Search Results
Subject is exactly
Language
Use buttons below to view additional pages.
-
Living Borders/Buscando America : languages of Latino self-formation
title Living Borders/Buscando America : languages of Latino self-formationdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website section -
The multicultural paradigm : an open letter to the National Arts Community
title The multicultural paradigm : an open letter to the National Arts Communitydescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Gómez-Peña, Guillermo -
Cross The Razor
title Cross The Razordescription Border Field State Park Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Terry Allen's project, "Cross the Razor/Cruzar la navaja," was located on both sides of the US-Mexico border fence. Working to establish some sort of platform for communication across the fence, Allen's proposal for a public exchange of words and music evolved from two stationary free-speech areas to two mobile units. Two vans were outfitted with wooden platforms, microphones, amplifiers, and translators, one for each side of the border. For the duration of the project the two vans met at various points along the border fence near Playas de Tijuana and Border Field State Park; and an open invitation was extended to all to climb onto the vans and communicate by any means to listeners on the other side. - inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 017) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Allen, Terrysubject Language Public Speaking Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite94 Fences Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Poison Shelf: Detail Of Bookshelves
title Poison Shelf: Detail Of Bookshelvesdescription Athenaeum Music & Arts Library (La Jolla (San Diego, Calif.)) Occupying a large section of the La Jolla Athenaeum Music & Arts Library, Ming Mur-Ray's installation for inSITE94 was entitled "CYM55296." Arranged on long shelves, the artist neatly installed rows of square wooden tablets displaying an invented language of calligraphy. Another element of the installation was rows of books sealed tight and with the phrase "See No Evil, Hear No Evil, Speak No Evil," on their covers, alluding to Censorship within the arts. Also, part of the work was a bookcase randomly stacked with books fond to be controversial or drawing public complaints. Together these elements created a dialogue around language and how public and private opinion often categorizes based on content. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 240) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mur-Ray, Mingsubject Language Political Art Prohibited Books Censorship Calligraphy Mexican-American Border Region Insite94 Installations (Visual Works) Writingcontributor Calisphere -
Cross The Razor
title Cross The Razordescription Border Field State Park Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Terry Allen's project, "Cross the Razor/Cruzar la navaja," was located on both sides of the US-Mexico border fence. Working to establish some sort of platform for communication across the fence, Allen's proposal for a public exchange of words and music evolved from two stationary free-speech areas to two mobile units. Two vans were outfitted with wooden platforms, microphones, amplifiers, and translators, one for each side of the border. For the duration of the project the two vans met at various points along the border fence near Playas de Tijuana and Border Field State Park; and an open invitation was extended to all to climb onto the vans and communicate by any means to listeners on the other side. - inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 018) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Allen, Terrysubject Language Public Speaking Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite94 Fences Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Call Waiting
title Call Waitingdescription Film, Audio, Video and Digital Art Lorna Simpson's contribution to inSITE97 is a film entitled Call Waiting, shown at the Santa Fe Depot in downtown San Diego. The film features two women in conversation over the phone, who are interrupted by other callers speaking in different languages. The result is an indecipherable web of open-ended stories and conversations that are carried out between the various speakers. --inSITE97 Performing Arts (including Performance Art) Santa Fe Depot (San Diego, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 255, DVD 97-03) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Simpson, Lornacontributor Calisphere -
Poison Shelf: General View Of Installation
title Poison Shelf: General View Of Installationdescription Athenaeum Music & Arts Library (La Jolla (San Diego, Calif.)) Occupying a large section of the La Jolla Athenaeum Music & Arts Library, Ming Mur-Ray's installation for inSITE94 was entitled "CYM55296." Arranged on long shelves, the artist neatly installed rows of square wooden tablets displaying an invented language of calligraphy. Another element of the installation was rows of books sealed tight and with the phrase "See No Evil, Hear No Evil, Speak No Evil," on their covers, alluding to Censorship within the arts. Also, part of the work was a bookcase randomly stacked with books fond to be controversial or drawing public complaints. Together these elements created a dialogue around language and how public and private opinion often categorizes based on content. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 241) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mur-Ray, Mingsubject Language Political Art Prohibited Books Censorship Calligraphy Mexican-American Border Region Insite94 Installations (Visual Works) Writingcontributor Calisphere -
Cross The Razor
title Cross The Razordescription Border Field State Park Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Terry Allen's project, "Cross the Razor/Cruzar la navaja," was located on both sides of the US-Mexico border fence. Working to establish some sort of platform for communication across the fence, Allen's proposal for a public exchange of words and music evolved from two stationary free-speech areas to two mobile units. Two vans were outfitted with wooden platforms, microphones, amplifiers, and translators, one for each side of the border. For the duration of the project the two vans met at various points along the border fence near Playas de Tijuana and Border Field State Park; and an open invitation was extended to all to climb onto the vans and communicate by any means to listeners on the other side. - inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 019) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Allen, Terrysubject Language Public Speaking Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite94 Fences Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Cross The Razor: Project Documentation
title Cross The Razor: Project Documentationdescription Border Field State Park Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Terry Allen's project, "Cross the Razor/Cruzar la navaja," was located on both sides of the US-Mexico border fence. Working to establish some sort of platform for communication across the fence, Allen's proposal for a public exchange of words and music evolved from two stationary free-speech areas to two mobile units. Two vans were outfitted with wooden platforms, microphones, amplifiers, and translators, one for each side of the border. For the duration of the project the two vans met at various points along the border fence near Playas de Tijuana and Border Field State Park; and an open invitation was extended to all to climb onto the vans and communicate by any means to listeners on the other side. - inSITE94 This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 255, DVD 94-25) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Allen, Terrysubject Language Border Patrols Allen, Terry (American Conceptual Artist And Musician, Born 1943) Documentaries Public Speaking Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite94 Fences Communication (Function) Installations (Visual Works) Border Art Video Artcontributor Calisphere -
