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Saline: Plexiglas Containers Filled With Water
title Saline: Plexiglas Containers Filled With Waterdescription For inSITE94, artist Nina Karavasiles created "Saline/La salina" at the Stephen Birch Aquarium-Museum, part of Scripps Institution of Oceanography at the University of California, San Diego. The artist built a salt-filled trough that extended from the aquarium-museum courtyard down the hillside towards the water, creating a visual connection to the seaside, the Scripps Pier, and the ocean beyond. Alongside the trough were Plexiglas enclosures containing salt water. Over the course of the exhibition the water evaporated leaving behind salt crystals. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Stephen Birch Aquarium-Museum This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 178) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Karavasiles, Ninasubject Pacific Ocean Sculpture (Visual Work) Public Art Views Mexican-American Border Region Landscapes (Environments) Insite94 Oceans Process Art Installations (Visual Works) Border Artcontributor Calisphere -
Blue Granite Shift
title Blue Granite Shiftdescription California Center for the Arts Museum (Escondido, Calif.) For inSITE94, Mathieu Gregoire created a permanent installation for the central courtyard of the California Center for the Arts, Escondido. Entitled "Blue Granite Shift/Transición del granite azul," the piece is made of granite quarried from the hills surrounding the cultural complex. Extending 500 feet throughout the courtyard, the work moves from rough granite boulders to increasingly more cut and polished stones, finally ending with completely square granite elements. Likewise, the landscaping follows a similar evolution from native plants and trees to more formal and decorative varieties. The work suggests development in the area as having been wrought from the natural environment. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 131) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gregoire, Mathieusubject Landscape Architecture Abstraction Orchards Sculpture (Visual Work) Escondido (Calif.) Mexican-American Border Region Landscapes (Environments) Insite94 Installations (Visual Works) Gardenscontributor Calisphere -
Poggi Canyon
title Poggi Canyondescription Architecture and City Planning Drawings and Watercolors Poggi Canyon, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 333) Titled "Poggi Canyon/Cañón Poggi," Schnorr's project addressed the proposed development of Poggi Canyon in Chula Vista and the impact it would have on the neighboring residents. The artist erected four billboards with images of the canyon spaced about one hundred yards apart. As one would approach the canyon by car the question "When is a Canyon Not a Canyon," written out over the four billboards, highlighted a development project then being considered by the Chula Vista City Council. Over the course of the exhibition the artist gradually covered each pristine billboard image of the canyon with drawings showing the development of street systems, housing and planned landscaping, suggesting what would happen to the natural landscape should the development be approved. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Schnorr, Michaelsubject Political Art Sculpture (Visual Work) Mexican-American Border Region Landscapes (Environments) Insite94 Environmentalism Housing Development Urban Planning Nature Installations (Visual Works) Real Estate Developmentcontributor Calisphere -
Blue Granite Shift
title Blue Granite Shiftdescription California Center for the Arts Museum (Escondido, Calif.) For inSITE94, Mathieu Gregoire created a permanent installation for the central courtyard of the California Center for the Arts, Escondido. Entitled "Blue Granite Shift/Transición del granite azul," the piece is made of granite quarried from the hills surrounding the cultural complex. Extending 500 feet throughout the courtyard, the work moves from rough granite boulders to increasingly more cut and polished stones, finally ending with completely square granite elements. Likewise, the landscaping follows a similar evolution from native plants and trees to more formal and decorative varieties. The work suggests development in the area as having been wrought from the natural environment. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 132) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gregoire, Mathieusubject Landscape Architecture Abstraction Orchards Sculpture (Visual Work) Escondido (Calif.) Mexican-American Border Region Landscapes (Environments) Insite94 Installations (Visual Works) Gardenscontributor Calisphere -
Arrivals And Departures
title Arrivals And Departuresdescription Christina Fernandez's inSITE97 project, "Arrivals and Departres/Llegadas y salidas," consisted of two installations, one on each side of the border. Installed at the San Ysidro Bus Station in San Diego and Colonia Libertad, Tijuana, the works functioned as information and visitor centers for people passing through the space. Displaying information on historical migration patterns that have taken place over the border, the installation challenged the notion of legality as applied to immigration. --inSITE97 Colonia Libertad, Baja California Norte, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 118) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Fernandez, Christinasubject Boundaries Sculpture (Visual Work) Public Art Views Mexican-American Border Region Landscapes (Environments) Insite97 Optical Instruments Installations (Visual Works) Border Artcontributor Calisphere -
