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Century 21: Shack In Courtyard Of The Centro Cultural Tijuana
title Century 21: Shack In Courtyard Of The Centro Cultural Tijuanadescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 289) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Fences Installations (Visual Works) Border Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 408) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Century 21: Interior With Dining Table
title Century 21: Interior With Dining Tabledescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 290) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Ceilings Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Dining Rooms Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 409) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Dirty Water Initiative: Solar Collectors And Water Bottles
title Dirty Water Initiative: Solar Collectors And Water Bottlesdescription Architecture and City Planning San Ysidro (San Diego, Calif.) Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Century 21
title Century 21description Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 291) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Fences Installations (Visual Works) Border Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 410) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroomdescription João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 La Jolla, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Automobiles Junkyards Humor Junk Sculpture Sculpture (Visual Work) Consumers Automobile Showrooms Insite_05 Mexican-American Border Region Poverty Wealth Performance Art Recycling Parody Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 411) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroomdescription João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 La Jolla, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Automobiles Junkyards Humor Junk Sculpture Sculpture (Visual Work) Consumers Automobile Showrooms Insite_05 Mexican-American Border Region Poverty Wealth Performance Art Recycling Parody Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Dirty Water Initiative: Setting Up The Solar Collectors
title Dirty Water Initiative: Setting Up The Solar Collectorsdescription Architecture and City Planning San Ysidro (San Diego, Calif.) Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 412) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom: View From Street
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom: View From Streetdescription João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 La Jolla, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Automobiles Junkyards Humor Junk Sculpture Sculpture (Visual Work) Consumers Automobile Showrooms Insite_05 Mexican-American Border Region Poverty Wealth Performance Art Ferrari, S.P.A Recycling Parody Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Dirty Water Initiative: Setting Up The Solar Collectors
title Dirty Water Initiative: Setting Up The Solar Collectorsdescription Architecture and City Planning San Ysidro (San Diego, Calif.) Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 413) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroomdescription João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 La Jolla, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Automobiles Junkyards Humor Junk Sculpture Sculpture (Visual Work) Consumers Automobile Showrooms Insite_05 Mexican-American Border Region Poverty Receptions Performance Art Wealth Recycling Parody Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Dirty Water Initiative: Solar Collectors And Water Bottles
title Dirty Water Initiative: Solar Collectors And Water Bottlesdescription Architecture and City Planning San Ysidro (San Diego, Calif.) Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Nightdescription Haudenschild Garage, La Jolla, San Diego (Calif.) João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Junkyards Auctions Junk Sculpture Recycling Automobiles Insite_05 Wealth Performance Art Humor Mexican-American Border Region Poverty Receptions Parody Sculpture (Visual Work) Consumers Garages Installations (Visual Works) Border Art Ruinscontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Nightdescription Haudenschild Garage, La Jolla, San Diego (Calif.) João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Junkyards Auctions Junk Sculpture Recycling Automobiles Insite_05 Wealth Performance Art Humor Mexican-American Border Region Poverty Receptions Parody Sculpture (Visual Work) Consumers Garages Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Dirty Water Initiative: Water Purifiers Installed In Tijuana Community
title Dirty Water Initiative: Water Purifiers Installed In Tijuana Communitydescription Architecture and City Planning Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Nightdescription Haudenschild Garage, La Jolla, San Diego (Calif.) João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Junkyards Auctions Junk Sculpture Recycling Automobiles Insite_05 Wealth Performance Art Humor Mexican-American Border Region Poverty Receptions Parody Sculpture (Visual Work) Consumers Garages Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Photographs
