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Imperialism
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Untitled (Cover), from Calendario de Comida 1976
title Untitled (Cover), from Calendario de Comida 1976description Ralph Maradiaga, Untitled (Cover), from Calendario de Comida 1976, 1975, screenprint on paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.36artist/creator Maradiaga, Ralphcontributor Smithsonian American Art Museum (SAAM) -
Un ícono de resistencia
title Un ícono de resistenciadescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Anreus, Alejandro -
The Indians of The Big Bend Country
title The Indians of The Big Bend Countrydescription This is a research paper written by Nancy Edwards for an American History Class at Marfa High School in April 1968. The paper discusses the various tribes in west Texas and how they lived, artifacts found in pueblos and caves, historical descriptions of early Spanish interactions with the tribes, and relationships between the tribes. It covers popular legends of some tribes and legends surrounding the Marfa Lights.artist/creator Edwards, Nancysubject Comanches Jumanos People - Ethnic Groups - American Indians Basketmakers Pueblos Apaches Marfa High School Marfa Lights Artifacts Imperialism Colonizationcontributor Portal to Texas History (TPTH) -
A Caribbean Shark Story, From 1983 Political Art Calendar
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1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Megaphones Gómez-Peña, Guillermocontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Imperialism Gómez-Peña, Guillermo Performance Art Costumes Gesture Candlescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gesture Candles Masks Flagscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Candles Flagscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Death Political Art Imperialism Skull Gómez-Peña, Guillermo Performance Art Costumes Gesture Stage Lightingcontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Satire (Artistic Device) Drinking Vessels Performance Art Costumes Gesture Hearts (Motifs)contributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Death Political Art Imperialism Skull Performance Art Costumes Gómez-Peña, Guillermo Stage Lighting Maskscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdressescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gesture Veilscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdresses Flagscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Popular Culture Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Maskscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing Christopher Columbus's discovery of America 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gesture Headdressescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing Christopher Columbus's discovery of America 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Popular Culture Political Art Humor Imperialism Wrestlers Satire (Artistic Device) Performance Art Costumes Maskscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermocontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription "1992" a Performance Trilogy by Guillermo Gómez-Peña Assemblage of two "1992" performance stills advertising the performance. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Advertisements Political Art Humor Imperialism Native American Microphone Satire (Artistic Device) Performance Art Costumes Gesture Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Flagscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Flagscontributor Calisphere -
Metamorphosis
title Metamorphosisdescription Performing Arts (including Performance Art) San Diego-based artist Deborah Small's project for inSITE94, titled Metamorphosis/Metamorfosis, explored the life and original research of seventeenth-century entomologist Maria Sybylla Merian. The installation drew on Merian's observations as a naturalist and her prolific engraved records of flora and fauna in the Dutch colony of Surinam. Apart from the work performed by Merian, the interest for Small was in the intersection of colonizer and the colonized, created by Merian's presence as a white European woman in a society and social system reliant on patriarchy, both at home and in the colony. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 347) Timken Museum of Art [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Small, Deborahsubject Colonization Imperialism Artifacts Sculpture (Visual Work) Merian, Maria Sibylla, 1647-1717 Patriarchy Feminism Mexican-American Border Region Insite94 Natural History Museums Installations (Visual Works)contributor Calisphere