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The First Thanksgiving

title The First Thanksgiving

description Pen, ink, and color pencil, 25.25 in. x 20.25 in. José Cisneros (1910-2009) has been described as a leading historical illustrator of the Southwest. While he was a painter, wood carver, writer and muralist, his primary focus was recording the history of the Southwest border region through his illustrations. Born in Villa Ocampo, Mexico, Cisneros eventually moved to Juarez with his family in 1925 where he obtained a school passport to attend the Lydia Patterson Institute in El Paso, Texas. While enrolled in a painting class, he discovered during one of the lessons that he was color blind. Two years later, he was forced to quit school to help financially support his family. He procured a position at El Paso’s White House Department Store, where he designed displays and began to draw on Poster Board. He introduced himself to artist Tom Lea, which led to an invitation for Cisneros to exhibit his work at the El Paso Public Library in 1938. His work was so popular that his exhibit was extended for two weeks, and he was eventually exhibited in Juarez. Later, he was invited to illustrate many books and printing projects through a long-term collaboration with Carl Hertzog, the famous typographer, book designer, and publisher. During this time, he designed the coat of arms for the city of Juarez, and eventually the seal for The University of Texas at El Paso. Among his many honors are the Americanism Award given to him by the Daughters of the American Revolution; he was knighted by Pope John Paul II in 1990, and he was given the Order of Civil Merit by King Juan Carlos I of Spain in 1991. In 2001, he received the National Humanities Medal presented by President George W. Bush. José Cisneros remained a lifelong resident of El Paso, Texas until his death on November 14, 2009.

artist/creator Cisneros, José

subject Borderlands Frontera Holidays Thanksgiving Day Texas--El Paso Conquistadors Pen, ink, and color pencils Drawings Life and Experiences in the U.S./Mexico Borderlands (exhibition)

contributor Mexic-Arte Museum (MAM)
El Adelantado Don Juan de Oñate, circa 1598

title El Adelantado Don Juan de Oñate, circa 1598

description Pen, ink, and color pencil, 27 in. x 21 in. Signed by Direct Descendants of Juan de Oñate living in Spain. Conquistadors, and in particular adelantado Don Juan de Oñate, are favorite subjects of José Cisneros. Oñate was one of the few that received the title of adelantado. Adelantado was a title granted to a person in command of an expedition. Adelantado Don Juan de Oñate was born into a mining and military family in 1550 at Zacatecas, México. Because of his family’s prestige and military service, he was chosen to lead the expedition into New Mexico. Arriving in El Paso del Norte, with over five hundred colonists from Zacatecas and Mexico City, Oñate took possession of New Mexico on April 30, 1958. From here the expedition traveled pass the Rio Grande into Northern New Mexico. José Cisneros (1910-2009) has been described as a leading historical illustrator of the Southwest. While he was a painter, wood carver, writer and muralist, his primary focus was recording the history of the Southwest border region through his illustrations. Born in Villa Ocampo, Mexico, Cisneros eventually moved to Juarez with his family in 1925 where he obtained a school passport to attend the Lydia Patterson Institute in El Paso, Texas. While enrolled in a painting class, he discovered during one of the lessons that he was color blind. Two years later, he was forced to quit school to help financially support his family. He procured a position at El Paso’s White House Department Store, where he designed displays and began to draw on Poster Board. He introduced himself to artist Tom Lea, which led to an invitation for Cisneros to exhibit his work at the El Paso Public Library in 1938. His work was so popular that his exhibit was extended for two weeks, and he was eventually exhibited in Juarez. Later, he was invited to illustrate many books and printing projects through a long-term collaboration with Carl Hertzog, the famous typographer, book designer, and publisher. During this time, he designed the coat of arms for the city of Juarez, and eventually the seal for The University of Texas at El Paso. Among his many honors are the Americanism Award given to him by the Daughters of the American Revolution; he was knighted by Pope John Paul II in 1990, and he was given the Order of Civil Merit by King Juan Carlos I of Spain in 1991. In 2001, he received the National Humanities Medal presented by President George W. Bush. José Cisneros remained a lifelong resident of El Paso, Texas until his death on November 14, 2009.

artist/creator Cisneros, José

subject Borderlands Frontera Conquistadors Texas--El Paso Pen, ink, and color pencils Drawings Life and Experiences in the U.S./Mexico Borderlands (exhibition)

contributor Mexic-Arte Museum (MAM)
The First Thanksgiving

title The First Thanksgiving

description Pen, ink, and color pencil, 21 in. x 31 in. Cisneros has produced many drawings of the “First Thanksgiving” on what is now United States territory. This historical event, which predates the Jamestown pilgrims, relates to the entry of Don Juan de Oñate into El Paso del Norte (modern Ciudad Juárez and El Paso, Texas area). After completing their last league of their expedition passing through Chihuahua desert, it is believed that here Oñate, the colonizers, and Indian allies, gave thanks after the long journey. José Cisneros (1910-2009) has been described as a leading historical illustrator of the Southwest. While he was a painter, wood carver, writer and muralist, his primary focus was recording the history of the Southwest border region through his illustrations. Born in Villa Ocampo, Mexico, Cisneros eventually moved to Juarez with his family in 1925 where he obtained a school passport to attend the Lydia Patterson Institute in El Paso, Texas. While enrolled in a painting class, he discovered during one of the lessons that he was color blind. Two years later, he was forced to quit school to help financially support his family. He procured a position at El Paso’s White House Department Store, where he designed displays and began to draw on Poster Board. He introduced himself to artist Tom Lea, which led to an invitation for Cisneros to exhibit his work at the El Paso Public Library in 1938. His work was so popular that his exhibit was extended for two weeks, and he was eventually exhibited in Juarez. Later, he was invited to illustrate many books and printing projects through a long-term collaboration with Carl Hertzog, the famous typographer, book designer, and publisher. During this time, he designed the coat of arms for the city of Juarez, and eventually the seal for The University of Texas at El Paso. Among his many honors are the Americanism Award given to him by the Daughters of the American Revolution; he was knighted by Pope John Paul II in 1990, and he was given the Order of Civil Merit by King Juan Carlos I of Spain in 1991. In 2001, he received the National Humanities Medal presented by President George W. Bush. José Cisneros remained a lifelong resident of El Paso, Texas up until his death on November 14, 2009.

artist/creator Cisneros, José

subject Borderlands Frontera Thanksgiving Day Conquistadors Texas--El Paso Pen, ink, and color pencils Drawings Life and Experiences in the U.S./Mexico Borderlands (exhibition)

contributor Mexic-Arte Museum (MAM)
Opulento Conquistador

title Opulento Conquistador

description Pen, ink, and color pencil, 27 in. x 21.25 in. A portrait of a Spanish conquistador wearing full armor. José Cisneros (1910-2009) has been described as a leading historical illustrator of the Southwest. While he was a painter, wood carver, writer and muralist, his primary focus was recording the history of the Southwest border region through his illustrations. Born in Villa Ocampo, Mexico, Cisneros eventually moved to Juarez with his family in 1925 where he obtained a school passport to attend the Lydia Patterson Institute in El Paso, Texas. While enrolled in a painting class, he discovered during one of the lessons that he was color blind. Two years later, he was forced to quit school to help financially support his family. He procured a position at El Paso’s White House Department Store, where he designed displays and began to draw on Poster Board. He introduced himself to artist Tom Lea, which led to an invitation for Cisneros to exhibit his work at the El Paso Public Library in 1938. His work was so popular that his exhibit was extended for two weeks, and he was eventually exhibited in Juarez. Later, he was invited to illustrate many books and printing projects through a long-term collaboration with Carl Hertzog, the famous typographer, book designer, and publisher. During this time, he designed the coat of arms for the city of Juarez, and eventually the seal for The University of Texas at El Paso. Among his many honors are the Americanism Award given to him by the Daughters of the American Revolution; he was knighted by Pope John Paul II in 1990, and he was given the Order of Civil Merit by King Juan Carlos I of Spain in 1991. In 2001, he received the National Humanities Medal presented by President George W. Bush. José Cisneros remained a lifelong resident of El Paso, Texas until his death on November 14, 2009.

artist/creator Cisneros, José

subject Borderlands Frontera Conquistadors Pen, ink, and color pencils Drawings Life and Experiences in the U.S./Mexico Borderlands (exhibition)

contributor Mexic-Arte Museum (MAM)
Murals Of San Francisco, Ca

title Murals Of San Francisco, Ca

description A child eats a pear in front of a mural of children playing in a corn field, from the Health Food Store in the Mission District, San Francisco. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator San Francisco Artists

subject Children In Art Mexican American Art Conquistadors Mural Art Chicano Art Children Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Two snakes wrapped around a tree, heads at top. A soaring eagle at very top of column. On either side of the tree are figures of Mexican and Chicano heroes, including Cesar Chavez, Emiliano Zapata, a farmworker, Benito Juarez, Miguel Hidalgo, and a scene of the conquest with a mission. "In the original mural Raul Espinoza is the first to use air brush techniques. Salvador Torres experimented with spray can paint, but stops due to inferior paint durabilities. 1991, restoration by Raul Espinoza, and Victor Ochoa." Salvador Torres

artist/creator Espinoza, Raul

subject Mexican American Art Hidalgo Y Costilla, Miguel, 1753-1811 Church Buildings In Art Conquistadors Mural Art Eagles Chicano Art Serpents In Art Juárez, Benito, 1806-1872 Zapata, Emiliano, 1879-1919 Chávez, Cesar, 1927-1993 Mexican Americans Chicanos

contributor Calisphere
Mictlantecuhtli And The Spanish Galleon

title Mictlantecuhtli And The Spanish Galleon

description Call Number: Box 09, Folder 03, slide 19-20 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com The sculpture of painted homemade paper with the face of a skull is now paired with a sculpture resembling a ship, with feathers for sails. There are also two sculpted ears of corn on the ship.

artist/creator Vallejo, Linda

subject Aztec Gods Mexican American Art Calaveras Colonization Boats And Boating In Art Mictlantecuhtli (Aztec Deity) Conquistadors Feather (Material) Chicano Art Corn In Art Chicana Art Ships In Art Sculpture Chicanas Mexican Americans Chicanos

contributor Calisphere
Mictlantecuhtli

title Mictlantecuhtli

description Call Number: Box 08, Folder 08, Photo 09 Sculpture is a rendition of the Aztec lord of the underworld, Mictlantecuhtli. A cone made of handmade paper forms the base, to which are attached bones to represent legs and on which a skull is painted for a face. Four sculpted ears of corn are attached to the upper part of the cone and many skewers protrude outward from the cone. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com

artist/creator Vallejo, Linda

subject Aztec Gods Mexican American Art Calaveras Mictlantecuhtli (Aztec Deity) Conquistadors Chicano Art Bone Chicana Art Sculpture Chicanas Mexican Americans Chicanos

contributor Calisphere
Tree Of Life Altar (Detail)

title Tree Of Life Altar (Detail)

description Call Number: Box 09, folder 06, slide 12 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of the branches of the Tree of Life, which are filled with ornaments, leaves, a bird's nest, an ear of corn, and other miscellany

artist/creator Vallejo, Linda

subject Mexican American Art Altars Conquistadors Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Chicanos

contributor Calisphere
Palo De Muertos

title Palo De Muertos

description An upright wooden stick forms the base for this sculpture, which is covered with handmade paper and several skulls. A braid of black hair hangs from the uppermost skull, and two ears of corn are attached at the bottom of the braid. Another braid of black hair is attached to the lowermost skull, where there are another two ears of corn. Call Number: Box 08, Folder 11, slide 02 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com

artist/creator Vallejo, Linda

subject Mexican American Art Calaveras Hair In Art Conquistadors Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Chicanos

contributor Calisphere
Ghosts Of The Barrio

title Ghosts Of The Barrio

description Mural in unknown media on an exterior wall of an apartment building at the Estrada Court depicts four men sitting on a front porch. They are flanked by the ghostly images of a Mexican revolutionary, an Aztec warrior, and a conquistador. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Healy, Wayne

subject Mexican American Art Aztecs Conquistadors Cholos Mural Art Chicano Art Revolutionaries Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural in unknown media on an exterior wall of an unknown building depicts Chicanos playing music and riding in a lowrider. The three-faced symbol of mestizaje is also present. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Artist Unknown

subject Indians Of Mexico Mexican American Art Automobiles Aztecs Music Conquistadors Mural Art Chicano Art Musical Instruments In Art Lowriders Human Rights Mestizaje Low Rider

contributor Calisphere
Monumento A Cuauhtémoc: El Tormento (Detail)

title Monumento A Cuauhtémoc: El Tormento (Detail)

description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net This Siqueiros mural, on the upper portion of an interior wall of an unknown building, depicts conquistadors burning the feet of Cuauhtémoc. Detail is of a ferocious dog.

