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Labor
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Braceros
title Bracerosdescription Domingo Ulloa, Braceros, 1960, oil on masonite, Smithsonian American Art Museum, Gift of Eugene Iredale and Julia Yoo, 2014.20artist/creator Ulloa. Domingocontributor Smithsonian American Art Museum (SAAM) -
Colegio Cesar Chavez, Mt. Angel, Oregon
title Colegio Cesar Chavez, Mt. Angel, Oregondescription Daniel DeSiga, Colegio Cesar Chavez, Mt. Angel, Oregon, 1975, screenprint on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.17artist/creator DeSiga, Danielcontributor Smithsonian American Art Museum (SAAM) -
Draftees of the World, Unite!
title Draftees of the World, Unite!description Carlos A. Cortéz, Draftees of the World, Unite!, ca. 1965, linocut on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.7, © 2020, Dora Katsikakisartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
Cargador at Rest
title Cargador at Restdescription Jean Charlot, Cargador at Rest, 1933, lithograph, Smithsonian American Art Museum, Gift of Jack Lord, 1971.291.19artist/creator Charlot, Jeancontributor Smithsonian American Art Museum (SAAM) -
Cargador
title Cargadordescription Jean Charlot, Cargador, 1933, color lithograph, Smithsonian American Art Museum, Gift of Jack Lord, 1971.291.4artist/creator Charlot, Jeancontributor Smithsonian American Art Museum (SAAM) -
Man in the Time of Solomon
title Man in the Time of Solomondescription Patrociño Barela, Man in the Time of Solomon, ca. 1935-1943, carved juniper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1985.65.5artist/creator Barela, Patrocinocontributor Smithsonian American Art Museum (SAAM) -
Harlan County U.S.A
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Zapata
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Madria Madria
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National Farmworker Week
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Celebrate International Workers' Day
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Strike
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I'M Prepared To Pay The Price For Civil Disobedience
title I'M Prepared To Pay The Price For Civil Disobediencedescriptionartist/creator Zermeño, Andrewcontributor Calisphere -
Suicide Rates And Unemployment Rate
title Suicide Rates And Unemployment Ratedescriptionartist/creator Cushing, Lincolnsubject Laborcontributor Calisphere -
General Strike
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Justice
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La Tierra Es De Quien La Trabaja
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Viva La Huelga
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Justice For Janitors
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Tierra Indigena
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Soy Trabajador
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Trabajo Y Asi Transformo El Mundo
title Trabajo Y Asi Transformo El Mundodescriptionartist/creator Montoya, Malaquiassubject Laborcontributor Calisphere -
We Don'T Run This Country
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Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 408) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Maleteros: Porters In Front Of Map
title Maleteros: Porters In Front Of Mapdescription Architecture and City Planning Mark Bradford's project involves an intervention into the pre-existing labor dynamic of porters (maleteros) who work along the narrow border strip linking Tijuana and San Diego. "Maleteros" aims to facilitate, and make visible, porter services that for over two decades have been offered informally, or at least without formal recognition, between various access points at the San Ysidro border crossing. San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 182, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Bradford, Marksubject Political Art Collaboration Porters Portraits Workers Public Art Insite_05 Economics Labor Mexican-American Border Region Border Art Information Signscontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 409) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 410) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 411) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 412) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
Maleteros
title Maleterosdescription Architecture and City Planning Mark Bradford's project involves an intervention into the pre-existing labor dynamic of porters (maleteros) who work along the narrow border strip linking Tijuana and San Diego. "Maleteros" aims to facilitate, and make visible, porter services that for over two decades have been offered informally, or at least without formal recognition, between various access points at the San Ysidro border crossing. San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 182, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Bradford, Marksubject Political Art Collaboration Porters Workers Public Art Insite_05 Economics Labor Mexican-American Border Region Border Art Information Signscontributor Calisphere -
Tijuana Projection
title Tijuana Projectiondescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 413) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Offshore Assembly Industry Testimonies Workers Boundaries Violence Face Labor Emotions Border Art Projections (Visual Works) Suffering Collective Biographies Biography Portraits Mexican-American Border Region Poverty Installations (Visual Works) Insite2000 Video Artcontributor Calisphere -
