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News Clip: Hispanic Week
title News Clip: Hispanic Weekdescription B-roll video footage from the KXAS-TV/NBC station in Fort Worth, Texas, to accompany a news story.artist/creator Kxas-Tv (Television Station : Fort Worth, Tex.)subject Television News Programs Stages Arts And Crafts - Dance Arts And Crafts - Music - Instruments News Stories Video Clips Business, Economics And Finance - Communications - Media Audiences People - Ethnic Groups - Hispanics Social Life And Customs - Customs - Celebrations News Segments Social Life And Customs - Clothing Television Broadcasting Of News. Architecture - Buildings Video Footagecontributor Portal to Texas History (TPTH) -
Large Congregation Sitting in Pews
title Large Congregation Sitting in Pewsdescription Photograph of a large Hispanic congregation attentively facing the left-hand side of the image. The men, women, and children are all sitting at eye level in pews that fill the room. There is a man and two women sitting closely in the foreground. There is a handwritten note on the back of the photograph that reads, "San Benito 5-3-53".artist/creator Unknownsubject Pews Texas-Mexican Presbytery Interiors Audiences Religion - Churches - Congregations People - Ethnic Groups - Hispanics Religion - Churchescontributor Portal to Texas History (TPTH) -
Audience at the play "The Heavenly Case of The Bicentennial- America On Trial"
title Audience at the play "The Heavenly Case of The Bicentennial- America On Trial"description Audience at the play "The Heavenly Case of The Bicentennial-America On Trial" presented in Marfa, Texas on March 25-26, 1976 in the Gregg Auditorium.artist/creator Unknownsubject Auditoriums Places - United States - Texas - Presidio County - Marfa Audiences Arts And Crafts - Theatre Bicentennialcontributor Portal to Texas History (TPTH) -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographssubject Altars Doudera, Yasue Monologues Audiences Shamanism Performance Art Costumes Megaphones Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographscontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Tijuana Artists Exhibit: Performance Still
title Tijuana Artists Exhibit: Performance Stilldescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Art The audience focused on Guillermo Gómez-Peña, the emcee for the evening's events.subject Audiences Performance Art Pilgrims And Pilgrimages Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Tijuana Artists Exhibit: Performance Still
title Tijuana Artists Exhibit: Performance Stilldescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Art The audience focused on Guillermo Gómez-Peña, the emcee for the evening's events.subject Audiences Performance Art Jottar, Berta Costumes Pilgrims And Pilgrimages Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Tijuana Artists Exhibit: God On Earth: Performance Still
title Tijuana Artists Exhibit: God On Earth: Performance Stilldescription Collaborative performance by Carlos Niebla and rock band Mercado Negro called 'Dios en la Tierra,' or 'God on Earth. The message is that liberty is the most precious possession in life. Performed at Sushi Performance and Art Gallery in connection with art exhibit featuring Tijuana artists. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Art Tijuana Artists Exhibit on display from October 15 through November 19, 1988.artist/creator Artenstein, Isaacsubject Political Art Audiences Performance Art Fences Rock Groups Musicians Performing Artists Border Art Niebla, Carloscontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Border Fence Decorated With Banners Behind Performance Stage
title One Flew Over The Void (Bala Perdida): Border Fence Decorated With Banners Behind Performance Stagedescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 198, DVD 01) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Political Art Spectacular, The Flight Humor Boundaries Sculpture (Visual Work) Public Art Insite_05 Audiences Mexican-American Border Region Performance Art Fences Daredevils Adventure And Adventurers Installations (Visual Works) Border Artcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Video Documentation: Human Cannonball David Smith Ascends From Cannon And Across Border Fence
title One Flew Over The Void (Bala Perdida): Video Documentation: Human Cannonball David Smith Ascends From Cannon And Across Border Fencedescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 257, DVD 05-49) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Boundaries Installations (Visual Works) Psychiatric Hospitals Daredevils Adventure And Adventurers Patients Political Art Flight Public Art Insite_05 Audiences Performance Art Musicians Spectacular, The Humor Cannons (Artillery) Mexican-American Border Region Caricatures Sculpture (Visual Work) Fences Masks Border Artcontributor Calisphere -
Apparitions: Detail Of Audience Member With Projection In Background
title Apparitions: Detail Of Audience Member With Projection In Backgrounddescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 394) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
Apparitions: Detail Of Audience Member
title Apparitions: Detail Of Audience Memberdescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 395) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Ascends From Cannon And Across Border Fence
title One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Ascends From Cannon And Across Border Fencedescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 198, DVD 01) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Political Art Spectacular, The Flight Humor Boundaries Sculpture (Visual Work) Public Art Cannons (Artillery) Insite_05 Audiences Mexican-American Border Region Performance Art Fences Daredevils Adventure And Adventurers Caricatures Installations (Visual Works) Border Artcontributor Calisphere -
Apparitions: Viewers
title Apparitions: Viewersdescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 396) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
The Invisible Man (My Way): Wrestling Ring And Audience
title The Invisible Man (My Way): Wrestling Ring And Audiencedescription Auditoria Municipal de Tijuana (Baja California, Mexico) Conceived by Mexico City artist Carlos Amorales as a further elaboration of the identity of his wrestling character, Amorales, his project for inSITE2000, "The Invisible Man (My Way)/El hombre invisible (A mi manera)," took the form of two public and distinct wrestling performances. On Friday, January 19, 2001, two wrestlers from Holland, Amorales and Amorales, were featured in a fight against Mexican wrestling stars Satanico and Ultimo Guerrero. The match was part of the regular Friday night program at the Auditorio Municipal, Tijuana. The crowd of 3,500 was quiet with uncertainty as these two unknown Dutch lucha libre personalities walked into the ring. The uncertainty was transformed to excitement as the audience realized that the two Amoraleses were not impostors, but professional lucha libre wrestlers. By the end of the fight, the audience was divided between those screaming, "Amorales, Amorales!" and those who were faithful to the national wrestlers, evil as they might be. At 8:00 pm, on Saturday, January 20, 2001, the sequel of the Amorales wrestling match took place as the centerpiece of a black-tie dinner at the prestigious Wyndham Emerald Plaza Hotel in downtown San Diego. The fight was followed by dancing with music mixed live by Silverio. -- inSITE2000 Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 026) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Identity (Philosophical Concept) Boundaries Wrestlers Mexican-American Border Region Audiences Performance Art Sports Auditoriums Insite2000 Border Art Wrestlingcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Mid-Flight As He Is Shot From A Cannon And Across Border Fence
title One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Mid-Flight As He Is Shot From A Cannon And Across Border Fencedescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 198, DVD 01) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Political Art Spectacular, The Flight Humor Boundaries Sculpture (Visual Work) Public Art Cannons (Artillery) Insite_05 Audiences Mexican-American Border Region Performance Art Fences Daredevils Adventure And Adventurers Caricatures Installations (Visual Works) Border Artcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Ascends From Cannon And Across Border Fence
title One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Ascends From Cannon And Across Border Fencedescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 198, DVD 01) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Political Art Spectacular, The Flight Humor Boundaries Sculpture (Visual Work) Public Art Cannons (Artillery) Insite_05 Audiences Mexican-American Border Region Performance Art Fences Daredevils Adventure And Adventurers Caricatures Installations (Visual Works) Border Artcontributor Calisphere -
The Invisible Man (My Way): Wrestlers Wrestling In Ring
title The Invisible Man (My Way): Wrestlers Wrestling In Ringdescription Conceived by Mexico City artist Carlos Amorales as a further elaboration of the identity of his wrestling character, Amorales, his project for inSITE2000, "The Invisible Man (My Way)/El hombre invisible (A mi manera)," took the form of two public and distinct wrestling performances. On Friday, January 19, 2001, two wrestlers from Holland, Amorales and Amorales, were featured in a fight against Mexican wrestling stars Satanico and Ultimo Guerrero. The match was part of the regular Friday night program at the Auditorio Municipal, Tijuana. The crowd of 3,500 was quiet with uncertainty as these two unknown Dutch lucha libre personalities walked into the ring. The uncertainty was transformed to excitement as the audience realized that the two Amoraleses were not impostors, but professional lucha libre wrestlers. By the end of the fight, the audience was divided between those screaming, "Amorales, Amorales!" and those who were faithful to the national wrestlers, evil as they might be. At 8:00 pm, on Saturday, January 20, 2001, the sequel of the Amorales wrestling match took place as the centerpiece of a black-tie dinner at the prestigious Wyndham Emerald Plaza Hotel in downtown San Diego. The fight was followed by dancing with music mixed live by Silverio. -- inSITE2000 Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 025) Wyndam Emerald Plaza Hotel, San Diego, California, United States [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Identity (Philosophical Concept) Boundaries Wrestlers Mexican-American Border Region Audiences Performance Art Sports Auditoriums Insite2000 Border Art Wrestlingcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Audience Awaiting Launch Of Human Cannonball David Smith Across Border Fence From Mexico Into The U.S
title One Flew Over The Void (Bala Perdida): Audience Awaiting Launch Of Human Cannonball David Smith Across Border Fence From Mexico Into The U.Sdescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 198, DVD 01) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Political Art Spectacular, The Flight Humor Boundaries Pacific Ocean Public Art Cannons (Artillery) Sculpture (Visual Work) Insite_05 Audiences Mexican-American Border Region Performance Art Fences Daredevils Adventure And Adventurers Installations (Visual Works) Border Artcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Spectators Seated In The Shade Of The Cannon
title One Flew Over The Void (Bala Perdida): Spectators Seated In The Shade Of The Cannondescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 198, DVD 01) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Political Art Spectacular, The Flight Humor Boundaries Sculpture (Visual Work) Public Art Cannons (Artillery) Insite_05 Audiences Mexican-American Border Region Performance Art Fences Daredevils Adventure And Adventurers Installations (Visual Works) Border Artcontributor Calisphere -
Osmosis And Excess: Film Premiere In Parking Lot
title Osmosis And Excess: Film Premiere In Parking Lotdescription Aernout Mik has created a video entitled "Osmosis and Excess" that interweaves images of junkyards in Tijuana's urban periphery with fictional scenes depicting a local pharmacy inundated with mud. Used cars flow from the United States to Mexico where they are eventually broken down and discarded on Tijuana's barren hillsides. Moving in the other direction, cheap drugs flow from Tijuana into the United States. The abandoned cars and the medications represent different manifestations of excess. Both modify a landscape: one inner, the other outer. The film was shot on high-definition video in a panoramic format to best illustrate the depicted landscapes. The video was projected as an intervention in a public parking lot in downtown San Diego. Architecture and City Planning Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 193, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mik, Aernoutsubject Landscapes (Representations) Parking Lots Panoramas Automobiles Political Art Insite_05 Audiences Mexican-American Border Region Premieres Border Art Video Artcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Preparing To Be Shot From A Cannon And Across Border Fence
title One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Preparing To Be Shot From A Cannon And Across Border Fencedescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 198, DVD 01) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Boundaries Daredevils Adventure And Adventurers Political Art Flight Pacific Ocean Public Art Insite_05 Audiences Performance Art Spectacular, The Humor Cannons (Artillery) Mexican-American Border Region Caricatures Sculpture (Visual Work) Fences Installations (Visual Works) Border Artcontributor Calisphere -
Osmosis And Excess: Film Premiere In Parking Lot
title Osmosis And Excess: Film Premiere In Parking Lotdescription Aernout Mik has created a video entitled "Osmosis and Excess" that interweaves images of junkyards in Tijuana's urban periphery with fictional scenes depicting a local pharmacy inundated with mud. Used cars flow from the United States to Mexico where they are eventually broken down and discarded on Tijuana's barren hillsides. Moving in the other direction, cheap drugs flow from Tijuana into the United States. The abandoned cars and the medications represent different manifestations of excess. Both modify a landscape: one inner, the other outer. The film was shot on high-definition video in a panoramic format to best illustrate the depicted landscapes. The video was projected as an intervention in a public parking lot in downtown San Diego. Architecture and City Planning Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 193, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mik, Aernoutsubject Landscapes (Representations) Parking Lots Panoramas Automobiles Political Art Insite_05 Audiences Mexican-American Border Region Premieres Border Art Video Artcontributor Calisphere -
Apparitions: Detail Of Audience Seating With Projection In Background
title Apparitions: Detail Of Audience Seating With Projection In Backgrounddescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 393) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere