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When the Opportunist Is King, Women Are a Commodity

title When the Opportunist Is King, Women Are a Commodity

description Acrylic on linen / acrílico sobre lino. 52 3/4" x 67 1/2".

artist/creator Álvarez, Cecilia Concepción

subject National Museum of Mexican Art (NMMA) 25th Anniversary Donation Feminism Washington (State)--Seattle Women Figurative art Oppression Liberation Women of Juárez Violence Rastros y cronicas Women artists California Society Skull in art Día de los muertos Day of the Dead Día de muertos Días de los muertos Suffering Pain Money Guadalupe, Our Lady of Religion in art Pink crosses Factories Borderlands Frontera

contributor National Museum of Mexican Art (NMMA)
La Chicana

title La Chicana

description

artist/creator Barraza, Jesus

subject Portraits Feminism Chicana feminism Prints Screen prints

contributor Smithsonian American Art Museum (SAAM)
[La pregunta de cómo uno puede funcionar como un activista...]

title [La pregunta de cómo uno puede funcionar como un activista...]

description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website section

artist/creator Crockford, Michael

subject Mexican American Activists Feminism Artists López, Yolanda M. Fusco, Coco Gómez-Peña, Guillermo

contributor International Center for the Arts of the Americas at the Museum of Fine Arts, Houston (ICAA)
Yolanda López

title Yolanda López

description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website section

artist/creator Polanco, Katiusca Mormile, Linda M. Fredman, Gina F. Roman, Miguel A. Crockford, Michael Exposito, Alessandra V. Dolak, Kelly J.

subject Mexican American Activists Feminism Artists López, Yolanda M. Fusco, Coco Gómez-Peña, Guillermo

contributor International Center for the Arts of the Americas at the Museum of Fine Arts, Houston (ICAA)
Angela Davis

title Angela Davis

description These posters are unique primary historical documents that record local events that might otherwise go untold and address diverse social issues.

artist/creator Barraza, Jesus

subject Black Power Women Black Panther Party Political Prisoners Black Power--United States--History--20Th Century African Americans Davis, Angela Y. (Angela Yvonne), 1944- Portraits Feminism

contributor Calisphere
Abode: Sanctuary For The Familia(R): General View Of Installation In Santa Fe Depot

title Abode: Sanctuary For The Familia(R): General View Of Installation In Santa Fe Depot

description San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 151) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Howard, Mildred Rittermann, Philipp Scholz

subject African Americans Houses Political Art Color San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Blue (Color) Installations (Visual Works) Border Art

contributor Calisphere
Abode: Sanctuary For The Familia(R): Detail Of Blue Glass Bottles

title Abode: Sanctuary For The Familia(R): Detail Of Blue Glass Bottles

description San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 152) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Howard, Mildred Watts, Lewis, 1946-

subject African Americans Houses Political Art Color San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Blue (Color) Installations (Visual Works) Border Art

contributor Calisphere
The Middle Of The Road

title The Middle Of The Road

description After her initial residency in the region, Mexico City artist Silvia Gruner was drawn to working directly on the border fence. She chose a stretch of the fence running along the residential neighborhood of Colonia Libertad in Tijuana. Entitled "The Middle of the Road/La mitad del camino," the installation consisted of more than 100 replicas of the Aztec goddess Tlazolteotl in a birthing position on metal stools, mounted directly onto the border fence. The goddess suggests fertility, a point of passage - an entering through the ritual of birth where life is being recycled or regenerated. Colonia Libertad, Baja California Norte, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 135) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Gruner, Sylvia

subject Childbirth Walls Goddesses Political Art Boundaries Stools Public Art Sculpture (Visual Work) Feminism Mexican-American Border Region Fertility Tlazolteotl (Aztec Deity) Insite94 Fences Installations (Visual Works) Border Art

contributor Calisphere
Abode: Sanctuary For The Familia(R): General View Of Installation In Santa Fe Depot

title Abode: Sanctuary For The Familia(R): General View Of Installation In Santa Fe Depot

description San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 153) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Howard, Mildred Rittermann, Philipp Scholz

subject African Americans Houses Political Art Color San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Blue (Color) Installations (Visual Works) Border Art

