2000 Decorative Arts, Utilitarian Objects and Interior Design Film, Audio, Video and Digital Art Maclovio Rojas, Tijuana, Baja California Sur, Mexico Paintings Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 257, DVD 00-30) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Nador, Mônicasubject Dwellings Painting (Coating) Houses Color Video Art Sculpture (Visual Work) Public Art Mexican-American Border Region Insite2000 Installations (Visual Works) Border Art Beautycontributor Calisphere -
Abode: Sanctuary For The Familia(R): General View Of Installation In Santa Fe Depot
title Abode: Sanctuary For The Familia(R): General View Of Installation In Santa Fe Depotdescription San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 151) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject African Americans Houses Political Art Color San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Blue (Color) Installations (Visual Works) Border Artcontributor Calisphere -
Abode: Sanctuary For The Familia(R): Detail Of Blue Glass Bottles
title Abode: Sanctuary For The Familia(R): Detail Of Blue Glass Bottlesdescription San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 152) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject African Americans Houses Political Art Color San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Blue (Color) Installations (Visual Works) Border Artcontributor Calisphere -
Project At Maclovio Rojas: Detail Of Wall
title Project At Maclovio Rojas: Detail Of Walldescription Brazilian artist Monica Nador began her project for inSITE2000 with a two-month residency in the community of Maclovio Rojas in Tijuana. Challenging traditional notions of the role of the artist and audience, Nador worked with ten families in the community to implement a collaborative form of decoration for the exterior of their homes. Encouraging each family to identify ancestral signs, symbols, and other imagery associated with their regional and cultural heritage, Nador and a small team of assistant artists began a process of creating stencils to be used in decorating their houses. Working in the community for approximately six months, the artist's motivation that "beauty is good for mental and spiritual health" resulted in brightly painted and decorated houses that residents in the entire community saw as unifying and adding visual wealth that could be shared by all. A video documenting Accion en Maclovio Rojas/Project at Maclovio Rojas was produced as part of the project. --inSITE2000 Decorative Arts, Utilitarian Objects and Interior Design Maclovio Rojas, Tijuana, Baja California Sur, Mexico Paintings Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 243) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Painting (Coating) Houses Color Boundaries Neighborhoods Public Art Sculpture (Visual Work) Mexican-American Border Region Insite2000 Installations (Visual Works) Border Art Beautycontributor Calisphere -
Abode: Sanctuary For The Familia(R): General View Of Installation In Santa Fe Depot
title Abode: Sanctuary For The Familia(R): General View Of Installation In Santa Fe Depotdescription San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 153) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject African Americans Houses Political Art Color San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Blue (Color) Installations (Visual Works) Border Artcontributor Calisphere -
Abode: Sanctuary For The Familia(R)
title Abode: Sanctuary For The Familia(R)description San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 154) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject African Americans Houses Political Art Color San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Blue (Color) Installations (Visual Works) Border Artcontributor Calisphere -
My House Is Your House
title My House Is Your Housedescription Film, Audio, Video and Digital Art Sculpture and Installations Sheldon Brown's project for inSITE97, "Mi casa es tu casa/My House is Your House," was a networked virtual reality environment installed at the Children's Museum in San Diego and the Centro Nacional de las Artes, Mexico, DF. Providing an interactive space for children to play and explore, the project used innovative computer technology to connect the environments in both cities to allow children to participate in the construction of a virtual house. Both rooms were equipped with costumes and tools to build the house, and as children moved through the room, they could watch their virtual body double mirroring their actions. Brown's project imparted notions of home, nation, heritage, and cultural construction through child's play. --inSITE97 Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 050) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Brown, Sheldonsubject Houses Play Boundaries Children (People By Age Group) Mexican-American Border Region Virtual Reality (Vr) Children'S Playhouses Insite97 Technology Border Art Video Artcontributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View From Street
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View From Streetdescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 269) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Chávez, Patriciosubject Landscape Architecture Painting (Coating) Houses Color Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Insite97 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
My House Is Your House: Exterior View Of Virtual Reality Playhouse
