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The Sacred Well of Chichen Itza
title The Sacred Well of Chichen Itzadescription Rupert García, The Sacred Well of Chichen Itza, 1971, silkscreen, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Museum Purchase, Gift of Richard Rodriguez), 2020.20.74, © 1971, Rupert Garcíaartist/creator García, Rupertcontributor Smithsonian American Art Museum (SAAM) -
Envelope to Penny Caldemeyer (Kiss of Death)
title Envelope to Penny Caldemeyer (Kiss of Death)description Pete Casanova, Envelope to Penny Caldemeyer (Kiss of Death), 1996, drawing on paper (envelope), Smithsonian American Art Museum, Gift of A. Rudy Padilla, The Hourglass Prison Art Museum, 1998.126.15artist/creator Casanova, Petecontributor Smithsonian American Art Museum (SAAM) -
Mestizo
title Mestizodescription Amado M. Peña, Jr., Mestizo, 1974, screenprint on paper, Smithsonian American Art Museum, Gift of Amado M. Peña, Sr. and Maria Peña, 1996.47.5, © 1974, Amado M. Peña, Jr.artist/creator Peña Jr., Amado Mauriliocontributor Smithsonian American Art Museum (SAAM) -
Palabras Que Me Causas
title Palabras Que Me Causasdescription Luis C. González, RCAF, Palabras Que Me Causas, 1975, screenprint on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.28contributor Smithsonian American Art Museum (SAAM) -
Heroes Of War: Film Still From Interview With Paul Gabriel Fusco
title Heroes Of War: Film Still From Interview With Paul Gabriel Fuscodescription "Heroes of War," by Gonzalo Lebrija, is a video installation projected in the auditorium of the San Diego Veterans Museum in Balboa Park. Over a year before, Lebrija began working with veterans at the Veterans Home of California in Chula Vista. Gonzalo's goal was to intervene in the museum space, creating a curatorial discourse that approximates a creative group experience. Gonzalo participated in a number of reunions of former prisoners of war, or POWs. These experiences led him to explore the notion of military paraphernalia and veterans' narratives. Gonzalo filmed a number of individuals while they discussed the public recognition accorded to them and their actions as servicemen in times of war. --inSite_05 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 188, DVD 01) Veterans Museum, Balboa Park (San Diego, Calif.) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Lebrija, Gonzalo, 1972-subject Veterans Video Art Portraits Interviews Insite_05 Mexican-American Border Region Prisoners Of War Soldiers Memorials Gesture Military Museums Installations (Visual Works) Facecontributor Calisphere -
Between The Eyes, The Desert
title Between The Eyes, The Desertdescription Film, Audio, Video and Digital Art For inSITE97, Miguel Rio Branco presented "Between the Eyes, the Desert/Entre los ojos, el desierto," a triptych of shifting images of the border region's desert landscape, and faces of San Diego and Tijuana residents. The images were set to music and projected onto the wall of a dilapidated room in the ReinCarnation Project in downtown San Diego. Rio Branco wanted the dynamic mirage-like images to reflect the way in which people around the border blend with one another as well as with the surrounding geography. --inSITE97 ReinCarnation Project San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 300) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Rio Branco, Miguelsubject Multi-Channel Video Installations Landscapes (Representations) Triptychs Eye Video Art Portraits Boundaries Sculpture (Visual Work) Music Mexican-American Border Region Deserts Mirages Insite97 Border Art Facecontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 408) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Between The Eyes, The Desert
title Between The Eyes, The Desertdescription Film, Audio, Video and Digital Art For inSITE97, Miguel Rio Branco presented "Between the Eyes, the Desert/Entre los ojos, el desierto," a triptych of shifting images of the border region's desert landscape, and faces of San Diego and Tijuana residents. The images were set to music and projected onto the wall of a dilapidated room in the ReinCarnation Project in downtown San Diego. Rio Branco wanted the dynamic mirage-like images to reflect the way in which people around the border blend with one another as well as with the surrounding geography. --inSITE97 ReinCarnation Project San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 301) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Rio Branco, Miguelsubject Multi-Channel Video Installations Landscapes (Representations) Triptychs Eye Video Art Portraits Boundaries Sculpture (Visual Work) Music Mexican-American Border Region Deserts Mirages Insite97 Border Art Facecontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 409) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Heroes Of War: Film Still From Interview With Ronald A. Ritter
title Heroes Of War: Film Still From Interview With Ronald A. Ritterdescription "Heroes of War," by Gonzalo Lebrija, is a video installation projected in the auditorium of the San Diego Veterans Museum in Balboa Park. Over a year before, Lebrija began working with veterans at the Veterans Home of California in Chula Vista. Gonzalo's goal was to intervene in the museum space, creating a curatorial discourse that approximates a creative group experience. Gonzalo participated in a number of reunions of former prisoners of war, or POWs. These experiences led him to explore the notion of military paraphernalia and veterans' narratives. Gonzalo filmed a number of individuals while they discussed the public recognition accorded to them and their actions as servicemen in times of war. --inSite_05 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 188, DVD 01) Veterans Museum, Balboa Park (San Diego, Calif.) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Lebrija, Gonzalo, 1972-subject Veterans Video Art Portraits Interviews Insite_05 Mexican-American Border Region Prisoners Of War Soldiers Memorials Military Museums Installations (Visual Works) Facecontributor Calisphere -
Between The Eyes, The Desert
title Between The Eyes, The Desertdescription Film, Audio, Video and Digital Art For inSITE97, Miguel Rio Branco presented "Between the Eyes, the Desert/Entre los ojos, el desierto," a triptych of shifting images of the border region's desert landscape, and faces of San Diego and Tijuana residents. The images were set to music and projected onto the wall of a dilapidated room in the ReinCarnation Project in downtown San Diego. Rio Branco wanted the dynamic mirage-like images to reflect the way in which people around the border blend with one another as well as with the surrounding geography. --inSITE97 ReinCarnation Project San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 302) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Rio Branco, Miguelsubject Multi-Channel Video Installations Landscapes (Representations) Triptychs Eye Video Art Portraits Boundaries Sculpture (Visual Work) Music Mexican-American Border Region Deserts Mirages Insite97 Border Art Facecontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 410) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 411) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 412) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 413) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Heroes Of War: Film Still From Interview With Conrad Hoffner
title Heroes Of War: Film Still From Interview With Conrad Hoffnerdescription "Heroes of War," by Gonzalo Lebrija, is a video installation projected in the auditorium of the San Diego Veterans Museum in Balboa Park. Over a year before, Lebrija began working with veterans at the Veterans Home of California in Chula Vista. Gonzalo's goal was to intervene in the museum space, creating a curatorial discourse that approximates a creative group experience. Gonzalo participated in a number of reunions of former prisoners of war, or POWs. These experiences led him to explore the notion of military paraphernalia and veterans' narratives. Gonzalo filmed a number of individuals while they discussed the public recognition accorded to them and their actions as servicemen in times of war. --inSite_05 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 188, DVD 01) Veterans Museum, Balboa Park (San Diego, Calif.) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Lebrija, Gonzalo, 1972-subject Political Art Veterans Video Art Portraits Interviews Insite_05 Mexican-American Border Region Prisoners Of War Soldiers Memorials Military Museums Installations (Visual Works) Facecontributor Calisphere -
Public Projections
title Public Projectionsdescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 256, DVD 00-16) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Biography Emotions Offshore Assembly Industry Portraits Workers Mexican-American Border Region Poverty Violence Projections (Visual Works) Suffering Insite2000 Collective Biographies Installations (Visual Works) Border Art Labor Facecontributor Calisphere