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47 Chevy in Wilmington, California

title 47 Chevy in Wilmington, California

description Oscar R. Castillo, '47 Chevy in Wilmington, California, 1972, printed 2012, inkjet print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.51.2, © 2012, Oscar R. Castillo

artist/creator Castillo, Oscar R.

subject Automobiles California--Los Angeles--Wilmington Lowriders Fleetmaster Bomb Chevrolet automobile

contributor Smithsonian American Art Museum (SAAM)
Paul Vera in Galveston

title Paul Vera in Galveston

description Photograph of Paul Vera in Galveston, early 1940s.

artist/creator Unknown

subject Vera, Paul Automobiles People - Ethnic Groups - Hispanics

contributor Portal to Texas History (TPTH)
Four soldiers near a military vehicle

title Four soldiers near a military vehicle

description Photograph of four soldiers sitting on or leaning on a military vehicle.

artist/creator Unknown

subject Automobiles People - Ethnic Groups - Hispanics Soldiers Men

contributor Portal to Texas History (TPTH)
Delivery trucks in front of Crystal Cafe

title Delivery trucks in front of Crystal Cafe

description Photograph of four automobiles parked on the street outside of Crystal Cafe, on the 1800 block of Congress Avenue, Houston, Texas. The Crystal Cafe was run by Gus Gavriel.

artist/creator Unknown

subject Crystal Cafe Restaurants Automobiles Business, Economics And Finance - Restaurants

contributor Portal to Texas History (TPTH)
Two Cars Parked in Front of a Manse

title Two Cars Parked in Front of a Manse

description Photograph of two cars parallel-parked in front of a small manse, which sits next to a large brick church. The manse, which is on the right-hand side of the image, has a small porch and is raised from the ground on stilts. The church, which is cut off on the left-hand side of the image, is lined with half-round arched windows on the one visible side. The is a sidewalk in front of both buildings that is parallel to the street, which is in the foreground. There are two wires stretching diagonally across the image in the foreground. There is a handwritten note on the back of the photograph that reads, "San Benito - New Mexican Presbyterian Ch. and old manse 1952".

artist/creator Unknown

subject Cars Texas-Mexican Presbytery Religion - Denominations - Presbyterian Manses Automobiles Houses People - Ethnic Groups - Hispanics Architecture - Buildings Religion - Churches

contributor Portal to Texas History (TPTH)
Old House

title Old House

description Photograph of an old house. The photograph shows an old automobile on the far side of the wood, stone and brick structure.

artist/creator Graham, Val

subject Structures Stone Architecture Automobiles Wood

contributor Portal to Texas History (TPTH)
Tabernacle at Bloys

title Tabernacle at Bloys

description This photograph shows a view of a campground from what appears to be an unpaved road. To the far left, there are some trees in front of a long building with the sides propped up . Behind it, to the right, there are white tents interspersed among trees and what appears to be an old-style automobile. To the far right, there are more trees and another car. A handwritten note on the back of the photograph says, "Tabernacle at Bloys."

artist/creator Unknown

subject Trees Buildings Cars Sports And Recreation - Camping Bloys Camp Meeting Association Automobiles Services Religion Camp Meetings -- Texas.

contributor Portal to Texas History (TPTH)
Great Wall Of Los Angeles: Detail: 1890 Los Angeles Mountains To The Shore; World Ward I

title Great Wall Of Los Angeles: Detail: 1890 Los Angeles Mountains To The Shore; World Ward I

description A collaborative project by Judy Baca and over 400 employed youths and artists. The Great Wall was initially a beautification project proposed by the Army Corps of Engineers in 1974. Under the direction of Baca, the mural transformed into a bold illustration of the history of California from the state's prehistoric past to the struggles of its ethnic minorities for civil rights and equality. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Los Angeles Valley College Narrative mural depicting California history from prehistory thru the 1920s. The concluding 100 feet of first first summer's work. It pays homage to the new wave of immigrants and their labor, important in the development of this region. The segment continues with the invention of the car and airplane, which shaped the development of 20th century California. Paintings Tujunga Wash, Los Angeles (California)

artist/creator Baca, Judith Francisca

subject Automobiles Mural Painting And Decoration History Airplanes Technological Innovations Employees World War, 1914-1918 Narrative Art Medals Immigrants Symbolism Horizon Agriculture California Flags

contributor Calisphere
Alien Toy Uco (Unidentified Crusing Object): Detail Of "Alien Toy" Logo

title Alien Toy Uco (Unidentified Crusing Object): Detail Of "Alien Toy" Logo

description Barrio Logan (San Diego, Calif.) Film, Audio, Video and Digital Art For inSITE97 Rubén Ortiz Torres collaborated with Salvador "Chava" Munoz to construct "Alien Toy UCO (Unidentified Cruising Object)/La ranfla cosmica ORNI (Objeto rodante no identificado)," a lowrider car that was converted into a dancing hydraulics wonder in the form of a Border Patrol vehicle. Chava, a world champion in radical bed dancing, reworked each section of the car to move and spin on its own set of hydraulics and arms. Ortiz Torres produced a film with alien imagery and clips of the car in action to accompany the installation. Ortiz Torres stated that the car was a product of cultural migration and exchange, a visual manifestation of the cultural hybridization in Southern California. --inSITE97 Http://www.track16.com/exhibitions/ruben/ruben.html Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 260) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ortiz Torres, Rubén Reo, Sharon A.

subject Popular Culture Unidentified Flying Objects Automobiles Political Art Humor Boundaries Sculpture (Visual Work) Mexican-American Border Region Logos (Symbols) Performance Art Insite97 Hydraulics Installations (Visual Works) Border Art Video Art

contributor Calisphere
Carpark: Parking Lot Devoted To Black Cars

title Carpark: Parking Lot Devoted To Black Cars

description Architecture and City Planning Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 189) Working as a collective for their contribution to inSITE94, Nina Katchadourian, Steven Matheson, and Mark Tribe created "Carpark/Estacionamiento" at Southwestern College in Chula Vista. The project involved the participation of students, faculty and staff of the college, all of whom were asked to park for one day in a designated area determined by the color of their vehicle, ranging from aqua to metallic raspberry. The project was carried out on August 31, 1994, and at the end of the commuter rush the parking lots of Southwestern College were completely color sorted. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Tribe, Mark Matheson, Steven Katchadourian, Nina

subject Conceptual Parking Lots Black (Color) Automobiles Color Mexican-American Border Region Performance Art Insite94 Installations (Visual Works)

contributor Calisphere
Carpark: Parking Lot Devoted To Red Cars

title Carpark: Parking Lot Devoted To Red Cars

description Architecture and City Planning Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 190) Working as a collective for their contribution to inSITE94, Nina Katchadourian, Steven Matheson, and Mark Tribe created "Carpark/Estacionamiento" at Southwestern College in Chula Vista. The project involved the participation of students, faculty and staff of the college, all of whom were asked to park for one day in a designated area determined by the color of their vehicle, ranging from aqua to metallic raspberry. The project was carried out on August 31, 1994, and at the end of the commuter rush the parking lots of Southwestern College were completely color sorted. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Tribe, Mark Matheson, Steven Katchadourian, Nina Forsha, Lynda

subject Conceptual Parking Lots Automobiles Color Mexican-American Border Region Performance Art Insite94 Red (Color) Installations (Visual Works)

contributor Calisphere
Alien Toy Uco (Unidentified Cruising Object): Project Documentation

title Alien Toy Uco (Unidentified Cruising Object): Project Documentation

description Barrio Logan (San Diego, Calif.) Film, Audio, Video and Digital Art For inSITE97 Rubén Ortiz Torres collaborated with Salvador "Chava" Munoz to construct Alien Toy UCO (Unidentified Cruising Object)/La ranfla cosmica ORNI (Objeto rodante no identificado), a lowrider car that was converted into a dancing hydraulics wonder in the form of a Border Patrol vehicle. Chava, a world champion in radical bed dancing, reworked each section of the car to move and spin on its own set of hydraulics and arms. Ortiz Torres produced a film with alien imagery and clips of the car in action to accompany the installation. Ortiz Torres stated that the car was a product of cultural migration and exchange, a visual manifestation of the cultural hybridization in Southern California. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 256, DVD 97-10) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ortiz Torres, Rubén

subject Popular Culture Unidentified Flying Objects Automobiles Documentaries Humor Political Art Sculpture (Visual Work) Marionettes Mexican-American Border Region Logos (Symbols) Performance Art Toys (Recreational Artifacts) Insite97 Installations (Visual Works) Border Art Video Art

contributor Calisphere
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom

title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom

description João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 La Jolla, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Louro, João

subject Automobiles Junkyards Humor Junk Sculpture Sculpture (Visual Work) Consumers Automobile Showrooms Insite_05 Mexican-American Border Region Poverty Wealth Performance Art Recycling Parody Installations (Visual Works) Border Art Ruins

contributor Calisphere
Carpark: Parking Lot Devoted To Teal Blue Cars

title Carpark: Parking Lot Devoted To Teal Blue Cars

description Architecture and City Planning Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 191) Working as a collective for their contribution to inSITE94, Nina Katchadourian, Steven Matheson, and Mark Tribe created "Carpark/Estacionamiento" at Southwestern College in Chula Vista. The project involved the participation of students, faculty and staff of the college, all of whom were asked to park for one day in a designated area determined by the color of their vehicle, ranging from aqua to metallic raspberry. The project was carried out on August 31, 1994, and at the end of the commuter rush the parking lots of Southwestern College were completely color sorted. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Tribe, Mark Matheson, Steven Katchadourian, Nina Forsha, Lynda

subject Conceptual Parking Lots Automobiles Color Teal (Color) Mexican-American Border Region Performance Art Insite94 Installations (Visual Works)

contributor Calisphere
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom

title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom

description João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 La Jolla, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Louro, João

subject Automobiles Junkyards Humor Junk Sculpture Sculpture (Visual Work) Consumers Automobile Showrooms Insite_05 Mexican-American Border Region Poverty Wealth Performance Art Recycling Parody Installations (Visual Works) Border Art Ruins

contributor Calisphere
Carpark: Parking Lot Devoted To White Cars

title Carpark: Parking Lot Devoted To White Cars

description Architecture and City Planning Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 192) Working as a collective for their contribution to inSITE94, Nina Katchadourian, Steven Matheson, and Mark Tribe created "Carpark/Estacionamiento" at Southwestern College in Chula Vista. The project involved the participation of students, faculty and staff of the college, all of whom were asked to park for one day in a designated area determined by the color of their vehicle, ranging from aqua to metallic raspberry. The project was carried out on August 31, 1994, and at the end of the commuter rush the parking lots of Southwestern College were completely color sorted. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Tribe, Mark Matheson, Steven Katchadourian, Nina

subject White (Color) Conceptual Parking Lots Automobiles Color Mexican-American Border Region Performance Art Insite94 Installations (Visual Works)

contributor Calisphere
Some Kindly Monster: Left Side Of Truck With Custom Painted Exterior

title Some Kindly Monster: Left Side Of Truck With Custom Painted Exterior

description Chris Ferreria's project, "Some Kindly Monster," was inspired by the expressive car culture that defines much of Southern California, and in particular the communities of Southeast San Diego and National City. By bringing together two distinct car customizers, who wouldn't normally collaborate together, Ferreria sought to create a monster vehicle that would embody his co-participants divergent aesthetics. In addition, Ferreria enlisted the contribution of three locally based DJs who created new recordings based on sampled field recordings taken from specific neighborhoods in San Diego. -- inSite_05 Decorative Arts, Utilitarian Objects and Interior Design East San Diego, San Diego (Calif.) Graphic Design and Illustration Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 185, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ferreria, Christopher

subject Popular Culture Automobiles Political Art Color Neighborhoods Music Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Performance Art Trucks--Customizing Caricatures And Cartoons Portable Border Art Flame

contributor Calisphere
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom: View From Street

title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom: View From Street

description João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 La Jolla, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Louro, João

subject Automobiles Junkyards Humor Junk Sculpture Sculpture (Visual Work) Consumers Automobile Showrooms Insite_05 Mexican-American Border Region Poverty Wealth Performance Art Ferrari, S.P.A Recycling Parody Installations (Visual Works) Border Art Ruins

contributor Calisphere
Carpark: White Cars With Sign

title Carpark: White Cars With Sign

description Architecture and City Planning Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 193) Working as a collective for their contribution to inSITE94, Nina Katchadourian, Steven Matheson, and Mark Tribe created "Carpark/Estacionamiento" at Southwestern College in Chula Vista. The project involved the participation of students, faculty and staff of the college, all of whom were asked to park for one day in a designated area determined by the color of their vehicle, ranging from aqua to metallic raspberry. The project was carried out on August 31, 1994, and at the end of the commuter rush the parking lots of Southwestern College were completely color sorted. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Tribe, Mark Matheson, Steven Katchadourian, Nina

subject White (Color) Conceptual Parking Lots Automobiles Color Mexican-American Border Region Performance Art Insite94 Installations (Visual Works)

contributor Calisphere
Some Kindly Monster: Left Side Of Truck With Custom Painted Exterior: Flames

title Some Kindly Monster: Left Side Of Truck With Custom Painted Exterior: Flames

description Chris Ferreria's project, "Some Kindly Monster," was inspired by the expressive car culture that defines much of Southern California, and in particular the communities of Southeast San Diego and National City. By bringing together two distinct car customizers, who wouldn't normally collaborate together, Ferreria sought to create a monster vehicle that would embody his co-participants divergent aesthetics. In addition, Ferreria enlisted the contribution of three locally based DJs who created new recordings based on sampled field recordings taken from specific neighborhoods in San Diego. -- inSite_05 Decorative Arts, Utilitarian Objects and Interior Design East San Diego, San Diego (Calif.) Graphic Design and Illustration Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 185, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ferreria, Christopher

subject Popular Culture Automobiles Political Art Color Neighborhoods Music Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Performance Art Trucks--Customizing Caricatures And Cartoons Portable Border Art Flame

contributor Calisphere
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom

title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf In Luxury Car Dealer Showroom

description João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 La Jolla, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Louro, João

subject Automobiles Junkyards Humor Junk Sculpture Sculpture (Visual Work) Consumers Automobile Showrooms Insite_05 Mexican-American Border Region Poverty Receptions Performance Art Wealth Recycling Parody Installations (Visual Works) Border Art Ruins

