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Dirty Water Initiative: Solar Collectors And Water Bottles
title Dirty Water Initiative: Solar Collectors And Water Bottlesdescription Architecture and City Planning San Ysidro (San Diego, Calif.) Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Apparitions: Detail Of Audience Member
title Apparitions: Detail Of Audience Memberdescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 395) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
Project Documentation: Carpark
title Project Documentation: Carparkdescription Architecture and City Planning Decorative Arts, Utilitarian Objects and Interior Design Documents the installation of "Car Park"/"Estacionamiento" by Nina Katchadourian, Steve Matheson and Mark Tribe. Garden and Landscape Paintings Performing Arts (including Performance Art) Sculpture and Installations Southwestern College (Chula Vista, Calif.) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 255, DVD 94-19) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Conceptual Parking Lots Automobiles Documentaries Color Artists Mexican-American Border Region Performance Art Insite94 Videorecording Installations (Visual Works)contributor Calisphere -
Los Vendedores De Tijuana
title Los Vendedores De Tijuanadescription Drawings and Watercolors Kruglak Gallery, MiraCosta College Paintings San Diego-based artist Roberto Salas created an installation titled "Los vendedores de Tijuana" for inSITE94. Drawing from his own experience of selling a variety of things as a child, Salas made a selection of the traditional items one would find being offered while waiting to cross the border from Mexico to the United states. Anyone having been through that experience will know that vendors roam the rows of cars with all their wares draped across their bodies, stacked on their heads, or filling their arms. Salas chose to use the seemingly endless plaster cast figures made to appeal to American tourists, such as Mickey Mouse, skulls, hamburgers, Madonnas, Ninja Turtles, and so on, to create what he referred to as "monumental shamans of kitsch." --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 327) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Salas, Robertosubject Paintings (Visual Works) Portraits Sculpture (Visual Work) Mexican-American Border Region Totem Poles Kitsch Insite94 Street Vendors Drawings (Visual Works) Tijuana (Baja California, Mexico) Installations (Visual Works) Border Artcontributor Calisphere -
Death Perra: Television Monitor Showing The Film At The Casa De La Cultura, Tijuana
title Death Perra: Television Monitor Showing The Film At The Casa De La Cultura, Tijuanadescription Casa de la Cultura de Tijuana Film, Audio, Video and Digital Art For inSITE97, Miguel Calderon created a short film spoofing satanic practices near the San Diego-Tijuana border, incorporating stereotypical UFO paraphernalia and imagery to emphasize the "cheesy" nature of both subjects. The film, "Death Perra," was shown on a small television at the Casa de la Cultural de Tijuana. Produced in the style of a music video, Calderon used satanic UFO records as the sound track, mixing scenes of his friends playing records on turntables with scenes of artificial UFOs in different locations. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 057) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Satanism Motion Pictures Unidentified Flying Objects Music Videos Mexican-American Border Region Insite97 Parody Installations (Visual Works) Border Art Furniturecontributor Calisphere -
Mama: Film Still With Border Patrol Dog
title Mama: Film Still With Border Patrol Dogdescription Brazilian and Swiss artist team Mauricio Dias and Walter Riedweg's inSITE2000 project, "MAMA," was based on work the artists undertook during several extended residencies in the region. Interested in investigating the issues of border security and immigration, the artists met with numerous groups, organizations, and individuals on either side of the border to collect materials. Through this process the artists narrowed their work to deal specifically with K-9 US customs officers on the one hand, and on the other, Mexican citizens trying to cross the border illegally. What interested Dias and Riedweg were the maternal relationships of the K-9 officers and how that informed the relationships they developed with their dogs and in turn the work they were performing daily. The work became an investigation of the border between private and public selves, and of the transgression and transference of private psychology on public situations. The project was shown as a video installation housed in two separate structures located in the San Ysidro pedestrian passage, Pasillo Turistico. Built to simulate the shape and size of ordinary cargo containers, one structure contained video of interviews with the customs officers and showed them interacting with their dogs. Each officer was asked to give his definition of "territory" and "authority." The other structure showed a looped video clip of illegal immigrants meeting up at night around a fire waiting for the "right" moment to jump the fence. --inSITE2000 Film, Audio, Video and Digital Art Performing Arts (including Performance Art) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 093) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Dogs Boundaries Border Art Mothers Sons Mexican-American Border Region Insite2000 Installations (Visual Works) Graphic Arts Border Patrol Agents Video Artcontributor Calisphere -
Boletín De Prensa: Conferencia Magistral De Carlos Fuentes: "Rio Grande, Rio Bravo: La Frontera Inquieta"
title Boletín De Prensa: Conferencia Magistral De Carlos Fuentes: "Rio Grande, Rio Bravo: La Frontera Inquieta"description Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a surrogate of a document from the InSite Archive (MSS 707, Box 82, folder 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Insite97subject Tijuana (Baja California, Mexico) Fuentes, Carlos, 1928-2012 Documents Boundaries Press Releases Public Art San Diego (Calif.) Mexican-American Border Region Press Kits Meetings Performance Art Insite97 Public Spaces Exhibitions (Events) Installations (Visual Works) Border Artcontributor Calisphere -
Abode: Sanctuary For The Familia(R)
title Abode: Sanctuary For The Familia(R)description San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 154) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject African Americans Houses Political Art Color San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Blue (Color) Installations (Visual Works) Border Artcontributor Calisphere -
One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Ascends From Cannon And Across Border Fence
title One Flew Over The Void (Bala Perdida): Human Cannonball David Smith Ascends From Cannon And Across Border Fencedescription Building on a collaborative process that is evident throughout his artistic practice, Javier Téllez's project "One Flew Over the Void (Bala perdida)" involved a sustained engagement with psychiatric patients from the Baja California Mental Health Center in Mexicali to co-create a public event and to document its evolution and final performance. Inspired by the traditional "human cannonball" circus performer, Téllez explored the notion of spatial and mental borders in the context of Tijuana and San Diego, and developed an event that involves sending a "human cannonball" across the border between Mexico and the United States. Through successive creative workshops and exchanges the world's most famous human cannonball, Dave Smith, the psychiatric patients and Téllez collectively devised the backdrop, music, costumes, and radio and television announcements for the event. The performance occurred on August 27 at the site where the Mexico/US border fence disappears into the sea between Playas de Tijuana and Border Field State Park. Finally, Téllez created a video documenting the process and the event. --inSite_05 Imperial Beach, San Diego, California, United States Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 198, DVD 01) Tijuana (Baja California, Mexico) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Téllez, Javiersubject Political Art Spectacular, The Flight Humor Boundaries Sculpture (Visual Work) Public Art Cannons (Artillery) Insite_05 Audiences Mexican-American Border Region Performance Art Fences Daredevils Adventure And Adventurers Caricatures Installations (Visual Works) Border Artcontributor Calisphere -
Appliances
title Appliancesdescription Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The room is filled with contraptions made from wires, parachutes and other found objects. In her videos the artist animates these objects and shows her concern with "devices we employ to gain control over nature." This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 356) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Smedley, Melissasubject Parachutes Sculpture (Visual Work) Machinery Mexican-American Border Region Insite92 Nature Installations (Visual Works)contributor Calisphere -
Public Hearing
title Public Hearingdescription Centro Cultural de la Raza (San Diego, Calif.) Puerto Rican artist Pepón Osorio's project for inSITE94 was a continuation of his exploration of the issues particular to the experience Latin immigrants have as they settle and integrate into the culture of the United States. Entitled "Vista pública/Public Hearing," the installation dealt specifically with the frustrations and misunderstandings arising from interactions with government agencies. According to the artist the piece evolves each time it is presented at a new site within a new community facing issues that describe the immigrant experience. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 262) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Osorio, Pepónsubject Hearings Place Settings Race Discrimination Sculpture (Visual Work) Clothing Insite94 Puerto Rico Immigrants Installations (Visual Works) Bronx (New York, N.Y.)contributor Calisphere -
Under The Table
title Under The Tabledescription Los Angeles-based artist Robert Therrien's work for inSITE94 was titled "Under the Table/Debajo de la mesa." Sited at the Santa Fe Depot, the work consisted of an oversized dining table and four chairs. Playing with the scale of everyday objects, the work dwarfed the viewer and proposed a reconsideration of the conventional relationship between the participants and their environment. --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 381) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Therrien, Robertsubject Scale (Relative Size) Humor Sculpture (Visual Work) Colossi Insite94 Installations (Visual Works) Furniturecontributor Calisphere -
International Waters: Pipe From Mexican Side Of The Border Fence
title International Waters: Pipe From Mexican Side Of The Border Fencedescription Architecture and City Planning Border Field State Park, San Diego, California, United States For inSITE97 San Diego artist Louis Hock constructed "International Waters/Aguas internacionales" at the Border Field State Park/Playas de Tijuana section of the border fence. Using water pumped from a well several miles northeast of the site, Hock built a double-sided drinking fountain with one head on each side of the border. People bending to drink from the heads could see each other through a hole cut in the metal fence. During the exhibition, US government authorities suddenly decided to replace the opaque metal fence with a chain link fence. "International Waters/Aguas internacionales" used the valuable resource, potable water, as an example of the flow and exchange that occurs along the border, despite the barriers and questions of ownership that try to hinder it. --inSITE97 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 147) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Hock, Louissubject Drinking Water Political Art Boundaries Sculpture (Visual Work) Public Art Mexican-American Border Region Insite97 Natural Resources Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Rowing In Eden
