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Cowboy Holding Coil of Rope
title Cowboy Holding Coil of Ropedescription Photograph of cowboy holding a coil of rope while sitting on a wooden bench. Behind him, there is a wood and mesh fence, and in front of him there are two small dogs.artist/creator Graham, Joe Stanley, 1940-1999subject Social Life And Customs Rope Agriculture - Domestic Animals Agriculture - Ranching - Cowboys Dogscontributor Portal to Texas History (TPTH) -
Sarah Russell Bogel and her son
title Sarah Russell Bogel and her sondescription In this photograph, a woman and young boy are standing in the yard of a ranch. The woman is young and wearing a loose, white dress. The little boy is wearing a loose shirt with overalls and is petting two dark-colored dogs. They are standing directly in front of a large wooden wagon. In the background, there is a building made of brick, a large pile of wood and a fence and mountains in the distance. On the back of the photograph, a handwritten note reads, "Sarah Russell Bogel (Mrs. William Woodworth Bogel, Jr.) and William Woodworth Bogel III (Billy B.) at W. W. Bogel's Charco Larco Ranch circa 1913-14."artist/creator Unknownsubject Bogel Family. People Bogel, Sarah Russell Dogs Ranches Bogel, William Woodworth Agriculture - Ranchingcontributor Portal to Texas History (TPTH) -
Mary Martha Coffield with dog
title Mary Martha Coffield with dogdescription A young Mary Martha Coffield is sitting on a bench, hugging a small dog. Two other young girls are to the left of her.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Mama: Video Screen
title Mama: Video Screendescription Brazilian and Swiss artist team Mauricio Dias and Walter Riedweg's inSITE2000 project, "MAMA," was based on work the artists undertook during several extended residencies in the region. Interested in investigating the issues of border security and immigration, the artists met with numerous groups, organizations, and individuals on either side of the border to collect materials. Through this process the artists narrowed their work to deal specifically with K-9 US customs officers on the one hand, and on the other, Mexican citizens trying to cross the border illegally. What interested Dias and Riedweg were the maternal relationships of the K-9 officers and how that informed the relationships they developed with their dogs and in turn the work they were performing daily. The work became an investigation of the border between private and public selves, and of the transgression and transference of private psychology on public situations. The project was shown as a video installation housed in two separate structures located in the San Ysidro pedestrian passage, Pasillo Turistico. Built to simulate the shape and size of ordinary cargo containers, one structure contained video of interviews with the customs officers and showed them interacting with their dogs. Each officer was asked to give his definition of "territory" and "authority." The other structure showed a looped video clip of illegal immigrants meeting up at night around a fire waiting for the "right" moment to jump the fence. --inSITE2000 Film, Audio, Video and Digital Art Performing Arts (including Performance Art) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 095) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Dogs Boundaries Border Art Mothers Sons Mexican-American Border Region Insite2000 Installations (Visual Works) Graphic Arts Border Patrol Agents Video Artcontributor Calisphere -
Muezzin
title Muezzindescription Centro Escolar Agua Caliente (Tijuana, Mexico) Film, Audio, Video and Digital Art Legendary pioneer of Happenings, Allan Kaprow, created a piece for inSITE94 that referenced his historic contribution to art in his use of the found, commonplace, and literal experience. Kaprow chose to use the minaret tower at Centro Escolar Agua Caliente as the site for his piece and elaborated on the associations it evoked, from Muslim prayer towers to rockets and war missiles. With the title MUEZZIN, Kaprow made a reference to the Islamic crier, or muezzin, who calls worshippers to prayer throughout the day. Rather than a human voice however, the artist used a recording of barking dogs calling out from the tower every hour, while a dense fog simultaneously was emitted from the base of the tower, simulating the firing of a missile. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This sound recording was extracted from a CD-R from the InSite Archive (MSS 707, Box 254, CD 94-34) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Kaprow, Allansubject City Noise Dogs--Barking Islam Tijuana (Baja California, Mexico) Noise Dogs San Diego (Calif.) Sound Installations (Art) Muezzins Music Mexican-American Border Region Aleatoric Music Insite94 Adhan Sound Recordings Public Address Systems Border Artcontributor Calisphere -
Mama: Us/Mexico Pedestrian Border Crossing, San Ysidro
title Mama: Us/Mexico Pedestrian Border Crossing, San Ysidrodescription Brazilian and Swiss artist team Mauricio Dias and Walter Riedweg's inSITE2000 project, "MAMA," was based on work the artists undertook during several extended residencies in the region. Interested in investigating the issues of border security and immigration, the artists met with numerous groups, organizations, and individuals on either side of the border to collect materials. Through this process the artists narrowed their work to deal specifically with K-9 US customs officers on the one hand, and on the other, Mexican citizens trying to cross the border illegally. What interested Dias and Riedweg were the maternal relationships of the K-9 officers and how that informed the relationships they developed with their dogs and in turn the work they were performing daily. The work became an investigation of the border between private and public selves, and