title Photographsdescription Centro Cultural Tijuana For inSITE97, Ken Lum created two oversized large-scale photographs that were shown at the Centro Cultural Tijuana. The first photograph showed a young girl in San Diego talking on the phone about plans to eat either Mexican or Chinese food. The second photograph, with text from a popular Mexican children's rhyme, shows a young boy selling American soda and candy. The work suggests the blurring of cultural borders despite the adamantly divisive physical barrier. As a Canadian living near the northern US border, Lum stated that his experience in San Diego and Tijuana during inSITE97 caused him to rethink his notion of borders, and consider how the United States, with its pervasive capitalism and culture, borders nations throughout the world. --inSITE97 Photographs Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 207) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Songs (Oral Or Performed Works) Boundaries Texts (Document Genres) Children (People By Age Group) Mexican-American Border Region Poverty Photography Insite97 Street Vendors Installations (Visual Works) Border Artcontributor Calisphere -
Century 21: House With Tire Fence And Clothes Line
title Century 21: House With Tire Fence And Clothes Linedescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 283) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Dirty Water Initiative: Water Purifier Installed In Tijuana Community
title Dirty Water Initiative: Water Purifier Installed In Tijuana Communitydescription Architecture and City Planning Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Century 21
title Century 21description Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 284) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Information Signs Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Dirty Water Initiative: Water Purifier Installed In Tijuana Community
title Dirty Water Initiative: Water Purifier Installed In Tijuana Communitydescription Architecture and City Planning Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Dirty Water Initiative: Water Purifiers Installed In Tijuana Community
title Dirty Water Initiative: Water Purifiers Installed In Tijuana Communitydescription Architecture and City Planning Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Century 21: Fence And Entrance To House
title Century 21: Fence And Entrance To Housedescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 285) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Century 21: Chest Of Drawers With Television
title Century 21: Chest Of Drawers With Televisiondescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 286) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Satire Television Receivers Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Living Rooms Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Art Children--California--Los Angelescontributor Calisphere -
Century 21: Bedroom
title Century 21: Bedroomdescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 287) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Dwellings Satire Shacks Beds (Furniture) Real Property Bedrooms Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Century 21: Interior With Dining Table And Roof
title Century 21: Interior With Dining Table And Roofdescription Architecture and City Planning Centro Cultural Tijuana Decorative Arts, Utilitarian Objects and Interior Design Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 288) With "Century 21" Tijuana artist Marcos Ramirez ERRE created a piece for inSITE94 that captured significant public attention. Located prominently on the plaza of the Centro Cultural Tijuana, Ramirez replicated a common Tijuana shanty house and thereby placed the issue of socio-economic disparity where it would be difficult to avoid. The artist drew a sharp contrast to that of the modern façade of the CECUT and this apparent tension was further underscored when one ventured inside the building to find the trappings of common Mexican life. The installation included documentary photographs of five similar shanty homes. The artist stated that with this work he wanted to point to one of the sore spots of Mexican society and also posit that while some people may live in poverty they live equally with dignity and pride as members of the same society. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ramírez Erre, Marcossubject Dwellings Satire Shacks Real Property Temporary Housing Housing (Concept) Political Art Public Art Insite94 Squatters Settlements Replicas Homelessness Humor Mexican-American Border Region Poverty Dining Rooms Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Installations (Visual Works) Border Artcontributor Calisphere -
Photographs
title Photographsdescription For inSITE97, Ken Lum created two oversized large-scale photographs that were shown at the Centro Cultural Tijuana. The first photograph showed a young girl in San Diego talking on the phone about plans to eat either Mexican or Chinese food. The second photograph, with text from a popular Mexican children's rhyme, shows a young boy selling American soda and candy. The work suggests the blurring of cultural borders despite the adamantly divisive physical barrier. As a Canadian living near the northern US border, Lum stated that his experience in San Diego and Tijuana during inSITE97 caused him to rethink his notion of borders, and consider how the United States, with its pervasive capitalism and culture, borders nations throughout the world. --inSITE97 Photographs Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 209) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Songs (Oral Or Performed Works) Boundaries Texts (Document Genres) Children (People By Age Group) Mexican-American Border Region Poverty Photography Insite97 Street Vendors Installations (Visual Works) Border Artcontributor Calisphere -