contributor Calisphere
Awasinake (On The Other Side): General View Of Theatre Facade And Marquee

title Awasinake (On The Other Side): General View Of Theatre Facade And Marquee

description Casino Theatre, San Diego (Calif.) For inSITE97, Rebecca Belmore created a large-scale photographic work installed on the abandoned marquee of the historic Casino Theatre in downtown San Diego. "Awasinake (on the Other Side)/Awasinake (en el otro lado)" was based on the ritual of waiting to cross the border from Mexico to the US. Belmore wanted the photographs of indigenous women waiting at the border fence in Tijuana to reflect the mood of the dilapidated Casino Theatre itself, waiting to be reclaimed and refurbished by the city. The size and elongated format of the portraits evoked the feel of an epic narrative unfolding before the viewer. --inSITE97 Photographs Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 042) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Belmore, Rebecca Rittermann, Philipp Scholz

subject Refurbishment Façades Political Art Portraits Boundaries Sculpture (Visual Work) Public Art Feminism Mexican-American Border Region Insite97 Marquees Renovation Installations (Visual Works) Border Art

contributor Calisphere
Abode: Sanctuary For The Familia(R)

title Abode: Sanctuary For The Familia(R)

description San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 154) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Howard, Mildred Watts, Lewis, 1946-

subject African Americans Houses Political Art Color San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Blue (Color) Installations (Visual Works) Border Art

contributor Calisphere
From Cotton To Coal… The Last Train

title From Cotton To Coal… The Last Train

description Decorative Arts, Utilitarian Objects and Interior Design San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 155) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Howard, Mildred

subject African Americans Political Art San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Installations (Visual Works) Border Art Labor

contributor Calisphere
Metamorphosis

title Metamorphosis

description Performing Arts (including Performance Art) San Diego-based artist Deborah Small's project for inSITE94, titled Metamorphosis/Metamorfosis, explored the life and original research of seventeenth-century entomologist Maria Sybylla Merian. The installation drew on Merian's observations as a naturalist and her prolific engraved records of flora and fauna in the Dutch colony of Surinam. Apart from the work performed by Merian, the interest for Small was in the intersection of colonizer and the colonized, created by Merian's presence as a white European woman in a society and social system reliant on patriarchy, both at home and in the colony. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 347) Timken Museum of Art [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Small, Deborah

subject Colonization Imperialism Artifacts Sculpture (Visual Work) Merian, Maria Sibylla, 1647-1717 Patriarchy Feminism Mexican-American Border Region Insite94 Natural History Museums Installations (Visual Works)

contributor Calisphere
From Cotton To Coal… The Last Train

title From Cotton To Coal… The Last Train

description Decorative Arts, Utilitarian Objects and Interior Design San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 156) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Howard, Mildred

subject African Americans Political Art San Diego (Calif.) Sculpture (Visual Work) History Feminism Mexican-American Border Region Insite94 Installations (Visual Works) Border Art Labor

contributor Calisphere
Abode: Sanctuary For The Familia(R)

title Abode: Sanctuary For The Familia(R)

description San Francisco artist Mildred Howard sited her inSITE94 project in the baggage building of the Santa Fe Depot. Her installation consisted of two components, "Abode: Sanctuary for the Familia(r)/Hogar: el santuario para lo familia(r)" and "From Cotton to Coal ... the Last Train/Del algodón al carbón ... El último tren." As a continuation of her exploration of architectural forms and everyday materials that poetically call forth issues of cultural identity and memory, Howard chose to reinstall "Abode," first created for the San Jose Museum of Art. "Abode" and "From Cotton to Coal" reference Howard's own cultural history as an African-American woman --inSITE94 San Jose Museum of Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 06, Item 150) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Howard, Mildred Watts, Lewis, 1946-

subject Houses Political Art Color Sculpture (Visual Work) History Feminism Insite94 Blue (Color) Installations (Visual Works) African Americans

contributor Calisphere
The Middle Of The Road

title The Middle Of The Road

description After her initial residency in the region, Mexico City artist Silvia Gruner was drawn to working directly on the border fence. She chose a stretch of the fence running along the residential neighborhood of Colonia Libertad in Tijuana. Entitled "The Middle of the Road/La mitad del camino," the installation consisted of more than 100 replicas of the Aztec goddess Tlazolteotl in a birthing position on metal stools, mounted directly onto the border fence. The goddess suggests fertility, a point of passage - an entering through the ritual of birth where life is being recycled or regenerated. Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 136) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Gruner, Sylvia

subject Childbirth Walls Goddesses Political Art Boundaries Stools Public Art Sculpture (Visual Work) Feminism Mexican-American Border Region Fertility Tlazolteotl (Aztec Deity) Insite94 Fences Installations (Visual Works) Border Art

contributor Calisphere
Towers And No Return: Towers In Foreground With No Return Against Back Wall

title Towers And No Return: Towers In Foreground With No Return Against Back Wall

description Centro Cultural Tijuana Mexico City artist Gabriela López Portillo created a two-part project for inSITE94 installed at the Centro Cultural Tijuana. Entitled "Towers/Torres" and "No Return/No regreso," the two pieces poetically resonated with each other in terms of material and form. "No Return" was a delicate ladder woven from the artist's own hair and suspended in mid-air. The second piece, "Towers," was made of cut and polished black marble pieces stacked to form tapered towers out of which braids of human hair wound like serpents. The artist stated that she wanted to create a piece that drew from her own being and reference the limitations society places on women. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 01, Item 201) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Portillo, Gabriela López

subject Towers Sculpture (Visual Work) Mexican-American Border Region Feminism Insite94 Ladders Installations (Visual Works)

contributor Calisphere
Awasinake (On The Other Side): Detail Of Photographs On Marquee

title Awasinake (On The Other Side): Detail Of Photographs On Marquee

description Casino Theatre, San Diego (Calif.) For inSITE97, Rebecca Belmore created a large-scale photographic work installed on the abandoned marquee of the historic Casino Theatre in downtown San Diego. "Awasinake (on the Other Side)/Awasinake (en el otro lado)" was based on the ritual of waiting to cross the border from Mexico to the US. Belmore wanted the photographs of indigenous women waiting at the border fence in Tijuana to reflect the mood of the dilapidated Casino Theatre itself, waiting to be reclaimed and refurbished by the city. The size and elongated format of the portraits evoked the feel of an epic narrative unfolding before the viewer. --inSITE97 Photographs Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 043) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Belmore, Rebecca Rittermann, Philipp Scholz

subject Refurbishment Façades Political Art Portraits Boundaries Sculpture (Visual Work) Public Art Feminism Mexican-American Border Region Insite97 Marquees Renovation Installations (Visual Works) Border Art

contributor Calisphere
The Middle Of The Road: Detail Of The Aztec Goddess Tlazolteotl Against Border Fence

title The Middle Of The Road: Detail Of The Aztec Goddess Tlazolteotl Against Border Fence

description After her initial residency in the region, Mexico City artist Silvia Gruner was drawn to working directly on the border fence. She chose a stretch of the fence running along the residential neighborhood of Colonia Libertad in Tijuana. Entitled "The Middle of the Road/La mitad del camino," the installation consisted of more than 100 replicas of the Aztec goddess Tlazolteotl in a birthing position on metal stools, mounted directly onto the border fence. The goddess suggests fertility, a point of passage - an entering through the ritual of birth where life is being recycled or regenerated. Colonia Libertad, Baja California Norte, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 137) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Gruner, Sylvia

subject Childbirth Walls Goddesses Political Art Boundaries Stools Public Art Sculpture (Visual Work) Feminism Mexican-American Border Region Fertility Tlazolteotl (Aztec Deity) Insite94 Fences Installations (Visual Works) Border Art

contributor Calisphere
Awasinake (On The Other Side): Theatre Facade With Marquee Photographs At Dusk

title Awasinake (On The Other Side): Theatre Facade With Marquee Photographs At Dusk

description For inSITE97, Rebecca Belmore created a large-scale photographic work installed on the abandoned marquee of the historic Casino Theatre in downtown San Diego. "Awasinake (on the Other Side)/Awasinake (en el otro lado)" was based on the ritual of waiting to cross the border from Mexico to the US. Belmore wanted the photographs of indigenous women waiting at the border fence in Tijuana to reflect the mood of the dilapidated Casino Theatre itself, waiting to be reclaimed and refurbished by the city. The size and elongated format of the portraits evoked the feel of an epic narrative unfolding before the viewer. --inSITE97 Photographs Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 044) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.