Poison Shelf: Detail Of Text
title Poison Shelf: Detail Of Textdescription Athenaeum Music & Arts Library (La Jolla (San Diego, Calif.)) Occupying a large section of the La Jolla Athenaeum Music & Arts Library, Ming Mur-Ray's installation for inSITE94 was entitled "CYM55296." Arranged on long shelves, the artist neatly installed rows of square wooden tablets displaying an invented language of calligraphy. Another element of the installation was rows of books sealed tight and with the phrase "See No Evil, Hear No Evil, Speak No Evil," on their covers, alluding to Censorship within the arts. Also, part of the work was a bookcase randomly stacked with books fond to be controversial or drawing public complaints. Together these elements created a dialogue around language and how public and private opinion often categorizes based on content. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 242) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Mur-Ray, Mingsubject Language Political Art Prohibited Books Censorship Calligraphy Mexican-American Border Region Insite94 Installations (Visual Works) Writingcontributor Calisphere -
Cross The Razor: Aerial View
title Cross The Razor: Aerial Viewdescription Border Field State Park Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Terry Allen's project, "Cross the Razor/Cruzar la navaja," was located on both sides of the US-Mexico border fence. Working to establish some sort of platform for communication across the fence, Allen's proposal for a public exchange of words and music evolved from two stationary free-speech areas to two mobile units. Two vans were outfitted with wooden platforms, microphones, amplifiers, and translators, one for each side of the border. For the duration of the project the two vans met at various points along the border fence near Playas de Tijuana and Border Field State Park; and an open invitation was extended to all to climb onto the vans and communicate by any means to listeners on the other side. - inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 020) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Language Public Speaking Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite94 Fences Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Cross The Razor
title Cross The Razordescription Border Field State Park Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Terry Allen's project, "Cross the Razor/Cruzar la navaja," was located on both sides of the US-Mexico border fence. Working to establish some sort of platform for communication across the fence, Allen's proposal for a public exchange of words and music evolved from two stationary free-speech areas to two mobile units. Two vans were outfitted with wooden platforms, microphones, amplifiers, and translators, one for each side of the border. For the duration of the project the two vans met at various points along the border fence near Playas de Tijuana and Border Field State Park; and an open invitation was extended to all to climb onto the vans and communicate by any means to listeners on the other side. - inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 021) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Allen, Terrysubject Language Public Speaking Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite94 Fences Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Cross The Razor: Border Fence With Artist'S Vans On Either Side
title Cross The Razor: Border Fence With Artist'S Vans On Either Sidedescription Border Field State Park Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Terry Allen's project, "Cross the Razor/Cruzar la navaja," was located on both sides of the US-Mexico border fence. Working to establish some sort of platform for communication across the fence, Allen's proposal for a public exchange of words and music evolved from two stationary free-speech areas to two mobile units. Two vans were outfitted with wooden platforms, microphones, amplifiers, and translators, one for each side of the border. For the duration of the project the two vans met at various points along the border fence near Playas de Tijuana and Border Field State Park; and an open invitation was extended to all to climb onto the vans and communicate by any means to listeners on the other side. - inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 022) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Language Public Speaking Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite94 Fences Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Esl: Tonguetied
title Esl: Tonguetieddescription Boehm Gallery, Palomar College Drawings and Watercolors Graphic Design and Illustration Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The Border Art Workshop/Taller de Arte Fronterizo's project, "ESL: tonguetied/lenguatrabada," dealt with the subject of cultural identity and the difficulties encountered in learning a language other than one's mother tongue. The project specifically referenced the impact of the recently adapted Proposition 187, a 1994 California ballot initiative designed to limit social services, health care, and public education for undocumented workers. At the same time, the project provided a space for responding to the implications of differentiating between "legal" and "illegal" immigrants. The installation consisted of a mock classroom with written questions on all surfaces and blackboard walls where viewers were invited to express their thoughts on the issues. -- inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 038) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Language Identity (Philosophical Concept) Political Art Education Sculpture (Visual Work) Mexican-American Border Region Classrooms Insite94 Undocumented Immigrants Immigrants Installations (Visual Works) Border Art Prejudicescontributor Calisphere -
Call Waiting: Film Still: Woman In A Bar
title Call Waiting: Film Still: Woman In A Bardescription Film, Audio, Video and Digital Art Lorna Simpson's contribution to inSITE97 was a film entitled "Call Waiting," shown at the Santa Fe Depot in downtown San Diego. The film features two women in conversation over the phone, who are interrupted by other callers speaking in different languages. The result is an indecipherable web of open-ended stories and conversations that are carried out between the various speakers. --inSITE97 Performing Arts (including Performance Art) Santa Fe Depot (San Diego, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 339) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Simpson, Lornasubject Language Mexican-American Border Region Film Stills Insite97 Telephone Bars (Drinking Establishments)contributor Calisphere -
Call Waiting: Film Still
title Call Waiting: Film Stilldescription Film, Audio, Video and Digital Art Lorna Simpson's contribution to inSITE97 was a film entitled "Call Waiting," shown at the Santa Fe Depot in downtown San Diego. The film features two women in conversation over the phone, who are interrupted by other callers speaking in different languages. The result is an indecipherable web of open-ended stories and conversations that are carried out between the various speakers. --inSITE97 Performing Arts (including Performance Art) Santa Fe Depot (San Diego, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 340) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Language Mexican-American Border Region Film Stills Insite97 Telephone Bars (Drinking Establishments)contributor Calisphere