Search Results
Creator is exactly
Schnorr, Michael
Use buttons below to view additional pages.
-
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Isaac Artenstein climbing the scaffolding. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermosubject Mural Painting And Decorationcontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Death Of A Farmworker: Detail
title Chicano Park: Death Of A Farmworker: Detaildescription A human hand, left, and an agricultural tool, right, both grabbing onto either teeth of a gear or the rays of the sun. Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) La Tierra es de Quien La Trabaja Con Sus Propias Manos. 1879-1919 E. Zapata (The land belongs to he who works it with his own hands. 1879-1919 E. Zapata) Paintingssubject Hair Bridges Mexican American Art Mural Painting And Decoration History Strikes Parks Symbolism Zapata, Emiliano, 1879-1919 Agriculture Californiacontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Death Of A Farmworker: Detail Of Hand
title Chicano Park: Death Of A Farmworker: Detail Of Handdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingssubject Hair Bridges Mexican American Art Mural Painting And Decoration History Strikes Parks Symbolism Agriculture Californiacontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Michael Schnorr and David Avalos. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Coatlicue: Detail Of Serpents
title Chicano Park: Coatlicue: Detail Of Serpentsdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingscontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Death Of A Farmworker: Detail Of Enclosed Garden At Base Of Mural
title Chicano Park: Death Of A Farmworker: Detail Of Enclosed Garden At Base Of Muraldescription As an accompaniment to Death of a Farmworker an enclosed vegetable garden was built by the artists at the base of the mural. The sign mounted on the fence read: In memory of all the farm workers who have struggled for a better life - the artists. The garden and statue are no longer in situ. Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingssubject Bridges Mexican American Art Mural Painting And Decoration Agricultural Laborers History Strikes Vegetable Gardening Parks Symbolism Agriculture California Sculpturecontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Death Of A Farmworker: General View
title Chicano Park: Death Of A Farmworker: General Viewdescription As an accompaniment to Death of a Farmworker an enclosed vegetable garden was built by the artists at the base of the mural. The sign mounted on the fence read: In memory of all the farm workers who have struggled for a better life - the artists. The garden and statue are no longer in situ. The top of the mural depicts a human hand, left, and an agricultural tool, right, both grabbing onto either teeth of a gear or the rays of the sun. Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) La Tierra es de Quien La Trabaja Con Sus Propias Manos. 1879-1919 E. Zapata (The land belongs to he who works it with his own hands. 1879-1919 E. Zapata) Paintingssubject Hair Bridges Mexican American Art Mural Painting And Decoration Agricultural Laborers History Strikes Vegetable Gardening Parks Symbolism Agriculture California Sculpturecontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Michael Schnorr and David Avalos. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Death Of A Farmworker
title Chicano Park: Death Of A Farmworkerdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Contains a quote from Emiliano Zapata; translation: The land belongs to him who works it with his own hands. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingssubject Death Hair Bridges Mexican American Art Mural Painting And Decoration Workers History Strikes Parks Symbolism Agriculture Californiacontributor Calisphere -
Chicano Park: Death Of A Farmworker: Detail Of Chained Farmworkers Picking Lettuce
title Chicano Park: Death Of A Farmworker: Detail Of Chained Farmworkers Picking Lettucedescription A seemingly peaceful scene of cultivation, however, upon closer look the harvesters are chained to boxes containing produce. Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingssubject Bridges Mexican American Art Agriculture Mural Painting And Decoration Agricultural Laborers History Strikes Parks Symbolism Chains Californiacontributor Calisphere -
Chicano Park: Death Of A Farmworker
title Chicano Park: Death Of A Farmworkerdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingssubject Hair Bridges Mexican American Art Mural Painting And Decoration History Strikes Parks Symbolism Agriculture Californiacontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza. Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Michael Schnorr and David Avalos. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Death Of A Farmworker: Detail: Fruits And Vegetables