title My House Is Your House: Exterior View Of Virtual Reality Playhousedescription Film, Audio, Video and Digital Art Sculpture and Installations Sheldon Brown's project for inSITE97, "Mi casa es tu casa/My House is Your House," was a networked virtual reality environment installed at the Children's Museum in San Diego and the Centro Nacional de las Artes, Mexico, DF. Providing an interactive space for children to play and explore, the project used innovative computer technology to connect the environments in both cities to allow children to participate in the construction of a virtual house. Both rooms were equipped with costumes and tools to build the house, and as children moved through the room, they could watch their virtual body double mirroring their actions. Brown's project imparted notions of home, nation, heritage, and cultural construction through child's play. --inSITE97 Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 051) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Houses Play Boundaries Children (People By Age Group) Mexican-American Border Region Virtual Reality (Vr) Children'S Playhouses Insite97 Technology Border Art Video Artcontributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Entry
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Entrydescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 270) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landscape Architecture Painting (Coating) Houses Color Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Insite97 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View Toward Entry Hall
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View Toward Entry Halldescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 271) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landscape Architecture Painting (Coating) Houses Color Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Insite97 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
Abode: Sanctuary For The Familia(R)
title Abode: Sanctuary For The Familia(R)description San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 San Jose Museum of Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 150) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Houses Political Art Color Sculpture (Visual Work) History Feminism Insite94 Blue (Color) Installations (Visual Works) African Americanscontributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View From Street
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View From Streetdescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 272) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landscape Architecture Painting (Coating) Houses Color Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Insite97 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
Cora'S Rain House
title Cora'S Rain Housedescription Casa de la Cultura de Tijuana Decorative Arts, Utilitarian Objects and Interior Design Drawings and Watercolors Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) The concept for Ernest Silva's project for inSITE94 arose out of the artist's desire to create a space for children where contemplation and creativity could flourish, while also promoting exchange on a personal level between children on both sides of the border. Entitled "Cora's Rain House/La casa de la lluvia de Cora," the artist created two house structures, one at the Casa de la Cultura in Tijuana and one at the Children's Museum in San Diego, where children were invited to write postcards, stories, poems, and create drawings and songs to be shared with children at the other house, as an exchange of gifts across the border. The house at the Children's Museum was built as a permanent installation within the Museum space and was complete with a tin roof sprinkled by simulated rain from shower heads installed above. --inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 338) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Houses Contemplation Boundaries Sculpture (Visual Work) Children (People By Age Group) Mexican-American Border Region Rain Insite94 Roofs Installations (Visual Works) Border Artcontributor Calisphere -
Project At Maclovio Rojas: Painted And Stenciled Porch With Family
title Project At Maclovio Rojas: Painted And Stenciled Porch With Familydescription Brazilian artist Monica Nador began her project for inSITE2000 with a two-month residency in the community of Maclovio Rojas in Tijuana. Challenging traditional notions of the role of the artist and audience, Nador worked with ten families in the community to implement a collaborative form of decoration for the exterior of their homes. Encouraging each family to identify ancestral signs, symbols, and other imagery associated with their regional and cultural heritage, Nador and a small team of assistant artists began a process of creating stencils to be used in decorating their houses. Working in the community for approximately six months, the artist's motivation that "beauty is good for mental and spiritual health" resulted in brightly painted and decorated houses that residents in the entire community saw as unifying and adding visual wealth that could be shared by all. A video documenting Accion en Maclovio Rojas/Project at Maclovio Rojas was produced as part of the project. --inSITE2000 Decorative Arts, Utilitarian Objects and Interior Design Maclovio Rojas, Tijuana, Baja California Sur, Mexico Paintings Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 244) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Houses Color Boundaries Neighborhoods Public Art Sculpture (Visual Work) Children (People By Age Group) Mexican-American Border Region Families Insite2000 Installations (Visual Works) Border Art Beautycontributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Multi-Colored Fence And Garden
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Multi-Colored Fence And Gardendescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 273) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Chávez, Patriciosubject Landscape Architecture Painting (Coating) Houses Color Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Fences Insite97 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
Project At Maclovio Rojas: Interior With Stenciled Wall
title Project At Maclovio Rojas: Interior With Stenciled Walldescription Brazilian artist Monica Nador began her project for inSITE2000 with a two-month residency in the community of Maclovio Rojas in Tijuana. Challenging traditional notions of the role of the artist and audience, Nador worked with ten families in the community to implement a collaborative form of decoration for the exterior of their homes. Encouraging each family to identify ancestral signs, symbols, and other imagery associated with their regional and cultural heritage, Nador and a small team of assistant artists began a process of creating stencils to be used in decorating their houses. Working in the community for approximately six months, the artist's motivation that "beauty is good for mental and spiritual health" resulted in brightly painted and decorated houses that residents in the entire community saw as unifying and adding visual wealth that could be shared by all. A video documenting Accion en Maclovio Rojas/Project at Maclovio Rojas was produced as part of the project. --inSITE2000 Decorative Arts, Utilitarian Objects and Interior Design Maclovio Rojas, Tijuana, Baja California Sur, Mexico Paintings Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 245) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Patterns (Design Elements) Houses Color Boundaries Neighborhoods Public Art Sculpture (Visual Work) Children (People By Age Group) Mexican-American Border Region Insite2000 Installations (Visual Works) Border Art Beautycontributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Pebble Mosaic Floor Of Courtyard
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Pebble Mosaic Floor Of Courtyarddescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 274) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Chávez, Patriciosubject Landscape Architecture Painting (Coating) Houses Patterns (Design Elements) Color Mosaics (Visual Works) Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Insite97 Renovation Border Artcontributor Calisphere -
Project At Maclovio Rojas: Porch With Stenciled Wall
title Project At Maclovio Rojas: Porch With Stenciled Walldescription Brazilian artist Monica Nador began her project for inSITE2000 with a two-month residency in the community of Maclovio Rojas in Tijuana. Challenging traditional notions of the role of the artist and audience, Nador worked with ten families in the community to implement a collaborative form of decoration for the exterior of their homes. Encouraging each family to identify ancestral signs, symbols, and other imagery associated with their regional and cultural heritage, Nador and a small team of assistant artists began a process of creating stencils to be used in decorating their houses. Working in the community for approximately six months, the artist's motivation that "beauty is good for mental and spiritual health" resulted in brightly painted and decorated houses that residents in the entire community saw as unifying and adding visual wealth that could be shared by all. A video documenting Accion en Maclovio Rojas/Project at Maclovio Rojas was produced as part of the project. --inSITE2000 Decorative Arts, Utilitarian Objects and Interior Design Maclovio Rojas, Tijuana, Baja California Sur, Mexico Paintings Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 246) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Patterns (Design Elements) Houses Color Boundaries Neighborhoods Public Art Sculpture (Visual Work) Mexican-American Border Region Insite2000 Installations (Visual Works) Border Art Beautycontributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Bedroom
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Bedroomdescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 275) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landscape Architecture Painting (Coating) Houses Color Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Bedrooms Insite97 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
Project At Maclovio Rojas: Detail Of Wall
title Project At Maclovio Rojas: Detail Of Walldescription Brazilian artist Monica Nador began her project for inSITE2000 with a two-month residency in the community of Maclovio Rojas in Tijuana. Challenging traditional notions of the role of the artist and audience, Nador worked with ten families in the community to implement a collaborative form of decoration for the exterior of their homes. Encouraging each family to identify ancestral signs, symbols, and other imagery associated with their regional and cultural heritage, Nador and a small team of assistant artists began a process of creating stencils to be used in decorating their houses. Working in the community for approximately six months, the artist's motivation that "beauty is good for mental and spiritual health" resulted in brightly painted and decorated houses that residents in the entire community saw as unifying and adding visual wealth that could be shared by all. A video documenting Accion en Maclovio Rojas/Project at Maclovio Rojas was produced as part of the project. --inSITE2000 Decorative Arts, Utilitarian Objects and Interior Design Maclovio Rojas, Tijuana, Baja California Sur, Mexico Paintings Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 247) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Nador, Mônicasubject Dwellings Painting (Coating) Houses Color Video Art Neighborhoods Public Art Sculpture (Visual Work) Mexican-American Border Region Stripes Insite2000 Installations (Visual Works) Border Art Beautycontributor Calisphere