of the transgression and transference of private psychology on public situations. The project was shown as a video installation housed in two separate structures located in the San Ysidro pedestrian passage, Pasillo Turistico. Built to simulate the shape and size of ordinary cargo containers, one structure contained video of interviews with the customs officers and showed them interacting with their dogs. Each officer was asked to give his definition of "territory" and "authority." The other structure showed a looped video clip of illegal immigrants meeting up at night around a fire waiting for the "right" moment to jump the fence. --inSITE2000 Film, Audio, Video and Digital Art Performing Arts (including Performance Art) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 096) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Dogs Boundaries Border Art Mothers Sons Mexican-American Border Region Insite2000 Installations (Visual Works) Graphic Arts Border Patrol Agents Video Artcontributor Calisphere -
Mama: Film Still With Border Patrol Dog
title Mama: Film Still With Border Patrol Dogdescription Brazilian and Swiss artist team Mauricio Dias and Walter Riedweg's inSITE2000 project, "MAMA," was based on work the artists undertook during several extended residencies in the region. Interested in investigating the issues of border security and immigration, the artists met with numerous groups, organizations, and individuals on either side of the border to collect materials. Through this process the artists narrowed their work to deal specifically with K-9 US customs officers on the one hand, and on the other, Mexican citizens trying to cross the border illegally. What interested Dias and Riedweg were the maternal relationships of the K-9 officers and how that informed the relationships they developed with their dogs and in turn the work they were performing daily. The work became an investigation of the border between private and public selves, and of the transgression and transference of private psychology on public situations. The project was shown as a video installation housed in two separate structures located in the San Ysidro pedestrian passage, Pasillo Turistico. Built to simulate the shape and size of ordinary cargo containers, one structure contained video of interviews with the customs officers and showed them interacting with their dogs. Each officer was asked to give his definition of "territory" and "authority." The other structure showed a looped video clip of illegal immigrants meeting up at night around a fire waiting for the "right" moment to jump the fence. --inSITE2000 Film, Audio, Video and Digital Art Performing Arts (including Performance Art) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 093) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Dogs Boundaries Border Art Mothers Sons Mexican-American Border Region Insite2000 Installations (Visual Works) Graphic Arts Border Patrol Agents Video Artcontributor Calisphere -
Chloe: View Of Piece Installed At Linda Moore Gallery
title Chloe: View Of Piece Installed At Linda Moore Gallerydescription Linda Moore Gallery San Diego Natural History Museum Sculpture and Installations Situated at the San Diego Natural History Museum and at Linda Moore Gallery in San Diego, Nina Katchadourian's project for inSITE94, "Chloe," showcased Chloe, a taxidermic dog, propped on an embroidered silk pillow. While it was the intention of the artist to show the actual taxidermic dog at the Natural History Museum, mixed opinion on public perception of a taxidermic pet on view influenced the Museum to opt for a Chloe stand-in. On view at the Museum, in a Plexiglas vitrine, was a photograph of Chloe on an identical silk pillow, accompanied by a placard referring viewers to the Linda Moore Gallery where the actual Chloe could be seen. --inSITE94 Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 185) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Katchadourian, Ninasubject Pets Taxidermy Humor Dogs Sculpture (Visual Work) Public Art Deaths Mexican-American Border Region Memorials Insite94 Public Spaces Exhibitions (Events) Installations (Visual Works)contributor Calisphere -
Chloe: View Of Piece With Stand-In Photograph At The San Diego Natural History Museum
title Chloe: View Of Piece With Stand-In Photograph At The San Diego Natural History Museumdescription Linda Moore Gallery San Diego Natural History Museum Sculpture and Installations Situated at the San Diego Natural History Museum and at Linda Moore Gallery in San Diego, Nina Katchadourian's project for inSITE94, "Chloe," showcased Chloe, a taxidermic dog, propped on an embroidered silk pillow. While it was the intention of the artist to sow the actual taxidermic dog at the Natural History Museum, mixed opinion on public perception of a taxidermic pet on view influenced the Museum to opt for a Chloe stand-in. On view at the Museum, in a Plexiglas vitrine, was a photograph of Chloe on an identical silk pillow, accompanied by a placard referring viewers to the Linda Moore Gallery where the actual Chloe could be seen. - inSITE94 Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 186) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Katchadourian, Ninasubject Pets Taxidermy Humor Dogs Sculpture (Visual Work) Public Art Deaths Mexican-American Border Region Memorials Insite94 Public Spaces Exhibitions (Events) Installations (Visual Works)contributor Calisphere -
Muezzin: General View With Basketball Court And Rising Smoke From Fog Machines
title Muezzin: General View With Basketball Court And Rising Smoke From Fog Machinesdescription Centro Escolar Agua Caliente (Tijuana, Mexico) Film, Audio, Video and Digital Art Legendary pioneer of Happenings, Allan Kaprow, created a piece for inSITE94 that referenced his historic contribution to art in his use of the found, commonplace, and literal experience. Kaprow chose to use the minaret tower at Centro Escolar Agua Caliente as the site for his piece and elaborated on the associations it evoked, from Muslim prayer towers to rockets and war missiles. With the title MUEZZIN, Kaprow made a reference to the Islamic crier, or muezzin, who calls worshippers to prayer throughout the day. Rather than a human voice however, the artist used a recording of barking dogs calling out from the tower every hour, while a dense fog simultaneously was emitted from the base of the tower, simulating the firing of a missile. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 175) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Kaprow, Allansubject City Noise Rockets San Diego (Calif.) Adhan Dogs Fog Public Art Smoke Insite94 Missiles (Weapons) Sound Recordings Dogs--Barking Sound Installations (Art) Muezzins Music Mexican-American Border Region Tijuana (Baja California, Mexico) Public Address Systems Islam Noise Architecture (Object Genre) Aleatoric Music Minarets Border Artcontributor Calisphere -
Muezzin: General View With Sun Behind Minaret And Smoke From Fog Machines Rising
title Muezzin: General View With Sun Behind Minaret And Smoke From Fog Machines Risingdescription Centro Escolar Agua Caliente (Tijuana, Mexico) Film, Audio, Video and Digital Art Legendary pioneer of Happenings, Allan Kaprow, created a piece for inSITE94 that referenced his historic contribution to art in his use of the found, commonplace, and literal experience. Kaprow chose to use the minaret tower at Centro Escolar Agua Caliente as the site for his piece and elaborated on the associations it evoked, from Muslim prayer towers to rockets and war missiles. With the title "MUEZZIN," Kaprow made a reference to the Islamic crier, or muezzin, who calls worshippers to prayer throughout the day. Rather than a human voice however, the artist used a recording of barking dogs calling out from the tower every hour, while a dense fog simultaneously was emitted from the base of the tower, simulating the firing of a missile. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 176) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject City Noise Rockets San Diego (Calif.) Adhan Dogs Fog Public Art Smoke Insite94 Missiles (Weapons) Sound Recordings Dogs--Barking Sound Installations (Art) Muezzins Music Mexican-American Border Region Tijuana (Baja California, Mexico) Public Address Systems Islam Noise Architecture (Object Genre) Aleatoric Music Minarets Border Artcontributor Calisphere -
Muezzin: General View
title Muezzin: General Viewdescription Centro Escolar Agua Caliente (Tijuana, Mexico) Film, Audio, Video and Digital Art Legendary pioneer of Happenings, Allan Kaprow, created a piece for inSITE94 that referenced his historic contribution to art in his use of the found, commonplace, and literal experience. Kaprow chose to use the minaret tower at Centro Escolar Agua Caliente as the site for his piece and elaborated on the associations it evoked, from Muslim prayer towers to rockets and war missiles. With the title "MUEZZIN," Kaprow made a reference to the Islamic crier, or muezzin, who calls worshippers to prayer throughout the day. Rather than a human voice however, the artist used a recording of barking dogs calling out from the tower every hour, while a dense fog simultaneously was emitted from the base of the tower, simulating the firing of a missile. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 177) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject City Noise Rockets San Diego (Calif.) Adhan Dogs Fog Public Art Smoke Insite94 Missiles (Weapons) Sound Recordings Dogs--Barking Sound Installations (Art) Muezzins Music Mexican-American Border Region Tijuana (Baja California, Mexico) Public Address Systems Islam Noise Architecture (Object Genre) Aleatoric Music Minarets Border Artcontributor Calisphere -
Mama: Border Patrol Agents
title Mama: Border Patrol Agentsdescription Brazilian and Swiss artist team Mauricio Dias and Walter Riedweg's inSITE2000 project, "MAMA," was based on work the artists undertook during several extended residencies in the region. Interested in investigating the issues of border security and immigration, the artists met with numerous groups, organizations, and individuals on either side of the border to collect materials. Through this process the artists narrowed their work to deal specifically with K-9 US customs officers on the one hand, and on the other, Mexican citizens trying to cross the border illegally. What interested Dias and Riedweg were the maternal relationships of the K-9 officers and how that informed the relationships they developed with their dogs and in turn the work they were performing daily. The work became an investigation of the border between private and public selves, and of the transgression and transference of private psychology on public situations. The project was shown as a video installation housed in two separate structures located in the San Ysidro pedestrian passage, Pasillo Turistico. Built to simulate the shape and size of ordinary cargo containers, one structure contained video of interviews with the customs officers and showed them interacting with their dogs. Each officer was asked to give his definition of "territory" and "authority." The other structure showed a looped video clip of illegal immigrants meeting up at night around a fire waiting for the "right" moment to jump the fence. --inSITE2000 Film, Audio, Video and Digital Art Performing Arts (including Performance Art) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 094) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Dogs Boundaries Border Art Mothers Sons Mexican-American Border Region Military Uniforms Insite2000 Installations (Visual Works) Graphic Arts Border Patrol Agents Video Artcontributor Calisphere