title Chicano Park: Death Of A Farmworker: Detail: Fruits And Vegetablesdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingssubject Bridges Mexican American Art Mural Painting And Decoration History Parks Symbolism Agriculture Californiacontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Michael Schnorr and David Avalos. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Death Of A Farmworker: Detail
title Chicano Park: Death Of A Farmworker: Detaildescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingssubject Death Bridges Mexican American Art Mural Painting And Decoration Workers History Strikes Parks Symbolism Agriculture Californiacontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. David Avalos and Isaac Artenstein. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Death Of A Farmworker: Detail Of Striking Farmworkers
title Chicano Park: Death Of A Farmworker: Detail Of Striking Farmworkersdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingssubject Death Bridges Mexican American Art Mural Painting And Decoration History Employees Strikes Parks Symbolism Agriculture Californiacontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. David Avalos and Isaac Artenstein. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Death Of A Farmworker: Detail Of Successful Lettuce Strike In California
title Chicano Park: Death Of A Farmworker: Detail Of Successful Lettuce Strike In Californiadescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) In September 1979, after a strike and boycott, United Farm Workers wins its demands for a significant pay raise and other contract improvements from SunHarvest, the nation's largest lettuce producer. Paintingssubject Hair Bridges Mexican American Art Mural Painting And Decoration Agricultural Laborers History Strikes Parks Symbolism Agriculture Californiacontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Chicano Park: Coatlicue: Detail: Coatlicue, The Aztec Goddess Of The Earth
title Chicano Park: Coatlicue: Detail: Coatlicue, The Aztec Goddess Of The Earthdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingssubject Bridges Mexican American Art Mural Painting And Decoration Aztec (Culture Or Style) Gods History Parks Symbolism Coatlicue (Aztec Deity) Californiacontributor Calisphere -
Abandoned Ii: Aerial View
title Abandoned Ii: Aerial Viewdescription Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 307) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Furniture Homelessness Boundaries Sculpture (Visual Work) Public Art Installations (Visual Works) Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Playgrounds Beaches Insite92 Insite94 Chimneys (Architectural Elements) Border Art Artistic Collaborationcontributor Calisphere -
Poggi Canyon
title Poggi Canyondescription Architecture and City Planning Drawings and Watercolors Poggi Canyon, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 333) Titled "Poggi Canyon/Cañón Poggi," Schnorr's project addressed the proposed development of Poggi Canyon in Chula Vista and the impact it would have on the neighboring residents. The artist erected four billboards with images of the canyon spaced about one hundred yards apart. As one would approach the canyon by car the question "When is a Canyon Not a Canyon," written out over the four billboards, highlighted a development project then being considered by the Chula Vista City Council. Over the course of the exhibition the artist gradually covered each pristine billboard image of the canyon with drawings showing the development of street systems, housing and planned landscaping, suggesting what would happen to the natural landscape should the development be approved. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Schnorr, Michaelsubject Political Art Sculpture (Visual Work) Mexican-American Border Region Landscapes (Environments) Insite94 Environmentalism Housing Development Urban Planning Nature Installations (Visual Works) Real Estate Developmentcontributor Calisphere -
Abandoned Ii
title Abandoned Iidescription Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 308) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Homelessness Humor Leisure Sculpture (Visual Work) Public Art Playgrounds Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Chaises Longues Insite94 Artistic Collaboration Insite92 Installations (Visual Works) Border Art Furniturecontributor Calisphere -
Abandoned Ii
title Abandoned Iidescription Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 303) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Gardens Homelessness Sculpture (Visual Work) Public Art Installations (Visual Works) Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Playgrounds Gardening Insite94 Artistic Collaboration Insite92 Chimneys (Architectural Elements) Border Art Furniturecontributor Calisphere -
Abandoned Ii
title Abandoned Iidescription Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 312) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Furniture Homelessness Humor Bull Rings Public Art Installations (Visual Works) Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Playgrounds Sculpture (Visual Work) Insite94 Insite92 Chimneys (Architectural Elements) Border Art Artistic Collaborationcontributor Calisphere -