From Cotton To Coal… The Last Train
title From Cotton To Coal… The Last Traindescription Decorative Arts, Utilitarian Objects and Interior Design San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 155) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Howard, Mildredsubject African Americans Political Art San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Installations (Visual Works) Border Art Laborcontributor Calisphere -
From Cotton To Coal… The Last Train
title From Cotton To Coal… The Last Traindescription Decorative Arts, Utilitarian Objects and Interior Design San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 156) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Howard, Mildredsubject African Americans Political Art San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Installations (Visual Works) Border Art Laborcontributor Calisphere -
Maleteros: The Artist With A Porter
title Maleteros: The Artist With A Porterdescription Architecture and City Planning Mark Bradford's project involves an intervention into the pre-existing labor dynamic of porters (maleteros) who work along the narrow border strip linking Tijuana and San Diego. "Maleteros" aims to facilitate, and make visible, porter services that for over two decades have been offered informally, or at least without formal recognition, between various access points at the San Ysidro border crossing. San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 182, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Bradford, Marksubject Political Art Collaboration Porters Portraits Border Art Workers Public Art Insite_05 Economics Labor Mexican-American Border Region Bradford, Mark (American Installation And Conceptual Artist, Contemporary) Information Signscontributor Calisphere -
Maleteros: View Of Shopping Carts In The Workshop
title Maleteros: View Of Shopping Carts In The Workshopdescription Architecture and City Planning Mark Bradford's project involves an intervention into the pre-existing labor dynamic of porters (maleteros) who work along the narrow border strip linking Tijuana and San Diego. "Maleteros" aims to facilitate, and make visible, porter services that for over two decades have been offered informally, or at least without formal recognition, between various access points at the San Ysidro border crossing. San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 182, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Bradford, Marksubject Political Art Collaboration Porters Workers Public Art Insite_05 Economics Labor Mexican-American Border Region Maps Border Art Information Signscontributor Calisphere -
Maleteros: Porters With Shopping Carts In Front Of Taxi Stand And Bus Station
title Maleteros: Porters With Shopping Carts In Front Of Taxi Stand And Bus Stationdescription Architecture and City Planning Mark Bradford's project involves an intervention into the pre-existing labor dynamic of porters (maleteros) who work along the narrow border strip linking Tijuana and San Diego. "Maleteros" aims to facilitate, and make visible, porter services that for over two decades have been offered informally, or at least without formal recognition, between various access points at the San Ysidro border crossing. San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 182, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Bradford, Marksubject Political Art Collaboration Porters Workers Public Art Insite_05 Economics Labor Border Art Information Signscontributor Calisphere -
No Title
title No Titledescription Argentinian-born artist Enrique Jezik's untitled piece for inSITE94 was located at the Santa Fe Depot in Downtown San Diego. Jezik specifically wanted to consider issues he felt the site naturally conjured up and referenced, and that to him seemed two culturally shaping forces - labor and violence. Featuring elements such as railway ties and sledgehammers, the installation evoked strength and struggle through material and physical labor. --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 169) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Workers San Diego (Calif.) Railroads Sculpture (Visual Work) History Mexican-American Border Region Railroad Stations Railroad Tracks Violence Insite94 Installations (Visual Works) Border Art Laborcontributor Calisphere -
Public Projections
title Public Projectionsdescription After a two-year process, Krzysztof Wodiczko's project culminated in two evenings of projections on the 60-foot-diameter façade of the Omnimax Theater at the Centro Cultural Tijuana. Known for his large-scale outdoor projections, with "Tijuana Projection/Proyección en Tijuana" Wodiczko wanted to use progressive technology to give voice and visibility to the women who work in the maquiladora industry in Tijuana. The projections consisted of prerecorded materials interspersed with live feeds from a headset with an integrated camera and microphone designed by the artist and worn by the participating women. This was Wodiczko's first time creating a projection incorporating live segments, adding a certain immediacy and potency to the presentation of these very personal accounts. In preparation for the projection, the artist conducted nearly one year of workshops with eight participating women. His work with these eight women