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Emigration And Immigration
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1 Million Deporations ain't Enough for Pres. Obama! Sign the Petition & Spread Art
title 1 Million Deporations ain't Enough for Pres. Obama! Sign the Petition & Spread Artdescription Favianna Rodriguez, César Maxit, 1 Million Deporations ain't Enough for Pres. Obama! Sign the Petition & Spread Art, 2011, digital image, Smithsonian American Art Museum, Museum purchase through the Julia D. Strong Endowment, 2020.38.4, © 2020, Favianna Rodriguezartist/creator Rodriguez, Faviannacontributor Smithsonian American Art Museum (SAAM) -
A Shared Hope (Esperanza Compartida), Los Angeles, 1995 A Shared Hope (Esperanza Compartida), Los Angeles, 1995
title A Shared Hope (Esperanza Compartida), Los Angeles, 1995 A Shared Hope (Esperanza Compartida), Los Angeles, 1995description A shared hope (Esperanza compartida), Los Angeles, 1995, Esperanza School, exterior facing playground, 680 Little Street (at Union Avenue). The themes are education, hope, and immigration. The school is composed of immigrants from Central America. Portraits of 27 students, parents, and teachers appear in the murals. In one panel the teacher is portrayed as a beacon, leading her students over the building blocks of life. In the other, community and family are celebrated as the foundation for the future. Acrylic, 2 panels, by Paul Botello, assisted by Ray Sanchez, Daniel Molina, Silvia Guadalupe Santos, Luis Fernando Mojica. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 82, #64.artist/creator Botello, Paul Mojica, Luis Fernando Sanchez, Ray Dunitz, Robin J Santos, Silvia Guadalupe Molina, Danielsubject Emigration And Immigration Hope Mural Painting And Decoration Students Education Parents Street Art Teacherscontributor Calisphere -
Celebration Of Diversity, Canoga Park, Los Angeles, 1990
title Celebration Of Diversity, Canoga Park, Los Angeles, 1990description Celebration of diversity, Canoga Park, Los Angeles, 1990. Lanark Park Recreation Center, exterior, 21816 Lanark Street (near Topanga Canyon Boulevard), Canoga Park. Individuals from successive waves of immigration to Los Angeles. They each hold objects symbolic of their culture. Acrylic, 24' x 10', by Francisco Letelier, assisted by Mario Bustamante, Carlos Caprio, May Young Chung. Sponsored by SPARC. -- Dunitz, Street gallery, p. 149, #55.contributor Calisphere -
La Tierra Prometida: Detail
title La Tierra Prometida: Detaildescription Decorative Arts, Utilitarian Objects and Interior Design Gonzalo Díaz's inSITE97 project, La tierra prometida/The Promised Land, was installed in the basement of the Children's Museum in San Diego. Following the fourteen Stations of the Cross, the installation was built upon fourteen columns each distinguished by a word with multiple meanings spelled out in blue neon. Each column was also marked by an illuminated bronze Roman numeral as well as enigmatic figure at the top of the column, shrouded in dark wrappings. Playing off of the large orthogonal space, Díaz created a mythological/spiritual space for the viewer. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 097) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Emigration And Immigration Boundaries Sculpture (Visual Work) Mexican-American Border Region Stations Of The Cross Neon Sculpture Insite97 Installations (Visual Works) Border Artcontributor Calisphere -
Toy-An-Horse: Construction Drawing
title Toy-An-Horse: Construction Drawingdescription For inSITE97, Marcos Ramirez ERRE collaborated with several artists to construct "Toy an Horse," a monumental wood and metal replica of the iconic Trojan Horse. Installed directly on top of the monument marking the border about 50 meters from the border cross-checkpoint at San Ysidro, the horse was visible to the 50,000 people crossing the border by car every day. Ramirez stated that the purpose of the project was to use the narrative symbolism of the Trojan horse to stimulate discussion about the border, invasion, cultural exchange, and dependency. --inSITE97 San Ysidro (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 292) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Border Crossing Boundaries Satire (Artistic Device) Insite97 Horses Trojan War Political Art Public Art Economics Emigration And Immigration Humor Mexican-American Border Region Tijuana (Baja California, Mexico) Blueprints Sculpture (Visual Work) Architecture (Object Genre) Drawings (Visual Works) Trojan Horse (Greek Mythology) Installations (Visual Works) Border Art Janus-Facedcontributor Calisphere -
Toy An Horse: Installed At The U.S.-Mexico Border Crossing
title Toy An Horse: Installed At The U.S.-Mexico Border Crossingdescription For inSITE97, Marcos Ramirez ERRE collaborated with several artists to construct "Toy an Horse," a monumental wood and metal replica of the iconic Trojan Horse. Installed directly on top of the monument marking the border about 50 meters from the border cross-checkpoint at San Ysidro, the horse was visible to the 50,000 people crossing the border by car every day. Ramirez stated that the purpose of the project was to use the narrative symbolism of the Trojan horse to stimulate discussion about the border, invasion, cultural exchange, and dependency. --inSITE97 San Ysidro (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 293) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Border Crossing Boundaries Satire (Artistic Device) Insite97 Horses Trojan War Political Art Public Art Economics Emigration And Immigration Humor Mexican-American Border Region Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Trojan Horse (Greek Mythology) Installations (Visual Works) Border Art Janus-Facedcontributor Calisphere -
Toy An Horse: Installed At The U.S.-Mexico Border Crossing
title Toy An Horse: Installed At The U.S.-Mexico Border Crossingdescription For inSITE97, Marcos Ramirez ERRE collaborated with several artists to construct "Toy an Horse," a monumental wood and metal replica of the iconic Trojan Horse. Installed directly on top of the monument marking the border about 50 meters from the border cross-checkpoint at San Ysidro, the horse was visible to the 50,000 people crossing the border by car every day. Ramirez stated that the purpose of the project was to use the narrative symbolism of the Trojan horse to stimulate discussion about the border, invasion, cultural exchange, and dependency. --inSITE97 San Ysidro (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 04, Item 294) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Border Crossing Boundaries Satire (Artistic Device) Insite97 Horses Trojan War Political Art Public Art Economics Emigration And Immigration Humor Mexican-American Border Region Tijuana (Baja California, Mexico) Sculpture (Visual Work) Architecture (Object Genre) Trojan Horse (Greek Mythology) Installations (Visual Works) Border Art Janus-Facedcontributor Calisphere -
Green Card
title Green Carddescription Architecture and City Planning Community Engagement Program, Tijuana. Garden and Landscape Mexican-American Border Region Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 432) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Emigration And Immigration Walls Humor Boundaries Materials--Deterioration Sculpture (Visual Work) Mexican-American Border Region Conversation Fences Insite97 Gesture Installations (Visual Works) Border Artcontributor Calisphere -
La Tierra Prometida: Detail Of Column With Neon Sculpture
title La Tierra Prometida: Detail Of Column With Neon Sculpturedescription Decorative Arts, Utilitarian Objects and Interior Design Gonzalo Díaz's inSITE97 project, La tierra prometida/The Promised Land, was installed in the basement of the Children's Museum in San Diego. Following the fourteen Stations of the Cross, the installation was built upon fourteen columns each distinguished by a word with multiple meanings spelled out in blue neon. Each column was also marked by an illuminated bronze Roman numeral as well as enigmatic figure at the top of the column, shrouded in dark wrappings. Playing off of the large orthogonal space, Díaz created a mythological/spiritual space for the viewer. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 098) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Emigration And Immigration Boundaries Sculpture (Visual Work) Mexican-American Border Region Stations Of The Cross Neon Sculpture Insite97 Installations (Visual Works) Border Artcontributor Calisphere -
La Tierra Prometida: Detail Showing Row Of Columns With Neon Sculptures
title La Tierra Prometida: Detail Showing Row Of Columns With Neon Sculpturesdescription Decorative Arts, Utilitarian Objects and Interior Design Gonzalo Díaz's inSITE97 project, La tierra prometida/The Promised Land, was installed in the basement of the Children's Museum in San Diego. Following the fourteen Stations of the Cross, the installation was built upon fourteen columns each distinguished by a word with multiple meanings spelled out in blue neon. Each column was also marked by an illuminated bronze Roman numeral as well as enigmatic figure at the top of the column, shrouded in dark wrappings. Playing off of the large orthogonal space, Díaz created a mythological/spiritual space for the viewer. --inSITE97 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The New Children's Museum (American museum) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 099) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Emigration And Immigration Boundaries Sculpture (Visual Work) Mexican-American Border Region Stations Of The Cross Neon Sculpture Insite97 Installations (Visual Works) Border Artcontributor Calisphere -
The Cloud: White Balloons Suspended In The Sky Over The United States/Mexico Border Wall
title The Cloud: White Balloons Suspended In The Sky Over The United States/Mexico Border Walldescription New York-based Chilean artist Alfredo Jaar's project for inSITE2000 was designed as an ephemeral monument in memory of the migrants who had died during the previous ten years while trying to cross the border between Mexico and the US. Entitled La nube/The Cloud the piece centered around the ceremonial release of over one thousand white balloons. With the balloons tethered together as a large cloud positioned immediately above the border fence at Valle del Matador/Goat Canyon, not far from Playas de Tijuana, the work took the form of a ceremony that included the performance of classical pieces by Albinoni, Bach and Veracini, the reading of a poem by Tijuana poet Victor Hugo Limon, and a minute of silence. The balloons were then released from the cluster and drifted off one by one across the sky as symbols of the souls of the dead migrants. --inSITE2000 Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This video file was extracted from a DVD-R from the InSite Archive (MSS 707, Box 256, DVD 00-08) Tijuana, Playas de, Baja California Norte, Mexico Valle del Matador/Goat Canyon [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Jaar, Alfredosubject Clouds White (Color) Memory Emigration And Immigration Walls Documentaries Boundaries Sculpture (Visual Work) Deaths Mexican-American Border Region Sky Rites And Ceremonies Insite2000 Commemorations (Events) Installations (Visual Works) Border Art Video Artcontributor Calisphere -
The Cloud: White Balloons Being Released While Musicians Perform
title The Cloud: White Balloons Being Released While Musicians Performdescription New York-based Chilean artist Alfredo Jaar's project for inSITE2000 was designed as an ephemeral monument in memory of the migrants who had died during the previous ten years while trying to cross the border between Mexico and the US. Entitled La nube/The Cloud the piece centered around the ceremonial release of over one thousand white balloons. With the balloons tethered together as a large cloud positioned immediately above the border fence at Valle del Matador/Goat Canyon, not far from Playas de Tijuana, the work took the form of a ceremony that included the performance of classical pieces by Albinoni, Bach and Veracini, the reading of a poem by Tijuana poet Victor Hugo Limon, and a minute of silence. The balloons were then released from the cluster and drifted off one by one across the sky as symbols of the souls of the dead migrants. --inSITE2000 Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 165) Tijuana, Playas de, Baja California Norte, Mexico Valle del Matador/Goat Canyon [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Jaar, Alfredosubject Clouds White (Color) Memory Emigration And Immigration Walls Boundaries Sculpture (Visual Work) Music Deaths Mexican-American Border Region Sky Rites And Ceremonies Musicians Insite2000 Commemorations (Events) Installations (Visual Works) Border Artcontributor Calisphere -
The Cloud: White Balloons Being Released
title The Cloud: White Balloons Being Releaseddescription New York-based Chilean artist Alfredo Jaar's project for inSITE2000 was designed as an ephemeral monument in memory of the migrants who had died during the previous ten years while trying to cross the border between Mexico and the US. Entitled La nube/The Cloud the piece centered around the ceremonial release of over one thousand white balloons. With the balloons tethered together as a large cloud positioned immediately above the border fence at Valle del Matador/Goat Canyon, not far from Playas de Tijuana, the work took the form of a ceremony that included the performance of classical pieces by Albinoni, Bach and Veracini, the reading of a poem by Tijuana poet Victor Hugo Limon, and a minute of silence. The balloons were then released from the cluster and drifted off one by one across the sky as symbols of the souls of the dead migrants. --inSITE2000 Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 166) Tijuana, Playas de, Baja California Norte, Mexico Valle del Matador/Goat Canyon [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Jaar, Alfredosubject Clouds White (Color) Memory Emigration And Immigration Walls Boundaries Sculpture (Visual Work) Deaths Mexican-American Border Region Sky Rites And Ceremonies Insite2000 Commemorations (Events) Installations (Visual Works) Border Artcontributor Calisphere -
The Cloud: White Balloons Suspended In The Sky Over The United States/Mexico Border Wall
title The Cloud: White Balloons Suspended In The Sky Over The United States/Mexico Border Walldescription New York-based Chilean artist Alfredo Jaar's project for inSITE2000 was designed as an ephemeral monument in memory of the migrants who had died during the previous ten years while trying to cross the border between Mexico and the US. Entitled La nube/The Cloud the piece centered around the ceremonial release of over one thousand white balloons. With the balloons tethered together as a large cloud positioned immediately above the border fence at Valle del Matador/Goat Canyon, not far from Playas de Tijuana, the work took the form of a ceremony that included the performance of classical pieces by Albinoni, Bach and Veracini, the reading of a poem by Tijuana poet Victor Hugo Limon, and a minute of silence. The balloons were then released from the cluster and drifted off one by one across the sky as symbols of the souls of the dead migrants. --inSITE2000 Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 167) Tijuana, Playas de, Baja California Norte, Mexico Valle del Matador/Goat Canyon [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Jaar, Alfredosubject Clouds White (Color) Memory Emigration And Immigration Walls Boundaries Sculpture (Visual Work) Deaths Mexican-American Border Region Sky Rites And Ceremonies Insite2000 Commemorations (Events) Installations (Visual Works) Border Artcontributor Calisphere -
The Cloud: White Balloons Suspended In The Sky
title The Cloud: White Balloons Suspended In The Skydescription New York-based Chilean artist Alfredo Jaar's project for inSITE2000 was designed as an ephemeral monument in memory of the migrants who had died during the previous ten years while trying to cross the border between Mexico and the US. Entitled La nube/The Cloud the piece centered around the ceremonial release of over one thousand white balloons. With the balloons tethered together as a large cloud positioned immediately above the border fence at Valle del Matador/Goat Canyon, not far from Playas de Tijuana, the work took the form of a ceremony that included the performance of classical pieces by Albinoni, Bach and Veracini, the reading of a poem by Tijuana poet Victor Hugo Limon, and a minute of silence. The balloons were then released from the cluster and drifted off one by one across the sky as symbols of the souls of the dead migrants. --inSITE2000 Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 168) Tijuana, Playas de, Baja California Norte, Mexico Valle del Matador/Goat Canyon [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Jaar, Alfredosubject Clouds White (Color) Memory Emigration And Immigration Walls Boundaries Sculpture (Visual Work) Deaths Mexican-American Border Region Sky Rites And Ceremonies Insite2000 Commemorations (Events) Installations (Visual Works) Border Artcontributor Calisphere -
He Made It
title He Made Itdescription Photograph caption dated October 25, 1956 reads, "Wanderley grins with relief as he and Buddy Foster stroll around border area on U.S. side after all official papers and oaths were completed making him legal U.S. resident. For Daisy and William Foster it meant the end of a seven-month effort to gain youth entry."; See images #00144744 through #00144746 for all photos in this series. Photograph was edited for publication purposesartist/creator Made Accessible Through A Grant From The John Randolph Haynes And Dora Haynes Foundation And Photo Friends This Project Was Supported In Whole Or In Part By The U.S. Institute Of Museum And Library Services Under The Provisions Of The Library Services And Technology Act, Administered In California By The State Librariansubject Valley Times Collection Photographs Mexican-American Border Region Men--Mexican-American Border Region Women--Mexican-American Border Region Families--Mexican-American Border Region Streets--Mexican-American Border Region Automobiles--Mexican-American Border Region Emigration And Immigration Boys--Mexican-American Border Region Immigrants--United Statescontributor Digital Public Library of America (DPLA)