Abandoned Ii
title Abandoned Iidescription Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 304) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Furniture Homelessness Boundaries Sculpture (Visual Work) Public Art Installations (Visual Works) Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Playgrounds Insite94 Insite92 Chimneys (Architectural Elements) Border Art Artistic Collaborationcontributor Calisphere -
Abandoned Ii
title Abandoned Iidescription Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 305) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Furniture Homelessness Boundaries Sculpture (Visual Work) Public Art Installations (Visual Works) Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Playgrounds Beaches Insite92 Insite94 Chimneys (Architectural Elements) Border Art Artistic Collaborationcontributor Calisphere -
Abandoned Ii: Love Seat
title Abandoned Ii: Love Seatdescription Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 306) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Furniture Homelessness Boundaries Sculpture (Visual Work) Public Art Installations (Visual Works) Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Playgrounds Insite94 Insite92 Chimneys (Architectural Elements) Border Art Artistic Collaborationcontributor Calisphere -
Abandoned Ii: Firesofa: Man Seated On "Firesofa"
title Abandoned Ii: Firesofa: Man Seated On "Firesofa"description Garden and Landscape Originally created for inSITE92 by San Diego artist Michael Schnorr and Swedish artist Ulf Rollof, "Abandonado II" was renovated for inSITE94. The project was from the beginning born of the particular circumstances that describe its location. Situated on an empty lot across the street from the Pacific Ocean at Playas de Tijuana, the installation was intended to serve the numerous abandoned children who live along the border in the beach area. The installation consisted of several pieces constructed from brick and concrete, among them two pieces of fire-heated outdoor furniture, the "Fire Sofa" and "Fire Chair." It also included a shell-like echo chamber titled "Habla/Head - Cabeza/Speak" and a circle of brick school desks titled "The Bricklayers' Class." The installation became a gathering place for locals and a playground for children. - InSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 332) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Furniture Homelessness Boundaries Sculpture (Visual Work) Public Art Installations (Visual Works) Children (People By Age Group) Mexican-American Border Region Outdoor Furniture Playgrounds Insite94 Insite92 Chimneys (Architectural Elements) Border Art Artistic Collaborationcontributor Calisphere -
Death Of Farm Worker
title Death Of Farm Workerdescription Mural on column #G-46, Chicano Park depicting a human hand, left, and an agricultural tool, right, both grabbing onto either teeth of a gear or the rays of the sun. All this is at the very top. Beneath, a mountain, and a produce truck drives toward the vanishing point on a field. Just under this is a strike scene that has resulted in the death of a striker. Under this scene, a seemingly peaceful scene of cultivation. Seemingly because the harvesters are chained to boxes containing produce. The lower portion of the mural is not visible. This mural shows deterioration and vandalism. "Rufino Contreras, a farm worker from the valley is shot in the lettuce fields during a strike by the United Farm Workers, led by Cesar E. Chavez. Michael Schnorr, attempts a dramatic and emotionally tense scene, taken from Francisco Goya's period of the Disasters of War, series. "Execution of the Citizens of Madrid, May 3, 1808." Michael Schnorr, like many other artists paints themes of social commentary, inspired by the Chicano Movements' Labor Struggles and immigration issues of abuse. This dramatic column included a small fenced area at the column base. Michael made a fiberglass cast of his body, simulating a figure prone on the ground. He planted squash and flowers. This addition was destroyed by community vandals that rejected his final statement." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Schnorr, Michaelsubject Mexican American Art Mural Art Chicano Art Chicana Art Asian American Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Death Of A Farmworker
title Death Of A Farmworkerdescription Mural on column #G-46, Chicano Park depicting a human hand, left, and an agricultural tool, right, both grabbing onto either teeth of a gear or the rays of the sun. Between the human and the machine is the quote from Emiliano Zapata: "La Tierra es de Quien La Trabaja Con Sus Propias Manos." These images are at the top of the column. Underneath are a mountain and a produce truck driving toward the vanishing point on a field. Just under this is a strike scene that has resulted in the death of a striker. Rufino Contrevas under this scene, a seemingly peaceful scene of cultivation. It is not truly peaceful because the harvesters are chained to boxes containing produce. This mural shows deterioration. A fenced garden is in front of the mural. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Schnorr, Michaelsubject Farm Workers Labor Unions Mexican American Art Agricultural Laborers Asian Americans Mural Art Chicano Art Death In Art Chicana Art Strikes And Lockouts Asian American Art Zapata, Emiliano, 1879-1919 Chicanas Mexican Americans Chicanoscontributor Calisphere -