Blue Granite Shift
title Blue Granite Shiftdescription California Center for the Arts Museum (Escondido, Calif.) For inSITE94, Mathieu Gregoire created a permanent installation for the central courtyard of the California Center for the Arts, Escondido. Entitled "Blue Granite Shift/Transición del granite azul," the piece is made of granite quarried from the hills surrounding the cultural complex. Extending 500 feet throughout the courtyard, the work moves from rough granite boulders to increasingly more cut and polished stones, finally ending with completely square granite elements. Likewise, the landscaping follows a similar evolution from native plants and trees to more formal and decorative varieties. The work suggests development in the area as having been wrought from the natural environment. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 133) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gregoire, Mathieusubject Landscape Architecture Abstraction Orchards Sculpture (Visual Work) Escondido (Calif.) Mexican-American Border Region Landscapes (Environments) Insite94 Installations (Visual Works) Gardenscontributor Calisphere -
Blue Granite Shift
title Blue Granite Shiftdescription California Center for the Arts Museum (Escondido, Calif.) For inSITE94, Mathieu Gregoire created a permanent installation for the central courtyard of the California Center for the Arts, Escondido. Entitled "Blue Granite Shift/Transición del granite azul," the piece is made of granite quarried from the hills surrounding the cultural complex. Extending 500 feet throughout the courtyard, the work moves from rough granite boulders to increasingly more cut and polished stones, finally ending with completely square granite elements. Likewise, the landscaping follows a similar evolution from native plants and trees to more formal and decorative varieties. The work suggests development in the area as having been wrought from the natural environment. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 134) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gregoire, Mathieusubject Landscape Architecture Orchards Sculpture (Visual Work) Escondido (Calif.) Mexican-American Border Region Landscapes (Environments) Insite94 Installations (Visual Works) Gardenscontributor Calisphere -
Mark Dion - Press Coverage
title Mark Dion - Press Coveragedescription Dan Irwin interviews inSITE2000 artist Mark Dion. With the creation of a functioning bird blind located in the Tijuana River Estuary Reserve, Mark Dion's project Blind/Hide for inSITE2000 invited investigation and closer examination not only of the biodiversity of the site but also of the less apparent signs of cultural confluence specific to the location. Camouflaged to blend into the surrounding terrain the project was sited within a view of the border. The 8 x 16 foot bird blind structure housed photographs, charts, and books on the 370 bird species found at the reserve, along with binoculars and related research tools. As Dion himself said, he wanted to make a project that illustrated the complicated elements of this particular locale. The viewer was invited to become an observer of the more subtle environmental and political issues impacting the reserve, while bearing witness to how birds and wildlife have learned to conform and adapt. --inSITE2000 Film, Audio, Video and Digital Art Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This sound recording was extracted from a CD-R from the InSite Archive (MSS 707, Box 254, CD 00-63) Tijuana River Estuary (Calif.) Tijuana Slough National Wildlife Refuge (Calif.) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Dion, Marksubject Blinds (Shelters) Boundaries Education San Diego (Calif.) Bird Watching Birds Political Art Environmental Protection Ecological Art Border Art Nature Natural History Sound Recordings Mexican-American Border Region Landscapes (Environments) Tijuana (Baja California, Mexico) Nature Centers Sculpture (Visual Work) Dion, Mark (American Sculptor And Installation Artist, Born 1961) Architecture (Object Genre) Installations (Visual Works) Insite2000contributor Calisphere -
Saline: Geveral View Toward Ocean
title Saline: Geveral View Toward Oceandescription For inSITE94, artist Nina Karavasiles created "Saline/La salina" at the Stephen Birch Aquarium-Museum, part of Scripps Institution of Oceanography at the University of California, San Diego. The artist built a salt-filled trough that extended from the aquarium-museum courtyard down the hillside towards the water, creating a visual connection to the seaside, the Scripps Pier, and the ocean beyond. Alongside the trough were Plexiglas enclosures containing salt water. Over the course of the exhibition the water evaporated leaving behind salt crystals. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Stephen Birch Aquarium-Museum This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 179) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Karavasiles, Ninasubject Pacific Ocean Sculpture (Visual Work) Public Art Views Mexican-American Border Region Piers (Marine Landings) Landscapes (Environments) Insite94 Oceans Process Art Installations (Visual Works) Border Art Perspectivecontributor Calisphere -
