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Identity (Philosophical Concept)
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Apparitions: Detail Of Audience Member With Projection In Background
title Apparitions: Detail Of Audience Member With Projection In Backgrounddescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 394) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
Dialogue 1: Liminal Zones / Coursing Flows
title Dialogue 1: Liminal Zones / Coursing Flowsdescription Film, Audio, Video and Digital Art Salk Institute for Biological Studies Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Video recording, in four parts, of presentations and discussions about borders, globalization, identity and inSite_05 at the Salk Institute for Biological Studies in La Jolla, California. [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Space (Composition Concept) Geography Identity (Philosophical Concept) Other (Philosophy) Boundaries San Diego (Calif.) Art Museums Videorecording Lectures Ecology Deconstruction Insite_05 Critical Theory Capital Globalization Artists Tricksters Architecture Mexican-American Border Region Demonstrations Urban Planning Tijuana (Baja California, Mexico) Symposia Walls Ramírez Erre, Marcos (Mexican Installation Artist And Sculptor, Born 1961) Border Art Unhousedcontributor Calisphere -
Apparitions: Detail Of Audience Member
title Apparitions: Detail Of Audience Memberdescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 395) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
Apparitions: Viewers
title Apparitions: Viewersdescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 396) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
The Invisible Man (My Way): Wrestling Ring And Audience
title The Invisible Man (My Way): Wrestling Ring And Audiencedescription Auditoria Municipal de Tijuana (Baja California, Mexico) Conceived by Mexico City artist Carlos Amorales as a further elaboration of the identity of his wrestling character, Amorales, his project for inSITE2000, "The Invisible Man (My Way)/El hombre invisible (A mi manera)," took the form of two public and distinct wrestling performances. On Friday, January 19, 2001, two wrestlers from Holland, Amorales and Amorales, were featured in a fight against Mexican wrestling stars Satanico and Ultimo Guerrero. The match was part of the regular Friday night program at the Auditorio Municipal, Tijuana. The crowd of 3,500 was quiet with uncertainty as these two unknown Dutch lucha libre personalities walked into the ring. The uncertainty was transformed to excitement as the audience realized that the two Amoraleses were not impostors, but professional lucha libre wrestlers. By the end of the fight, the audience was divided between those screaming, "Amorales, Amorales!" and those who were faithful to the national wrestlers, evil as they might be. At 8:00 pm, on Saturday, January 20, 2001, the sequel of the Amorales wrestling match took place as the centerpiece of a black-tie dinner at the prestigious Wyndham Emerald Plaza Hotel in downtown San Diego. The fight was followed by dancing with music mixed live by Silverio. -- inSITE2000 Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 026) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Identity (Philosophical Concept) Boundaries Wrestlers Mexican-American Border Region Audiences Performance Art Sports Auditoriums Insite2000 Border Art Wrestlingcontributor Calisphere -
Apparitions: Film Still
title Apparitions: Film Stilldescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. --inSITE94 This film still is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 397) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere -
Esl: Tonguetied
title Esl: Tonguetieddescription Boehm Gallery, Palomar College Drawings and Watercolors Graphic Design and Illustration Paintings Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The Border Art Workshop/Taller de Arte Fronterizo's project, "ESL: tonguetied/lenguatrabada," dealt with the subject of cultural identity and the difficulties encountered in learning a language other than one's mother tongue. The project specifically referenced the impact of the recently adapted Proposition 187, a 1994 California ballot initiative designed to limit social services, health care, and public education for undocumented workers. At the same time, the project provided a space for responding to the implications of differentiating between "legal" and "illegal" immigrants. The installation consisted of a mock classroom with written questions on all surfaces and blackboard walls where viewers were invited to express their thoughts on the issues. -- inSITE94 This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 038) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Language Identity (Philosophical Concept) Political Art Education Sculpture (Visual Work) Mexican-American Border Region Classrooms Insite94 Undocumented Immigrants Immigrants Installations (Visual Works) Border Art Prejudicescontributor Calisphere -
The Invisible Man (My Way): Wrestlers Wrestling In Ring
title The Invisible Man (My Way): Wrestlers Wrestling In Ringdescription Conceived by Mexico City artist Carlos Amorales as a further elaboration of the identity of his wrestling character, Amorales, his project for inSITE2000, "The Invisible Man (My Way)/El hombre invisible (A mi manera)," took the form of two public and distinct wrestling performances. On Friday, January 19, 2001, two wrestlers from Holland, Amorales and Amorales, were featured in a fight against Mexican wrestling stars Satanico and Ultimo Guerrero. The match was part of the regular Friday night program at the Auditorio Municipal, Tijuana. The crowd of 3,500 was quiet with uncertainty as these two unknown Dutch lucha libre personalities walked into the ring. The uncertainty was transformed to excitement as the audience realized that the two Amoraleses were not impostors, but professional lucha libre wrestlers. By the end of the fight, the audience was divided between those screaming, "Amorales, Amorales!" and those who were faithful to the national wrestlers, evil as they might be. At 8:00 pm, on Saturday, January 20, 2001, the sequel of the Amorales wrestling match took place as the centerpiece of a black-tie dinner at the prestigious Wyndham Emerald Plaza Hotel in downtown San Diego. The fight was followed by dancing with music mixed live by Silverio. -- inSITE2000 Performing Arts (including Performance Art) Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 01, Item 025) Wyndam Emerald Plaza Hotel, San Diego, California, United States [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Identity (Philosophical Concept) Boundaries Wrestlers Mexican-American Border Region Audiences Performance Art Sports Auditoriums Insite2000 Border Art Wrestlingcontributor Calisphere -
Apparitions: Detail Of Audience Seating With Projection In Background
title Apparitions: Detail Of Audience Seating With Projection In Backgrounddescription Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) The collaborative group VITAL SIGNS, composed of artists and computer programmers at the University of California, San Diego, created a computer-generated virtual reality environment using video projections that combined the real with the virtual. An effort to understand and investigate the then new virtual technology and its impact of the real gave rise to the group's project for inSITE94, titled "APPARITIONS." Within the created environment of "APPARITIONS" one could interact on screen under an assumed identity with other participants who had entered the created world. VITAL SIGNS members for inSITE94 included Sheldon Brown, Kelly Coyne, Cheryl Devereaux, Jason Ditmars, Brian Duggan, Christa Erickson, Dorota Jakubowski, Tim Nohe, Eric Riel, Mark Tribe, Niklas Vollmer and Payton White. This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 393) University of California, San Diego. University Art Gallery [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Unknownsubject Identity (Philosophical Concept) Virtual Reality (Vr) Audiences Insite94 Technology Installations (Visual Works) Video Artcontributor Calisphere