Coatlicue
title Coatlicuedescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu Vinyl mural on a Chicano Park freeway pillar depicts the Aztec goddess of the Earth Coatlicue.artist/creator Schnorr, Michaelsubject Mexican American Art Aztec Goddesses Asian Americans Mural Art Religion In Art Chicano Art Chicana Art Asian American Art Coatlicue (Aztec Deity) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Voz Libre: The Life Of Pedro J. Gonzalez
title Voz Libre: The Life Of Pedro J. Gonzalezdescription Mural depicts events from the life of Pedro J. Gonzales, a popular radio broadcaster in the San Diego-Tijuana area. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Schnorr, Michaelsubject Mexican American Art Radio Stations Mural Art Chicano Art Mass Media And The Arts Prisoners Mexican Americans Chicanoscontributor Calisphere -
Plans For Voz Libre, The Life Of Pedro J. Gonzalez
title Plans For Voz Libre, The Life Of Pedro J. Gonzalezdescription Collage is a plan for the mural Voz Libre, The Life of Pedro J. Gonzalez. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Schnorr, Michaelcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Black and white mural on a Chicano Park freeway column depicts the back of a standing man. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Schnorr, Michaelcontributor Calisphere -
Voz Libre
title Voz Libredescription Mural depicts events from the life of Pedro J. Gonzales, a popular radio broadcaster in the San Diego-Tijuana area. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Schnorr, Michaelsubject Mexican American Art Radio Stations Mural Art Chicano Art Mass Media And The Arts Prisoners Imprisonment Mexican Americans Chicanoscontributor Calisphere -
Death Of A Farmworker
title Death Of A Farmworkerdescription Mural on column #G-46, Chicano Park depicting a human hand, left, and an agricultural tool, right, both grabbing onto either teeth of a gear or the rays of the sun. All this very top. Beneath, a mountain, and a produce truck drives toward the vanishing point on a field. Just under this is a strike scene that has resulted in the death of a striker (Rufino Contreras). Under this scene, a seemingly peaceful scene of cultivation. ‘Seemingly’ because the harvesters are chained to boxes containing produce. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Schnorr, Michaelsubject Farm Workers Mexican American Art Agricultural Laborers Mural Art Chicano Art Chicano Movement Death In Art Zapata, Emiliano, 1879-1919 Chains Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.4 027(3) From the Border Realities--Part Two Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (February 1986). Pastel drawing of a border patrol helicopter. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Border Patrols Mexican American Art Mexican American Border Region Chicano Art Mexican Americans Pastels (Crayons) Border Art Chicanoscontributor Calisphere -
Undocumented Worker (Detail)
title Undocumented Worker (Detail)description Cat.8 106(4) Rubber surface conditioner, liquitex, and pro-line vinyl paints on acid-etched conrete freeway support pillar, Chicano Park. Mural depicts five scenes with artistic interpretations of immigrant labor. Detail is of the upper half of the mural. At the top a chicana tears down a wall. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Immigration Regulation And Control Immigration Mural Art Undocumented Workers Chicano Art Work Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.7 035(3) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr (January 1989). Message board cautions drivers to "Watch for people crossing road." A yellow diamond shaped sign has a graphic of a human running. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Photography, Artistic Mexican Americans Border Art Chicanoscontributor Calisphere -
Quiet For Sale
title Quiet For Saledescription Cat.1 103 From the Border Realities--Part Two Exhibition at Centro Cultural de la Raza (February 1986). Assemblage composed of wood, metal, and astroturf depicts a golf ball, a bowling trophy, and miniature domestic effects. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Sports In Art Sculpture Chicano Art Class Consciousness Mexican Americans Cajas Palms In Art Border Art Chicanoscontributor Calisphere -
Red Asphalt
title Red Asphaltdescription Cat.7 034(10) From the Vidas Perdidas Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr (January 1989). Installation depicts a man running in fromt of an oncoming vehicle. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Automobiles Mexican American Border Region Chicano Art Mexican Americans Chicana Art Installations (Art) Chicanas Border Art Chicanoscontributor Calisphere -