contributor Calisphere
Project Documentation: Carpark

title Project Documentation: Carpark

description Architecture and City Planning Decorative Arts, Utilitarian Objects and Interior Design Documents the installation of "Car Park"/"Estacionamiento" by Nina Katchadourian, Steve Matheson and Mark Tribe. Garden and Landscape Paintings Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 255, DVD 94-19) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Tribe, Mark Matheson, Steven Katchadourian, Nina

subject Conceptual Parking Lots Automobiles Documentaries Color Artists Mexican-American Border Region Performance Art Insite94 Videorecording Installations (Visual Works)

contributor Calisphere
Some Kindly Monster: Right Side Of Truck With Custom Painted Exterior

title Some Kindly Monster: Right Side Of Truck With Custom Painted Exterior

description Chris Ferreria's project, "Some Kindly Monster," was inspired by the expressive car culture that defines much of Southern California, and in particular the communities of Southeast San Diego and National City. By bringing together two distinct car customizers, who wouldn't normally collaborate together, Ferreria sought to create a monster vehicle that would embody his co-participants divergent aesthetics. In addition, Ferreria enlisted the contribution of three locally based DJs who created new recordings based on sampled field recordings taken from specific neighborhoods in San Diego. -- inSite_05 Decorative Arts, Utilitarian Objects and Interior Design East San Diego, San Diego (Calif.) Graphic Design and Illustration Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 185, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ferreria, Christopher

subject Popular Culture Automobiles Political Art Color Neighborhoods Music Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Performance Art Trucks--Customizing Portable Border Art Caricatures And Cartoons

contributor Calisphere
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night

title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night

description Haudenschild Garage, La Jolla, San Diego (Calif.) João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Louro, João

subject Junkyards Auctions Junk Sculpture Recycling Automobiles Insite_05 Wealth Performance Art Humor Mexican-American Border Region Poverty Receptions Parody Sculpture (Visual Work) Consumers Garages Installations (Visual Works) Border Art Ruins

contributor Calisphere
Osmosis And Excess: Film Still Depicting Tijuana Hillside Covered In Junk Cars

title Osmosis And Excess: Film Still Depicting Tijuana Hillside Covered In Junk Cars

description Aernout Mik has created a video entitled "Osmosis and Excess" that interweaves images of junkyards in Tijuana's urban periphery with fictional scenes depicting a local pharmacy inundated with mud. Used cars flow from the United States to Mexico where they are eventually broken down and discarded on Tijuana's barren hillsides. Moving in the other direction, cheap drugs flow from Tijuana into the United States. The abandoned cars and the medications represent different manifestations of excess. Both modify a landscape: one inner, the other outer. The film was shot on high-definition video in a panoramic format to best illustrate the depicted landscapes. The video was projected as an intervention in a public parking lot in downtown San Diego. Architecture and City Planning Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 193, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Mik, Aernout

subject Landscapes (Representations) Panoramas Junkyards Automobiles Political Art Insite_05 Film Stills Mexican-American Border Region Refuse Disposal Recycling Border Art Mountains Video Art

contributor Calisphere
Border Stories Working Title From One Side To Another: Film Still Of Woman With Microphone

title Border Stories Working Title From One Side To Another: Film Still Of Woman With Microphone

description Film, Audio, Video and Digital Art Former First National Bank building, San Diego (Calif.) New York City-based artist Judith Barry created a video installation for inSITE2000 that was viewable in four large windows of the old First National Bank Building on the corner of Broadway and 5th Avenue in downtown San Diego. Barry envisioned the programming on these four large screens as a simulation of a broadcast network containing elements created by the artist, as well as contributions by other inSITE artists, established film directors, and students. Barry spent weeks in the region collecting materials to create seven short films that became part of this network - a project she titled "Border stories working title from one side to another." These films were shot on both sides of the border and explored the recollected stories of border experiences. --inSITE2000 Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 037) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Barry, Judith Golino, Michael

subject Automobiles Boundaries Mexican-American Border Region Independent Films Microphone Automobiles, Convertible Insite2000 Border Art Video Art

contributor Calisphere
Some Kindly Monster: Truck Interior With Driver

title Some Kindly Monster: Truck Interior With Driver

description Chris Ferreria's project, "Some Kindly Monster," was inspired by the expressive car culture that defines much of Southern California, and in particular the communities of Southeast San Diego and National City. By bringing together two distinct car customizers, who wouldn't normally collaborate together, Ferreria sought to create a monster vehicle that would embody his co-participants divergent aesthetics. In addition, Ferreria enlisted the contribution of three locally based DJs who created new recordings based on sampled field recordings taken from specific neighborhoods in San Diego. -- inSite_05 Decorative Arts, Utilitarian Objects and Interior Design East San Diego, San Diego (Calif.) Graphic Design and Illustration Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 185, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ferreria, Christopher

subject Popular Culture Automobiles Political Art Color Neighborhoods Music Public Art Sculpture (Visual Work) Mexican-American Border Region Insite_05 Performance Art Trucks--Customizing Portable Border Art

contributor Calisphere
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night

title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night

description Haudenschild Garage, La Jolla, San Diego (Calif.) João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Louro, João

subject Junkyards Auctions Junk Sculpture Recycling Automobiles Insite_05 Wealth Performance Art Humor Mexican-American Border Region Poverty Receptions Parody Sculpture (Visual Work) Consumers Garages Installations (Visual Works) Border Art Ruins

contributor Calisphere
Alien Toy Uco (Unidentified Crusing Object)

title Alien Toy Uco (Unidentified Crusing Object)

description Barrio Logan (San Diego, Calif.) Film, Audio, Video and Digital Art For inSITE97 Rubén Ortiz Torres collaborated with Salvador "Chava" Munoz to construct "Alien Toy UCO (Unidentified Cruising Object)/La ranfla cosmica ORNI (Objeto rodante no identificado)," a lowrider car that was converted into a dancing hydraulics wonder in the form of a Border Patrol vehicle. Chava, a world champion in radical bed dancing, reworked each section of the car to move and spin on its own set of hydraulics and arms. Ortiz Torres produced a film with alien imagery and clips of the car in action to accompany the installation. Ortiz Torres stated that the car was a product of cultural migration and exchange, a visual manifestation of the cultural hybridization in Southern California. --inSITE97 Http://www.track16.com/exhibitions/ruben/ruben.html Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 257) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ortiz Torres, Rubén

subject Popular Culture Unidentified Flying Objects Automobiles Political Art Humor Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite97 Installations (Visual Works) Border Art Video Art

contributor Calisphere
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night

title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night

description Haudenschild Garage, La Jolla, San Diego (Calif.) João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Louro, João

subject Junkyards Auctions Junk Sculpture Recycling Automobiles Insite_05 Wealth Performance Art Humor Mexican-American Border Region Poverty Receptions Parody Sculpture (Visual Work) Consumers Garages Installations (Visual Works) Border Art Ruins

contributor Calisphere
Alien Toy Uco (Unidentified Crusing Object)

title Alien Toy Uco (Unidentified Crusing Object)

description Barrio Logan (San Diego, Calif.) Film, Audio, Video and Digital Art For inSITE97 Rubén Ortiz Torres collaborated with Salvador "Chava" Munoz to construct "Alien Toy UCO (Unidentified Cruising Object)/La ranfla cosmica ORNI (Objeto rodante no identificado)," a lowrider car that was converted into a dancing hydraulics wonder in the form of a Border Patrol vehicle. Chava, a world champion in radical bed dancing, reworked each section of the car to move and spin on its own set of hydraulics and arms. Ortiz Torres produced a film with alien imagery and clips of the car in action to accompany the installation. Ortiz Torres stated that the car was a product of cultural migration and exchange, a visual manifestation of the cultural hybridization in Southern California. --inSITE97 Http://www.track16.com/exhibitions/ruben/ruben.html Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 258) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ortiz Torres, Rubén Reo, Sharon A.

subject Popular Culture Unidentified Flying Objects Automobiles Political Art Humor Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite97 Installations (Visual Works) Border Art Video Art

contributor Calisphere
Osmosis And Excess: Film Still Depicting Tijuana Hillside Covered In Junk Cars

title Osmosis And Excess: Film Still Depicting Tijuana Hillside Covered In Junk Cars

description Aernout Mik has created a video entitled "Osmosis and Excess" that interweaves images of junkyards in Tijuana's urban periphery with fictional scenes depicting a local pharmacy inundated with mud. Used cars flow from the United States to Mexico where they are eventually broken down and discarded on Tijuana's barren hillsides. Moving in the other direction, cheap drugs flow from Tijuana into the United States. The abandoned cars and the medications represent different manifestations of excess. Both modify a landscape: one inner, the other outer. The film was shot on high-definition video in a panoramic format to best illustrate the depicted landscapes. The video was projected as an intervention in a public parking lot in downtown San Diego. Architecture and City Planning Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 193, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Mik, Aernout

subject Landscapes (Representations) Panoramas Junkyards Automobiles Political Art Insite_05 Film Stills Mexican-American Border Region Refuse Disposal Recycling Border Art Mountains Video Art

contributor Calisphere
Ayate Car: Car Installed By The Border Fence

title Ayate Car: Car Installed By The Border Fence

description Betsabee Romero's inSITE97 project, "Ayate Car," was installed next to the border fence in Colonia Libertad. Romero covered a 1955 Ford Crown Victoria with floral painted fabric and filled it with roses that decayed slowly over the course of the exhibition. The residents of the colonia protected the car throughout the exhibition and saw it as their own shrine. Meant to contrast the masculine with the feminine, the car was a symbol of refuge and an altar at which residents could seek solace from the struggles that are a part of daily life in Colonia Libertad. --inSITE97 Colonia Libertad, Tijuana, Baja California, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 314) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Romero, Betsabeé Rittermann, Philipp Scholz

subject Walls Automobiles Humor Materials--Deterioration Sculpture (Visual Work) Public Art Boundary Boundaries Assemblage (Sculpture Technique) Installations (Visual Works) Mexican-American Border Region Masculinity Performance Art Insite97 Femininity Freestanding Altars

contributor Calisphere
Ayate Car: Model

title Ayate Car: Model

description Betsabee Romero's inSITE97 project, "Ayate Car," was installed next to the border fence in Colonia Libertad. Romero covered a 1955 Ford Crown Victoria with floral painted fabric and filled it with roses that decayed slowly over the course of the exhibition. The residents of the colonia protected the car throughout the exhibition and saw it as their own shrine. Meant to contrast the masculine with the feminine, the car was a symbol of refuge and an altar at which residents could seek solace from the struggles that are a part of daily life in Colonia Libertad. --inSITE97 Colonia Libertad, Tijuana, Baja California, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 315) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Romero, Betsabeé

subject Automobiles Humor Materials--Deterioration Sculpture (Visual Work) Public Art Assemblage (Sculpture Technique) Mexican-American Border Region Masculinity Performance Art Toys (Recreational Artifacts) Insite97 Femininity Freestanding Altars

contributor Calisphere
Ayate Car: Video

title Ayate Car: Video

description Betsabee Romero's inSITE97 project, Ayate Car, was installed next to the border fence in Colonia Libertad. Romero covered a 1955 Ford Crown Victoria with floral painted fabric and filled it with roses that decayed slowly over the course of the exhibition. The residents of the colonia protected the car throughout the exhibition and saw it as their own shrine. Meant to contrast the masculine with the feminine, the car was a symbol of refuge and an altar at which residents could seek solace from the struggles that are a part of daily life in Colonia Libertad. --inSITE97 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 256, DVD 97-12) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Romero, Betsabeé

subject Landscapes (Representations) Walls Automobiles Humor Boundary Boundaries Mexican-American Border Region Masculinity Insite97 Femininity Animated Films Freestanding Altars Border Art Video Art

contributor Calisphere
Carpark: Parking Lot Devoted To Red Cars

title Carpark: Parking Lot Devoted To Red Cars

description Architecture and City Planning Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 187) Working as a collective for their contribution to inSITE94, Nina Katchadourian, Steven Matheson, and Mark Tribe created "Carpark/Estacionamiento" at Southwestern College in Chula Vista. The project involved the participation of students, faculty and staff of the college, all of whom were asked to park for one day in a designated area determined by the color of their vehicle, ranging from aqua to metallic raspberry. The project was carried out on August 31, 1994, and at the end of the commuter rush the parking lots of Southwestern College were completely color sorted. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Tribe, Mark Matheson, Steven Katchadourian, Nina Forsha, Lynda

subject Conceptual Parking Lots Automobiles Color Mexican-American Border Region Performance Art Insite94 Red (Color) Installations (Visual Works)

contributor Calisphere
Osmosis And Excess: Film Premiere In Parking Lot

title Osmosis And Excess: Film Premiere In Parking Lot

description Aernout Mik has created a video entitled "Osmosis and Excess" that interweaves images of junkyards in Tijuana's urban periphery with fictional scenes depicting a local pharmacy inundated with mud. Used cars flow from the United States to Mexico where they are eventually broken down and discarded on Tijuana's barren hillsides. Moving in the other direction, cheap drugs flow from Tijuana into the United States. The abandoned cars and the medications represent different manifestations of excess. Both modify a landscape: one inner, the other outer. The film was shot on high-definition video in a panoramic format to best illustrate the depicted landscapes. The video was projected as an intervention in a public parking lot in downtown San Diego. Architecture and City Planning Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 193, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Mik, Aernout

subject Landscapes (Representations) Parking Lots Panoramas Automobiles Political Art Insite_05 Audiences Mexican-American Border Region Premieres Border Art Video Art

contributor Calisphere
Alien Toy Uco (Unidentified Crusing Object)

title Alien Toy Uco (Unidentified Crusing Object)

description Barrio Logan (San Diego, Calif.) Film, Audio, Video and Digital Art For inSITE97 Rubén Ortiz Torres collaborated with Salvador "Chava" Munoz to construct "Alien Toy UCO (Unidentified Cruising Object)/La ranfla cosmica ORNI (Objeto rodante no identificado)," a lowrider car that was converted into a dancing hydraulics wonder in the form of a Border Patrol vehicle. Chava, a world champion in radical bed dancing, reworked each section of the car to move and spin on its own set of hydraulics and arms. Ortiz Torres produced a film with alien imagery and clips of the car in action to accompany the installation. Ortiz Torres stated that the car was a product of cultural migration and exchange, a visual manifestation of the cultural hybridization in Southern California. --inSITE97 Http://www.track16.com/exhibitions/ruben/ruben.html Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 259) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ortiz Torres, Rubén Reo, Sharon A.

subject Popular Culture Unidentified Flying Objects Automobiles Political Art Humor Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite97 Installations (Visual Works) Border Art Video Art

contributor Calisphere
Some Kindly Monster: Truck Interior With Speakers

title Some Kindly Monster: Truck Interior With Speakers

description Chris Ferreria's project, "Some Kindly Monster," was inspired by the expressive car culture that defines much of Southern California, and in particular the communities of Southeast San Diego and National City. By bringing together two distinct car customizers, who wouldn't normally collaborate together, Ferreria sought to create a monster vehicle that would embody his co-participants divergent aesthetics. In addition, Ferreria enlisted the contribution of three locally based DJs who created new recordings based on sampled field recordings taken from specific neighborhoods in San Diego. -- inSite_05 Decorative Arts, Utilitarian Objects and Interior Design East San Diego, San Diego (Calif.) Graphic Design and Illustration Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 185, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Ferreria, Christopher

subject Popular Culture Automobiles Political Art Color Neighborhoods Music Public Art Sculpture (Visual Work) Mexican-American Border Region Insite_05 Performance Art Trucks--Customizing Portable Border Art

contributor Calisphere
Carpark: Parking Lot Devoted To Yellow Cars

title Carpark: Parking Lot Devoted To Yellow Cars

description Architecture and City Planning Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 188) Working as a collective for their contribution to inSITE94, Nina Katchadourian, Steven Matheson, and Mark Tribe created "Carpark/Estacionamiento" at Southwestern College in Chula Vista. The project involved the participation of students, faculty and staff of the college, all of whom were asked to park for one day in a designated area determined by the color of their vehicle, ranging from aqua to metallic raspberry. The project was carried out on August 31, 1994, and at the end of the commuter rush the parking lots of Southwestern College were completely color sorted. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Tribe, Mark Matheson, Steven Katchadourian, Nina Forsha, Lynda

subject Conceptual Parking Lots Automobiles Color Yellow (Color) Mexican-American Border Region Performance Art Insite94 Installations (Visual Works)

contributor Calisphere
Osmosis And Excess: Film Premiere In Parking Lot

title Osmosis And Excess: Film Premiere In Parking Lot

description Aernout Mik has created a video entitled "Osmosis and Excess" that interweaves images of junkyards in Tijuana's urban periphery with fictional scenes depicting a local pharmacy inundated with mud. Used cars flow from the United States to Mexico where they are eventually broken down and discarded on Tijuana's barren hillsides. Moving in the other direction, cheap drugs flow from Tijuana into the United States. The abandoned cars and the medications represent different manifestations of excess. Both modify a landscape: one inner, the other outer. The film was shot on high-definition video in a panoramic format to best illustrate the depicted landscapes. The video was projected as an intervention in a public parking lot in downtown San Diego. Architecture and City Planning Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still was extracted from a DVD-R from the InSite Archive (MSS 707, Box 193, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Mik, Aernout

subject Landscapes (Representations) Parking Lots Panoramas Automobiles Political Art Insite_05 Audiences Mexican-American Border Region Premieres Border Art Video Art

contributor Calisphere
Escondido Historical Mural

title Escondido Historical Mural

description An assortment of animals, a lake in a valley, a pickup truck, and a campesino with a computer and school materials. "This view is from Washington Street, mural is in its first work process. Mural designs were provided by students from 5 Escondido schools. Salvador and Gloria Torres interpret these designs into mural works. The Felicita Foundation sets up community meetings to discuss this project. Young Chicana and Chicano students warn the committee of threats of vandalism if the mural project continues." Salvador Torres. This mural was defaced by racist vandalism on June 6, 1990. Torres boycotted the restoration, which was carried out by unknown artists. Later, the mural was removed by the city of Escondido without notice to Torres. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator 35 Students And Teachers From Escondido High, Orange Glenn High, San Pasqual High, Valley High, Del Dios Middle School, Palomar College, California State University San Marcos

subject Farm Workers Automobiles Animals In Art Mexican American Art Education Mural Art Chicano Art Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description From California State University San Bernardino's exhibition "Aquí Estamos Y No Nos Vamos". Indeterminate media used to create a 40's style car. A skeleton rides crouched on the hood pointing a bow and arrow. Metallic base or metallic paints have been used to give a lustrous quality. "These slide photos are of artwork in the University of California San Bernardino, Gallery. Salvador Torres did not take the names down (Artists Unknown). Joe Moran, Print Making instructor and 2002 Chairman of the Art Dept. invited Salvador and Gloria Torres to the show. See Salvador Torres collection for information on catalogue." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator Artist Unknown

subject Mexican American Art Automobiles Cactus Chicano Art Bow And Arrow In Art Mexican Americans Chicanos

contributor Calisphere
Chicano Park Day Celebration

title Chicano Park Day Celebration

description Chicano Park Steering Committee, Tomie Camarillo, SD Car Club Council, Brown Berets, and many volunteers organize the celebration in Chicano Park with lowriders. "After April 22, 1970 the Chicano Park Steering Committee has been responsible for its yearly event. The CPSC begins its historical role at the first official meeting with mayor Frank Curren. (See and hear cassette tape in Salvador Torres collection of 3 demands. 1. Chicano Park, 2. Centro Cultural De La Raza, 3. San Ysidro Freeway issue.) The Chicano Federation assumes the umbrella organization at this meeting. Jessie Ramirez, and Max Hernandez CF leadership, Jose Gomez CPSC chairman. Salvador Torres, represents Centro Cultural De La Raza." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator Torres, Salvador

subject Festivals Automobiles Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
Lowrider

title Lowrider

description Photo is of a green chromed-out lowrider with the hood open. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Mexican American Art Automobiles Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
Mirando Un Mapa

title Mirando Un Mapa

description Photo is of a group of people surrounding a car. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Mexican Americans Chicanas Automobiles Chicanos

contributor Calisphere
Collage Mural Study

title Collage Mural Study

description Mixed media collage is a study for a mural. It features photos of children pasted on a drawing of an automobile. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Collage Watercolors Children In Art Mexican American Art Automobiles Photography In Art Mural Art Chicano Art Studies (Visual Works) Mixed Media Mexican Americans Chicanos

contributor Calisphere
Carruchona

title Carruchona

description Pastel work depicts a young woman in a sombrero, which resembles a car. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Ochoa, Victor

subject Pastels (Crayons) Mexican American Art Automobiles Chicano Art Lowriders Women In Art Low Rider Chicanas Mexican Americans Chicanos

contributor Calisphere
Car Show

title Car Show

description Photo is of a lowrider with its right front tire in the air. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Centro Cultural De La Raza

subject Mexican American Art Automobiles Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
Chicanosaurus

title Chicanosaurus

description Papier-mâché sculpture is of a dinosaur skeleton with the head of an automobile. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Ochoa, Victor

subject Mexican American Art Automobiles Papier-Mâché Chicano Art Bones Sculpture Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Photo is of an installation from an exhibition depicting a person running across a freeway in front of a bus. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Mexican American Art Automobiles Mexican American Border Region Chicano Art Mexican Americans Installations (Art) Border Art Chicanos

contributor Calisphere
Auto Grill

title Auto Grill

description Photo is of the front of a car with an elaborate grill and paint job. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Automobiles Parts Mexican American Art Automobiles Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
La Cruzada

title La Cruzada

description Photo is of vendors and cars on the Mexican side of the border. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Mexican American Border Region Work Immigration Regulation And Control Automobiles

contributor Calisphere
Chicanosaurus

title Chicanosaurus

description Papier-mâché sculpture is of a dinosaur skeleton with the head of an automobile. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Ochoa, Victor

subject Mexican American Art Automobiles Papier-Mâché Chicano Art Dinosaurs Bones Sculpture Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural in unknown media on an exterior wall of an unknown building depicts Chicanos playing music and riding in a lowrider. The three-faced symbol of mestizaje is also present. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Indians Of Mexico Mexican American Art Automobiles Aztecs Music Conquistadors Mural Art Chicano Art Musical Instruments In Art Lowriders Human Rights Mestizaje Low Rider

contributor Calisphere
Familia Con Lowrider

title Familia Con Lowrider

description Photo is of a family standing in front of a lowrider. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Automobiles Family Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Painting in unknown media depicts a coyote (or wolf) with a forked tongue wearing a fedora in the upper left corner. One side of his tongue reads, "Spanish", the other, "Inglés". A word bubble from his mouth reads, "Q'Vo Que Paza Paso Pazando Pa' Siempre K-Z". Title text reads, "Chicanozauro 500". In the upper right corner, a calavera, a cross, and a Mayan police officer are enclosed in a barbed wire frame. Text reads, "In the Beginning" and "Que Nuevas". In the lower left corner, a rectangle contains an image of a Mayan man handing a woman a torch. In the lower left corner, the three-faced symbol of mestizaje speaks two word bubbles. The one on the left reads, "La Causa La Huelga La Migra La Chota Bilingl Ed Racismo Genocide Drogas K-Z". The one on the right reads, "Power Respeto Libertad Culture Aztlán". There is also a lowrider with the words "La Lucha Keeps On" driven by the pachuco wolf. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Ochoa, Victor

subject Lowriders Police In Art Mestizaje Automobiles Drugs Immigration Regulation And Control Low Rider Pachucos Barbed Wire Calaveras Bilingualism Aztlán Mayans Mexican Americans Biculturalism Mexican American Art Crosses In Art Chicano Art Bilingual Bicultural Education Chicanos

contributor Calisphere
Lowrider

title Lowrider

description Photo is of a red chromed-out lowrider with the hood open. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Mexican American Art Automobiles Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Aerosol mural on an interior wall (Warehouse Show) depicts a Chevy lowrider. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ortiz, Jessie "Buster"

subject Mexican American Art Automobiles Aerosol Mural Art Chicano Art Lowriders Low Rider Mexican Americans Chicanos Spray paint Street art

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural on an interior cinder block wall of the Tribal Car Shop is of Seak's style. Text reads, "www.seakone.com" and "(copyright) seak.03.cns.es.GBF.sin.df @ Tribal HQ". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Seak

subject Mexican American Art Automobiles Aerosol Hip-Hop Mural Art Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural on an exterior wall of a building in the gaslight district, San Diego, depicts a cloverleaf freeway interchange as seen from above. A man passes in front of the mural. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Artist Unknown

subject Automobiles Mural Art

contributor Calisphere
End Racism (Detail Of Select Woods, Inc. Mural)

title End Racism (Detail Of Select Woods, Inc. Mural)

description Aerosol mural on the exterior wall of the Select Woods, Inc. building, 17th and Commercial Streets, San Diego. This portion of the mural features the words "End Racism". They are in a collage style, with each letter in a different font, like a ransom note. Beside this message are three pieces, one by Dyse, one by Ser, and the other indecipherable. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ortiz, Jessie "Buster"

subject Mexican American Art Graffiti Automobiles Aerosol Hip-Hop Mural Art Chicano Art Jesus Christ In Art Mexican Americans Chicanos Anti-racism Criticism

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural on an unknown wall depicts a man with a torch riding a winged horse, a galaxy, a futuristic lowrider, and the faces of many people. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Torero, Mario

subject Horses Mexican American Art Automobiles Mural Art Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural in unknown media on the exterior of an unknown building on 28th Street depicts a man holding a torch riding a winged horse, a futuristic lowrider, a UFW huelga eagle, and many faces from the various ethnicities. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Torero, Mario

subject Horses Mexican American Art Automobiles Fire In Art Mural Art Eagles Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
Carlsbad

title Carlsbad

description Acrylic mural on an exterior cinder block wall depicts: an eagle holding a serpent on a nopal on a clenched fist, agricultural laborers, a conquistador and an indigenous woman, a lowrider, a pyramid, Miguel Hidalgo holding a torch, a calavera, Emiliano Zapata, and the statue Chac Mool. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ochoa, Victor

subject Farm Workers Calaveras Automobiles Hidalgo, Miguel Agricultural Laborers Mexican American Art Conquistadors Mural Art Eagles Chicano Art Lowriders Low Rider Zapata, Emiliano, 1879-1919 Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural on an interior wall depicts lowriders. From Warehouse show. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ortiz, Jessie "Buster"

subject Mexican American Art Graffiti Automobiles Mural Art Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
Select Woods Inc. Mural (Detail)

title Select Woods Inc. Mural (Detail)

description Detail is of the motorcycle on Buster's portion of the mural on the outside of the Select Woods, Inc. building on the corner of 17th and Commercial Streets. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ortiz, Jessie "Buster"

subject Mexican American Art Automobiles Aerosol Mural Art Chicano Art Mexican Americans Chicanos

contributor Calisphere
Select Woods Inc. Mural

title Select Woods Inc. Mural

description Aerosol mural on the exterior of the Select Woods, Inc. building, 17th and Commercial Streets, San Diego. The left side is by Buster and depicts a motorcycle and the San Diego Coronado Bay Bridge. The right side is by Sake and depicts Jesus Christ. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ortiz, Jessie "Buster"

subject Mexican American Art Graffiti Automobiles Aerosol Hip-Hop Mural Art Chicano Art Jesus Christ In Art Mexican Americans Chicanos

contributor Calisphere
Backdrop At Centro

title Backdrop At Centro

description "Backdrop" mural depicts a car passing a row of crosses. In the sky are a bird and the faces of a man and a woman. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ochoa, Victor

subject Mexican American Art Birds In Art Automobiles Crosses In Art Mural Art Chicano Art Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Painting displayed at a Centro Cultural de la Raza exhibition depicts a man and his dog changing a tire. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Gonzalez, Salvador

subject Mexican American Art Automobiles Chicano Art Dogs In Art Mexican Americans Chicanos

contributor Calisphere
Barrio Olympics Fans

title Barrio Olympics Fans

description "Barrio Art high school students participating in a car show/fiesta & Azteca ceremony. Barrio Art Olympics - Lowrider show and 1st indigenous ceremony at Zapata Park. Involved community & university: a concept we named "comuniversity" - important collaborative effort between education, community, and culture." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator Royal Chicano Air Force Cultural Affairs Committee

subject Pachucos Automobiles Chicanas Mexican Americans Chicanos

contributor Calisphere
On Road Trip To Do A Presentation

title On Road Trip To Do A Presentation

description A photo of Louie "the Foot" Gonzalez standing in a small dirt parking lot facing the camera with a small black book in his right hand. There are two parked vans and part of a small building in the background. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator Royal Chicano Air Force

subject Literacy Men Automobiles Mexican Americans Chicanos

contributor Calisphere
Untitled

title Untitled

description A drawing of a green lowrider taped to a wall with another low rider drawing in the background (upper left corner). “Barrio Art for Ethnic Groups is the name of the course in the CSUS [California State University Sacramento] catalogue. In 1970 the initial “seed money” to purchase art supplies for the classes in the Barrio came from Teichart Construction Company. The Teichart family is well known in the Sacramento area for supporting community programs. They embraced Montoya’s vision of the program and donated $800.00 for art material for him to get started area. As a newly hired staff member Montoya was not aware of CSUS funding sources. But in due time after the initial donation he applied to ASI (Associated Student, Inc.) and eventually turned to IRA (Instructionally Related Material) for funding and it still continues to fund the Barrio Art Program.” The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator Barrio Art High School Students

subject Colored Pencils Mexican American Art Automobiles Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
Preparation Of Wall For Mural

title Preparation Of Wall For Mural

description A photo of an old, black car parked in front of the Washington Neighborhood Center, Sacramento, with two men sitting in it and a young woman standing behind them. There are also several young boys looking on. “Barrio Art for Ethnic Groups is the name of the course in the CSUS [California State University Sacramento] catalogue. In 1970 the initial “seed money” to purchase art supplies for the classes in the Barrio came from Teichart Construction Company. The Teichart family is well known in the Sacramento area for supporting community programs. They embraced Montoya’s vision of the program and donated $800.00 for art material for him to get started area. As a newly hired staff member Montoya was not aware of CSUS funding sources. But in due time after the initial donation he applied to ASI (Associated Student, Inc.) and eventually turned to IRA (Instructionally Related Material) for funding and it still continues to fund the Barrio Art Program.” The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator California State University Sacramento Barrio Art

subject Mexican American Art Automobiles Chicano Art Children Chicanas Mexican Americans

contributor Calisphere
Blue Magic

title Blue Magic

description A photo of a early model blue Camaro with "Blue Magic" written above the right tail lights. The car belongs to a Royal Chicano Air Force member. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator Artist Unknown

subject Mexican American Art Automobiles Chicano Art Mexican Americans Chicanos

contributor Calisphere
Untitled

title Untitled

description "Imagined varrio setting - car in front of varrio house with city skyscrapers in the background." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator Montoya, José

subject Watercolors Landscapes (Representations) Mexican American Art Automobiles Chicano Art Mexican Americans Chicanos

contributor Calisphere
Road Trip To Las Vegas

title Road Trip To Las Vegas

description A photo of (Left-right) Ricardo Favela, Ramon Ontiveros, and Armando Cid on a Royal Chicano Air Force road trip to Las Vegas. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator Royal Chicano Air Force

subject Men Automobiles Las Vegas (Nev.) Mexican Americans Chicanos

contributor Calisphere
Untitled

title Untitled

description A yellow cargo truck in motion with blue and red clouds and black birds inthe background. Call Number: B7-020 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Esteban Villa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Villa’s E-mail: esteban@villarte.com Web: http://www.chilipie.com/esteban.htm

artist/creator Villa, Esteban

subject Mexican American Art Automobiles Chicano Art Mexican Americans Chicanos

contributor Calisphere
Untitled

title Untitled

description A blue building with a sign that reads "Sacramento Jazz Jubilee" and another that reads "Firehouse Parking Lot." There is a yellow car parked in front of the building and there is half of a red and yellow triangle at the bottom. Call Number: B7-006 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Esteban Villa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Villa’s E-mail: esteban@villarte.com Web: http://www.chilipie.com/esteban.htm

artist/creator Villa, Esteban

subject Mexican American Art Automobiles Jazz Chicano Art Mexican Americans Chicanos

contributor Calisphere
La Educación

title La Educación

description Cat.8 025 Portable mural in pro-line industrial vinyl paints on canvas depicts Chicanos studying, graduating, and succeeding. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Avalos, David

subject Children In Art Doves In Art Mexican American Art Automobiles Schools Education Television Mural Art Chicano Art Video Recording Paintings Chicanas Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Cat.8 091(1) From the California Murals off the Wall Exhibition at Centro Cultural de la Raza, 2004 Park Blvd. Building #671, Balboa Park, San Diego, CA (March 1983). Portable mural in unknown media depicts a pachuco and a chicana before a landscape with a lowrider and a tipi. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Pello, Nieto

subject Landscapes (Representations) Mexican American Art Automobiles Dwellings In Art Mural Art Chicano Art Chicanas Mexican Americans Chicanos

contributor Calisphere
Calles Vivas Exhibition

title Calles Vivas Exhibition

description A lowrider parked on a large sarape at the exhibition at the Centro Cultural de la Raza, San Diego. Cat.3 032(12) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Centro Cultural De La Raza

subject Mexican American Art Automobiles Artists Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
Preparation Of The Surface And Painting Of The "Viva La Raza" Mural

title Preparation Of The Surface And Painting Of The "Viva La Raza" Mural

description Cat.3 077(12) Spectators admire progress on "Viva La Raza" Mural at Woodrow Wilson Junior High School, San Diego. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Centro Cultural De La Raza

subject Mexican American Art Automobiles Pyramids In Art Artists Mural Art Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
Red Asphalt

title Red Asphalt

description Cat.7 034(10) From the Vidas Perdidas Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr (January 1989). Installation depicts a man running in fromt of an oncoming vehicle. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Schnorr, Michael

subject Mexican American Art Automobiles Mexican American Border Region Chicano Art Mexican Americans Chicana Art Installations (Art) Chicanas Border Art Chicanos

contributor Calisphere
Tierra En San Diego

title Tierra En San Diego

description Cat.5 085 Poster from Centro Cultural de la Raza advertising the musical group Tierra, who played at the International Blend on February 7, 1981. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Seja, Ruben

subject Pachucos Bands (Ensembles) Mexican American Art Automobiles Chicano Art Prints Mexican Americans Musicians Posters Advertising In Art Chicanas Graphic Arts Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Cat.9 005 From the Gaia Pacifica: The Art of Activism Exhibition organized by Mary Hsi at Centro Cultural de la Raza, Balboa Park, San Diego, CA (April 14-May 6, 1989). This is a child's landscape painting with pterodactyls and other dinosaurs (one immersed in a lake) from the Jurassic, Mesozoic and Upper Cretaceous periods. Active volcanoes spew smoke and a man drives a red convertible down a two lane asphalt road. It is a humorous depiction of the development of fossil fuels. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Artist Unknown

subject Mexican American Art Automobiles Children'S Art Fossil Fuels Chicano Art Dinosaurs Environmentalism Mexican Americans Chicanos

contributor Calisphere
Calles Vivas Exhibition

title Calles Vivas Exhibition

description Cat.3 032(15) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ This chromed out Chevy is roped off to deter spectators from touching the enticing vehicle. From Calles Vivas Exhibition at Centro Cultural de la Raza, San Diego.

artist/creator Centro Cultural De La Raza

subject Mexican American Art Automobiles Chicano Art Lowriders Paintings Low Rider Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Cat.8 005(2) Mural on Chicano park freeway pillar depicts a Chicano. Media: pro-line vinyl on acid-etched concrete, rubber surface conditioner. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Adame, Felipe

subject Mexican American Art Automobiles Mural Art Chicano Art Mexican Americans Chicanos

contributor Calisphere
Mural Project

title Mural Project

description Cat.3 065(14) Mural preparation at Woodrow Wilson Junior High School. Photo is of a man, possibly artist, in a vintage car in a barrio. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Centro Cultural De La Raza

subject Automobiles Mural Art Barrios Mexican Americans Chicanos

contributor Calisphere
Mi Cultura Hermosa; Renamed After Restoration: Viva La Raza

title Mi Cultura Hermosa; Renamed After Restoration: Viva La Raza

description Acrylic on stucco wall of Woodrow Wilson Junior High school. Mural after restoration. Cat.8 040(12) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Avalos, David

subject Graffiti Mural Art Lowriders Schools Automobiles Cholas Eagles Low Rider Barrios Pyramids In Art Neighborhoods Cholos Chicana Art Mexican Americans Mexican American Art Pyramids - Mexico Chicano Art Corn In Art Chicanas Chicanos

contributor Calisphere
Calles Vivas Exhibition

title Calles Vivas Exhibition

description A lowrider is displayed at the CCLR's (Centro Cultural de la Raza) exhibition. In the background, an mural of graffiti art is visible. Cat.3 032(14) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Centro Cultural De La Raza

subject Mexican American Art Automobiles Art - Exhibitions Chicano Art Lowriders Low Rider Mexican Americans Chicanos

contributor Calisphere
Babalonia

title Babalonia

description Cat.9 031 From the Victor Ochoa--Easel Painting and Graphics Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA. Painting of a car checking in at a border crossing identified as "Babylonia." The driver shows a green card to a man wearing dark glasses and a uniform and a dog sits nearby. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Ochoa, Victor

subject Fences In Art Border Patrols Automobiles Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Mexican Americans Dogs In Art Green Cards Border Art Chicanos

contributor Calisphere
Tula Y Tonan

title Tula Y Tonan

description Cat.5 073(22) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Tula Y Tonan was a children's book written in Spanish for Chicano children to teach the indigenous values of respect for elders, community, and nature. It was created through mixing various media, including photography, drawing, and printing processes to create the final product. Page twenty-one.

artist/creator Ochoa, Victor

subject Children'S Books Mexican American Art Automobiles Native Americans Chicano Art Prints Mexican Americans Chicanos

contributor Calisphere
Sherman Youth (Detail)

title Sherman Youth (Detail)

description Cat.8 116(2) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Unknown paint on stucco exterior wall of apartment building, 20th and K Streets, San Diego. Detail is of front near entrance, and depicts a lowrider, a demonstration march, a pachuco holding the (balanced) scales of justice. In one pan of the scale is a white man, in the other a chicano. Ancianos walk through a cornfield.

artist/creator Torero, Mario

subject Pachucos Mexican American Art Automobiles Aztecs Demonstrations In Art Mural Art Chicano Art Lowriders Chicano Movement Corn In Art Aged Ancianos Women In Art Low Rider Mexican Americans Chicanos

contributor Calisphere
(Title Unknown) (Detail)

title (Title Unknown) (Detail)

description Cat.8 091(2) From the California Murals off the Wall Exhibition at Centro Cultural de la Raza, 2004 Park Blvd. Building #671, Balboa Park, San Diego, CA (March 1983). Portable mural in unknown media depicts a pachuco and a chicana before a landscape with a lowrider and a tipi. Detail is of the lowrider and the tipi. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Pello, Nieto

subject Landscapes (Representations) Mexican American Art Automobiles Dwellings In Art Mural Art Chicano Art Lowriders Low Rider Chicanas Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Cat.8 058(1) Mural in unknown media on exterior wall of Palm City Teen Post, Social Services Center, San Ysidro. Mural depicts a fallen cholo at the foot of a pyramid, as well as other negative aspects of the gang lifestyle. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Laguna, Juan

subject Birds In Art Graffiti Mural Art Lowriders Clocks And Watches In Art Automobiles Quetzals Gangs Flags In Art Low Rider Gang Violence Flowers In Art Prisons Pyramids In Art Cholos Prisoners Imprisonment Mexican Americans Chains Mexican American Art Pyramids - Mexico Crosses In Art Chicano Art Pinto Art Chicanos

contributor Calisphere
Mi Cultura Hermosa; Renamed After Restoration:Viva La Raza (Detail Of Modification)

title Mi Cultura Hermosa; Renamed After Restoration:Viva La Raza (Detail Of Modification)

description Acrylic on stucco wall of Woodrow Wilson Junior High school. Detail is of the sign in the eagle's mouth, which was altered to read "Viva la Raza" after the mural was vandalized. Cat.8 040(6) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Avalos, David

subject Mexican American Art Automobiles Cholas Schools Cholos Mural Art Eagles Chicano Art Lowriders Low Rider Chicanas Mexican Americans Chicanos

contributor Calisphere
The 3Rd Annual Day At The Park, Announcement Poster For

title The 3Rd Annual Day At The Park, Announcement Poster For

description Announcement poster for The 3rd Annual Day at the Park. Image is of a man and a woman in a lowrider and the Chicano Park Kiosco. Text reads, "Brown Image presents/ The 3rd Annual Day at the Park/ Lowrider Car & Bike Show!/ Chicano Park Under the Bridge/ Free & Open to the Community/ 1 PM - 6PM/ Funn Band/ Malo Sounds D.J./ Brown Image is a Member of the San Diego Lowrider Car Club Council Which is Dedicated to Promoting Unity Between All San Diego Car Clubs and Barrios. C/S/ Dance Award Ceremony/ Centro Cultural de la Raza/ Balboa Park's Pepper Grove/ 8PM-1AM/ $3 Donation/ In Association with Budweiser Michelob/ Saturday > August 15". The lower right corner is ripped, removing information about the date and printing center. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Avalos, David

subject Festivals Posters Mexican American Art Automobiles Neighborhoods Chicano Art Lowriders Prints Mexican Americans Celebrations Low Rider Barrios Graphic Arts Chicanos Prohibition

contributor Calisphere
Mi Cultura Hermosa; Renamed After Restoration: Viva La Raza

title Mi Cultura Hermosa; Renamed After Restoration: Viva La Raza

description Acrylic on stucco wall of Woodrow Wilson Junior High school. Four artists stand before the nearly-complete mural in progress. Mural depicts an eagle with a sign reading "Mi Cultura Hermosa" in its beak. To the left of the eagle is a pyramid. To the right is a store. In front of the eagle are some cholos and a lowrider. Cat.8 040(3) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Avalos, David

subject Graffiti Mural Art Lowriders Schools Automobiles Cholas Eagles Revolutionaries Low Rider Barrios Pyramids In Art Artists Cholos Mexican Americans Mexican American Art Pyramids - Mexico Chicano Art Corn In Art Chicanas Chicanos

contributor Calisphere
Conversion Of Columbus Performance

title Conversion Of Columbus Performance

description Cat.10 004(4) Performance art piece on/near the border. This photo is of a man emerging from (or entering) a semi-interred coffin. A border patrol vehicle is visible in the background. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Centro Cultural De La Raza

subject Columbus, Christopher Border Patrols Automobiles Mexican American Art Mexican American Border Region Coffins Chicano Art Performance Art Death In Art Mexican Americans Border Art Chicanos

contributor Calisphere