artist/creator Siqueiros, David Alfaro

subject Indians Of Mexico Siqueiros, David Alfaro Colonization Aztecs Conquistadors Mural Art Cuauhtemoc, Emperor Of Mexico, 1495?-1525 Mural Painting And Decoration, Mexican Dogs In Art Art, Mexican

contributor Calisphere
Cortés Y La Malinche

title Cortés Y La Malinche

description Fresco (?) mural on the ceiling of el Antiguo Colegio de San Idelfonso depicts Hernán Cortés and his wife Doña Marina, "La Malinche". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Orozco, José Clemente

subject Cortés, Hernán, 1485-1547 Marina, Ca. 1505-Ca. 1530 Interpersonal Relations Colonization Women Men Relations Women In Art Conquistadors Mural Art Mural Painting And Decoration, Mexican Nudes Art, Mexican Mestizaje Orozco, José Clemente, 1883-1949

contributor Calisphere
East Los Streetscapers Painting Invasion De Fernando

title East Los Streetscapers Painting Invasion De Fernando

description Photo is of the East Los Streetscapers (formerly known as Los Dos Streetscapers) painting a mural entitled Invasion de Fernando. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator East Los Streetscapers

subject Mexican American Art Colonization Artists Conquistadors Mural Art Chicano Art Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Mural in unknown media on a Chicano Park concrete freeway underpass depicts an eagle, an ant, ears of corn, animals, part of a feathered serpent, and skeletal hands inside letters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ochoa, Victor

subject Aztec Gods Mexican American Art Animals In Art Conquistadors Immigration Mural Art Chicano Art Quetzalcoatl (Aztec Deity) Mexican Americans Chicanos

contributor Calisphere
Snake Wall

title Snake Wall

description The Snake Wall was a series of portable mural panels arranged in a winding formation. The panel on the left is in progress and depicts a brown fist rising from an ocean wave, an open mouth with a forked tongue, and an ear of corn. The panel on the right depicts a green stylized bird and the words, "San Diego Originals". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ochoa, Victor

subject Mexican American Art Birds In Art Aerosol Conquistadors Mural Art Art - Exhibitions Chicano Art Hand In Art Mexican Americans Chicanos

contributor Calisphere
Carlsbad

title Carlsbad

description Acrylic mural on an exterior cinder block wall depicts: an eagle holding a serpent on a nopal on a clenched fist, agricultural laborers, a conquistador and an indigenous woman, a lowrider, a pyramid, Miguel Hidalgo holding a torch, a calavera, Emiliano Zapata, and the statue Chac Mool. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Ochoa, Victor

subject Farm Workers Calaveras Automobiles Hidalgo, Miguel Agricultural Laborers Mexican American Art Conquistadors Mural Art Eagles Chicano Art Lowriders Low Rider Zapata, Emiliano, 1879-1919 Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu Two snakes wrapped around a tree with their heads at the top. A soaring eagle is at very top of column. On either side of the tree are figures of Mexican and Chicano heroes, including Cesar Chavez, Emiliano Zapata, a farmworker, Benito Juarez, Miguel Hidalgo, and a scene of the conquest with a mission.

artist/creator Espinoza, Raul

subject Farm Workers Hidalgo, Miguel Mexican American Art Agricultural Laborers Conquistadors Mural Art Eagles Chicano Art Missions In Art Serpents In Art Juárez, Benito, 1806-1872 Zapata, Emiliano, 1879-1919 Chávez, Cesar, 1927-1993 Mexican Americans Chicanos

contributor Calisphere
Preserve Our Heritage

title Preserve Our Heritage

description Mural on column #G-44 with statement on a book in front of an eagle in front of a rainbow. Children grow from cornstalks. "The mural states: "Ya Basta! The schools are not teaching us. Over 50% of us Chicanos are pushed out of school. If we want to make it, we have to surrender our language. They want to make us coconuts, brown on the outside and white on the inside." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Craig, Eva C.

