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Rituals (Events)
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Altarmakers : the historic mediators
title Altarmakers : the historic mediatorsdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Mesa-Bains, Amalia -
Mexicano / Chicano altars : the poetics and politics of space of community self-fashioning
title Mexicano / Chicano altars : the poetics and politics of space of community self-fashioningdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Malagamba Ansótegui, Amelia -
Sanctums of the spirit : the altars of Amalia Mesa-Bains
title Sanctums of the spirit : the altars of Amalia Mesa-Bainsdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Ybarra-Frausto, Tomás -
The day of the dead in Aztlán : chicano variations on the theme of life, death and self-preservation
title The day of the dead in Aztlán : chicano variations on the theme of life, death and self-preservationdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Venegas, Sybil -
None For Political Reasons Ii
title None For Political Reasons Iidescription Carlos Aguirre's project for inSITE94, "None for Political Reasons II/Ninguno por razones politicas II," was located at the downtown space of the Museum of Contemporary Art, San Diego. Incorporating human bone, soil, refuse, man-made materials, and the central object of a funerary boat, Aguirre's project spoke of the temporal, transitional, and cyclical. The installation conjured up images of ritual and ceremony, referencing the journey from life to death. --inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 016) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Aguirre, Carlossubject Sculpture (Visual Work) Mexican-American Border Region Deaths Rituals (Events) Funeral Rites And Ceremonies Insite94 Installations (Visual Works)contributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 362) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Border Capsule Ritual Black Star
title Border Capsule Ritual Black Stardescription Eduardo Abaroa's project for inSITE97, Cápsulas santánicas black star/Border Capsule Ritual Black Star, was installed at five locations in downtown San Diego, defining a black star on the city map. At each site was a gumball vending machine containing sculptural elements that reflected the machine's location. The work operated as a mini treasure hunt for the viewer, who found the machines using a map, purchased the prizes, and took them home to create their own satanic ritual. --inSITE97 Abaroa's project was located at Café Lulu, Master Tattoo Studio, The Gas Haus, William Burgett Booksellers, and La Fresqueria in downtown San Diego. San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 001) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Gambling Satanism--Rituals Sculpture (Visual Work) Public Art Mexican-American Border Region Rituals (Events) Signs And Symbols Insite97 Toys (Recreational Artifacts) Installations (Visual Works) Border Art Treasure Hunt (Game)contributor Calisphere -
The Great Balboa Park Landfill Exposition Of 1997: Aztec Dance Performance
title The Great Balboa Park Landfill Exposition Of 1997: Aztec Dance Performancedescription Balboa Park (San Diego, Calif.) Cindy Zimmerman's Community Engagement project for inSITE97 was the development of a new park environment at the landfill adjacent to Florida Canyon in Balboa Park. Constructing the piece over several months, Zimmerman involved children and families in the creation and placement of straw bales and clay in the landfill to make labyrinths, temporary earthworks, and adobe structures. "The Great Balboa Park Landfill Exposition of 1997/La gran exposicion del relleno del Balboa Park 1997" transformed an unused and unattractive plot of land into a new community park and art installation. Zimmerman led workshops and meetings throughout the project to involve the community and collaborate with the participants to create art from organic materials. -- inSITE97 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 430) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Zimmerman, Cindysubject Landfills Renovation Play Border Art Sculpture (Visual Work) Public Art Mexican-American Border Region Rituals (Events) Insite97 Dance Installations (Visual Works) Headdressescontributor Calisphere -
Heir Loom: Aerial View
title Heir Loom: Aerial Viewdescription California State University San Marcos Entitled "Heir Loom," Sand Diego artist Anne Mudge's project for inSITE94 consisted of a performance on the campus of California State University, San Marcos. In a courtyard of gridded grassy squares, the artist invited twenty participants to tell a story, to share a fragment of history specific to a person or event related to San Marcos. Within twenty grassy squares were carved body imprints, the grass and plant material removed, and each square was identified with a tile inscribed with the name of the participant as well as an acknowledgement of the person or event remembered. Each body recess filled with plant remains was lit on fire, symbolizing the cycle of life and death. The end of the project was marked by the planting of new growth with the body imprints, suggesting the start of a new story and with the trace of the memory of the event. --inSITE94 Garden and Landscape Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 236) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mudge, Annesubject Landscape Architecture Conceptual Memory Local Histories Sculpture (Visual Work) Narration (Rhetoric) Mexican-American Border Region Rituals (Events) Performance Art Insite94 Commemorations (Events) Installations (Visual Works) Gardenscontributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 357) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Machinery Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
None For Political Reasons Ii
title None For Political Reasons Iidescription Carlos Aguirre's project for inSITE94, "None for Political Reasons II/Ninguno por razones politicas II," was located at the downtown space of the Museum of Contemporary Art, San Diego. Incorporating human bone, soil, refuse, man-made materials, and the central object of a funerary boat, Aguirre's project spoke of the temporal, transitional, and cyclical. The installation conjured up images of ritual and ceremony, referencing the journey from life to death. --inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 012) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Aguirre, Carlossubject Sculpture (Visual Work) Mexican-American Border Region Deaths Rituals (Events) Funeral Rites And Ceremonies Insite94 Installations (Visual Works)contributor Calisphere -
Heir Loom: Aerial View
title Heir Loom: Aerial Viewdescription California State University San Marcos Entitled "Heir Loom," Sand Diego artist Anne Mudge's project for inSITE94 consisted of a performance on the campus of California State University, San Marcos. In a courtyard of gridded grassy squares, the artist invited twenty participants to tell a story, to share a fragment of history specific to a person or event related to San Marcos. Within twenty grassy squares were carved body imprints, the grass and plant material removed, and each square was identified with a tile inscribed with the name of the participant as well as an acknowledgement of the person or event remembered. Each body recess filled with plant remains was lit on fire, symbolizing the cycle of life and death. The end of the project was marked by the planting of new growth with the body imprints, suggesting the start of a new story and with the trace of the memory of the event. --inSITE94 Garden and Landscape Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 237) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mudge, Annesubject Landscape Architecture Conceptual Memory Local Histories Sculpture (Visual Work) Narration (Rhetoric) Mexican-American Border Region Rituals (Events) Performance Art Insite94 Commemorations (Events) Installations (Visual Works) Gardenscontributor Calisphere -
Border Capsule Ritual Black Star
title Border Capsule Ritual Black Stardescription Eduardo Abaroa's project for inSITE97, Cápsulas santánicas black star/Border Capsule Ritual Black Star, was installed at five locations in downtown San Diego, defining a black star on the city map. At each site was a gumball vending machine containing sculptural elements that reflected the machine's location. The work operated as a mini treasure hunt for the viewer, who found the machines using a map, purchased the prizes, and took them home to create their own satanic ritual. --inSITE97 Abaroa's project was located at Café Lulu, Master Tattoo Studio, The Gas Haus, William Burgett Booksellers, and La Fresqueria in downtown San Diego. San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 002) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Gambling Satanism--Rituals Sculpture (Visual Work) Public Art Mexican-American Border Region Rituals (Events) Signs And Symbols Insite97 Toys (Recreational Artifacts) Installations (Visual Works) Border Art Treasure Hunt (Game)contributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 358) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
None For Political Reasons Ii
title None For Political Reasons Iidescription Carlos Aguirre's project for inSITE94, "None for Political Reasons II/Ninguno por razones politicas II," was located at the downtown space of the Museum of Contemporary Art, San Diego. Incorporating human bone, soil, refuse, man-made materials, and the central object of a funerary boat, Aguirre's project spoke of the temporal, transitional, and cyclical. The installation conjured up images of ritual and ceremony, referencing the journey from life to death. --inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 013) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Aguirre, Carlossubject Sculpture (Visual Work) Mexican-American Border Region Deaths Rituals (Events) Funeral Rites And Ceremonies Insite94 Installations (Visual Works)contributor Calisphere -
Border Capsule Ritual Black Star
title Border Capsule Ritual Black Stardescription Eduardo Abaroa's project for inSITE97, Cápsulas santánicas black star/Border Capsule Ritual Black Star, was installed at five locations in downtown San Diego, defining a black star on the city map. At each site was a gumball vending machine containing sculptural elements that reflected the machine's location. The work operated as a mini treasure hunt for the viewer, who found the machines using a map, purchased the prizes, and took them home to create their own satanic ritual. --inSITE97 Abaroa's project was located at Café Lulu, Master Tattoo Studio, The Gas Haus, William Burgett Booksellers, and La Fresqueria in downtown San Diego. San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 003) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Gambling Satanism--Rituals Sculpture (Visual Work) Public Art Mexican-American Border Region Rituals (Events) Signs And Symbols Insite97 Toys (Recreational Artifacts) Installations (Visual Works) Border Art Treasure Hunt (Game)contributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 359) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
None For Political Reasons Ii
title None For Political Reasons Iidescription Carlos Aguirre's project for inSITE94, "None for Political Reasons II/Ninguno por razones politicas II," was located at the downtown space of the Museum of Contemporary Art, San Diego. Incorporating human bone, soil, refuse, man-made materials, and the central object of a funerary boat, Aguirre's project spoke of the temporal, transitional, and cyclical. The installation conjured up images of ritual and ceremony, referencing the journey from life to death. --inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 014) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Aguirre, Carlossubject Sculpture (Visual Work) Mexican-American Border Region Deaths Rituals (Events) Funeral Rites And Ceremonies Insite94 Installations (Visual Works)contributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 360) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
None For Political Reasons Ii
title None For Political Reasons Iidescription Carlos Aguirre's project for inSITE94, "None for Political Reasons II/Ninguno por razones politicas II," was located at the downtown space of the Museum of Contemporary Art, San Diego. Incorporating human bone, soil, refuse, man-made materials, and the central object of a funerary boat, Aguirre's project spoke of the temporal, transitional, and cyclical. The installation conjured up images of ritual and ceremony, referencing the journey from life to death. --inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 015) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Aguirre, Carlossubject Sculpture (Visual Work) Deaths Mexican-American Border Region Boats Rituals (Events) Funeral Rites And Ceremonies Insite94 Installations (Visual Works)contributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 361) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere