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Satire (Artistic Device)
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A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Megaphones Gómez-Peña, Guillermocontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
California Murals Off The Wall: Artists Working On Their Projects
title California Murals Off The Wall: Artists Working On Their Projectsdescription Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Satirical monolog by David Avalos about artists and works in the exhibit. Footage of Victor Ochoa and Guillermo Rosette painting. Footage of David Avalos describing his art piece titled "Loteria Chicana" which is based on the Mexican game Loteria. Footage of Nieto Pello working on his painting of young love against the backdrop of the mountains of Montana.artist/creator Unknownsubject Ochoa Orozco, Victor Avalos, David Mexican American Art Political Art Humor Landscapes Documentary Films Satire (Artistic Device) Pello, Nieto Rosette, Guillermocontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gesture Candles Masks Flagscontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Candles Flagscontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Satire (Artistic Device) Drinking Vessels Performance Art Costumes Gesture Hearts (Motifs)contributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Sun Mad
title Sun Maddescription A satirical manipulation of a well known logo, which stands as a powerful commentary against the exploitation of farm laborers. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Printsartist/creator Hernández, Estersubject Popular Culture Marketing Mexican American Art Agricultural Laborers Human Skeleton Satire (Artistic Device) Prints Raisins Grapes calaverascontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdressescontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdressescontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gesture Veilscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdresses Flagscontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Popular Culture Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Maskscontributor Calisphere -
La La La Awards
title La La La Awardsdescription Begins with a parody of Alcoholics Anonymous meeting with jokes about Latino identity politics (Latins Anonymous). Next a parody of an awards/variety show, La La La Awards (Latins Anonymous Lifetime Achievement Awards) with a Cheech Marin impersonator as host. Talk show host interrogates family involved in the L.A. riots. Charo performs and speaks about bilingualism. Weather report parody jokes about Latin American cultural stereotypes. Café Cinema, San Diego (California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Latins Anonymous is made up of actors/writers Luisa Leschin, Diane Rodriguez, Armando Molina, and Chris Franco. Introduction skit filmed at Café Cinema in San Diego.artist/creator Unknownsubject Mexican American Art Political Art Comedy Sketches Humor Television Talk Shows Riots Weather Reporting Alcoholics Anonymous Bilingual Individuals Satire (Artistic Device) Performance Art Television Programs Parody Charocontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription Artist David Avalos working on La Placa, which is part of his overall project titled Loteria Chicana. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest.artist/creator Artenstein, Isaacsubject Avalos, David Political Art Mexican American Art Costume Acting Satire (Artistic Device) Theater Traveling Theatercontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing Christopher Columbus's discovery of America 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gesture Headdressescontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Ciniwest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing Christopher Columbus's discovery of America 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Popular Culture Political Art Humor Imperialism Wrestlers Satire (Artistic Device) Performance Art Costumes Maskscontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermocontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription "1992" a Performance Trilogy by Guillermo Gómez-Peña Assemblage of two "1992" performance stills advertising the performance. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Advertisements Political Art Humor Imperialism Native American Microphone Satire (Artistic Device) Performance Art Costumes Gesture Headdressescontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Flagscontributor Calisphere -
Spic Talk
title Spic Talkdescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Television host for a show called Spic Talk interviews an actor impersonating Julio Iglesias. Later "Iglesias" is kidnapped and the host is threatened by a masked "terrorist" with a gun.artist/creator Cinewest Productionssubject Mexican American Art Political Art Humor Comedy Sketches Television Talk Shows Video Art Satire (Artistic Device) Performance Art Iglesias, Julio, 1943- Television Programs Terrorists Parody Television Talk Show Hostscontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
A World Of Burros: Performance Still
title A World Of Burros: Performance Stilldescription California State University, San Diego Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs Still from performance held at the California State University, San Diego, 1982. Photographs of the performance were taken by Isaac Artenstein of Cinewest. Teatro Vivo is a traveling theater troupe made up of three Guatemalan exiles and a Frenchman. Their performances are meant to inform the audience about the struggles facing Guatemalans. A World of Burros is a five-act play focusing on the life of a struggling family of burros that move from the poor countryside to a new kind of poverty in the city. Two out of the four original troupe members are Carmen Samayoa and Pierre Le Pichon.artist/creator Artenstein, Isaaccontributor Calisphere -
Penny Envy: Performance Still
title Penny Envy: Performance Stilldescription A performance of comedy and music by Mexican-born actress/writer Yareli Arizmendi and musician Sergio Arau. The title derives from Arizmendi's comic skits, which poke fun at Mexican-American economic relations. Centro Cultural de la Raza (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Megaphones Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Flagscontributor Calisphere -
A Tourist'S Guide To San Diego And Tijuana: General View
title A Tourist'S Guide To San Diego And Tijuana: General Viewdescription For her inSITE97 project, Melanie Smith created "The Tourists' Guide to San Diego and Tijuana/La Guia turistica de San Diego y Tijuana," an installation at 958 Fifth Avenue in downtown San Diego. A spoof on a tourist information agency, the installation included, among other elements, large photographs of the region, postcards with commonly found imagery from the local landscape and city, and a tourist guidebook listing on the back the various hot spots in the city. The installation was a commentary on the massive tourism industry in San Diego and Tijuana and the loss of borders when dealing with consumers and their material desires. --inSITE97 San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 363) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Tourist Information Centers Humor Tourism Public Art Information Centers (Facilities) Mexican-American Border Region Satire (Artistic Device) Photography Insite97 Postcards Travel Guidebooks Parody Installations (Visual Works) Border Artcontributor Calisphere -
Toy-An-Horse: Construction Drawing
title Toy-An-Horse: Construction Drawingdescription For inSITE97, Marcos Ramirez ERRE collaborated with several artists to construct "Toy an Horse," a monumental wood and metal replica of the iconic Trojan Horse. Installed directly on top of the monument marking the border about 50 meters from the border cross-checkpoint at San Ysidro, the horse was visible to the 50,000 people crossing the border by car every day. Ramirez stated that the purpose of the project was to use the narrative symbolism of the Trojan horse to stimulate discussion about the border, invasion, cultural exchange, and dependency. --inSITE97 San Ysidro (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 292) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Border Crossing Boundaries Satire (Artistic Device) Insite97 Horses Trojan War Political Art Public Art Economics Emigration And Immigration Humor Mexican-American Border Region Tijuana (Baja California, Mexico) Blueprints Sculpture (Visual Work) Architecture (Object Genre) Drawings (Visual Works) Trojan Horse (Greek Mythology) Installations (Visual Works) Border Art Janus-Facedcontributor Calisphere -
Toy An Horse: Installed At The U.S.-Mexico Border Crossing
title Toy An Horse: Installed At The U.S.-Mexico Border Crossingdescription For inSITE97, Marcos Ramirez ERRE collaborated with several artists to construct "Toy an Horse," a monumental wood and metal replica of the iconic Trojan Horse. Installed directly on top of the monument marking the border about 50 meters from the border cross-checkpoint at San Ysidro, the horse was visible to the 50,000 people crossing the border by car every day. Ramirez stated that the purpose of the project was to use the narrative symbolism of the Trojan horse to stimulate discussion about the border, invasion, cultural exchange, and dependency. --inSITE97 San Ysidro (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 293) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Border Crossing Boundaries Satire (Artistic Device) Insite97 Horses Trojan War Political Art Public Art Economics Emigration And Immigration Humor Mexican-American Border Region Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Trojan Horse (Greek Mythology) Installations (Visual Works) Border Art Janus-Facedcontributor Calisphere -
Toy An Horse: Installed At The U.S.-Mexico Border Crossing
title Toy An Horse: Installed At The U.S.-Mexico Border Crossingdescription For inSITE97, Marcos Ramirez ERRE collaborated with several artists to construct "Toy an Horse," a monumental wood and metal replica of the iconic Trojan Horse. Installed directly on top of the monument marking the border about 50 meters from the border cross-checkpoint at San Ysidro, the horse was visible to the 50,000 people crossing the border by car every day. Ramirez stated that the purpose of the project was to use the narrative symbolism of the Trojan horse to stimulate discussion about the border, invasion, cultural exchange, and dependency. --inSITE97 San Ysidro (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 294) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Border Crossing Boundaries Satire (Artistic Device) Insite97 Horses Trojan War Political Art Public Art Economics Emigration And Immigration Humor Mexican-American Border Region Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Trojan Horse (Greek Mythology) Installations (Visual Works) Border Art Janus-Facedcontributor Calisphere -
A Tourist'S Guide To San Diego And Tijuana: View Of Facade Of "Tourist Office"
title A Tourist'S Guide To San Diego And Tijuana: View Of Facade Of "Tourist Office"description For her inSITE97 project, Melanie Smith created "The Tourists' Guide to San Diego and Tijuana/La Guia turistica de San Diego y Tijuana," an installation at 958 Fifth Avenue in downtown San Diego. A spoof on a tourist information agency, the installation included, among other elements, large photographs of the region, postcards with commonly found imagery from the local landscape and city, and a tourist guidebook listing on the back the various hot spots in the city. The installation was a commentary on the massive tourism industry in San Diego and Tijuana and the loss of borders when dealing with consumers and their material desires. --inSITE97 San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 364) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Tourist Information Centers Humor Tourism Public Art Information Centers (Facilities) Mexican-American Border Region Satire (Artistic Device) Photography Insite97 Postcards Travel Guidebooks Parody Installations (Visual Works) Border Artcontributor Calisphere -