title Rowing In Edendescription Film, Audio, Video and Digital Art For inSITE97, Deborah Small created an installation and digital presentation at the Santa Fe Depot in downtown San Diego, entitled "Rowing in Eden/Remando en el Eden/Pelando en el Eden/Formando Hileras." A collaboration with three other artists, the installation explored the historical relationship between women and plants, focusing on the women who became labeled as witches for their unique knowledge as herbalists or healers. The installation included dried and live plants, a digital projection with images, text and voice, and an audio installation with voice and music. It emphasized not only the women's persecution but also celebrated their extraordinary powers and insight into consciousness and divinity. --inSITE97 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 349) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Computer-Generated Women Collaboration Installations (Visual Works) Mexican-American Border Region Shamans Insite97 Herbalists Traditional Medicine Healers Video Art Curanderismocontributor Calisphere -
News Release: The Binational Art Exhibition And Festival Insite2000 Set For Fall 2000 In San Diego And Tijuana
title News Release: The Binational Art Exhibition And Festival Insite2000 Set For Fall 2000 In San Diego And Tijuanadescription Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a surrogate of a document from the InSite Archive (MSS 707, Box 143, folder 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Insite2000subject Tijuana (Baja California, Mexico) Installation Gallery Documents Boundaries Border Art Press Releases Public Art San Diego (Calif.) Mexican-American Border Region Press Kits Performance Art Instituto Nacional De Bellas Artes (Mexico) Public Spaces Exhibitions (Events) Installations (Visual Works) Insite2000contributor Calisphere -
Green Card
title Green Carddescription Architecture and City Planning Community Engagement Program, Tijuana. Garden and Landscape Mexican-American Border Region Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 432) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Emigration And Immigration Walls Humor Boundaries Materials--Deterioration Sculpture (Visual Work) Mexican-American Border Region Conversation Fences Insite97 Gesture Installations (Visual Works) Border Artcontributor Calisphere -
A Corner Of The World… Land
title A Corner Of The World… Landdescription Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 255) Tijuana artist Oscar Ortega's project for inSITE94, "A Corner of a World ... Land/Una esquina de un mundo ... tierra" was a mural sited on an abandoned and collapsing building located just yards from the Pacific Ocean and the border fence at Playas de Tijuana. In 1994 the artist restored the mural, originally created in 1992, to reinvigorate its points of reference. According to Ortega, the mural illustrated a ship whose crew is facing the choice of either heading south or north all while having to repair and maintain the vessel for the voyage that ultimately lies ahead. --inSITE94 Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ortega, Oscarsubject Restoration Boundaries Mexican-American Border Region Vessels Beaches Insite94 Murals (Any Medium) Painting (Image-Making) Voyages And Travels Installations (Visual Works) Border Art Ruinscontributor Calisphere -
You Are Aquí: Light Box Installed On The Puente Mexico
title You Are Aquí: Light Box Installed On The Puente Mexicodescription Cuban-born artist Arturo Cuenca was drawn to work with the visual language of billboards that crowd the US-Mexican border crossing at San Ysidro. With "You Are Aquí" Cuenca pointed to the obvious - locating border crossers exactly at the point of transition between the two countries. Borrowing from the visual language of the surrounding billboards. Cuenca constructed a new billboard with a manipulated satellite image of the border and had it installed on the Puente Mexico, the pedestrian bridge that crosses the lines of vehicular border traffic. Acting as a location marker, the work was seen by more than 45,000 commuters daily. --inSITE2000 Photographs Puente Mexico, San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 079) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Satellite Imagery Boundaries Sculpture (Visual Work) Public Art Site-Specific Works Mexican-American Border Region Billboards (Site Elements) Commuting City Planning Express Highways Insite2000 Bridges (Built Works) Installations (Visual Works) Border Artcontributor Calisphere -
Cross The Razor: Border Fence With Artist'S Vans On Either Side
title Cross The Razor: Border Fence With Artist'S Vans On Either Sidedescription Border Field State Park Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Terry Allen's project, "Cross the Razor/Cruzar la navaja," was located on both sides of the US-Mexico border fence. Working to establish some sort of platform for communication across the fence, Allen's proposal for a public exchange of words and music evolved from two stationary free-speech areas to two mobile units. Two vans were outfitted with wooden platforms, microphones, amplifiers, and translators, one for each side of the border. For the duration of the project the two vans met at various points along the border fence near Playas de Tijuana and Border Field State Park; and an open invitation was extended to all to climb onto the vans and communicate by any means to listeners on the other side. - inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 022) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Language Public Speaking Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite94 Fences Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View From Street
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View From Streetdescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 269) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Chávez, Patriciosubject Landscape Architecture Painting (Coating) Houses Color Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Insite97 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
Podría Haber Muchos Más Que Éstos: Detail Of Pile Of Clay Rings
title Podría Haber Muchos Más Que Éstos: Detail Of Pile Of Clay Ringsdescription Installed in the Children's Museum in downtown San Diego, Anna Maria Maiolino's work was a mass collection of clay coils placed in random piles around the room. Using similar forms and processes from her previous work, "There Could Be Many More Than These/Podria haber muchos mas que estos" focused on the gesture and repetition used to create the clay coils. Molded over the course of several weeks, the number of coils was finite, but the infinite nature of the gesture creating them made the installation an act of chance. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 223) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Repetition (Aesthetics) Sculpture (Visual Work) Mexican-American Border Region Rings Insite97 Gesture Installations (Visual Works)contributor Calisphere -
Crossroads/Baggage Building: Telephone Handset
title Crossroads/Baggage Building: Telephone Handsetdescription Artist Johnny Coleman described his installation "Crossroads/BAGGAGE BUILDING/Encrucijadas/BODEGA DE EQUIPAJE," located in the baggage building in the Santa Fe Depot, as a "found poem consisting of stories collected by following the tracks." The artist spent months traveling the California railroad to collect stories of migration and personal accounts of working on the railroad. These traces provided the material for the various elements in the installation, including audio narratives, music, various props, and construction elements. --inSITE94 Decorative Arts, Utilitarian Objects and Interior Design Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 072) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Memory Sculpture (Visual Work) Travel Mexican-American Border Region Travelers Poetry Insite94 Luggage Telephone Installations (Visual Works)contributor Calisphere -
Untitled Depot: Visitors Inside And Outside Bed Spring "Ring"
title Untitled Depot: Visitors Inside And Outside Bed Spring "Ring"description Garden and Landscape Nari Ward's "Untitled Depot/Estacion sin titulo," installed at Playas de Tijuana, was an interactive piece that brought people together. Dedicated to the healer and child in everyone, the installation was constructed from doors, bed springs, and other found materials that visitors could walk through and experiment with. Ward felt that the physical interaction that brought visitors together inside the installation was vital for the totality of the piece. The bed springs that encouraged visitors to jump up and down were based on Ward's interest in suspension, and the balance it implies between rest and motion -- inSITE97 Plaza de Toros Monumental de Aguascalientes (Aguascalientes, Mexico) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 403) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ward, Narisubject Walls Play Boundaries Sculpture (Visual Work) Public Art Mexican-American Border Region Insite97 Installations (Visual Works) Border Artcontributor Calisphere -
The Tower
title The Towerdescription Drawing on the tradition of the California Light and Space movement, San Diego-based artist Jim Skalman created an installation titled "The Tower/La Torre" for inSITE94 that joined these sensibilities in a minimal expression of calculated form, space, and light. Skalman chose to work at La Torre in Tijuana because of its architectural space, history, and the possibilities it offered. The artist created a sparse installation housing few constructed forms and lit the interior rooms with diffused lighting to further transform them into spaces of contemplation. -- inSITE94 La Torre de Tijuana, Tijuana, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 346) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Space (Composition Concept) Contemplation Light And Space Sculpture (Visual Work) Mexican-American Border Region Light (Energy) Insite94 Installations (Visual Works)contributor Calisphere -
Stairway Of The Ancients: Mid-Landing Right Stair With Earth Goddess, Mayan Dog, Monkey, Conch Shell
title Stairway Of The Ancients: Mid-Landing Right Stair With Earth Goddess, Mayan Dog, Monkey, Conch Shelldescription "Stairway of the Ancients" is a complex stairway, probably built in the 1920s, leading up to the Casa de la Cultura. It is in disrepair with parts that are eroded or broken. To try to keep within this context, the figurines that MacConnel has cast, purchased from street vendors, are irregular, broken and "antiqued." The "Ancients" are funny, sad, prideful, odd remnants of tourist art. La Escalinata, Tijuana (Baja California, Mexico) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 216) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Macconnel, Kimsubject Popular Culture Stairs Aesthetics Graffiti Statues Humor Sculpture (Visual Work) Mexican-American Border Region Architecture (Object Genre) Decoration And Ornament Insite94 Kitsch Toys (Recreational Artifacts) Installations (Visual Works)contributor Calisphere -
Saline: Geveral View Toward Ocean
title Saline: Geveral View Toward Oceandescription For inSITE94, artist Nina Karavasiles created "Saline/La salina" at the Stephen Birch Aquarium-Museum, part of Scripps Institution of Oceanography at the University of California, San Diego. The artist built a salt-filled trough that extended from the aquarium-museum courtyard down the hillside towards the water, creating a visual connection to the seaside, the Scripps Pier, and the ocean beyond. Alongside the trough were Plexiglas enclosures containing salt water. Over the course of the exhibition the water evaporated leaving behind salt crystals. --inSITE94 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Stephen Birch Aquarium-Museum This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 180) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Karavasiles, Ninasubject Pacific Ocean Sculpture (Visual Work) Public Art Views Mexican-American Border Region Piers (Marine Landings) Landscapes (Environments) Insite94 Oceans Process Art Installations (Visual Works) Border Art Perspectivecontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Nightdescription Haudenschild Garage, La Jolla, San Diego (Calif.) João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Junkyards Auctions Junk Sculpture Recycling Automobiles Insite_05 Wealth Performance Art Humor Mexican-American Border Region Poverty Receptions Parody Sculpture (Visual Work) Consumers Garages Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Family Trees: Painting Depicting Cross Border Relationship Between Installations
title Family Trees: Painting Depicting Cross Border Relationship Between Installationsdescription Centro Cultural Tijuana Drawings and Watercolors Ernest Silva's inSITE97 Community Engagement project, "Family Trees/Arboles de familias," was a collaboration with artist Alberto Caro-Limón that linked the Children's Museum in San Diego to the Centro Cultural in Tijuana. Each site allowed children to write their own family stories and draw family portraits. Both installations were brightly colored and filled with images of houses, trees, birds, and birdhouses to symbolize the exchange of memories and stories from one museum to the other. The space at the Children's Museum was a Rain House that functioned as a studio, reading room, and exhibition space for the children's family projects. At the Centro, the space contained children-sized houses, benches and work spaces, and painted wood-picket fences and trees. The projects created at each installation then traveled to the other to be exhibited to complete the exchange of stories and perspectives. --inSITE97 Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 335) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Silva, Ernestsubject Collaboration Color Boundaries Sculpture (Visual Work) Trees Children (People By Age Group) Mexican-American Border Region Families Rain Fences Insite97 Drawings (Visual Works) Multimedia Works Installations (Visual Works) Border Art Crafts (Art Genres)contributor Calisphere -
A Lesson In Civics: Detail Of Stack Of "Books"
title A Lesson In Civics: Detail Of Stack Of "Books"description Casa de la Cultura de Tijuana Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 205) With her project for inSITE94, San Diego artist Jean Lowe created an installation that mirrored much of her previous work as a cunning commentary on an issue relevant to the current times. At the Casa de la Cultura Municipal in Tijuana, Lowe chose to rework the interior of one classroom. Entitled "A Lesson in Civics/Una lección de civismo," the classroom was richly outfitted with elements such as school desks, books, educational charts, and posters created by the artist in painted papier-mâché that distinctly referenced the topic of civics and how we learn to relate to other species. As the artist herself said about the work, she wanted to create an environment that encouraged a rethinking of the already known. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Lowe, Jeansubject Libraries Political Art Humor Books Education Sculpture (Visual Work) Mexican-American Border Region Kitsch Insite94 Parody Installations (Visual Works)contributor Calisphere -
Ruminations: Handwritten Text On Wall
title Ruminations: Handwritten Text On Walldescription "This installation, 'Ruminations,' is a dreamscape: an exploration of shifting narratives at the crossroads. In the wake of a painful and humiliating verdict in Simi Valley, and the searing image of L.A. in flames, I find myself focusing upon thresholds: a state of being on the line. The fire ain't out." -- Johnny Coleman, August, 1992 David Zapf Gallery, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 065) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Rodney King Riots (Los Angeles, California : 1992) Texts (Document Genres) Sculpture (Visual Work) History Mexican-American Border Region Insite92 Race Relations Installations (Visual Works)contributor Calisphere -
Hospitality: General View Of Work In Progress
title Hospitality: General View Of Work In Progressdescription Barbosa and Ricalde proposed covering the Puente Mexico (the pedestrian bridge that crosses the Tijuana River and leads from Avenida Revolucion toward the international border crossing at San Ysidro) with a carpet of painted names: a "welcome mat." The project, entitled "Hospitality," was inspired by the way in which color, typography, and first names are employed as marks of identity, much like the woven bracelets sold in handcraft market stalls along the border. Performing Arts (including Performance Art) Puente Mexico, Tijuana (Baja California, Mexico) San Ysidro, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 181, DVD 01) Tijuana, Río, México, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Border Crossing Name Tags Political Art Carpets Collaboration Color Boundaries Names Paintings (Visual Works) Public Art Insite_05 Mexican-American Border Region Paths Information Signs Bridges (Built Works) Installations (Visual Works) Border Art Grids (Layout Features)contributor Calisphere -
Apparitions: Viewers
title Apparitions: Viewersdescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 396) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
Drill
title Drilldescription Dolores Magdalena Memorial Recreation Center, Logan Heights, San Diego, California, United States Doug Ischar's inSITE97 project, "Drill/Taladro/Adiestramiento," was a series of video and audio installations that meandered through the gymnasium of the Dolores Magdelena Memorial Recreation Center in Logan Heights. Running for several hours on two weekends, the installations, named individually "Vent," "Seam," and "Patient," were connected by orange electrical cable, providing the viewer with a path to follow. Ischar pieced together the imagery and music that played while participants navigated the installation. --inSITE97 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 162) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Sound Art Video Art Mexican-American Border Region Insite97 Installations (Visual Works) Gymnasiumscontributor Calisphere -
A Tourist'S Guide To San Diego And Tijuana: View Of Facade Of "Tourist Office"
title A Tourist'S Guide To San Diego And Tijuana: View Of Facade Of "Tourist Office"description For her inSITE97 project, Melanie Smith created "The Tourists' Guide to San Diego and Tijuana/La Guia turistica de San Diego y Tijuana," an installation at 958 Fifth Avenue in downtown San Diego. A spoof on a tourist information agency, the installation included, among other elements, large photographs of the region, postcards with commonly found imagery from the local landscape and city, and a tourist guidebook listing on the back the various hot spots in the city. The installation was a commentary on the massive tourism industry in San Diego and Tijuana and the loss of borders when dealing with consumers and their material desires. --inSITE97 San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 364) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Tourist Information Centers Humor Tourism Public Art Information Centers (Facilities) Mexican-American Border Region Satire (Artistic Device) Photography Insite97 Postcards Travel Guidebooks Parody Installations (Visual Works) Border Artcontributor Calisphere -
Los Vendedores De Tijuana
title Los Vendedores De Tijuanadescription Drawings and Watercolors Kruglak Gallery, MiraCosta College Paintings San Diego-based artist Roberto Salas created an installation titled "Los vendedores de Tijuana" for inSITE94. Drawing from his own experience of selling a variety of things as a child, Salas made a selection of the traditional items one would find being offered while waiting to cross the border from Mexico to the United states. Anyone having been through that experience will know that vendors roam the rows of cars with all their wares draped across their bodies, stacked on their heads, or filling their arms. Salas chose to use the seemingly endless plaster cast figures made to appeal to American tourists, such as Mickey Mouse, skulls, hamburgers, Madonnas, Ninja Turtles, and so on, to create what he referred to as "monumental shamans of kitsch." --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 328) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Salas, Robertosubject Paintings (Visual Works) Portraits Sculpture (Visual Work) Mexican-American Border Region Totem Poles Kitsch Insite94 Street Vendors Drawings (Visual Works) Tijuana (Baja California, Mexico) Installations (Visual Works) Border Artcontributor Calisphere -
Death Perra
title Death Perradescription Casa de la Cultura de Tijuana Film, Audio, Video and Digital Art For inSITE97, Miguel Calderon created a short film spoofing satanic practices near the San Diego-Tijuana border, incorporating stereotypical UFO paraphernalia and imagery to emphasize the "cheesy" nature of both subjects. The film, "Death Perra," was shown on a small television at the Casa de la Cultural de Tijuana. Produced in the style of a music video, Calderon used satanic UFO records as the sound track, mixing scenes of his friends playing records on turntables with scenes of artificial UFOs in different locations. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 058) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Calderón, Miguelsubject Satanism Motion Pictures Unidentified Flying Objects Music Videos Mexican-American Border Region Insite97 Parody Installations (Visual Works) Border Artcontributor Calisphere -
Bird'S Eye View: View Of Installation From Across Railroad Tracks
title Bird'S Eye View: View Of Installation From Across Railroad Tracksdescription Eugenia Vargas, born in Chile and currently residing in Mexico City, works in the areas of Photography, performance and installation art. Her work deals with the politically charged issues of the border and the effects of pollution on the environment. In her installations, Vargas physically engages the earth and its elements in ritualistic ways - for example, by covering herself or a space with mud, straw, palm fronds or water. Vargas' project for inSITE94 will read as a large filter extending down from the ceiling of the Depot's concourse, using materials derived from the site. - inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 389) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Vargas, Eugeniasubject Political Art Sculpture (Visual Work) Railroad Stations Insite94 Filters And Filtration Installations (Visual Works) Border Artcontributor Calisphere -
Boletín De Prensa: Simposium Del 20 Al 22 De Noviembre: "Arte En Contexto" Tiempo Privado En Espacio Publico - Romance Y Violencia En La Ciudad
title Boletín De Prensa: Simposium Del 20 Al 22 De Noviembre: "Arte En Contexto" Tiempo Privado En Espacio Publico - Romance Y Violencia En La Ciudaddescription Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a surrogate of a document from the InSite Archive (MSS 707, Box 82, folder 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Insite97subject Symposia Tijuana (Baja California, Mexico) Documents Boundaries Press Releases Public Art San Diego (Calif.) Mexican-American Border Region Press Kits Performance Art Insite97 Public Spaces Exhibitions (Events) Installations (Visual Works) Border Artcontributor Calisphere -
From Cotton To Coal… The Last Train
title From Cotton To Coal… The Last Traindescription Decorative Arts, Utilitarian Objects and Interior Design San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 155) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Howard, Mildredsubject African Americans Political Art San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Installations (Visual Works) Border Art Laborcontributor Calisphere -
Arrivals And Departures: Telescope With Children
title Arrivals And Departures: Telescope With Childrendescription Christina Fernandez's inSITE97 project, "Arrivals and Departres/Llegadas y salidas," consisted of two installations, one on each side of the border. Installed at the San Ysidro Bus Station in San Diego and Colonia Libertad, Tijuana, the works functioned as information and visitor centers for people passing through the space. Displaying information on historical migration patterns that have taken place over the border, the installation challenged the notion of legality as applied to immigration. --inSITE97 Colonia Libertad, Baja California Norte, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 119) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Fernandez, Christinasubject Boundaries Sculpture (Visual Work) Public Art Views Children (People By Age Group) Mexican-American Border Region Landscapes (Environments) Insite97 Optical Instruments Installations (Visual Works) Border Artcontributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 357) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Machinery Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Installation: Model Wearing The Artist'S Clothes
title Installation: Model Wearing The Artist'S Clothesdescription A spoof of the fashion industry, the artist created a "design studio" with finished and unfinished garments on hangars and strewn across the floor of the exhibition space. Unconventional and even dangerous materials were used (bubble wrap, rusty nails, staples, rubber etc.) to construct the clothes and other artists modeled them for a series of photographs. Fashion, Costume and Jewelry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 321) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ruff, Daphnesubject Humor Sculpture (Visual Work) Irony Mexican-American Border Region Models (Persons) Performance Art Clothing Insite92 Fashion Parody Installations (Visual Works)contributor Calisphere -
Apacheta
title Apachetadescription Centro Cultural de la Raza (San Diego, Calif.) Film, Audio, Video and Digital Art San Diego-based Argentinian artist Graciela Ovejero created an installation for inSITE94 at the Centro Cultural de la Raza entitled "Apacheta." Drawing on Ovejero's personal heritage, the installation focused on the myth of Pachamama, or Mother Earth as it still exists in the belief of natives from the northern part of Argentina. One way that Pachamama is honored is by the construction of stone mounds called apachetas. For her installation the artist built a technological apacheta out of TV monitors, situated on a floor of soil and showing a video diptych, each video respectively titled "The Journey" and "Aspects and Manifestations." The videos were in response to the artist's relationship to the earth and how her cultural background has informed that relationship. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 263) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Diptychs Mythology Sculpture (Visual Work) Installations (Visual Works) Mexican-American Border Region Insite94 Nature Argentina Video Artcontributor Calisphere -
International Waters: Mexican Side Of The Border Fence
title International Waters: Mexican Side Of The Border Fencedescription Architecture and City Planning Border Field State Park, San Diego, California, United States For inSITE97 San Diego artist Louis Hock constructed "International Waters/Aguas internacionales" at the Border Field State Park/Playas de Tijuana section of the border fence. Using water pumped from a well several miles northeast of the site, Hock built a double-sided drinking fountain with one head on each side of the border. People bending to drink from the heads could see each other through a hole cut in the metal fence. During the exhibition, US government authorities suddenly decided to replace the opaque metal fence with a chain link fence. "International Waters/Aguas internacionales" used the valuable resource, potable water, as an example of the flow and exchange that occurs along the border, despite the barriers and questions of ownership that try to hinder it. --inSITE97 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 148) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Hock, Louissubject Drinking Water Political Art Boundaries Sculpture (Visual Work) Public Art Mexican-American Border Region Insite97 Natural Resources Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Rowing In Eden
title Rowing In Edendescription Film, Audio, Video and Digital Art For inSITE97, Deborah Small created an installation and digital presentation at the Santa Fe Depot in downtown San Diego, entitled "Rowing in Eden/Remando en el Eden/Pelando en el Eden/Formando Hileras." A collaboration with three other artists, the installation explored the historical relationship between women and plants, focusing on the women who became labeled as witches for their unique knowledge as herbalists or healers. The installation included dried and live plants, a digital projection with images, text and voice, and an audio installation with voice and music. It emphasized not only the women's persecution but also celebrated their extraordinary powers and insight into consciousness and divinity. --inSITE97 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 350) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Computer-Generated Women Collaboration Installations (Visual Works) Mexican-American Border Region Shamans Insite97 Herbalists Traditional Medicine Healers Video Art Curanderismocontributor Calisphere -
News Release: Insite97 Catalogue Now Available
title News Release: Insite97 Catalogue Now Availabledescription Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a surrogate of a document from the InSite Archive (MSS 707, Box 143, folder 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Insite97subject Tijuana (Baja California, Mexico) Installation Gallery Documents Boundaries Press Releases Public Art San Diego (Calif.) Mexican-American Border Region Press Kits Performance Art Insite97 Catalogs Public Spaces Yard, Sally Exhibitions (Events) Installations (Visual Works) Border Artcontributor Calisphere -
A Corner Of The World… Land
title A Corner Of The World… Landdescription Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 256) Tijuana artist Oscar Ortega's project for inSITE94, "A Corner of a World ... Land/Una esquina de un mundo ... tierra" was a mural sited on an abandoned and collapsing building located just yards from the Pacific Ocean and the border fence at Playas de Tijuana. In 1994 the artist restored the mural, originally created in 1992, to reinvigorate its points of reference. According to Ortega, the mural illustrated a ship whose crew is facing the choice of either heading south or north all while having to repair and maintain the vessel for the voyage that ultimately lies ahead. --inSITE94 Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ortega, Oscarsubject Restoration Boundaries Mexican-American Border Region Vessels Beaches Insite94 Murals (Any Medium) Painting (Image-Making) Voyages And Travels Installations (Visual Works) Border Art Ruinscontributor Calisphere -
The Celebration Is Over: Viewers And The Installation Of Votive Candles And Television Screen
title The Celebration Is Over: Viewers And The Installation Of Votive Candles And Television Screendescription Film, Audio, Video and Digital Art Installation that included votive candles arranged in the form of a crucifix and oriented toward a television screen. Mission Brewery Plaza, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 080) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Popular Culture Religions (Concept) Crosses Worship Mexican-American Border Region Christianity Insite92 Installations (Visual Works)contributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Entry
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: Entrydescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 270) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landscape Architecture Painting (Coating) Houses Color Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Insite97 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
Search: View Of Radio Antenna
title Search: View Of Radio Antennadescription Chicago-based artist Inigo Manglano-Ovalle proposed a transformation of the bullring at Playas de Tijuana for inSITE2000. Working on a scale indicative of the vast site, Manglano-Ovalle transformed the bullring into a large radio telescope searching for "aliens." Titled Search/En Busqueda the piece functioned as a listening device searching the atmosphere for any discernible noise made by aliens. A suspended antenna above a receiving dish located at ground level of the bullring would pick up sounds that in turn would be broadcast, along with the white sound of listening, on speakers surrounding the bullring, as well as on FM radio and the web. The notion of possible contact with aliens both at the border and in space made the piece, according to the artist, "a global event, possibly cosmic." --inSITE2000 Plaza de Toros Monumental de Aguascalientes (Aguascalientes, Mexico) Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 224) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Humor Bull Rings Sculpture (Visual Work) Antennas Mexican-American Border Region Architecture (Object Genre) Radio Telescopes Undocumented Immigrants Extraterrestrial Beings Installations (Visual Works) Insite2000contributor Calisphere -
None For Political Reasons Ii
title None For Political Reasons Iidescription Carlos Aguirre's project for inSITE94, "None for Political Reasons II/Ninguno por razones politicas II," was located at the downtown space of the Museum of Contemporary Art, San Diego. Incorporating human bone, soil, refuse, man-made materials, and the central object of a funerary boat, Aguirre's project spoke of the temporal, transitional, and cyclical. The installation conjured up images of ritual and ceremony, referencing the journey from life to death. --inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 012) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Aguirre, Carlossubject Sculpture (Visual Work) Mexican-American Border Region Deaths Rituals (Events) Funeral Rites And Ceremonies Insite94 Installations (Visual Works)contributor Calisphere -
The Last Dance: Detail Of "Hand"
title The Last Dance: Detail Of "Hand"description Known for his kinetic, conceptual, and highly imaginative works, New York artist Dennis Oppenheim created an installation entitled "The Last Dance/La última danza" for a gallery space at the Children's Museum of San Diego. The piece consisted of four pairs of cacti forms spinning together in a disjointed dance to a cacophony of music emitted from a number of 1940s radios, a record player, and a bass drum randomly beaten by a mechanized pedal. The seeming chaos of the disharmonious music and the spinning cacti figures - that both strive for closeness, yet at the same time present harm to each other - suggests relationship, especially between two cultures, where elements come together, sometimes clash, and always intertwine. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 249) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Kinetic (Style) Cactus Chaos Boundaries Sculpture (Visual Work) Mexican-American Border Region Hands Insite94 Dance Installations (Visual Works) Border Art Information Signscontributor Calisphere -
Heat Seeking: Cell Phones
title Heat Seeking: Cell Phonesdescription "Heat-Seeking," the film Jordan Crandall produced for inSITE2000, made use of and mimicked surveillance technology deployed along the US-Mexico border. Exploring themes of Erotica and violence through five fantasy sequences woven into the overall structural narrative of mobility and monitoring, the film was shot on location in San Diego and Tijuana over the course of seven days in August 2000. Crandall stated that he wanted to use the language of cinema, advertising, and the "strategic seeing" of military systems to produce a film that would investigate interior and exterior borders. The piece was presented in two formats that each referenced mobility and ultimately established a reconfigured role of the viewer. In Tijuana, the film could be seen on the video billboard at the Cuauhtémoc Circle where scenes would be interspersed with advertising and other public media. In San Diego, Crandall's film could be seen on hand-held cell phones using streaming video technology. --inSITE2000 Cuauhtémoc Circle, Tijuana (Baja California, Mexico) Film, Audio, Video and Digital Art San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 073) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Boundaries Border Art Sculpture (Visual Work) Mexican-American Border Region Violence Technology Erotica Communication (Function) Installations (Visual Works) Insite2000 Military Surveillance Video Artcontributor Calisphere -
30 Years 21 Minutes 17 Tapes: Video Viewing Booth
title 30 Years 21 Minutes 17 Tapes: Video Viewing Boothdescription Film, Audio, Video and Digital Art Mission Brewery Plaza, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The artist constructed a viewing booth on a mezzanine of the brewery in which to watch videos representing different aspects of her youth and parents and growing up. The tapes are brief and offer autobiographical glimpses of the artist's early life. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 181) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Katchadourian, Ninasubject Memory Sculpture (Visual Work) History Mexican-American Border Region Children Families Insite92 Installations (Visual Works) Video Artcontributor Calisphere -
La Tierra Prometida: Detail Of Column With Neon Sculpture
title La Tierra Prometida: Detail Of Column With Neon Sculpturedescription Decorative Arts, Utilitarian Objects and Interior Design Gonzalo Díaz's inSITE97 project, La tierra prometida/The Promised Land, was installed in the basement of the Children's Museum in San Diego. Following the fourteen Stations of the Cross, the installation was built upon fourteen columns each distinguished by a word with multiple meanings spelled out in blue neon. Each column was also marked by an illuminated bronze Roman numeral as well as enigmatic figure at the top of the column, shrouded in dark wrappings. Playing off of the large orthogonal space, Díaz created a mythological/spiritual space for the viewer. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 098) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Emigration And Immigration Boundaries Sculpture (Visual Work) Mexican-American Border Region Stations Of The Cross Neon Sculpture Insite97 Installations (Visual Works) Border Artcontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Nightdescription Haudenschild Garage, La Jolla, San Diego (Calif.) João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Junkyards Auctions Junk Sculpture Recycling Automobiles Insite_05 Wealth Performance Art Humor Mexican-American Border Region Poverty Receptions Parody Sculpture (Visual Work) Consumers Garages Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Metamorphosis
title Metamorphosisdescription Performing Arts (including Performance Art) San Diego-based artist Deborah Small's project for inSITE94, titled Metamorphosis/Metamorfosis, explored the life and original research of seventeenth-century entomologist Maria Sybylla Merian. The installation drew on Merian's observations as a naturalist and her prolific engraved records of flora and fauna in the Dutch colony of Surinam. Apart from the work performed by Merian, the interest for Small was in the intersection of colonizer and the colonized, created by Merian's presence as a white European woman in a society and social system reliant on patriarchy, both at home and in the colony. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 347) Timken Museum of Art [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Small, Deborahsubject Colonization Imperialism Artifacts Sculpture (Visual Work) Merian, Maria Sibylla, 1647-1717 Patriarchy Feminism Mexican-American Border Region Insite94 Natural History Museums Installations (Visual Works)contributor Calisphere -
Stairway Of The Ancients: Stairway Landing With Statues Of The Buddha And A Young Girl
title Stairway Of The Ancients: Stairway Landing With Statues Of The Buddha And A Young Girldescription "Stairway of the Ancients" is a complex stairway, probably built in the 1920s, leading up to the Casa de la Cultura. It is in disrepair with parts that are eroded or broken. To try to keep within this context, the figurines that MacConnel has cast, purchased from street vendors, are irregular, broken and "antiqued." The "Ancients" are funny, sad, prideful, odd remnants of tourist art. La Escalinata, Tijuana (Baja California, Mexico) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 217) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Popular Culture Stairs Aesthetics Graffiti Statues Humor Sculpture (Visual Work) Mexican-American Border Region Architecture (Object Genre) Decoration And Ornament Insite94 Kitsch Toys (Recreational Artifacts) Installations (Visual Works)contributor Calisphere -
Island On The Fence: Proposal Drawing
title Island On The Fence: Proposal Drawingdescription For inSITE97, Vito Acconci proposed to extend the existing US-Mexico border fence out into the Pacific Ocean by constructing a floating island that would move with the tides. Fabricated with sand and rocks atop a fiberglass structure, the island would have Umbrellas to provide shade and space for swimmers from either side of the border to rest. Envisioned to represent a liminal space, the island would allow people to escape the border's constraints on people's lives and movement, if only temporarily. Due to various obstacles, including permissions and construction costs, Island of the Fence/Isla en la muralla remains unrealized. --inSITE97 Graphic Design and Illustration Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 005) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Acconci, Vitosubject Artificial Islands Walls Leisure Pacific Ocean Boundaries Proposals Sculpture (Visual Work) Flotation Islands Mexican-American Border Region Fences Insite97 Public Sculpture Drawings (Visual Works) Umbrellas Installations (Visual Works) Border Artcontributor Calisphere -
Double Take
title Double Takedescription Casa de la Cultura de Tijuana Mexico City artist Sofia Taboas' project for inSITE94, titled "Double Take/Doble turno," was located in one of the hallways of the Casa de la Cultura in Tijuana. Taboas created a poetic installation that played with the light entering the hallway from windows at either end by breaking up the space with a minimal gesture in the form of delicate Draperies of blue glass beads strung on barely visible strings. The effect was that of space being framed by cascading lined dots of blue that seemed to vanish when looking from one end of the hallway to the other, and yet bring attention to the space and the quality of the light entering it. -- inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 372) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Space (Composition Concept) Draperies Sculpture (Visual Work) Mexican-American Border Region Light (Energy) Insite94 Blue (Color) Installations (Visual Works)contributor Calisphere -
Family Trees: Benches, Tables And Murals Of Trees And Birds
title Family Trees: Benches, Tables And Murals Of Trees And Birdsdescription Centro Cultural Tijuana Drawings and Watercolors Ernest Silva's inSITE97 Community Engagement project, "Family Trees/Arboles de familias," was a collaboration with artist Alberto Caro-Limón that linked the Children's Museum in San Diego to the Centro Cultural in Tijuana. Each site allowed children to write their own family stories and draw family portraits. Both installations were brightly colored and filled with images of houses, trees, birds, and birdhouses to symbolize the exchange of memories and stories from one museum to the other. The space at the Children's Museum was a Rain House that functioned as a studio, reading room, and exhibition space for the children's family projects. At the Centro, the space contained children-sized houses, benches and work spaces, and painted wood-picket fences and trees. The projects created at each installation then traveled to the other to be exhibited to complete the exchange of stories and perspectives. --inSITE97 Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 336) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Silva, Ernestsubject Collaboration Color Boundaries Sculpture (Visual Work) Trees Children (People By Age Group) Mexican-American Border Region Families Rain Fences Insite97 Drawings (Visual Works) Multimedia Works Installations (Visual Works) Border Art Crafts (Art Genres)contributor Calisphere -
A Lesson In Civics: Detail Of "Books" On Bookshelf
title A Lesson In Civics: Detail Of "Books" On Bookshelfdescription Casa de la Cultura de Tijuana Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 206) With her project for inSITE94, San Diego artist Jean Lowe created an installation that mirrored much of her previous work as a cunning commentary on an issue relevant to the current times. At the Casa de la Cultura Municipal in Tijuana, Lowe chose to rework the interior of one classroom. Entitled "A Lesson in Civics/Una lección de civismo," the classroom was richly outfitted with elements such as school desks, books, educational charts, and posters created by the artist in painted papier-mâché that distinctly referenced the topic of civics and how we learn to relate to other species. As the artist herself said about the work, she wanted to create an environment that encouraged a rethinking of the already known. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Lowe, Jeansubject Libraries Political Art Humor Books Education Sculpture (Visual Work) Mexican-American Border Region Kitsch Insite94 Parody Installations (Visual Works)contributor Calisphere -
Apparitions: Film Still
title Apparitions: Film Stilldescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. --inSITE94 This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 397) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
Union Market Island Front
title Union Market Island Frontdescription Architecture and City Planning Paintings San Diego-based artist Patricia Patterson's project for inSITE94 showcased her career-long engagement with color on a monumental city-block-scale. Working directly with the exterior of the entire Children's Museum of San Diego, Patterson selected a color pallet that would transform every surface of the Museum. Titled "union market island front," according to the four city streets surrounding the footprint of the museum, the block came alive through the colors chosen by the artist. The exterior transformation of the Museum was part of larger effort to establish a lasting identity for the institution and as an extension thereof. Patterson collaborated simultaneously with graphic designer Leah Roschke in designing the logo that would likewise come to represent the Museum. --inSITE94 Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 267) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Color Public Art Mexican-American Border Region Architecture (Object Genre) Insite94 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
Drill: Two Video Monitors
title Drill: Two Video Monitorsdescription Dolores Magdalena Memorial Recreation Center, Logan Heights, San Diego, California, United States Doug Ischar's inSITE97 project, "Drill/Taladro/Adiestramiento," was a series of video and audio installations that meandered through the gymnasium of the Dolores Magdelena Memorial Recreation Center in Logan Heights. Running for several hours on two weekends, the installations, named individually "Vent," "Seam," and "Patient," were connected by orange electrical cable, providing the viewer with a path to follow. Ischar pieced together the imagery and music that played while participants navigated the installation. --inSITE97 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 163) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Sound Art Video Art Mexican-American Border Region Insite97 Installations (Visual Works) Gymnasiumscontributor Calisphere -
Picturing Paradise: Border Fence With Mirrored Surfaces: View From The United States Side Of Border
title Picturing Paradise: Border Fence With Mirrored Surfaces: View From The United States Side Of Borderdescription Border Field State Park, San Diego For inSITE2000 Brazilian artist Valeska Soares was drawn to work directly with the border fence that divides the US and Mexico. Soares wanted specifically to find a way for people on either side of the border to be able to come together around a common theme or event and in some way create an exchange, or the illusion of an exchange, across the fence. Her initial proposal was for a garden project that would require a reconfiguration of the fence, yet it proved to be impossible to obtain permission to realize this idea. Soares changed her proposal but remained faithful to her concept of creating an opening in the fence. With Picturing Paradise the artist installed two highly polished large sheets of steel directly onto a section of chain-link fence at Playas de Tijuana, back to back, and as it were, creating the illusion of an opening in the fence, except what was seen was a reflection. Each mirrored surface was inscribed with an excerpt from Invisible Cities by Italo Calvino, a text that speaks of two mirror cities and what describes their shared reality. --inSITE2000 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 365) Tijuana River National Estuarine Research Reserve (Calif.) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Boundaries Border Art Public Art Sculpture (Visual Work) Mexican-American Border Region Fences Reflections (Perceived Properties) Installations (Visual Works) Insite2000contributor Calisphere -
Piñatas Encantadas: General View
title Piñatas Encantadas: General Viewdescription Centro Cultural de la Raza (San Diego, Calif.) For his inSITE97 Community Engagement project, San Diego artist Roberto Salas collaborated with artists in Tijuana and San Diego as well as San Diego students to create a piñata installation at the Centro Cultural de la Raza. Salas designed the piñatas in reference to his perceptions of traditional, popular, and personal iconography and allowed the artists to incorporate their own perspectives as the piñatas were fabricated. With bold colors and unusual imagery, "Piñatas encantadas" visually reinterpreted the traditional Mexican piñata while celebrating its history and mythology. As part of the installation, the piñata blueprints were displayed and students painted a mural that echoed themes from the piñatas. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 329) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Humor Boundaries Sculpture (Visual Work) Skull Guitars Mexican-American Border Region Piñatas Toys (Recreational Artifacts) Insite97 Hats Installations (Visual Works) Border Art Crafts (Art Genres)contributor Calisphere -
Death Perra
title Death Perradescription Casa de la Cultura de Tijuana Film, Audio, Video and Digital Art For inSITE97, Miguel Calderon created a short film spoofing satanic practices near the San Diego-Tijuana border, incorporating stereotypical UFO paraphernalia and imagery to emphasize the "cheesy" nature of both subjects. The film, "Death Perra," was shown on a small television at the Casa de la Cultural de Tijuana. Produced in the style of a music video, Calderon used satanic UFO records as the sound track, mixing scenes of his friends playing records on turntables with scenes of artificial UFOs in different locations. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 059) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Calderón, Miguelsubject Satanism Motion Pictures Unidentified Flying Objects Music Videos Mexican-American Border Region Insite97 Parody Installations (Visual Works) Border Artcontributor Calisphere -
Bird'S Eye View
title Bird'S Eye Viewdescription Eugenia Vargas, born in Chile and currently residing in Mexico City, works in the areas of Photography, performance and installation art. Her work deals with the politically charged issues of the border and the effects of pollution on the environment. In her installations, Vargas physically engages the earth and its elements in ritualistic ways - for example, by covering herself or a space with mud, straw, palm fronds or water. Vargas' project for inSITE94 will read as a large filter extending down from the ceiling of the Depot's concourse, using materials derived from the site. -- inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 390) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Sculpture (Visual Work) Insite94 Filters And Filtration Installations (Visual Works) Border Artcontributor Calisphere -
Preserve: Maya: Detail Of Read Gerbera Daisies At The Beginning Of The Exhibition
title Preserve: Maya: Detail Of Read Gerbera Daisies At The Beginning Of The Exhibitiondescription Museum of Contemporary Art, San Diego Scottish artist Anya Gallacio created two installations for inSITE94, one untitled piece located at Centro Escolar Agua Caliente, the other titled "Preserve: Maya/Preservación: maya" at the downtown location of the Museum of Contemporary Art, San Diego. Gallacio was drawn to the site of Agua Caliente because of its history: it was built in 1929 as a resort and casino for the rich who came there to escape and play. Having been abandoned for many years, the pool was showing signs of decay with missing tiles, cracks, and broken elements. Gallacio chose to cover these exposed areas with gold foil, referencing and revealing a sense of the pool's gilded past. At MCASD, Gallacio worked with the theme of natural transformation. The artist chose a space viewable from both inside the Museum and from the bookstore, and layered red gerbera daisies between two panes of glass to create a botanical stained glass that was inserted as a window space. Over the course of the exhibition the flowers decomposed, fading to grey and revealing their own life cycle. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 120) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gallacio, Anya, 1963-subject Death Sculpture (Visual Work) Decomposition Mexican-American Border Region Time Insite94 Red (Color) Installations (Visual Works)contributor Calisphere -
Boletín De Prensa: La University Of California, San Diego (Ucsd) Ofrecera Un Curso Intensive Sobre El Espacia Publico
title Boletín De Prensa: La University Of California, San Diego (Ucsd) Ofrecera Un Curso Intensive Sobre El Espacia Publicodescription Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a surrogate of a document from the InSite Archive (MSS 707, Box 82, folder 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Insite97subject Tijuana (Baja California, Mexico) Documents Boundaries Press Releases Public Art San Diego (Calif.) Mexican-American Border Region Press Kits Performance Art Insite97 Public Spaces University Of California, San Diego Exhibitions (Events) Installations (Visual Works) Border Artcontributor Calisphere -
Installation: Model Wearing The Artist'S Clothes
title Installation: Model Wearing The Artist'S Clothesdescription A spoof of the fashion industry, the artist created a "design studio" with finished and unfinished garments on hangars and strewn across the floor of the exhibition space. Unconventional and even dangerous materials were used (bubble wrap, rusty nails, staples, rubber etc.) to construct the clothes and other artists modeled them for a series of photographs. Fashion, Costume and Jewelry Mission Brewery Plaza, San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 322) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ruff, Daphnesubject Humor Sculpture (Visual Work) Irony Mexican-American Border Region Models (Persons) Performance Art Clothing Insite92 Fashion Parody Installations (Visual Works)contributor Calisphere -
From Cotton To Coal… The Last Train
title From Cotton To Coal… The Last Traindescription Decorative Arts, Utilitarian Objects and Interior Design San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 156) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Howard, Mildredsubject African Americans Political Art San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Installations (Visual Works) Border Art Laborcontributor Calisphere -
23 September 1994: General View
title 23 September 1994: General Viewdescription Estación del Ferrocarril, Colonia Libertad, Baja California Norte, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 311) Titled "23 September 1994" after the opening date of the entire inSITE94 exhibition, Ulf Rollof's installation consisted of a circular railroad situated at the defunct border rail-crossing site in Colonia Libertad in Tijuana. Just yards from the border fence, one could take a ride on this circular track where a single wagon with five fir trees planted in empty oil drums went around in endless circles to a dizzying effect. However, rather than being transported around on the track itself there was just a single seat at the hub of the circle and the view from the seat was directed straight at the fir trees, so that although movement occurred the outlook one had remained the same. -- inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Humor Boundaries Sculpture (Visual Work) Irony Machinery Mexican-American Border Region Railroad Stations Insite94 Installations (Visual Works) Border Art Perspectivecontributor Calisphere -
A Tale Of Two Cities
title A Tale Of Two Citiesdescription First created in 1981, "A Tale of Two Cities/Historia de dos ciudades," was re-installed for inSITE94 at the Children's Museum, San Diego. As a room-sized miniature reconstruction of two cities at war with each other, "A Tale of Two Cities" used over 5,000 toys collected by the artist from the United States, Japan, and Europe. Set in an environment of plants, sand, and rocks, the two cities, one much larger and more powerful than the other, faced off in conflict. Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 052) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject War Landscapes (Representations) Models (Representations) Sculpture (Visual Work) Mexican-American Border Region Violence Cities Insite94 Installations (Visual Works) Border Artcontributor Calisphere -
The Other Side
title The Other Sidedescription ReinCarnation Project San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 196) Using a room with a large wall of windows at the ReinCarnation Project in downtown San Diego, David Lamelas constructed "The Other Side/El otro lado." Dividing the room in half with a fifth wall, Lamelas plunged one side of the room into total darkness, while leaving the second half full of natural light from the window. Lamelas then cut a small hole in the fifth wall at eye level, allowing a single shaft of light to beam through into the darkness. Viewers could approach the room from either side of the fifth wall and peer into the dark or light side of the space. Positing the division of resources and rights between powers, Lamelas created his own border zone of privileged and unprivileged spaces. --inSITE97 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Boundaries Sculpture (Visual Work) Mexican-American Border Region Light (Energy) Insite97 Installations (Visual Works) Border Artcontributor Calisphere -
International Waters: Detail Of Pipe From Mexican Side Of The Border Fence
title International Waters: Detail Of Pipe From Mexican Side Of The Border Fencedescription Architecture and City Planning Border Field State Park, San Diego, California, United States For inSITE97 San Diego artist Louis Hock constructed International Waters/Aguas Internacionales at the Border Field State Park/Playas de Tijuana section of the border fence. Using water pumped from a well several miles northeast of the site, Hock built a double-sided drinking fountain with one head on each side of the border. People bending to drink from the heads could see each other through a hole cut in the metal fence. During the exhibition, US government authorities suddenly decided to replace the opaque metal fence with a chain link fence. International Waters/Aguas Internacionales used the valuable resource, potable water, as an example of the flow and exchange that occurs along the border, despite the barriers and questions of ownership that try to hinder it. --KB Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 149) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Hock, Louissubject Drinking Water Political Art Boundaries Sculpture (Visual Work) Public Art Mexican-American Border Region Insite97 Natural Resources Installations (Visual Works) Border Art Fountainscontributor Calisphere -
Alien Toy Uco (Unidentified Crusing Object)
title Alien Toy Uco (Unidentified Crusing Object)description Barrio Logan (San Diego, Calif.) Film, Audio, Video and Digital Art For inSITE97 Rubén Ortiz Torres collaborated with Salvador "Chava" Munoz to construct "Alien Toy UCO (Unidentified Cruising Object)/La ranfla cosmica ORNI (Objeto rodante no identificado)," a lowrider car that was converted into a dancing hydraulics wonder in the form of a Border Patrol vehicle. Chava, a world champion in radical bed dancing, reworked each section of the car to move and spin on its own set of hydraulics and arms. Ortiz Torres produced a film with alien imagery and clips of the car in action to accompany the installation. Ortiz Torres stated that the car was a product of cultural migration and exchange, a visual manifestation of the cultural hybridization in Southern California. --inSITE97 Http://www.track16.com/exhibitions/ruben/ruben.html Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 257) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Ortiz Torres, Rubénsubject Popular Culture Unidentified Flying Objects Automobiles Political Art Humor Boundaries Sculpture (Visual Work) Mexican-American Border Region Performance Art Insite97 Installations (Visual Works) Border Art Video Artcontributor Calisphere -
News Release: How To Explore Insite2000
title News Release: How To Explore Insite2000description Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a surrogate of a document from the InSite Archive (MSS 707, Box 143, folder 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Insite2000subject Tijuana (Baja California, Mexico) Documents Boundaries Border Art Press Releases Public Art San Diego (Calif.) Mexican-American Border Region Press Kits Performance Art Public Spaces Exhibitions (Events) Installations (Visual Works) Insite2000contributor Calisphere -
La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View Toward Entry Hall
title La Casita En La Colonia Altamira Calle Rio De Janeiro No. 6757, Tijuana: View Toward Entry Halldescription Architecture and City Planning Colonia Altamira, Tijuana (Baja California, Mexico) Decorative Arts, Utilitarian Objects and Interior Design Patricia Patterson's inSITE97 project was a collaborative effort to transform a small home in Tijuana into a visually captivating space for the surrounding community to meet, talk, eat, and engage in activities with one another. Working over a period of nine months, Patterson and her team of students and craftsmen renovated, painted, and landscaped the home of the Resendiz family to create a vibrant center in the residential colonia. Once complete, "La Casita en la Colonia Altamira, Calle Rio de Janeiro No. 6757, Tijuana" hosted numerous parties, brunches, and other gatherings of both local residents and visitors from San Diego, making the house a space for cross-cultural exchange and diversity. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 271) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Landscape Architecture Painting (Coating) Houses Color Neighborhoods Public Art Mexican-American Border Region Architecture (Object Genre) Gardening Insite97 Renovation Installations (Visual Works) Border Artcontributor Calisphere -
Disposition: View Of Found Objects From Below Glass Shelf
title Disposition: View Of Found Objects From Below Glass Shelfdescription "The room was located in the old Mission Brewery building on Washington Street in San Diego. The walls were built of used brick, the floor was concrete. A prominent steel I-beam spanned the entire room, through the middle. Several windows remained open, and pigeons sometimes sat on the ledges. Glass shelves were built into the divided areas in the I-beam. Light boxes were built and installed inconspicuously atop the I-beam. The glass shelves were filled with found objects. 'Disposition' was a direct response to the powerful presence of this particular room. As a result, I felt I could do nothing but acknowledge the incredible ambiance of the room by emphasizing specific features, so rich in character." - Lynne Hendrick Mission Brewery Plaza, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 142) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Hendrick, Lynnesubject Space (Composition Concept) Transparency (Optical Property) Sculpture (Visual Work) Mexican-American Border Region Architecture (Object Genre) Insite92 Installations (Visual Works)contributor Calisphere -
The Last Dance: Detail Of "Cactus" And "Hands"
title The Last Dance: Detail Of "Cactus" And "Hands"description Known for his kinetic, conceptual, and highly imaginative works, New York artist Dennis Oppenheim created an installation entitled "The Last Dance/La última danza" for a gallery space at the Children's Museum of San Diego. The piece consisted of four pairs of cacti forms spinning together in a disjointed dance to a cacophony of music emitted from a number of 1940s radios, a record player, and a bass drum randomly beaten by a mechanized pedal. The seeming chaos of the disharmonious music and the spinning cacti figures - that both strive for closeness, yet at the same time present harm to each other - suggests relationship, especially between two cultures, where elements come together, sometimes clash, and always intertwine. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 03, Item 250) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Kinetic (Style) Cactus Chaos Boundaries Sculpture (Visual Work) Mexican-American Border Region Hands Insite94 Dance Installations (Visual Works) Border Art Information Signscontributor Calisphere -
Esl: Tonguetied
title Esl: Tonguetieddescription Boehm Gallery, Palomar College Drawings and Watercolors Graphic Design and Illustration Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The Border Art Workshop/Taller de Arte Fronterizo's project, "ESL: tonguetied/lenguatrabada," dealt with the subject of cultural identity and the difficulties encountered in learning a language other than one's mother tongue. The project specifically referenced the impact of the recently adapted Proposition 187, a 1994 California ballot initiative designed to limit social services, health care, and public education for undocumented workers. At the same time, the project provided a space for responding to the implications of differentiating between "legal" and "illegal" immigrants. The installation consisted of a mock classroom with written questions on all surfaces and blackboard walls where viewers were invited to express their thoughts on the issues. -- inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 038) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Language Identity (Philosophical Concept) Political Art Education Sculpture (Visual Work) Mexican-American Border Region Classrooms Insite94 Undocumented Immigrants Immigrants Installations (Visual Works) Border Art Prejudicescontributor Calisphere -
Dirty Water Initiative: Water Purifiers Installed In Tijuana Community
title Dirty Water Initiative: Water Purifiers Installed In Tijuana Communitydescription Architecture and City Planning Science, Technology and Industry Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The U.S. art collective SIMPARCH began their investigative process by working with one of Tijuana's informal communties in collaboration with the Fundación Esperanza. They became especially interested in the threme of water, in particular the idea of purifying water using solar-based water distillation. The project, entitled "Dirty Water Initiative," has two phases: the first stage is to construct and install a small purification plant as a "public fountain" sited in the pedestrian walkway from San Ysidro to Tijuana at the U.S./Mexico port of entry; the second stage involves the donation of the distillation facility to an informal community in Tijuana. The deployment of these solar distillers, sealed in glass, more than an aesthetic effect at the urban scale, seeks to stimulate reflection about the problem of water, and the importance of researching ecological solutions that could achieve a direct impact at the community level within poor, informal settlements. --inSite_05 This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 197, DVD 01) Tijuana (Baja California, Mexico) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Water--Purification Political Art Boundaries Health Education Public Art Sculpture (Visual Work) Insite_05 Mexican-American Border Region Poverty Technology Water Treatment Plants Installations (Visual Works) Border Art Fountainscontributor Calisphere -
30 Years 21 Minutes 17 Tapes: Video Viewing Booth
title 30 Years 21 Minutes 17 Tapes: Video Viewing Boothdescription Film, Audio, Video and Digital Art Mission Brewery Plaza, San Diego, California, United States Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The artist constructed a viewing booth on a mezzanine of the brewery in which to watch videos representing different aspects of her youth and parents and growing up. The tapes are brief and offer autobiographical glimpses of the artist's early life. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 182) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Katchadourian, Ninasubject Memory Sculpture (Visual Work) History Mexican-American Border Region Children Families Insite92 Installations (Visual Works) Video Artcontributor Calisphere -
La Tierra Prometida: Detail Showing Row Of Columns With Neon Sculptures
title La Tierra Prometida: Detail Showing Row Of Columns With Neon Sculpturesdescription Decorative Arts, Utilitarian Objects and Interior Design Gonzalo Díaz's inSITE97 project, La tierra prometida/The Promised Land, was installed in the basement of the Children's Museum in San Diego. Following the fourteen Stations of the Cross, the installation was built upon fourteen columns each distinguished by a word with multiple meanings spelled out in blue neon. Each column was also marked by an illuminated bronze Roman numeral as well as enigmatic figure at the top of the column, shrouded in dark wrappings. Playing off of the large orthogonal space, Díaz created a mythological/spiritual space for the viewer. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 099) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Emigration And Immigration Boundaries Sculpture (Visual Work) Mexican-American Border Region Stations Of The Cross Neon Sculpture Insite97 Installations (Visual Works) Border Artcontributor Calisphere -
Island On The Fence: View Of Proposal Model With Floating Island And Border Fence Extending Into The Pacific Ocean
title Island On The Fence: View Of Proposal Model With Floating Island And Border Fence Extending Into The Pacific Oceandescription For inSITE97, Vito Acconci proposed to extend the existing US-Mexico border fence out into the Pacific Ocean by constructing a floating island that would move with the tides. Fabricated with sand and rocks atop a fiberglass structure, the island would have Umbrellas to provide shade and space for swimmers from either side of the border to rest. Envisioned to represent a liminal space, the island would allow people to escape the border's constraints on people's lives and movement, if only temporarily. Due to various obstacles, including permissions and construction costs, Island of the Fence/Isla en la muralla remains unrealized. --inSITE97 Graphic Design and Illustration Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 006) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Acconci, Vitosubject Artificial Islands Walls Leisure Pacific Ocean Boundaries Sculpture (Visual Work) Flotation Islands Mexican-American Border Region Fences Insite97 Public Sculpture Umbrellas Installations (Visual Works) Border Artcontributor Calisphere -
The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Night
title The Jewel / In God We Trust: Junk Car Covered In Gold Leaf At The Haudenschild Garage: Auction Nightdescription Haudenschild Garage, La Jolla, San Diego (Calif.) João Louro's project "The Jewel / In God We Trust" traces the inverted trajectory of the recycling dynamic that characterizes the border zone. His project begins with the selection of a European car recovered from a junkyard in Tijuana and transformed into a "jewel" through the addition of a skin of gold leaf. Once this trash object is transformed into a opulent gold sculpture it will be exhibited and auctioned in San Diego. Proceeds from the sale will be given to an elementary school in Tijuana and used to support visual art workshops for children, where students will be encouraged to add further layers of imagery to the paper money. --inSite_05 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 189, DVD 01) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Louro, Joãosubject Junkyards Auctions Junk Sculpture Recycling Automobiles Insite_05 Wealth Performance Art Humor Mexican-American Border Region Poverty Receptions Parody Sculpture (Visual Work) Consumers Garages Installations (Visual Works) Border Art Ruinscontributor Calisphere -
Family Trees: Benches, Tables And Murals Of Trees And Birds
title Family Trees: Benches, Tables And Murals Of Trees And Birdsdescription Centro Cultural Tijuana Drawings and Watercolors Ernest Silva's inSITE97 Community Engagement project, "Family Trees/Arboles de familias," was a collaboration with artist Alberto Caro-Limón that linked the Children's Museum in San Diego to the Centro Cultural in Tijuana. Each site allowed children to write their own family stories and draw family portraits. Both installations were brightly colored and filled with images of houses, trees, birds, and birdhouses to symbolize the exchange of memories and stories from one museum to the other. The space at the Children's Museum was a Rain House that functioned as a studio, reading room, and exhibition space for the children's family projects. At the Centro, the space contained children-sized houses, benches and work spaces, and painted wood-picket fences and trees. The projects created at each installation then traveled to the other to be exhibited to complete the exchange of stories and perspectives. --inSITE97 Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 05, Item 337) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Collaboration Color Boundaries Sculpture (Visual Work) Trees Children (People By Age Group) Mexican-American Border Region Families Rain Fences Insite97 Drawings (Visual Works) Multimedia Works Installations (Visual Works) Border Art Crafts (Art Genres)contributor Calisphere -
Stairway Of The Ancients
title Stairway Of The Ancientsdescription "Stairway of the Ancients" is a complex stairway, probably built in the 1920s, leading up to the Casa de la Cultura. It is in disrepair with parts that are eroded or broken. To try to keep within this context, the figurines that MacConnel has cast, purchased from street vendors, are irregular, broken and "antiqued." The "Ancients" are funny, sad, prideful, odd remnants of tourist art. La Escalinata, Tijuana (Baja California, Mexico) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 218) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Popular Culture Stairs Aesthetics Graffiti Statues Humor Sculpture (Visual Work) Mexican-American Border Region Architecture (Object Genre) Decoration And Ornament Insite94 Kitsch Toys (Recreational Artifacts) Installations (Visual Works)contributor Calisphere -
Maze: General View Of Cinder Block Pyramid
title Maze: General View Of Cinder Block Pyramiddescription Architecture and City Planning Garden and Landscape La Jolla (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 171) With his two-part environmental installation for inSITE94, artist David Jurist's impulse was to create a project that took architecture and its impact on cultural history and development as its central issue. "Maíz/Maze" was located at the Children's museum of San Diego and in the Regents Park office Complex in La Jolla's Golden Triangle area. Using corn as his primary structural element, Jurist chose a large open area of land in the Golden Triangle and "grew" the floor plan of a typical Southern California condominium. As the corn grew, the floor plan transformed slowly into a maze. At the Children's Museum, Jurist built a pyramid using concrete blocks in the hollow of which he planted corn. A video monitor was installed at the center of the pyramid that continuously showed a static overhead image of the La Jolla corn maze. The artist noted that he wanted to reference the assimilation of cultures, and the flux that occurs between north and south in the region. --inSITE94 [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Jurist, Davidsubject Landscape Architecture Earthworks (Sculpture) Real Estate Development San Diego (Calif.) Public Art Installations (Visual Works) Mexican-American Border Region Insite94 Pyramids Agriculture Border Art Gardens Video Artcontributor Calisphere -
Photographs
title Photographsdescription Centro Cultural Tijuana For inSITE97, Ken Lum created two oversized large-scale photographs that were shown at the Centro Cultural Tijuana. The first photograph showed a young girl in San Diego talking on the phone about plans to eat either Mexican or Chinese food. The second photograph, with text from a popular Mexican children's rhyme, shows a young boy selling American soda and candy. The work suggests the blurring of cultural borders despite the adamantly divisive physical barrier. As a Canadian living near the northern US border, Lum stated that his experience in San Diego and Tijuana during inSITE97 caused him to rethink his notion of borders, and consider how the United States, with its pervasive capitalism and culture, borders nations throughout the world. --inSITE97 Photographs Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 02, Item 207) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Songs (Oral Or Performed Works) Boundaries Texts (Document Genres) Children (People By Age Group) Mexican-American Border Region Poverty Photography Insite97 Street Vendors Installations (Visual Works) Border Artcontributor Calisphere -
The Rules Of The Game: Ball Court And Border Fence With Children Playing
title The Rules Of The Game: Ball Court And Border Fence With Children Playingdescription "The Rules of the Game/Las reglas del juego" was a project in two parts: the first part consisted of the installation of a frontón ball court in Colonia Libertad, Tijuana, positioned near to the border fence. The second part was a sports event at the Lazaro Cárdenas high school in Tijuana on October 13, 2000. The core element employed in "The Rules of the Game" consists of the recreational and sports infrastructure commonly found in the border zone that separates Mexico and the United States. Colonia Libertad, Baja California Norte, Mexico Preparatoria Federal Lázaro Cárdenas III Plantel Valle Sur, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 031) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Artigas, Gustavosubject Barriers Play Borderlands Boundaries Sculpture (Visual Work) Children (People By Age Group) Mexican-American Border Region Insite2000 Sporting Goods Installations (Visual Works) Border Artcontributor Calisphere -
Untitled Depot
title Untitled Depotdescription Garden and Landscape Nari Ward's "Untitled Depot/Estacion sin titulo," installed at Playas de Tijuana, was an interactive piece that brought people together. Dedicated to the healer and child in everyone, the installation was constructed from doors, bed springs, and other found materials that visitors could walk through and experiment with. Ward felt that the physical interaction that brought visitors together inside the installation was vital for the totality of the piece. The bed springs that encouraged visitors to jump up and down were based on Ward's interest in suspension, and the balance it implies between rest and motion -- inSITE97 Plaza de Toros Monumental de Aguascalientes (Aguascalientes, Mexico) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 398) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Arenas Walls Play Boundaries Bull Rings Public Art Sculpture (Visual Work) Mexican-American Border Region Insite97 Installations (Visual Works) Border Artcontributor Calisphere -
Heroes Of War: Veterans Museum Interior With Flags
title Heroes Of War: Veterans Museum Interior With Flagsdescription "Heroes of War," by Gonzalo Lebrija, is a video installation projected in the auditorium of the San Diego Veterans Museum in Balboa Park. Over a year before, Lebrija began working with veterans at the Veterans Home of California in Chula Vista. Gonzalo's goal was to intervene in the museum space, creating a curatorial discourse that approximates a creative group experience. Gonzalo participated in a number of reunions of former prisoners of war, or POWs. These experiences led him to explore the notion of military paraphernalia and veterans' narratives. Gonzalo filmed a number of individuals while they discussed the public recognition accorded to them and their actions as servicemen in times of war. --inSite_05 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 188, DVD 01) Veterans Museum, Balboa Park (San Diego, Calif.) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Lebrija, Gonzalo, 1972-subject Political Art Veterans Public Art Insite_05 Mexican-American Border Region Prisoners Of War Soldiers Memorials Military Museums Installations (Visual Works) Flags Video Artcontributor Calisphere -
Field: Clay Figures Filling A Room
title Field: Clay Figures Filling A Roomdescription "From the beginning I was trying to make something as direct as possible with clay: the earth. The 200,000 body-surrogates completely occupy the space in which they are installed, taking the form of the building and excluding us, but allowing visual access. I gave these instructions to the makers: Take a hand-size ball of clay, form it between the hands, into a body surrogate as quiclky as possible. Place it at arm's length in front of you and give it eyes." -- Anthony Gormley Decorative Arts, Utilitarian Objects and Interior Design Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 128) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gormley, Antonysubject Population Crowds Repetition (Aesthetics) Sculpture (Visual Work) Mexican-American Border Region Eyes (Motifs) Insite92 Installations (Visual Works)contributor Calisphere -
Drill: General View
title Drill: General Viewdescription Dolores Magdalena Memorial Recreation Center, Logan Heights, San Diego, California, United States Doug Ischar's inSITE97 project, "Drill/Taladro/Adiestramiento," was a series of video and audio installations that meandered through the gymnasium of the Dolores Magdelena Memorial Recreation Center in Logan Heights. Running for several hours on two weekends, the installations, named individually "Vent," "Seam," and "Patient," were connected by orange electrical cable, providing the viewer with a path to follow. Ischar pieced together the imagery and music that played while participants navigated the installation. --inSITE97 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 164) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Sound Art Video Art Mexican-American Border Region Insite97 Installations (Visual Works) Gymnasiumscontributor Calisphere -
Picturing Paradise: Close-Up Of Text On Reflective Surface At Border Fence
title Picturing Paradise: Close-Up Of Text On Reflective Surface At Border Fencedescription Border Field State Park, San Diego For inSITE2000 Brazilian artist Valeska Soares was drawn to work directly with the border fence that divides the US and Mexico. Soares wanted specifically to find a way for people on either side of the border to be able to come together around a common theme or event and in some way create an exchange, or the illusion of an exchange, across the fence. Her initial proposal was for a garden project that would require a reconfiguration of the fence, yet it proved to be impossible to obtain permission to realize this idea. Soares changed her proposal but remained faithful to her concept of creating an opening in the fence. With Picturing Paradise the artist installed two highly polished large sheets of steel directly onto a section of chain-link fence at Playas de Tijuana, back to back, and as it were, creating the illusion of an opening in the fence, except what was seen was a reflection. Each mirrored surface was inscribed with an excerpt from Invisible Cities by Italo Calvino, a text that speaks of two mirror cities and what describes their shared reality. --inSITE2000 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 366) Tijuana River National Estuarine Research Reserve (Calif.) Tijuana, Playas de, Baja California Norte, Mexico [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Political Art Boundaries Border Art Public Art Sculpture (Visual Work) Mexican-American Border Region Fences Reflections (Perceived Properties) Installations (Visual Works) Insite2000contributor Calisphere -
The Good Neighbor
title The Good Neighbordescription Casa de la Cultura de Tijuana Installed at the Casa de la Cultura in Tijuana, Tony Capellan's inSITE97 piece, El buen vecino/The Good Neighbor, was a symbol of the border and the consequences brought by partitioning land between two powers. The two chairs at the heads of table represented to United States and Mexican governments, and the table, covered in chili peppers, was dissected by a raucous, spinning buzz saw. Originally conceived to represent two hundred years of land treaties between the two countries, the final installation emphasized the violence and loss experienced by Mexico when the country was divested of its lands. --inSITE97 Performing Arts (including Performance Art) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 03, Item 060) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Boundaries Sculpture (Visual Work) Machinery Deaths Mexican-American Border Region Violence Hazards Insite97 Installations (Visual Works) Border Art Furniturecontributor Calisphere -
Bird'S Eye View
title Bird'S Eye Viewdescription Eugenia Vargas, born in Chile and currently residing in Mexico City, works in the areas of Photography, performance and installation art. Her work deals with the politically charged issues of the border and the effects of pollution on the environment. In her installations, Vargas physically engages the earth and its elements in ritualistic ways - for example, by covering herself or a space with mud, straw, palm fronds or water. Vargas' project for inSITE94 will read as a large filter extending down from the ceiling of the Santa Fe Depot's concourse, using materials derived from the site. -- inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 391) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Vargas, Eugeniasubject Political Art Sculpture (Visual Work) Insite94 Filters And Filtration Installations (Visual Works) Border Artcontributor Calisphere