subject Mexican American Art Education Conquistadors Mural Art Assimilation (Sociology) Chicano Art Chicana Art Mccarthyism Books In Art Chicanas Mexican Americans Chicanos

contributor Calisphere
Untitled

title Untitled

description A woman sits on the ground with her head in her arms and her arms on her knees. The background is blue with stars on the left and a diamond on the right. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu

artist/creator Orosco, Juanishi

subject Mexican American Art Conquistadors Chicano Art Art, Abstract Women In Art Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Cat.5 011 Silkscreen poster is divided into two parts: the left side, which is red underneath, features a conquistador holding a skull with a dagger in it. The right side, which is green underneath, features an Aztec eagle knight holding a skull from which sprouts a tree. Between the two figures is the face of a Chicano. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Aranda, Guillermo

subject Mexican American Art Calaveras Aztecs Conquistadors Chicano Art Prints Mexican Americans Mestizaje Graphic Arts Chicanos

contributor Calisphere
Mexico'S History

title Mexico'S History

description Cat.8 111 Pro-line vinyls on acid-etched freeway support column, Chicano Park, San Diego. Mural depicts two snakes winding up a tree, above which flies an eagle. On either side of the tree are the faces of prominent figures in Mexican history. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Sweetwater Union High School Students

subject Mexican American Art Hidalgo Y Costilla, Miguel, 1753-1811 Colonization Church Buildings In Art Conquistadors Mural Art Eagles Chicano Art Missions In Art Serpents In Art Juárez, Benito, 1806-1872 Revolutionaries Zapata, Emiliano, 1879-1919 Chávez, Cesar, 1927-1993 Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Cat.8 100(1) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Unknown type of paint on stucco wall of Mesa College, San Diego. Mural depicts scenes from Mexican and Chicano history.

artist/creator Rosete, Guillermo

subject Mexican American Art Birds In Art Colonization Conquistadors Mural Art Chicano Art Mexican Americans Chicanos

contributor Calisphere
Ramp 1A (Detail)

title Ramp 1A (Detail)

description Cat.8 011(4) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Vinyl paint on concrete wall of south Chicano park ramp. Lower left corner of mural identifies calavera conquistadors with the San Diego police department. Flames engulf all visible figures.

artist/creator Aranda, Guillermo

subject Mexican American Art Calaveras Fire In Art Conquistadors Mural Art Chicano Art Mexican Americans Chicanos

contributor Calisphere
Introduction Of The Spanish Language To The New World

title Introduction Of The Spanish Language To The New World

description Cat.4 023 From the Reunion XX--20th Anniversary Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (June 15-July 29, 1990). Drawing of Columbus and his men with three ships anchored in the background (presumably the Nina, Pinta, and Santa Maria). A bar of gold is drawn above his head with rays extending from it so it appears to be the idea or motivation behind the carnage among indigenous people witnessed in the drawing. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Quiroz, Alfredo J.

subject Columbus, Christopher Mexican American Art Colonization Crosses In Art Conquistadors Native Americans Chicano Art Ships In Art Chains Mexican Americans Chicanos

contributor Calisphere
Convecion Amerindia

title Convecion Amerindia

description Announcement poster for Convencion Amerindia. Image is the three-faced head representing mestizaje. To the left of the image are the Aztec symbols of speech; to the right are arrows. Beneath the image are two flags on poles. Surrounding these images is a ring of symbols resembling letters. Some are decipherable and say "Toltecas" and "Raza". Text reads, "Mayo 25, 26, 27/ Acercamiento Cultural de la Raza de Alta y Baja California/ En la Logia Masonica/ Calle 9na y Revolucion/ Todos Invitados Gratis!" The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Artist Unknown

subject Mexican American Art Conquistadors Chicano Art Prints Mexican Americans Mestizaje Posters Tijuana (Baja California, Mexico) Conferences Graphic Arts Chicanos

contributor Calisphere
Orgullo

title Orgullo

description Cat.8 029 Pro-line industrial vinyl paints on canvas stretched by stretcher bars. Portable mural depicts the Virgen de Guadalupe in the center. To the left is a conquistador locked in battle with a jaguar knight in front of a flaming pyramid and two Mexican revolutionaries, one male and the other female. To the right is a demonstration march with protestors holding signs with slogans like "Aztlan Unidos: End Barrio Warfare!" 200 East 12th Street, National City. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Avalos, David

subject Demonstrations In Art Mural Art Mestizaje Cholas Cactus Guadalupe, Our Lady Of Revolutionaries Zapata, Emiliano, 1879-1919 Barrios Aztecs Pyramids In Art Cholos Aztlán Demonstrations Women In Art Mexican Americans Angels In Art Mexican American Art Colonization Pyramids - Mexico Conquistadors Chicano Art Chicanas

contributor Calisphere
(Title Unknown) (Detail)

title (Title Unknown) (Detail)

description Cat.8 100(2) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Unknown type of paint on stucco wall of Mesa College, San Diego. Mural depicts scenes from Mexican and Chicano history. Detail is of a fight between a Spanish conquistador and an Aztec eagle knight.