Public Projections
title Public Projectionsdescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 256, DVD 00-16) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Biography Emotions Offshore Assembly Industry Portraits Workers Mexican-American Border Region Poverty Violence Projections (Visual Works) Suffering Insite2000 Collective Biographies Installations (Visual Works) Border Art Labor Facecontributor Calisphere -
Viaje A Yucatán - Secando La Ropa
title Viaje A Yucatán - Secando La Ropadescription Photo is of clotheslines strung between two immobile trains. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknowncontributor Calisphere -
Chicano Pinto Union
title Chicano Pinto Uniondescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu Vinyl mural on a concrete Chicano Park freeway pillar depicts an indigenous eagle with United Farm Workers eagle wings. The background is orange and the text reads, "Chicano Pinto Union" and "Justicia Para los Pobres".artist/creator De Vargas, Tonysubject Mexican American Art Birds In Art Prisons Mural Art Chicano Art Poverty Pinto Art Prisoners Imprisonment Mexican Americans Chicanoscontributor Calisphere -
Help The Children
title Help The Childrendescription Aerosol mural depicts two children in black and white. Texts reads, "Help the Children". A dedication on the left side reads, "A Tribute to the National Homeless Advocate... This Piece is Ded. In Memory of Mitch Snyder Who.. Died July 5, 90". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Quasarsubject Children In Art Mexican American Art Graffiti Aerosol Hip-Hop Mural Art Chicano Art Poverty Snyder, Mitch Mexican Americans Chicanos Homelessness, Unhousedcontributor Calisphere -
Casa De Enganches Recruitment Office
title Casa De Enganches Recruitment Officedescription One of a series of prints used as instructional aids for California State University Sacramento Barrio Art. A man being escorted into the Casa de Enganches in restraints by two men wearing large sombreros. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Posada, Jose Guadalupesubject Lithography Poverty Prints Lithography, Mexican Art, Mexican Posada, José Guadalupe, 1852-1913 Imprisonment Graphic Artscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.11 001(4) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr at the Artist Space Gallery, New York, NY, and Centro Cultural de la Raza, Balboa Park, San Diego, CA (January 1989). Photographs document life in transient border shelters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Mexican American Art Dwellings In Art Mexican American Border Region Immigration Chicano Art Photography, Artistic Poverty Mexican Americans Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.11 001(8) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr at the Artist Space Gallery, New York, NY, and Centro Cultural de la Raza, Balboa Park, San Diego, CA (January 1989). Photographs document life in transient border shelters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Immigration Chicano Art Photography, Artistic Poverty Mexican Americans Women In Art Chicanas Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.11 001(5) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr at the Artist Space Gallery, New York, NY, and Centro Cultural de la Raza, Balboa Park, San Diego, CA (January 1989). Photographs document life in transient border shelters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Immigration Chicano Art Photography, Artistic Poverty Mexican Americans Women In Art Chicanas Border Art Chicanoscontributor Calisphere -
The Last Papa With The Big Potatoe [Sic]; From Calendario De Comida 1976
title The Last Papa With The Big Potatoe [Sic]; From Calendario De Comida 1976description 21/125; signed. Inscription in pencil located below the image area at the bottom reads: "21/125, The Last Papa with the Big Potatoe [sic], Max Garcia & Louie the foot, 75, and c/s." October 1976 Calendar. Image of a yellow and orange foodstamp coupon with the "Last Supper" superimposed over it. Blue type reads: "These Last Supper Food Stamps are brought to you by President Ford, Earl Butz, The Department of Agriculture and all the People that are now out of jobs...their despair." There are two versions of this print. One of the two copies does not have any signatures. Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/artist/creator Garcia, Maxsubject Chicanos Posters Mexican American Art Religion In Art Chicano Art Calendar Art Ford, Gerald R., 1913- Poverty Mexican Americans Prints Jesus Christ In Art Graphic Arts Food In Artcontributor Calisphere -
Ab 964 Is Anti-Poor People, Announcement Poster For
