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Censorship
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Zarmina
title Zarminadescription Colored pencil, thread and amate paper / lápiz de color, hilo y papel amate. 11 1/2" x 9 1/2".artist/creator Gama, Esperanzasubject Women Amate paper Portraits Sewing Mysterious Women artists Mexico--Jalisco Mexico--Puebla (State) Traditions Bark paper Suppression Silence Women's rights Freedom of speech Censorshipcontributor National Museum of Mexican Art (NMMA) -
Messages to the Public: Pesticides! (Presented by Public Art Fund, July 1, 1989-July 31, 1989 on Times Square Spectacolor board, New York City)
title Messages to the Public: Pesticides! (Presented by Public Art Fund, July 1, 1989-July 31, 1989 on Times Square Spectacolor board, New York City)description Barbara Carrasco, Messages to the Public: Pesticides! (Presented by Public Art Fund, July 1, 1989-July 31, 1989 on Times Square Spectacolor board, New York City), 1989, analog video transferred to digital video; 00:48 minutes, Smithsonian American Art Museum, Gift of the artist, 2020.31, © 1989, Barbara Carrascoartist/creator Carrasco, Barbarasubject Harvesting Figure Male Boycotts Censorship Consumers Digital art Farmworkers Pesticides Grapescontributor Smithsonian American Art Museum (SAAM) -
Self-Portrait
title Self-Portraitdescriptionartist/creator Carrasco, Barbarasubject Censorship Muralists Murals Olympic Games Painters Prints Runners (Sports) Siqueiros, David Alfaro, 1896-1974 Self-portraits Whitewashingcontributor Smithsonian American Art Museum (SAAM) -
California Murals Off The Wall: Barbara Carrasco Painting
title California Murals Off The Wall: Barbara Carrasco Paintingdescription Artist Barbara Carrasco paints while discussing composition and art censorship with Victor Ochoa and Guillermo Rosette. Footage also includes Sal Barajas painting. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Artartist/creator Unknownsubject Ochoa Orozco, Victor Mexican American Art Mural Painting And Decoration Rosette, Guillermo Studios (Work Spaces) Artists Censorship Documentary Films Conversation Barajas, Sal Women Artists Carrasco, Barbara, 1955-contributor Calisphere -
California Murals Off The Wall: Artists Working Out The Details Of The Opening Reception
title California Murals Off The Wall: Artists Working Out The Details Of The Opening Receptiondescription Artists participating in the exhibit eating and discussing details for the exhibit opening as well as details for creating a catalog of the exhibit along with artists' statements. Footage of Barbara Carrasco graphing her canvas and talking with Isaac Artenstein about murals, artists, and censorship. Footage of Barbara Carrasco talking with children visiting the cultural center. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Artartist/creator Unknownsubject Ochoa Orozco, Victor Avalos, David Mexican American Art Political Art Censorship Documentary Films Painting Children Barajas, Sal Discussion Carrasco, Barbara, 1955-contributor Calisphere -
California Murals Off The Wall: Reception And Panel Discussion
title California Murals Off The Wall: Reception And Panel Discussiondescription Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Footage of interview with Senior Lopez. Barbara Carrasco speaking about her censored mural and the community's efforts to help fund it.artist/creator Unknownsubject Mexican American Art Political Art Interviews Documentary Films Censorship Receptions Discussion Exhibitions (Events) Carrasco, Barbara, 1955-contributor Calisphere -
Poison Shelf: Detail Of Bookshelves
title Poison Shelf: Detail Of Bookshelvesdescription Athenaeum Music & Arts Library (La Jolla (San Diego, Calif.)) Occupying a large section of the La Jolla Athenaeum Music & Arts Library, Ming Mur-Ray's installation for inSITE94 was entitled "CYM55296." Arranged on long shelves, the artist neatly installed rows of square wooden tablets displaying an invented language of calligraphy. Another element of the installation was rows of books sealed tight and with the phrase "See No Evil, Hear No Evil, Speak No Evil," on their covers, alluding to Censorship within the arts. Also, part of the work was a bookcase randomly stacked with books fond to be controversial or drawing public complaints. Together these elements created a dialogue around language and how public and private opinion often categorizes based on content. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 240) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mur-Ray, Mingsubject Language Political Art Prohibited Books Censorship Calligraphy Mexican-American Border Region Insite94 Installations (Visual Works) Writingcontributor Calisphere -