Saline: Geveral View Toward Ocean
title Saline: Geveral View Toward Oceandescription For inSITE94, artist Nina Karavasiles created "Saline/La salina" at the Stephen Birch Aquarium-Museum, part of Scripps Institution of Oceanography at the University of California, San Diego. The artist built a salt-filled trough that extended from the aquarium-museum courtyard down the hillside towards the water, creating a visual connection to the seaside, the Scripps Pier, and the ocean beyond. Alongside the trough were Plexiglas enclosures containing salt water. Over the course of the exhibition the water evaporated leaving behind salt crystals. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Stephen Birch Aquarium-Museum This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 180) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Karavasiles, Ninasubject Pacific Ocean Sculpture (Visual Work) Public Art Views Mexican-American Border Region Piers (Marine Landings) Landscapes (Environments) Insite94 Oceans Process Art Installations (Visual Works) Border Art Perspectivecontributor Calisphere -
Arrivals And Departures: Telescope With Children
title Arrivals And Departures: Telescope With Childrendescription Christina Fernandez's inSITE97 project, "Arrivals and Departres/Llegadas y salidas," consisted of two installations, one on each side of the border. Installed at the San Ysidro Bus Station in San Diego and Colonia Libertad, Tijuana, the works functioned as information and visitor centers for people passing through the space. Displaying information on historical migration patterns that have taken place over the border, the installation challenged the notion of legality as applied to immigration. --inSITE97 Colonia Libertad, Baja California Norte, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 119) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Fernandez, Christinasubject Boundaries Sculpture (Visual Work) Public Art Views Children (People By Age Group) Mexican-American Border Region Landscapes (Environments) Insite97 Optical Instruments Installations (Visual Works) Border Artcontributor Calisphere -
Interstice: 2001: The Nomad Project: Film Still
title Interstice: 2001: The Nomad Project: Film Stilldescription Film, Audio, Video and Digital Art Los Angeles-based artist Glen Wilson's inSITE2000 project, "Interstice: 2001: The Nomad Project/Intersticio 2001: El proyecto nomada" consisted of a series of improvisational digital videos produced and performed at locations throughout the Los Angeles/San Diego/Tijuana region. Conceptually focused on the ideas of migration, mobility, and rhythm, Wilson filmed these sequences over the course of several months. An emphasis was put on portraying the urban and natural landscape of the region, with the individuals who live, work, and move within them. An event was organized to present projected segments of "Interstice" at the in(fo)SITE in San Diego on February 22, 2001, and included multiple projections, hip-hop music, and graffiti artists. -- inSITE2000 Performing Arts (including Performance Art) San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 404) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wilson, Glensubject Boundaries Border Art Travel Film Stills Mexican-American Border Region Landscapes (Environments) Performance Art Insite2000 Video Artcontributor Calisphere -
Blind/Hide: View From Inside Of Blind/Hide Looking Out To The Tijuana River Estuary Preserve
title Blind/Hide: View From Inside Of Blind/Hide Looking Out To The Tijuana River Estuary Preservedescription Architecture and City Planning Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 100) Tijuana River Estuary (Calif.) Tijuana Slough National Wildlife Refuge (Calif.) With the creation of a functioning bird blind located in the Tijuana River Estuary Reserve, Mark Dion's project "Blind/Hide" for inSITE2000 invited investigation and closer examination not only of the biodiversity of the site but also of the less apparent signs of cultural confluence specific to the location. Camouflaged to blend into the surrounding terrain the project was sited within a view of the border. The 8 x 16 foot bird blind structure housed photographs, charts, and books on the 370 bird species found at the reserve, along with binoculars and related research tools. As Dion himself said, he wanted to make a project that illustrated the complicated elements of this particular locale. The viewer was invited to become an observer of the more subtle environmental and political issues impacting the reserve, while bearing witness to how birds and wildlife have learned to conform and adapt. --inSITE2000 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Blinds (Shelters) Political Art Natural History Environmental Protection Ecological Art Education Nature Centers Sculpture (Visual Work) Mexican-American Border Region Architecture (Object Genre) Landscapes (Environments) Bird Watching Insite2000 Birds Nature Installations (Visual Works) Border Artcontributor Calisphere -
Blind/Hide: General View Of Blind/Hide In The Tijuana River Estuary Preserve
title Blind/Hide: General View Of Blind/Hide In The Tijuana River Estuary Preservedescription Architecture and City Planning Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 101) Tijuana River Estuary (Calif.) Tijuana Slough National Wildlife Refuge (Calif.) With the creation of a functioning bird blind located in the Tijuana River Estuary Reserve, Mark Dion's project "Blind/Hide" for inSITE2000 invited investigation and closer examination not only of the biodiversity of the site but also of the less apparent signs of cultural confluence specific to the location. Camouflaged to blend into the surrounding terrain the project was sited within a view of the border. The 8 x 16 foot bird blind structure housed photographs, charts, and books on the 370 bird species found at the reserve, along with binoculars and related research tools. As Dion himself said, he wanted to make a project that illustrated the complicated elements of this particular locale. The viewer was invited to become an observer of the more subtle environmental and political issues impacting the reserve, while bearing witness to how birds and wildlife have learned to conform and adapt. --inSITE2000 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Blinds (Shelters) Political Art Natural History Environmental Protection Boundaries Ecological Art Education Nature Centers Sculpture (Visual Work) Mexican-American Border Region Architecture (Object Genre) Landscapes (Environments) Bird Watching Insite2000 Birds Nature Installations (Visual Works) Border Artcontributor Calisphere -
Blind/Hide: Interior View Of Blind/Hide
title Blind/Hide: Interior View Of Blind/Hidedescription Architecture and City Planning Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 102) Tijuana River Estuary (Calif.) Tijuana Slough National Wildlife Refuge (Calif.) With the creation of a functioning bird blind located in the Tijuana River Estuary Reserve, Mark Dion's project "Blind/Hide" for inSITE2000 invited investigation and closer examination not only of the biodiversity of the site but also of the less apparent signs of cultural confluence specific to the location. Camouflaged to blend into the surrounding terrain the project was sited within a view of the border. The 8 x 16 foot bird blind structure housed photographs, charts, and books on the 370 bird species found at the reserve, along with binoculars and related research tools. As Dion himself said, he wanted to make a project that illustrated the complicated elements of this particular locale. The viewer was invited to become an observer of the more subtle environmental and political issues impacting the reserve, while bearing witness to how birds and wildlife have learned to conform and adapt. --inSITE2000 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Dion, Marksubject Blinds (Shelters) Boundaries Education Bird Watching Birds Political Art Environmental Protection Ecological Art Border Art Silhouettes Nature Natural History Mexican-American Border Region Landscapes (Environments) Blackboards Nature Centers Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Insite2000contributor Calisphere -
Maze: Aerial View Of Corn Maze
title Maze: Aerial View Of Corn Mazedescription Architecture and City Planning Garden and Landscape La Jolla (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 174) With his two-part environmental installation for inSITE94, artist David Jurist's impulse was to create a project that took architecture and its impact on cultural history and development as its central issue. "Maíz/Maze" was located at the Children's museum of San Diego and in the Regents Park office Complex in La Jolla's Golden Triangle area. Using corn as his primary structural element, Jurist chose a large open area of land in the Golden Triangle and "grew" the floor plan of a typical Southern California condominium. As the corn grew, the floor plan transformed slowly into a maze. At the Children's Museum, Jurist built a pyramid using concrete blocks in the hollow of which he planted corn. A video monitor was installed at the center of the pyramid that continuously showed a static overhead image of the La Jolla corn maze. The artist noted that he wanted to reference the assimilation of cultures, and the flux that occurs between north and south in the region. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landscape Architecture Earthworks (Sculpture) Real Estate Development San Diego (Calif.) Open Spaces Installations (Visual Works) Labyrinths Mexican-American Border Region Public Art Landscapes (Environments) Insite94 Maze Gardens Agriculture Border Art Gardenscontributor Calisphere -
Interstice: 2001: The Nomad Project: Film Still
title Interstice: 2001: The Nomad Project: Film Stilldescription Film, Audio, Video and Digital Art Los Angeles-based artist Glen Wilson's inSITE2000 project, "Interstice: 2001: The Nomad Project/Intersticio 2001: El proyecto nomada" consisted of a series of improvisational digital videos produced and performed at locations throughout the Los Angeles/San Diego/Tijuana region. Conceptually focused on the ideas of migration, mobility, and rhythm, Wilson filmed these sequences over the course of several months. An emphasis was put on portraying the urban and natural landscape of the region, with the individuals who live, work, and move within them. An event was organized to present projected segments of "Interstice" at the in(fo)SITE in San Diego on February 22, 2001, and included multiple projections, hip-hop music, and graffiti artists. -- inSITE2000 Performing Arts (including Performance Art) San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 405) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wilson, Glensubject Boundaries Border Art Travel Film Stills Mexican-American Border Region Landscapes (Environments) Performance Art Insite2000 Video Artcontributor Calisphere -
Blind/Hide: General View Of Blind/Hide And The Tijuana River Estuary Preserve
title Blind/Hide: General View Of Blind/Hide And The Tijuana River Estuary Preservedescription Architecture and City Planning Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 103) Tijuana River Estuary (Calif.) Tijuana Slough National Wildlife Refuge (Calif.) With the creation of a functioning bird blind located in the Tijuana River Estuary Reserve, Mark Dion's project "Blind/Hide" for inSITE2000 invited investigation and closer examination not only of the biodiversity of the site but also of the less apparent signs of cultural confluence specific to the location. Camouflaged to blend into the surrounding terrain the project was sited within a view of the border. The 8 x 16 foot bird blind structure housed photographs, charts, and books on the 370 bird species found at the reserve, along with binoculars and related research tools. As Dion himself said, he wanted to make a project that illustrated the complicated elements of this particular locale. The viewer was invited to become an observer of the more subtle environmental and political issues impacting the reserve, while bearing witness to how birds and wildlife have learned to conform and adapt. --inSITE2000 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Dion, Marksubject Blinds (Shelters) Political Art Natural History Environmental Protection Boundaries Ecological Art Education Nature Centers Sculpture (Visual Work) Mexican-American Border Region Architecture (Object Genre) Landscapes (Environments) Bird Watching Insite2000 Birds Nature Installations (Visual Works) Border Artcontributor Calisphere -
Interstice: 2001: The Nomad Project: Film Still
title Interstice: 2001: The Nomad Project: Film Stilldescription Film, Audio, Video and Digital Art Los Angeles-based artist Glen Wilson's inSITE2000 project, "Interstice: 2001: The Nomad Project/Intersticio 2001: El proyecto nomada" consisted of a series of improvisational digital videos produced and performed at locations throughout the Los Angeles/San Diego/Tijuana region. Conceptually focused on the ideas of migration, mobility, and rhythm, Wilson filmed these sequences over the course of several months. An emphasis was put on portraying the urban and natural landscape of the region, with the individuals who live, work, and move within them. An event was organized to present projected segments of "Interstice" at the in(fo)SITE in San Diego on February 22, 2001, and included multiple projections, hip-hop music, and graffiti artists. -- inSITE2000 Performing Arts (including Performance Art) San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 406) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wilson, Glensubject Boundaries Border Art Travel Film Stills Mexican-American Border Region Landscapes (Environments) Performance Art Insite2000 Video Artcontributor Calisphere -
Interstice: 2001: The Nomad Project: Film Still
title Interstice: 2001: The Nomad Project: Film Stilldescription Film, Audio, Video and Digital Art Los Angeles-based artist Glen Wilson's inSITE2000 project, "Interstice: 2001: The Nomad Project/Intersticio 2001: El proyecto nomada" consisted of a series of improvisational digital videos produced and performed at locations throughout the Los Angeles/San Diego/Tijuana region. Conceptually focused on the ideas of migration, mobility, and rhythm, Wilson filmed these sequences over the course of several months. An emphasis was put on portraying the urban and natural landscape of the region, with the individuals who live, work, and move within them. An event was organized to present projected segments of "Interstice" at the in(fo)SITE in San Diego on February 22, 2001, and included multiple projections, hip-hop music, and graffiti artists. -- inSITE2000 Performing Arts (including Performance Art) San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 407) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wilson, Glensubject Boundaries Border Art Travel Film Stills Mexican-American Border Region Landscapes (Environments) Performance Art Insite2000 Video Artcontributor Calisphere