was facilitated through two organizations based in Tijuana, (Factor X and Yeuani), that are dedicated to helping women who face difficulties in the workplace or at home. The pre-recorded and live personal testimonies given by the eight women focused on work-related and sexual abuse, family disintegration, alcoholism, and domestic violence. The scale at which these stories were heard and witnessed in the open space of the city and by an audience of more than 1,500 on the Centro plaza over the two nights created a powerful impact and literally magnified what so often never gets spoken about. The projections took place February 23 and 24, 2001. -- inSITE2000 Centro Cultural Tijuana Film, Audio, Video and Digital Art Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 256, DVD 00-16) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Wodiczko, Krzysztofsubject Biography Emotions Offshore Assembly Industry Portraits Workers Mexican-American Border Region Poverty Violence Projections (Visual Works) Suffering Insite2000 Collective Biographies Installations (Visual Works) Border Art Labor Facecontributor Calisphere -
Horizons Wants You
title Horizons Wants Youdescription Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained Linda Lucero c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu On the top of the poster is the title which is done in white with blue background. Three people frame the center of the poster. Bottom is an orange square of information of who qualifies for this program. Horizons unlimited. not signed.artist/creator Artist Unknownsubject Mexican American Art Education Labor Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Centro Social Inc. We Demand Jobs For Construction Workers
title Centro Social Inc. We Demand Jobs For Construction Workersdescription Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained Linda Lucero c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Text in white with black background and red stripe in the center of the poster. Hands holding up hammers in protest which borders this poster. not signedartist/creator Artist Unknownsubject Mexican American Art Labor Chicano Art Prints Mexican Americans Posters Community Centers Chicanoscontributor Calisphere -
Labor In San Diego (Detail)
title Labor In San Diego (Detail)description Acrylic mural on an exterior wall of an unknown building depicts a man whose sunglasses reflect agricultural laborers in the fields. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Ochoa, Victorsubject Farm Workers Mexican American Art Agricultural Laborers Work Mural Art Labor Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Labor In San Diego (Detail)
title Labor In San Diego (Detail)description Cat.8 076(12) Nova acrylic colors on concrete wall located at 25th Street and Imperial Avenue, San Diego. Mural depicts laborers in their assorted milieus. Detail is of a fisherman's face. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Mexican American Art Labor Unions Work Mural Art Labor Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Worker'S Self-Management In Spain/Autogestión En España, Announcement Poster For
title Worker'S Self-Management In Spain/Autogestión En España, Announcement Poster Fordescription Silkscreened image of a group of men in front of a tour bus with a sign reading "CNT". Text reads, "Worker's Self-Management in Spain/ Autogestión en España/ Miguel Mesa speaks on the CNT (Spanish National Confederation of Labor)/ April 3 7:30 P.M. H.L. Auditorium U.C.S.D./ Free!/ CNT Support Committee/ Child Care/ Info 452-4242". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Cushing, Lincolnsubject Labor Unions Mexican American Art Labor Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Poster For Farmworkers
title Poster For Farmworkersdescription Cat.5 069 From the Victor Ochoa--Easel Painting and Graphics Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA. Poster for the United Farm Workers Union features a farmworker holding a hoe in a central circle. Text surrounding the circle reads, "Interested in hard work but not a fat paycheck--join the Safeway Boycott." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Labor Unions Mexican American Art Boycotts Work Eagles Chicano Art Labor Prints Chicano Movement Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Labor In San Diego (Detail)
title Labor In San Diego (Detail)description Cat.8 076(10) Nova acrylic colors on concrete wall located at 25th Street and Imperial Avenue, San Diego. Mural depicts laborers in their assorted milieus. Detail is of a large group of industrial or dock workers. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Mexican American Art Labor Unions Work Mural Art Labor Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Ramp 1A (Detail)
title Ramp 1A (Detail)description Cat.8 011(15) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Vinyl paint on concrete wall of south Chicano Park ramp. Detail shows Cesar Chávez speaking into a microphone.artist/creator Aranda, Guillermosubject Farm Workers Labor Unions Mexican American Art Agricultural Laborers Mural Art Labor Chicano Art United Farm Workers Chávez, Cesar, 1927-1993 Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.11 023(8) Photographs taken in preparation for the "Development of Labor in San Diego" mural. This photo is of a rail worker. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Oriole, Eribertocontributor Calisphere -
Que Victoria?