Poison Shelf: General View Of Installation
title Poison Shelf: General View Of Installationdescription Athenaeum Music & Arts Library (La Jolla (San Diego, Calif.)) Occupying a large section of the La Jolla Athenaeum Music & Arts Library, Ming Mur-Ray's installation for inSITE94 was entitled "CYM55296." Arranged on long shelves, the artist neatly installed rows of square wooden tablets displaying an invented language of calligraphy. Another element of the installation was rows of books sealed tight and with the phrase "See No Evil, Hear No Evil, Speak No Evil," on their covers, alluding to Censorship within the arts. Also, part of the work was a bookcase randomly stacked with books fond to be controversial or drawing public complaints. Together these elements created a dialogue around language and how public and private opinion often categorizes based on content. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 241) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mur-Ray, Mingsubject Language Political Art Prohibited Books Censorship Calligraphy Mexican-American Border Region Insite94 Installations (Visual Works) Writingcontributor Calisphere -
Poison Shelf: Detail Of Text
title Poison Shelf: Detail Of Textdescription Athenaeum Music & Arts Library (La Jolla (San Diego, Calif.)) Occupying a large section of the La Jolla Athenaeum Music & Arts Library, Ming Mur-Ray's installation for inSITE94 was entitled "CYM55296." Arranged on long shelves, the artist neatly installed rows of square wooden tablets displaying an invented language of calligraphy. Another element of the installation was rows of books sealed tight and with the phrase "See No Evil, Hear No Evil, Speak No Evil," on their covers, alluding to Censorship within the arts. Also, part of the work was a bookcase randomly stacked with books fond to be controversial or drawing public complaints. Together these elements created a dialogue around language and how public and private opinion often categorizes based on content. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 242) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mur-Ray, Mingsubject Language Political Art Prohibited Books Censorship Calligraphy Mexican-American Border Region Insite94 Installations (Visual Works) Writingcontributor Calisphere -
Border Sutures Performance/Journey
title Border Sutures Performance/Journeydescription Cat.10 003(2) Performance/Journey from Matamoros/Brownsville to San Diego/Tijuana. Performance art piece on/near the border. This photo is of a team of Mexican wrestlers playing tug-of-war at El Paso. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican Wrestling Masks Mexican American Art Censorship Chicano Art Performance Art Video Recording Masks Mexican Americans Chicanoscontributor Calisphere -
Basta Con Censura
title Basta Con Censuradescription Cat. 3 038(1) Mural outside the Galería de la Raza features four jars. The first contains a face with two tongues, the second a fetus, the third paintbrushes, the fourth a brain. A fifth has already been broken by a foot and held the Statue of Liberty, now on its side. Text reads "Basta con Censura". Mural framed by international "no" symbols. From Exhibition of Graciela Iturbide's contemporary still photography curated by Enrique Chagoya. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Ochoa, Victorsubject Statue Of Liberty (New York, N.Y.) In Art Fetus Mexican American Art Censorship Mural Paintings Mural Art Art - Exhibitions Chicano Art Iturbide, Graciela, 1942- Art, Mexican Mestizaje Chicanoscontributor Calisphere -
Siqueiros, Announcement Poster For
title Siqueiros, Announcement Poster Fordescription Announcement Poster for "Siqueiros--July 26, 1994--Back On The Street. Silk Screen in black and red ink. Central image of an indigenous man being crucified. There is an eagle with its wings open at the top of the cross. Large lettering at the top of the print reads: "Siqueiros". Below the main image in red reads: "'America Tropical' Olvera St. L.A. 1932". Artist's last name may be either Cokos or Collos. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu I-size: 34" x 19 1/2"; P-size: 35" x 23"; A/P 15/17, A/P 16/17; Signed;, Inscription in pencil located at the bottom reads: "A/P 15/17, Ernesto Cokos [illegible], 94'"; chopmark: embossed "SHG" at the bottom leftartist/creator Cokos?, Ernestosubject Siqueiros, David Alfaro Mexican American Art Censorship Mural Paintings Chicano Art Symbolism Mexican Americans Chicanoscontributor Calisphere