Search Results
Subject is exactly
Satire
Use buttons below to view additional pages.
-
La Llorona vs. La Migra
title La Llorona vs. La Migradescription Acrylic on canvas / acrílico sobre lienzo. 19 5/8" x 23 3/4" x 1 1/2" (frame included).artist/creator Enriquez-Courts, Pamelasubject La Llorona Satire La migra Immigration Trump, Donald J., 1946- Día de los muertos Day of the Dead Día de muertos Días de los muertos Piñatas Injustice Cigarettes Border Patrol Alcohol Beer in art Whiskey Frontera Children's detainment camp Presidents Controversy Immigrantscontributor National Museum of Mexican Art (NMMA) -
Pavo
title Pavodescription Woodcut on paper, 20.25 in. x 30 in. Francisco Delgado portrays an obese rich man devouring a whole turkey, while barefooted Latino servers bring him more food and drink. The artist depicts the glaring economic inequality between the “haves” and the “have nots.” Here, Delgado references gluttony, one of the seven deadly sins in Christian religion, representing an excessive and ongoing eating of food or drink. Temperance cures gluttony, by encouraging persons to be healthy and to serve others. The rich man consumes a turkey, (Meleagris gallopavo), a species that is native only to the Americas. In the 1500s, Spanish traders brought some that had been domesticated by Original Peoples to Europe and Asia. Today, the turkey is an important part of the Thanksgiving celebration. Francisco Delgado was born on November 3, 1974, in Ciudad Juárez, and grew up in El Paso’s Segundo Barrio. He received his Master of Fine Arts from the Yale School of Art. His Bordeño artworks are informed by the social and cultural struggles inherent to life on the Mexican and United States border. His artwork addresses issues of identity, race, cultural traditions, and government policies that affect migration and immigrants. In his own words, Delgado says, “I am a visual artist with an artistic focus on social issues.” He visually represents the history of his community and creates a dialogue for social change. Often using dark humor or satire to depict his narratives, his artwork highlights the struggles of underrepresented people along the border. A prolific artist, Delgado works in painting, drawing, printmaking, and has also produced community murals. His works have been published in books, exhibited in national and international art exhibitions, and community institutions. Francisco currently resides, teaches and creates artwork in El Paso.artist/creator Delgado, Franciscosubject Satire Borderlands Frontera Turkeys Texas--El Paso Woodcuts Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Soy un Pobre Vendadito . . .
title Soy un Pobre Vendadito . . .description Acrylic and color pencil on paper, 8.5 in. x 11 in. Wounded deer with male head and cacti on a treadmill. A banner reading "Soy un pobre vendadito que...la serancia como no [...] bajo noche[...] tus brazos..." Francisco Delgado was born on November 3, 1974, in Ciudad Juárez, and grew up in El Paso’s Segundo Barrio. He received his Master of Fine Arts from the Yale School of Art. His Bordeño artworks are informed by the social and cultural struggles inherent to life on the Mexican and United States border. His artwork addresses issues of identity, race, cultural traditions, and government policies that affect migration and immigrants. In his own words, Delgado says, “I am a visual artist with an artistic focus on social issues.” He visually represents the history of his community and creates a dialogue for social change. Often using dark humor or satire to depict his narratives, his artwork highlights the struggles of underrepresented people along the border. A prolific artist, Delgado works in painting, drawing, printmaking, and has also produced community murals. His works have been published in books and exhibited in national and international art exhibitions and community institutions. Francisco currently resides, teaches, and creates artwork in El Paso.artist/creator Delgado, Franciscosubject Satire Borderlands Frontera Treadmills Deer Bow and arrow in art Cactus Antlers Banners Acrylic and color pencils Drawings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Humor in Xhicano Arte 200 Years of Oppression 1776-1976
title Humor in Xhicano Arte 200 Years of Oppression 1776-1976description Rodolfo O. Cuellar, Humor in Xhicano Arte 200 Years of Oppression 1776-1976, 1976, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Julia D. Strong Endowment, 2020.36.7, © 2020, Rodolfo O. Cuellarartist/creator Cuellar, Rodolfo O.contributor Smithsonian American Art Museum (SAAM) -
Century 21: Shack In Courtyard Of The Centro Cultural Tijuana
title Century 21: Shack In Courtyard Of The Centro Cultural Tijuanadescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 289) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Fences Installations (Visual Works) Border Artcontributor Calisphere -
Century 21: Interior With Dining Table
title Century 21: Interior With Dining Tabledescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 290) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Ceilings Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Dining Rooms Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Century 21
title Century 21description Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 291) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Fences Installations (Visual Works) Border Artcontributor Calisphere -
Century 21: House With Tire Fence And Clothes Line
title Century 21: House With Tire Fence And Clothes Linedescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 283) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Century 21
title Century 21description Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 284) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Information Signs Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Century 21: Fence And Entrance To House
title Century 21: Fence And Entrance To Housedescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 285) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Century 21: Chest Of Drawers With Television
title Century 21: Chest Of Drawers With Televisiondescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 286) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Satire Television Receivers Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Living Rooms Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Art Children--California--Los Angelescontributor Calisphere -
Century 21: Bedroom
title Century 21: Bedroomdescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 287) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Satire Shacks Beds (Furniture) Real Property Bedrooms Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Century 21: Interior With Dining Table And Roof
title Century 21: Interior With Dining Table And Roofdescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 288) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Dining Rooms Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(20) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. Photo is of a photocopy of the San Diego Union's opinion page containing six opinions from community members. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(21) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a photocopy of the San Diego Union's Opinion/Editorial page featuring the article "Don't knock the Mexicans: They were really here first". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece (Detail)
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece (Detail)description Cat.3 028(25) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. Detail of installation piece based on the controversy depicts the three artists holding a copy of the bus poster. Above the photo are two scathing criticisms of the work. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Newspapers In Art Satire Photography In Art Chicano Art Chicana Art Installations (Art) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(5) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo shows a woman looking at the bus poster. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Transportation Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece (Detail)
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece (Detail)description Cat.3 028(27) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. Detail of installation piece based on the controversy depicts headshots of the three artists and two quotes pertaining to them. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Newspapers In Art Satire Artists Photography In Art Chicano Art Chicana Art Installations (Art) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(11) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is a closeup of the artwork on the back of a San Diego bus. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Transportation Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(13) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a framed newspaper with the lead story "Bus art takes a controversial route" on a wall behind a dinnertable covered with a sarape. A television, also on the table, broadcasts the daily news. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Transportation Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(30) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. Photo is of a television broadcast in which a newscaster or pundit calls for the removal of the works. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Television Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piecedescription Cat.3 028(23) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of an installation based on the controversy. Installation is set in a corner. On the left wall is the original artwork. On the right wall are statements and photos from critics and community members. In the center is a table with a television and newspapers. From the ceiling hangs a banner with the words "Critics' Choice!" On the back of the "Critics Choice" banner are the words "This is not a bus." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Newspapers In Art Satire Photography In Art Transportation Chicano Art Chicana Art Installations (Art) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(15) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a bus poster sticking out of a trash can. A critic's reaction? The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(22) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a photocopy of an article in The Tribune entitled, "'Plantation' posters: No illegality found". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(33) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a television interview with artist Louis Hock. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Television Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(16) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a television that broadcasts the news. Attached to it are two sets of earphones, and at each place a notebook is open with newspaper clippings of the controversy. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
California Mission Daze
title California Mission Dazedescription Cat.7 009(2) From the We are Part of the Earth Exhibition, curated by Jaune Quick-to-See Smith at Centro Cultural de la Raza (April 6-May 20, 1990). One side of the structure is a store called "Honest Injun" with the "t" in the shape of a tomahawk. A caricature of a Native American is above the store's name. In the center of the store is an archway with a cross that has an arrow shot into it. On the shelves are bottles of Thunderbird wine, bumper stickers ("Custer Wore Arrow Shirts" and "Indians Discovered Columbus,") as well as tourist supplies such as feather headdresses and plastic tomahawks. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Satire Columbus, Christopher Indians Of North America Calaveras Mexican American Art Crosses In Art Ethnic Stereotypes Chicano Art Missions In Art Native Americans Installations (Art) Ceramics Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(18) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a stack of newspapers with articles, opinions, and cartoons pertaining to the controversy, creating an impromptu collage. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
The Last Papa With The Big Potatoe [Sic]; From Calendario De Comida 1976
title The Last Papa With The Big Potatoe [Sic]; From Calendario De Comida 1976description Cat.6 001(11) October 1976 Calendar. Image of a yellow and orange foodstamp coupon with the "Last Supper" superimposed over it. Blue type reads: "These Last Supper Food Stamps are brought to you by President Ford, Earl Butz, The Department of Agriculture and all the People that are now out of jobs. Anything that nourishes or stimulates, whatever helps something to keep active and enables it to grow and live. Food Stamps: something welfare workers issue to the Poor once a month to nourish their misfortune and stimulate their despair." Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/;artist/creator Garcia, Maxsubject Chicanos Screen Prints Mexican American Art Satire Chicano Art Calendar Art Ford, Gerald R., 1913- Prints Mexican Americans Silkscreen Graphic Arts Food In Art Prints - Techniquecontributor Calisphere -
Lalo Lopez From Chicano Secret Service
title Lalo Lopez From Chicano Secret Servicedescription Lalo Lopez, in a brown beret, holds a microphone. Lalo Lopez, in a brown beret, holds a microphone. "Chicano Secret Service started in the late 1980's in Berkeley. Lalo proceeded to write for Culture Clash, the legendary skit show." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Self-Help Graphics & Artsubject Men Satire Humor Chicano Art Día De Los Muertos Mexican Americans Chicanos University of California, Berkeleycontributor Calisphere -
Rick Salinas From Culture Clash
title Rick Salinas From Culture Clashdescription Rick Salinas from Culture Clash. "Culture Clash is the country's leading Chicano/Latino theatre group." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Self-Help Graphics & Artsubject Culture Clash (Comedy Troupe) Men Satire Humor Salinas, Ricardo Día De Los Muertos Mexican Americans Chicanoscontributor Calisphere