title Ab 964 Is Anti-Poor People, Announcement Poster Fordescription Announcement Poster for "AB 964 Is Anti-Poor People." Image of three skulls in white and orange on a black background. White and black type on a white, purple and black background reads: "AB 964, is anti-poor people, Viva La Raza." Cat.5 051(1) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/;artist/creator Montoya, Josésubject Screen Prints Mexican American Art Calaveras Crosses In Art Gonzales, Rodolpho, 1928- Eagles Chicano Art Discrimination Poverty Politics In Art Mexican Americans Prints Silkscreen Posters Printmaking Graphic Arts Chicanos Prints - Techniquecontributor Calisphere -
The Lazy Man'S Way To Riches
title The Lazy Man'S Way To Richesdescription Cat.13 012 From the "Chicanarte" Exhibition at Los Angeles County Museum of Art, October 1975. Mixed media piece depicts homelessness and suggests that the problem is not, as some judge, the laziness of the indigent. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/;artist/creator López, Yolandasubject Collage Mexican American Art Chicano Art Poverty Chicana Art Mixed Media Chicanas Mexican Americans Chicanoscontributor Calisphere -
Nicaragua
title Nicaraguadescription Cat.9 065 From Lisa Kokin's Studio, a one-woman show at Galería de la Raza. Batik depicts a Nicaraguan neighborhood. Families and a soldier. Graffiti on buildings includes "FSLN". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Kokin, Lisasubject Central America Nicaragua - History--1979-1990 Mexican American Art Graffiti Dwellings In Art Neighborhoods Barrios Nicaragua Chicano Art Poverty Soldiers Chicana Art Paintings Batik Chicanas Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.11 015(7) From Juchitán de las Mujeres Exhibition at Galería de la Raza, 1990. A woman holds a basket on a street corner. Behind her, a man lays on the sidewalk. A cross traverses the image diagonally. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Iturbide, Gracielasubject Flowers In Art Women Mexicans In Art Crosses In Art Photography, Artistic Poverty Iturbide, Graciela, 1942- Art, Mexican Barrioscontributor Calisphere -
Justicia Para Los Pobres / Justice For The Poor, Announcement Poster For
title Justicia Para Los Pobres / Justice For The Poor, Announcement Poster Fordescription Announcement Poster for "Justicia para los Pobres / Justice for the Poor, Help Us To / Provide Better Legal Services / For Fresno County's / Low-Income Community. . . .Sponsored by: Fresno-Merced Counties / Legal Services, Inc. and the Fresno Client Council." The text is in Spanish also. Image of two for-shortened hands opened towards the viewer and holding a pair of scales. Colors: tan, red and white. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator La Brocha Del Vallesubject Mexican American Art Lawyers Chicano Art Poverty Prints Chicano Movement Mexican Americans Hand In Art Posters Graphic Arts Chicanoscontributor Calisphere -
Free All Political Prisoners
title Free All Political Prisonersdescription Announcement Poster for "Free All Political Prisoners." Image of a man who is behind bars raising his fist. Green text reads, "Free [/] All [/] Political [/] Prisoners [/] Libertad Para [/] Carlos Montes [/] Justice For Carlos Montes Committee [/] P.O. Box 7093 L.A. CAL. 90022." Retrieved 8/94. Carlos Montes was the co-founder and Minister of Information for the Brown Berets. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Mexican American Art Liberty Prisons National Brown Beret Organization Chicano Art Poverty Prints Chicano Movement Mexican Americans Political Prisoners In Art Prisoners Montes, Carlos Posters Imprisonment Graphic Arts Chicanoscontributor Calisphere -
Solidarity Interweave (Detail)
title Solidarity Interweave (Detail)description Cat.9 066(2) From Lisa Kokin's Studio, a one-woman show at Galería de la Raza. Detail is of a man. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Kokin, Lisasubject Men Mexican American Art Neighborhoods Barrios Chicano Art Poverty Chicana Art Paintings Batik Chicanas Mexican Americans Chicanoscontributor Calisphere -
The Last Papa With The Big Potatoe [Sic]
title The Last Papa With The Big Potatoe [Sic]description October Calendar from the Calendario de la Comida. The background is an enlarged food coupon with superimposed images from "The Last Supper". Below image area, on a white background, it reads: "These Last Supper Food Stamps Are Brought To You / By President Ford, Earl Butz, The Department Of Agri- / culture And All The People That Are Now Out Of Jobs, c/s." On the right hand side, it reads: "Food: Anything that nour- / ishes or stimulates, what- / ever helps something to / keep active and enables / it to grow and live / Food Stamps: Something / welfare workers issue / to the Poor once a / month to nourish their misfortune and stimulate / their despair". Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Garcia, Maxsubject Chicanos Posters Mexican American Art United States Presidents Religion In Art Chicano Art Calendar Art Ford, Gerald R., 1913- Poverty Mexican Americans Prints Jesus Christ In Art Graphic Arts Food In Artcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.eduartist/creator Jones, Patty Suesubject Men Mexican American Art Poverty Chicana Art Chicanas Mexican Americans Chicanos Homelessness, Unhousedcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.eduartist/creator Delgado, Robertocontributor Calisphere -
(Title Unknown)
title (Title Unknown)description COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.eduartist/creator Jones, Patty Suesubject Men Mexican American Art Poverty Chicana Art Chicanas Mexican Americans Chicanos Homelessness, Unhousedcontributor Calisphere -
Three Room Alley Apartment, Interior
title Three Room Alley Apartment, Interiordescription Interior view of the crowded 3 room alley apartment of Roy Sanchez (a veteran) his wife and their two children. They share a toilet with the Valenzuelas.artist/creator Nadel, Leonard This Is A Reproduction Made From The Original Print Owned By The Housing Authority Of The City Of Los Angelessubject Mexican American Families--California--Los Angeles Veterans--United States Poverty Low-Income Housing--California--Los Angeles Housing Authority Of The City Of Los Angeles, California Housing Authority Collection Photographs Dwellings--California--Los Angelescontributor Digital Public Library of America (DPLA) -
Duarte Family Slum Home In Pacoima
title Duarte Family Slum Home In Pacoimadescription View of Rita Duarte and her family in their home which was considered slum housing, even though the home is well kept.artist/creator This Is A Reproduction Made From The Original Print Owned By The Housing Authority Of The City Of Los Angelessubject Mexican American Families--California--Los Angeles Children--California--Los Angeles Poverty Housing Authority Of The City Of Los Angeles, California Housing Authority Collection Photographs Dwellings--California--Los Angeles Pacoima (Los Angeles, Calif.) Families--California--Los Angelescontributor Digital Public Library of America (DPLA) -
Bedroom View, Duarte Family Slum Home
title Bedroom View, Duarte Family Slum Homedescription Interior view of a room, used as a bedroom. View is of the Duarte family home which was considered slum housing, even though the home was well kept.artist/creator This Is A Reproduction Made From The Original Print Owned By The Housing Authority Of The City Of Los Angelessubject Mexican American Families--California--Los Angeles Bedrooms--California--Los Angeles Poverty Housing Authority Of The City Of Los Angeles, California Housing Authority Collection Photographs Dwellings--California--Los Angeles Pacoima (Los Angeles, Calif.) Families--California--Los Angelescontributor Digital Public Library of America (DPLA) -
Shacklike Home Of Padilla Family
title Shacklike Home Of Padilla Familydescription Exterior view of the shacklike home of P.S. Padilla, a laborer, his wife and 3 children. The home rents for $18 per month.artist/creator Nadel, Leonard This Is A Reproduction Made From The Original Print Owned By The Housing Authority Of The City Of Los Angelessubject Mexican American Families--California--Los Angeles Wooden-Frame Houses--California--Los Angeles Poverty Housing Authority Of The City Of Los Angeles, California Housing Authority Collection Photographs Dwellings--California--Los Angelescontributor Digital Public Library of America (DPLA) -
Slum Housing Knocked Down By Health Department
title Slum Housing Knocked Down By Health Departmentdescription Photo shows the remains of slum housing which was knocked down by the Health Department.artist/creator Nadel, Leonard This Is A Reproduction Made From The Original Print Owned By The Housing Authority Of The City Of Los Angelessubject Mexican American Families--California--Los Angeles Poverty Housing Authority Of The City Of Los Angeles, California Housing Authority Collection Photographs Dwellings--California--Los Angeles Families--California--Los Angelescontributor Digital Public Library of America (DPLA) -
Cruz Family Slum Apartment, Interior
title Cruz Family Slum Apartment, Interiordescription A woman poses in the fire damaged slum apartment of the Martin Cruz family.artist/creator This Is A Reproduction Made From The Original Print Owned By The Housing Authority Of The City Of Los Angelessubject Mexican American Families--California--Los Angeles Poverty Housing Authority Of The City Of Los Angeles, California Housing Authority Collection Photographs Dwellings--California--Los Angeles Families--California--Los Angelescontributor Digital Public Library of America (DPLA) -
Children Posed In Their Home
title Children Posed In Their Homedescription Interior views of slums which were photographed on a Housing Authority slum tour. Family of children sits on the edge of their bed posing for the camera. Their two sisters are fast asleep on the opposite bed facing the boys. There are 2 adults and 6 children in this room.artist/creator Rothschild, Otto This Is A Reproduction Made From The Original Print Owned By The Housing Authority Of The City Of Los Angelessubject Housing Authority Of The City Of Los Angeles, California Poverty Housing Authority Collection Photographs Mexican American Children--California--Los Angelescontributor Digital Public Library of America (DPLA) -
Child Stands Posed In Crib, Slum Dwelling
title Child Stands Posed In Crib, Slum Dwellingdescription A young child stands posed in his crib, in the cramped bedroom of the Raymond E. Aguilar home.artist/creator Rothschild, Otto This Is A Reproduction Made From The Original Print Owned By The Housing Authority Of The City Of Los Angelessubject Mexican American Families--California--Los Angeles Poverty Mexican American Children--California--Los Angeles Housing Authority Of The City Of Los Angeles, California Housing Authority Collection Photographs Dwellings--California--Los Angelescontributor Digital Public Library of America (DPLA)