Avenida Revolución: Mule Painted To Look Like A Zebra
title Avenida Revolución: Mule Painted To Look Like A Zebradescription Avenida Revolución (Tijuana, Baja California, Mexico) Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 382) Venezuelan artist Meyer Vaisman's initial proposal for inSITE2000 involved a performance in which he would impersonate a "lost" Border Patrol officer, in a car painted to resemble a Border Patrol vehicle, driving through various neighborhoods in Tijuana. After the performance, Vaisman planned to park the vehicle near the border fence at Playas de Tijuana, within sight of US Border Patrol officers, leaving it there to become a site registering local opinion. Yet given some obvious safety issues related to this proposal, the artist had to reconsider his project. With his original idea in mind Vaisman transformed one of the famous Tijuana zebra-painted mule carts into Border Patrol. With himself dressed in a Border Patrol uniform and the mule cart painted to look like an official vehicle, the Burro-Patrol was situated on a corner of Avenida Revolución for one weekend and functioned as a regular tourist photo-op station. -- inSITE2000 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Tourist Information Centers Mule Humor Boundaries Border Art Tourism Mexican-American Border Region Satire (Artistic Device) Performance Art U.S. Border Patrol Zebras Law Enforcing Commercial Portraiture Parody Insite2000contributor Calisphere -
Inaugural Speech
title Inaugural Speechdescription Andrea Fraser: "The opening events planned for inSITE97 were more extensive and official than those of most contemporary art exhibitions. Central to those events were the speeches delivered by representatives of various sponsoring organizations and participants. Such speeches function primarily to integrate (if only symbolically) the groups and organizations represented through their common demonstration of support. My contribution to inSITE97 was to deliver the speech inaugurating the exhibition." Film, Audio, Video and Digital Art Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 255, DVD 97-04) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Fraser, Andreasubject Officials Speeches Documentaries Humor Irony Mexican-American Border Region Satire (Artistic Device) Inauguration Insite97 Parody Border Art Video Artcontributor Calisphere -
Avenida Revolución: "Street Vendor" Under Arrest By "Border Patrol Agent" (Meyer Vaisman)
title Avenida Revolución: "Street Vendor" Under Arrest By "Border Patrol Agent" (Meyer Vaisman)description Avenida Revolución (Tijuana, Baja California, Mexico) Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 383) Venezuelan artist Meyer Vaisman's initial proposal for inSITE2000 involved a performance in which he would impersonate a "lost" Border Patrol officer, in a car painted to resemble a Border Patrol vehicle, driving through various neighborhoods in Tijuana. After the performance, Vaisman planned to park the vehicle near the border fence at Playas de Tijuana, within sight of US Border Patrol officers, leaving it there to become a site registering local opinion. Yet given some obvious safety issues related to this proposal, the artist had to reconsider his project. With his original idea in mind Vaisman transformed one of the famous Tijuana zebra-painted mule carts into Border Patrol. With himself dressed in a Border Patrol uniform and the mule cart painted to look like an official vehicle, the Burro-Patrol was situated on a corner of Avenida Revolución for one weekend and functioned as a regular tourist photo-op station. -- inSITE2000 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Tourist Information Centers Alleys Mule Humor Boundaries Tourism Mexican-American Border Region Satire (Artistic Device) Performance Art U.S. Border Patrol Zebras Law Enforcing Insite2000 Commercial Portraiture Parody Border Artcontributor Calisphere -
Avenida Revolución: "Border Patrol Agent" (Meyer Vaisman) On Mule Painted To Look Like A Zebra
title Avenida Revolución: "Border Patrol Agent" (Meyer Vaisman) On Mule Painted To Look Like A Zebradescription Avenida Revolución (Tijuana, Baja California, Mexico) Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 384) Venezuelan artist Meyer Vaisman's initial proposal for inSITE2000 involved a performance in which he would impersonate a "lost" Border Patrol officer, in a car painted to resemble a Border Patrol vehicle, driving through various neighborhoods in Tijuana. After the performance, Vaisman planned to park the vehicle near the border fence at Playas de Tijuana, within sight of US Border Patrol officers, leaving it there to become a site registering local opinion. Yet given some obvious safety issues related to this proposal, the artist had to reconsider his project. With his original idea in mind Vaisman transformed one of the famous Tijuana zebra-painted mule carts into Border Patrol. With himself dressed in a Border Patrol uniform and the mule cart painted to look like an official vehicle, the Burro-Patrol was situated on a corner of Avenida Revolución for one weekend and functioned as a regular tourist photo-op station. -- inSITE2000 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Tourist Information Centers Alleys Mule Humor Political Art Boundaries Tourism Mexican-American Border Region Satire (Artistic Device) Performance Art U.S. Border Patrol Zebras Law Enforcing Insite2000 Commercial Portraiture Parody Border Artcontributor Calisphere