title Que Victoria?description Cat.9 070 From the Victor Ochoa--Easel Painting and Graphics Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA. According to the artist, this painting is about Mexican labor. A man hangs from chains in front of the red and white stripes of a flag. He is wearing the uniform of the peasant: a white shirt and pants, sombrero, and huaraches, and he has a machete tucked in his waistband. The Virgen de Guadalupe is emblazoned on his chest. In one hand is the Mexican flag; in the other a pig. Below the shackled man, at the bottom of the painting, is a group of faces with their mouths taped shut. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Farm Workers Mexican American Art Agricultural Laborers Work Labor Chicano Art Guadalupe, Our Lady Of Flags In Art Mestizaje Chains Mexican Americans Chicanos Machetescontributor Calisphere -
Labor In San Diego (Detail)
title Labor In San Diego (Detail)description Cat.8 076(15) Nova acrylic colors on concrete wall located at 25th Street and Imperial Avenue, San Diego. Mural depicts laborers in their assorted milieus. Detail is of a woman and a child at a bank or a bureaucracy. This portion is painted into an indented doorway The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Children In Art Labor Unions Mexican American Art Work Mural Art Labor Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Labor In San Diego (Detail)
title Labor In San Diego (Detail)description Cat.8 076(13) Nova acrylic colors on concrete wall located at 25th Street and Imperial Avenue, San Diego. Mural depicts laborers in their assorted milieus. Detail is of several species of fish. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Labor Unions Mexican American Art Work Fishes In Art Labor Chicano Art Mural Art Mexican Americans Chicanoscontributor Calisphere -
Labor In San Diego (Detail)
title Labor In San Diego (Detail)description Cat.8 076(11) Nova acrylic colors on concrete wall located at 25th Street and Imperial Avenue, San Diego. Mural depicts laborers in their assorted milieus. Detail is of a fisherman and fish. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Mexican American Art Labor Unions Work Mural Art Labor Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Primero De Mayo, Announcement Poster For
title Primero De Mayo, Announcement Poster Fordescription Announcement Poster for "Primero de Mayo." Image of two gears in black and white (from paper). Text in red, yellow, and white. Yellow and red text above the image reads, "Congreso Obrero de la CTC! ¡Viva El XIII Congreso Obrero de la CTC! ¡Viva El XII [/] Primero de Mayo." This print is from the Galería de la Raza collection of Cuban posters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Mesa, Julio Eloycontributor Calisphere -
Cannery Worker
title Cannery Workerdescription June calendar from La Historia de California Calendar. Stylized cannery worker portrayed in light and dark orange, lime green and white. Black dot matrix type on an orange background. On the right hand side of the print, it reads: "Cannery Workers / Committee / Equal opportunity, / Safe working con- / ditions for all / workers c/s". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Villa, Estebansubject Labor Unions Mexican American Art Work Eagles California - History Calendar Art Chicano Art Labor Mexican Americans Prints Women In Art Posters Chicanas Graphic Arts Chicanoscontributor Calisphere