artist/creator Rosete, Guillermo

subject Indians Of Mexico Mexican American Art Colonization Aztecs Conquistadors Mural Art Chicano Art Soldiers

contributor Calisphere
(Title Unknown); From Calendario De Comida 1976

title (Title Unknown); From Calendario De Comida 1976

description Edition: 22/125; signed. Inscription in pencil below the image area reads: "22/125, and signature." chopmark: "Copyright (c), Galeria de La Raza/Centro de Artistas Chicanos, 1975, all rights reserved" in green in the lower left corner on the image area. Cover for Calendario De Comida. Collage of images showing: two hands holding salt and a half lime; a Spanish conquistador; an indigenous woman making tortillas; potatoes, red peppers, corn. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/

artist/creator Maradiaga, Ralph

subject Fruit In Art Mexican American Art Food In Art Conquistadors Chicano Art Calendar Art Prints Corn In Art Mexican Americans Posters Graphic Arts Chicanos

contributor Calisphere
Royal Chicano Air Force Calendario Marzo 1975

title Royal Chicano Air Force Calendario Marzo 1975

description Cat.6 025 Offset March calendar printed from a Louie "the Foot" Gonzales silkscreen featuring a poem decrying racism from Cortés to U.S. imperialism. Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/

artist/creator González, Louie "The Foot"

subject Cortés, Hernán, 1485-1547 Mexican American Art Intergroup Relations Conquistadors Chicano Art Calendar Art Poetry Prints Mexican Americans Silkscreen Graphic Arts Chicanos Prints - Technique

contributor Calisphere
(Title Unknown); From Calendario De Comida 1976

title (Title Unknown); From Calendario De Comida 1976

description Cat.6 001(1) Cover for Calendario De Comida. Collage of images showing: two hands holding salt and a half lime; a Spanish conquistador; an indigenous woman making tortillas; potatoes, red peppers, corn. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/;

artist/creator Maradiaga, Ralph

subject Screen Prints Fruit In Art Hot Peppers Mexican American Art Food In Art Conquistadors Chicano Art Calendar Art Prints Corn In Art Mexican Americans Silkscreen Women In Art Chicanas Graphic Arts Chicanos Prints - Technique

contributor Calisphere
Odio Para El Español

title Odio Para El Español

description April, May, and June 1978 Calendar is divided diagonally by a row of dollar signs. The upper side has a mission, a conquistador, and a calavera in a mitre. The lower portion has a dark-skinned woman, an Aztec jaguar knight, a pyramid, and a broken sunstone. Cat.5 078(3) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/;

artist/creator Suarez, Raulie

subject Screen Prints Mexican American Art Calaveras Pyramids - Mexico Pyramids In Art Conquistadors Jaguar In Art Chicano Art Calendar Art Missions In Art Chicano Movement Mexican Americans Prints Clergy Silkscreen Graphic Arts Chicanos Prints - Technique

contributor Calisphere
Si Se Puede

title Si Se Puede

description Cat.9 049(3) From New Dimensions in Realism Exhibition at Galería de la Raza. A young man sits on a globe reading. Behind him are the cosmos. In the bottom corners, clouds form the images of a Native American and an eagle, left, and a conquistador, right. Border composed of indigenous iconography. Text at bottom reads, "SI SE PUEDE". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Gomez, Ignacio

subject Literacy Children In Art Globes Mexican American Art Education Conquistadors Eagles Chicano Art Paintings Books In Art Mestizaje Mexican Americans Chicanos

contributor Calisphere
Calaca Storia

title Calaca Storia

description December calendar from La Historia de California Calendar 1977. Seven black and white frames with different scenes from California history acted out by skeletons. Colors: red, blue, black and white. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Favela, Ricardo

subject Catholic Church Farm Workers Reagan, Ronald Musical Instruments In Art Calendar Art Symbolism California - History Prints Roosters In Art Clergy Indians Of Mexico Calaveras Aztecs Artists Mexican Americans Skull In Art Angels In Art Mexican American Art Politicians Colonization Agricultural Laborers Crosses In Art Comic Books, Strips, Etc., In Art Conquistadors Chicano Art Conflict (Psychology) Christmas In Art Posters Nagualism Chicanos

contributor Calisphere
Lunas Appearance

title Lunas Appearance

description Image is a woman with corn for hair. She holds a war shield in one hand and pencils in the other. In the background are two houses, one containing a rabbit, the other what appears to be a fish. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063. For further information: (323) 881-6444; Fax: (323) 881-6447; info@selfhelpgraphics.com

artist/creator Limón, Leo

subject Mexican American Art Artists Conquistadors Chicano Art Prints Mexican Americans Chicanos

contributor Calisphere
Diosa De Maiz

title Diosa De Maiz

description Image is of a woman with plaited hair. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Esparza, Ofelia

subject Woodcuts Conquistadors Serpents in art Prints Chicana art Women in art Indigenous Indígenas Indigeneity

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description An altar on a tabletop with marigolds, daisies, pottery, a candleholder, an ear of corn, a small sculpture, a Virgen veladora, and cards with peoples' names. "Cempazuchiles (marigolds are traditionally used in altars. The name means 'twenty flowers'." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Artist Unknown

subject Mexican American Art Altars Assemblage (Art) Conquistadors Chicano Art Guadalupe, Our Lady Of Candles And Lights Mexican Americans Chicanos

contributor Calisphere
Y De La Tierra Crece El Maiz

title Y De La Tierra Crece El Maiz

description A woman with a kerchief covering the lower half of her face holds four ears of corn out to the viewer. Background is a gradation from red to white to green. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Ortega, Jerry

subject Mexican American Art Conquistadors Chicano Art Prints Mexican Americans Chicanos

contributor Calisphere
Tunas Sangrando

title Tunas Sangrando

description A conquistador carries a sword that has skewered nopales. A rattlesnake follows closely behind. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Healy, Wayne

subject Swords Mexican American Art Cactus Conquistadors Blood In Art Serpents In Art Chicano Art Nopales Prints Mexican Americans Chicanos

contributor Calisphere
Keep Your Word

title Keep Your Word

description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com The left side of the image consist of a stylized crow whose body encompasses the cosmos and two ears of corn. Two human arms protrude from the crow's body toward the right, where a dragonfly and butterfly fly, and seem to embrace the Earth.

artist/creator De Rosa, Judy

subject Globes Mexican American Art Conquistadors Chicano Art Prints Chicana Art Insects In Art Chicanas Mexican Americans Chicanos

contributor Calisphere
Diosa De La Vida

title Diosa De La Vida

description Image is of a woman's face on a red square. At the bottom of the print are three ears of corn with designs on them behind a calavera. Behind the red square are celestial bodies. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063. For further information: (323) 881-6444; Fax: (323) 881-6447; info@selfhelpgraphics.com

artist/creator Esparza, Ofelia

subject Mexican American Art Calaveras Skull In Art Conquistadors Chicano Art Prints Chicana Art Chicanas Mexican Americans Chicanos

contributor Calisphere
Flowers

title Flowers

description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com Visible portion of an altar for the deceased is composed of an ear of dry corn, marigolds, a calavera sculpture, placards with the names of the dead, a ceramic candleholder, and a candle.

artist/creator Artist Unknown

subject Flowers In Art Mexican American Art Altars Marigolds Conquistadors Assemblage (Art) Chicano Art Mexican Americans Chicanos

contributor Calisphere
Celebration Of Life

title Celebration Of Life

description Portable mural in unknown media depicts a woman whose bones and organs are visible through her skin. Corn, calla lillies, nopales, and mushrooms grow beneath her. The moon encloses the woman and the plants. A banner across the moon with calaveras reads, "Celebration of Life". In the upper left corner is a purple calavera, in the upper right an orange sun. In the lower left corner is a Yin-Yang symbol, in the lower right is a red scarab beetle. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Artist Unknown

subject Flowers In Art Moon - In Art Mexican American Art Calaveras Conquistadors Mural Art Yin Yang Symbol Chicano Art Día De Los Muertos Sun - In Art Insects In Art Mexican Americans Chicanos

contributor Calisphere