When Food Is Used As A Tool... Utensils Become Weapons (Detail)
title When Food Is Used As A Tool... Utensils Become Weapons (Detail)description Cat.3 002(2) From the Border Relations Exhibition at gallería del la Raza, San Francisco, 1985, organized vy Border Arts Workshop/ Taller de Arte Fronterizo and curated by René Yáñez. Depicted is a detail of one of the works on display at the exhibition, Michael Schnorr's "When Food is Used as a Tool ... Utensils Become Weapons". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Dinners And Dining Mexican American Art Firearms In Art Food In Art Weapons In Art Mural Art Chicano Art Tableware Mexican Americans Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.4 027(2) From the Border Realities--Part Two Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (February 1986). Aerial view of Aztlán. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Mexican American Border Region Maps In Art Aztlán Chicano Art Mexican Americans Pastels (Crayons) Border Art Chicanoscontributor Calisphere -
Night Vision
title Night Visiondescription Cat.11 002 From the Border Realities--Part Two Exhibition organized by Border Arts Workshop/Taller de Arte Fronterizo at Centro Cultural de la Raza, Balboa Park, San Diego, CA (February 1986). Photo is of a man wearing a futuristic helmet with goggles. The frame is neon. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Mexican American Border Region Chicano Art Photography, Artistic Mexican Americans Border Art Chicanoscontributor Calisphere -
Undocumented Worker
title Undocumented Workerdescription Cat.8 106(3) Rubber surface conditioner, liquitex, and pro-line vinyl paints on acid-etched conrete freeway support pillar, Chicano Park. Mural depicts five scenes with artistic interpretations of immigrant labor. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Immigration Regulation And Control Immigration Mural Art Undocumented Workers Chicano Art Work Women In Art Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.4 028 From Border Realities--Part Two Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (February 1986). Felt-tipped marker drawing of a man rising from a basket of plants. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Chicanos Barbed Wire Mexican American Art Pen Drawing Chicano Art Mexican Americans Clothing And Dress In Artcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.7 035(2) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr (January 1989). Message board cautions drivers to "Watch for people crossing road." A yellow diamond shaped sign has a graphic of a human running. Also displayed at the New York Artist Space Gallery, New York, NY. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Photography, Artistic Mexican Americans Border Art Chicanoscontributor Calisphere -
Death Of A Farmworker
title Death Of A Farmworkerdescription Cat.8 104(1) Mural in unknown media on a Chicano Park freeway column commemorates Rufino Contreras, who was murdered at a strike of the United Farm Workers. Schnorr planted a garden at the base of the column. The mural features a quote from Zapata at its top. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Farm Workers Mexican American Art Agricultural Laborers Mural Art Chicano Art Murder In Art Gardening Death In Art Strikes And Lockouts Zapata, Emiliano, 1879-1919 Mexican Americans Chicanoscontributor Calisphere -
When Food Is Used As A Tool...Utensils Become Weapons
title When Food Is Used As A Tool...Utensils Become Weaponsdescription Cat.8 107 From the California Murals off the Wall Exhibition at Centro Cultural de la Raza, 2004 Park Blvd Building #671, Balboa Park, San Diego, CA (March 1983). Portable mural depicts a table set as if for a meal. Instead of food on the plates, however, there are weapons. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Dinners And Dining Chicanos Mexican American Art Weapons In Art Mural Art Chicano Art Mexican Americans Food In Artcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.7 035(1) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr (January 1989). Message board cautions drivers to "Watch for people crossing road." A yellow diamond shaped sign has a graphic of a human running. Also displayed at the New York Artist Space Gallery, New York, New York. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Photography, Artistic Mexican Americans Border Art Chicanoscontributor Calisphere -
Undocumented Worker (Detail)
title Undocumented Worker (Detail)description Cat.8 106(5) Rubber surface conditioner, liquitex, and pro-line vinyl paints on acid-etched conrete freeway support pillar, Chicano Park. Mural depicts five scenes with artistic interpretations of immigrant labor. Detail is of the uppermost panel. A man's body is half-formed by a constellation. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Immigration Regulation And Control Immigration Mural Art Undocumented Workers Chicano Art Work Women In Art Chicanas Mexican Americans Chicanoscontributor Calisphere