artist/creator Belmore, Rebecca Rittermann, Philipp Scholz

subject Refurbishment Façades Political Art Portraits Boundaries Sculpture (Visual Work) Public Art Feminism Mexican-American Border Region Evening Insite97 Marquees Renovation Installations (Visual Works) Border Art

contributor Calisphere
¡La Mujer! ¡En Pie De Lucha Y La Hora Es Ya!

title ¡La Mujer! ¡En Pie De Lucha Y La Hora Es Ya!

description Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained Linda Lucero c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Mar. 1, 1974. Red background with brown woman in white. Her one hand is raised with a white star at the right top corner. Done by Cucarachas in accíon. not signed

artist/creator Artist Unknown

subject Mexican American Art Feminism Chicano Art Prints Mexican Americans Women In Art Posters Graphic Arts Chicanos

contributor Calisphere
Birth

title Birth

description A piece of handmade paper serves as the base for this sculpture. On it are placed two pink rectangular prisms arranged to form the shape of a capital lambda. The resulting triangle in the center is white. Wool is bound to the outside of these prisms with coiled wire. Call Number: Box 09, folder 04, slide 01 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com

artist/creator Vallejo, Linda

subject Art, Abstract Chicana Art Sculpture Chicana feminism Monotypes Abstraction Abstracts Feminism Electric wires Womb Fetus Birth Mixed Media

contributor Calisphere
Libertad

title Libertad

description Etching print depicts a Chicana chiseling indigenous iconography out of the Statue of Liberty. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Hernandez, Ester

subject Statue Of Liberty (New York, N.Y.) In Art Mexican American Art Liberty Artists Monuments In Art Chicano Art Prints Chicano Movement Mexican Americans Identity Chicana Art Women In Art Chicanas Graphic Arts Chicanos pre-Columbian Maya stelae feminism

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural in unknown media on an unknown outdoor wall depicts a Japanese woman on a background of a map of Asia. A ship off the shore is labeled "Black Ship Invasion", in reference to Commodore Perry's opening of Japanese markets. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Ochoa, Victor

subject International Relations Mexican American Art Intergroup Relations Yosano, Akiko, 1878-1942 Feminism Mural Art Chicano Art Ships In Art Transportation Women In Art Perry, Matthew Calbraith, 1794-1858 Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural on an exterior wall depicts a female construction worker, farmworker, and a teacher. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Torero, Mario

subject Farm Workers Mexican American Art Agricultural Laborers Feminism Mural Art Chicano Art Women In Art Chicanas Mexican Americans Chicanos

contributor Calisphere
International Women'S Year, Announcement Poster For

title International Women'S Year, Announcement Poster For

description Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/ Unknown edition. unsigned. chopmark: "RCAF" located at the bottom center of the image area. Announcement poster for "International Women's Year." Images of two indigenous women--one is leaning on the other, and two young girl faces. Gray, green and red type on a yellow background reads: "Third World Women Celebrate, International Women's Year, 1975, April 26 & 27, CSUS, 11-6 pm, rm 125, Old Library...Org. of Women." [Addendum: information given by Ricardo Favela 2/97. Collaboration between Rudolfo 'Rudy' and Louie 'The Foot' Gonzalez.]

artist/creator González, Louie "The Foot"

subject Women'S Rights Mexican American Art Women Asian Americans Feminism Chicano Art Prints Mexican Americans Children And Adults In Art Women In Art Posters Graphic Arts Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Acrylic paint on concrete freeway support pillar, Chicano Park, San Diego. Detail is of a woman cradling an infant in a hemisphere of the Earth. Above and below are feminine symbols and presences. Cat.8 013(16) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/

artist/creator Villa, Esteban

subject Mural Art Royal Chicano Air Force Symbolism Nudes Eagles Murals (Any Medium) Globes Infants In Art Mural Paintings Feminism Chicana Art Women In Art Mexican Americans Mexican American Art Women Crosses In Art Yin Yang Symbol Chicano Art Chicanas Chicanos

contributor Calisphere
International Women'S Year, Announcement Poster For

title International Women'S Year, Announcement Poster For

description Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/ Unsigned. Inscription on the purple area located in the lower right corner of the image area reads: "Photo Hector Gonzalez, RCAF, Sacra." Announcement Poster for "International Women's Year." Photo-silkscreen in purple and blue of Royal Chicano Air Force women (Rosalie 'Huatacha' Souza and Juanita Polendo) being "busted" by the police. Around the image in black it reads: "International Women's year, Chicana 1975." There are two versions of this print; one of them in tan for the background and brown for the figures.

artist/creator González, Louie "The Foot"

subject Mexican American Art Women Feminism Chicano Art Prints Mexican Americans Police In Art Women In Art Posters Chicanas Graphic Arts Chicanos

contributor Calisphere
Third World Women Celebrate International Women's Year, 1975

title Third World Women Celebrate International Women's Year, 1975

description Cat.5 077 Silkscreened images of women and girls on yellow background. Text reads, "Third World Women Celebrate International Women's Year, 1975 April 26 & 27 CSUS 11~6 PM RM. 125 Old Library Third World Women's Alliance Nat'l Alliance Against Racism And Political Repression California Homemakers Assoc Puerto Rican Org. of Women RCAF" The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/;

artist/creator Artist Unknown

subject Politics In Art Graphic Arts Asian Americans Prints Women - Puerto Rico Prints - Technique Feminism Silkscreen Chicana Art Women In Art Mexican Americans Asian American Women Mexican American Art Women Chicano Art Girls--Portraits Posters Chicanas Chicanos

contributor Calisphere
Primer [Sic] Conferencia Femenil De Sacramento, Announcement Poster For

title Primer [Sic] Conferencia Femenil De Sacramento, Announcement Poster For

description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/ Unsigned; chopmark: "RCAF" in black located in the lower right corner of the image area. Announcement poster for "Primer [sic] Conferencia Femenil [sic] de Sacramento March 24th, Westminster Church, 1300 N St." Image of a woman's red and brown face. Her arms are holding up a globe that contains the text.

artist/creator García, Eva

subject Women'S Rights Globes Mexican American Art Women Conferences Feminism Chicano Art Prints Chains Mexican Americans Chicana Art Women In Art Posters Chicanas Graphic Arts Chicanos

contributor Calisphere
Of Goddesses And Grandmothers (Detail)

title Of Goddesses And Grandmothers (Detail)

description Cat 1 005(7) From El Día de los Muertos 1985 exhibition and celebration at Galería de la Raza. Photo is of an altar to the artist's grandmother, whose photograph is in the center. It also features photos of Tlazolteotl and Frida Kahlo, calaveras, and indigenous sculptures. Detail is of the altar's dedication, which reads: "Of Goddesses and Grandmothers" A personal tribute to the spiritual legacy and powerful goddess energy inherent in my ancestral past... especially present in the spirit and memory of my loving grandmother whose beauty, strenght and sense of history is a source of daily inspirati[on] frances marie [illegible] S.F. CA. nov [illegible]." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Artist Unknown

subject Jewelry In Art Mexican American Art Altars Mesoamerican Feminism Chicano Art Corn In Art Death In Art Día De Los Muertos Chicanas Mexican Americans Chicanos

contributor Calisphere
W X W (Woman By Woman) Exhibition, Announcement Mural For

title W X W (Woman By Woman) Exhibition, Announcement Mural For

description Cat.3 063(6) Mural from outside the Galería de la Raza announcing exhibition/events. Text reads, "Women speaking a....Critique May 29-8pm Music & Comedy May 25-8pm WxW Women by Women May 10~June 1 Galería de la Raza" The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Galería De La Raza

subject Mexican American Art Women Humor Music Mural Paintings Feminism Mural Art Art - Exhibitions Chicano Art Murals (Any Medium) Hand In Art Chicana Art Paintings Sex Stereotypes Chicanas Mexican Americans Chicanos

contributor Calisphere
In Progress Exhibition

title In Progress Exhibition

description Cat. 3 054(24) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org Yolanda Lopez pauses from her work for a photograph at the exhibition curated by René Yáñez. Her portable mural places a Pre-Columbian statue of Coatlicue in the typical trappings of the Virgen de Guadalupe.

artist/creator Galería De La Raza López, Yolanda M.

subject Mexican American Art Aztec Goddesses Pre-Columbian Women Artists Feminism Art - Exhibitions Chicano Art Syncretism (Religion) Guadalupe, Our Lady Of Chicana Art Sculpture Coatlicue (Aztec Deity) Chicanas Mexican Americans Chicanos

contributor Calisphere
Big Girls Don'T Cry

title Big Girls Don'T Cry

description Cat.8 036(1) Portable mural in Politec acrylics depicts a woman with metal angelic wings. She is armed and wears a uniform. From in Progress Exhibition, curated by René Yáñez at Galería de La Raza (May 4 - June 12, 1982). The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Rodríguez, Spain

subject Angels In Art Mexican American Art Knives In Art Weapons In Art Feminism Chicano Art Chicana Art Women In Art Chicanas Mexican Americans Chicanos

contributor Calisphere
Of Goddesses And Grandmothers

title Of Goddesses And Grandmothers

description Cat. 1 005(6) From El Día de los Muertos 1985 exhibition and celebration at Galería de la Raza. Photo is of an altar to the artist's grandmother, whose photograph is in the center. It also features photos of Tlazolteotl and Frida Kahlo, calaveras, and indigenous sculptures. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Artist Unknown

subject Mesoamerican Jewelry In Art Pre-Columbian Aztec Goddesses Altars Death In Art Día De Los Muertos Flowers In Art Calaveras Feminism Chicana Art Coatlicue (Aztec Deity) Mexican Americans Kahlo, Frida Mexican American Art Chicano Art Corn In Art Chicanas Chicanos

contributor Calisphere
Images Of A Community Exhibition

title Images Of A Community Exhibition

description Cat.3 064(6) Silkscreen Posters & Graphic Work from 1971-1979 from La Raza Silkscreen Center-90 Artists. From exhibition curated by Carmen Lomas Garza and René Yáñez. Image is of progressive proofs (or prints) of Linda Lucero's "Que Viva Puerto Rico Libre". Cinco de Mayo poster by unknown artist (Linda Lucero?). The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Galería De La Raza

subject Politics In Art Printmaking Graphic Arts Lebrón, Lolita, 1919- Prints Color Proofs Revolutionaries Barrios Political Prisoners In Art Prints - Technique Progressive Proofs Feminism Chicana Art Prisoners Women In Art Mexican Americans Cinco De Mayo (Mexican Holiday) Mexican American Art Women Art - Exhibitions Chicano Art Posters Chicanas Chicanos

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Somos Hermanas, Announcement Poster For

title Somos Hermanas, Announcement Poster For

description Announcement Poster for: "International Women's Day 1985, Somos Hermanas, embracing our sisters in solidarity, First West Coast Conference on Women in Central America, March 8,9,10...information (415) 566-2070." The image is two women embracing. Colors: magenta, turquoise, tan, brown, yellow and white. Produced at Mission Grafica, Mission Cultural Center for the Latino Arts. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Fuentes, Juan

subject Central America Mexican American Art Women Feminism Chicano Art Women In Art Chicanas Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Cat.7 018 Collage from A Decade in Flight, a ten-year anniversary exhibition and celebration organized by curator Carmen Lomas Garza at Galería de la Raza (November 14- December 7, 1980). Collage features newsclippings and photocopied photographs of events and people pertaining to the feminist movement, as well as women active in peoples' movements. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Stronberg, Patty

subject Pro-Choice Movement Abortion Puerto Rico - History--Nationalist Insurrection, 1950 Strikes And Lockouts Photography In Art Lebrón, Lolita, 1919- Revolutionaries Garcia, Inez Feminism Chicana Art Women In Art Mexican Americans Collage Kahlo, Frida Women'S Rights Mexican American Art Newspapers In Art Women Birth Control Chicano Art Chicano Movement Chicanas Chicanos

contributor Calisphere
Cross

title Cross

description Cat. 1 069 From La Cruz: Spiritual Source Exhibition, Ancient and Contemporary Expressions at Galería de La Raza; curated by Enrique Chagoya and jurors Maria Pinedo and Amalia Mesa-Bains. Photo is of an assemblage composed of a wedding cross laden with thorns atop a caja containing a wooden phallic symbol. Beneath the caja is an electirc eight in imitation of a candle. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Rodriguez, Patricia

subject Thorns Mexican American Art Nature In Art Crosses In Art Feminism Chicano Art Generative Organs Religious Art Chicana Art Candles And Lights Cajas Sexuality In Art Symbolism Mixed Media Chicanas Mexican Americans Chicanos

contributor Calisphere
(Title Unknown) [Santo Silencio]

title (Title Unknown) [Santo Silencio]

description Cat. 3 033(15) From Espinas de la Vida/Thorns of Life Exhibition featuring works by Jaime Palacios and Ricardo Anguía. Exterior of open caja. Left side has skull central on yellow background. Right side has a woman's face with a lock over her mouth. Text reads, "Sto. Silencio" [Holy (or Saint) Silence]. Curated by Enrique Chagoya. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Anguía, Ricardo

subject Mexican American Art Calaveras Women Locks And Keys Skull In Art Feminism Chicano Art Cajas Women In Art Mexican Americans Chicanos

contributor Calisphere
Self-Portrait

title Self-Portrait

description 4/45, 33/45; Signed;, Inscription in pencil below image area "4/45 and signature" print: Stephen Grace COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Portrait of a woman against a blue background. Full bleed.

artist/creator García, Margaret

subject Women Chicana Art Chicanas Colors Feminism Inheritance Indigeneity Monoprints Photographic emulsions Self-perception

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La Ofrenda

title La Ofrenda

description 17/62; Signed;, Inscription in pencil below the image reads: "17/62, 'La Ofrenda', Ester Hernandez"print: Oscar Duardo; chopmark: embossed "SHG" on the lower left hand corner. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Nude woman with Virgen de Guadalupe tattooed on her back. Coming in from the lower left part of the image is a hand holding a rose. The background is dark blue with gold marks.

artist/creator Hernandez, Ester

subject Flowers In Art Ofrendas Mexican American Art Women Chicano Art Guadalupe, Our Lady Of Tattooing In Art Chicana Art Chicanas Mexican Americans Chicanos Lesbian, Gay, Bisexual, Transgender, Queer (Lgbtq) prints feminism

contributor Calisphere
Our Lady Of Controversy

title Our Lady Of Controversy

description "Image of a woman wearing flowers and blue cape, on a flowery-patterned background, held by a bare breasted butterfly angel." Colors used: brown, orange, red brown, flesh, transparent white, blue, green, red, yellow, white, and black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator López, Alma

subject Angels In Art Flowers In Art Boxing In Art Mexican American Art Butterflies In Art Feminism Nudes Chicano Art Religion In Art Prints Guadalupe, Our Lady Of Mexican Americans Chicana Art Chicanas Graphic Arts Chicanos

contributor Calisphere
Women Know Your Strength!

title Women Know Your Strength!

description COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Colors used: 1. Lt. Trans. Yellow, 2. Lt. Trans. Red, 3. Trans. Magenta, 4. Trans Ultra Blue, 5. Trans Medium Yellow, 6. Trans Purple, 7. Transparet (sic.) Emerald Green. "The print describes about womens (sic.) strength, within. Women are extremely powerful, strong, intelligent beings. I feel its time women believe and acknowledge this strength." Y. Gonzalez. Images of The Future; Coventry Rag, 290 grms; I-size: 23" x 18"; P-size: 26" x 20"; Ed#: 4/54, 18/54; prnt: José Alpuche; mtrx; Destroyed; Signed;, Inscription in pencil below image area reads: "4/54, 'Women Know Your Strenght!', Mohada Pegg [illegible], 92"; chopmark: embossed "SHG" located in lower left corner .# Prints: 2. The faces of two women looking at the viewer are the only image. The one on the left is African looking and is wearing a blue turban and long straight earrings; the one in the right is Chicano looking, and is wearing hoop earrings. The upper right corner reveals a vivid red colored background.

artist/creator González, Yolanda

subject Biculturalism Mexican American Art Women Feminism Chicano Art Chicana Art Chicanas Mexican Americans

contributor Calisphere
Woman's Work Is Never Done: Your Vote Has Power

title Woman's Work Is Never Done: Your Vote Has Power

description Atelier 28; poster; I-size: 19" x 16 1/4"; P-size: 25" x 24"; Ed#: 31/45, 32/45; Signed;print: José Alpuche; chopmark: lower left.; #Prints: 2 COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Two young women from mid chest facing forward. One with her arm around the other. Background image of women from circa 1919 carrying signs in city street, signs read "Votes for Women." Text reads: Right "From: South Africa to North America." Left: "Amy Biehl · Melanie Jacobs." Bottom: "Woman's Work is Never Done."

artist/creator López, Yolanda M.

subject Huerta, Dolores, 1930- Mexican American Art Women Chicano Art Chicana Art Chicanas Mexican Americans Chicanos feminism

contributor Calisphere
The Making Of A Trophy Grrl!

title The Making Of A Trophy Grrl!

description Colors used: Red, Ivory/Beige, Pink Flesh Tone, Burgundy/Red, Blue, Purple, Black, Yellow, and White. Coventry Rag, 290 gms. I-size: 16" x 22"; P-size: 20" x 26"; Ed#: 4/75, 6/75; prnt: José Alpuche; mtrx: destroyed; signed. lower right; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Flores, Lysa

subject Mexican American Art Film Posters Motion Pictures Feminism Nudes Chicano Art Smoking In Art Prints Mexican Americans Chicana Art Women In Art Posters Chicanas Graphic Arts Chicanos

contributor Calisphere
Cihualyaomiquiz, The Jaguar

title Cihualyaomiquiz, The Jaguar

description "A leaping female figure wearing a skin-tight ocelot leotard, wrestling boots and a featherd Native-American headdress in front of a yellow star burst on a deep violet background. Upper left corner has "Insurgent Comix" logo with a clenched fist. The comic book title appares [sic] at the top with dialogue balloons around the figure and descriptive text in lower left corner." Colors used: Pink - Yellow Blend, Gold, Ocelot Orange, Flesh Tone, Red, Aqua, Violet, Orange, Black, Deep Gray, Transparent Black, Deep Blue, Bolck-Out White, Aqua and Gloss Clear. S-P' Coventry Rag, 290 gms. I-size: 22"x 16"; P-size:26" x 20"; Ed#: 4/46, 6/46; prnt: José Alpuche; mtrx: destroyed; signed. lower left; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Molina, Laura

subject Mexican American Art Aztecs Comic Books, Strips, Etc., In Art Headgear Feminism Chicano Art Prints Mexican Americans Chicana Art Women In Art Posters Chicanas Graphic Arts Chicanos

contributor Calisphere
La Reyna

title La Reyna

description "Female sitting arms crossed with a lovely head[d]ress and a colorful shall [sic]. her dress is adorned by lots of textures and colors. As he sits she's the Queen. "La Reyna"[.] The strength of the woman is always that of a queen. "La Reyna" is loving, stern, brilliant and always true to herself". Colors used: Black, Blue, Red, Ochre, Light Yellow Ochre, Light Grey, Off White, Black, and Clear Gloss. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator González, Yolanda

subject Shawls Mexican American Art Rebozos Feminism Chicano Art Prints Mexican Americans Chicana Art Women In Art Posters Chicanas Graphic Arts Chicanos

contributor Calisphere
Women Of The Vanguard: Protest At The Galeria De La Raza

title Women Of The Vanguard: Protest At The Galeria De La Raza

description 1994 Video Protesting the absence of women in the exhibition: First Front: Vanguard of the Chicano Movement.

artist/creator Unknown

subject Mexican Americans--Artists Feminism Chicano Movement--California Chicana Artists

contributor Digital Public Library of America (DPLA)