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Immigration Regulation And Control
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Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of a game of tug-o-war. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican Wrestling Masks Mexican American Art Mexican American Border Region Artists Immigration Regulation And Control Chicano Art Performance Art Mexican Americans Sports Flags In Art Masks Border Art Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. This photo is of people in Mexican wrestling masks crossing an El Paso street. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican Wrestling Masks Mexican American Art Mexican American Border Region Artists Immigration Regulation And Control Chicano Art Performance Art Mexican Americans Flags In Art Masks Border Art Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of a huddle between two 'teams'. One team wears Mexican wrestling masks, and the other team, made up of children, wears "Migra" masks. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican Wrestling Masks Mexican American Art Mexican American Border Region Artists Immigration Regulation And Control Chicano Art Performance Art Mexican Americans Sports Flags In Art Masks Border Art Chicanoscontributor Calisphere -
Migra Ii
title Migra Iidescription Acrylic painting depicts an immigration officer taking two men with their hands behind their heads into custody. The background is yellow. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Rodriguez, Pedro A.subject Border Patrols Mexican American Art Law Enforcement Immigration Regulation And Control Immigration Undocumented Workers Chicano Art Immigration And Naturalization Service Mexican Americans Police In Art Border Art Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. This photo is of Victor Ochoa in a "Migra" mask videotaping a woman in a Mexican wrestling mask. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican Wrestling Masks Mexican American Art Mexican American Border Region Artists Immigration Regulation And Control Chicano Art Performance Art Video Recording Mexican Americans Flags In Art Masks Border Art Chicanoscontributor Calisphere -
La Cruzada
title La Cruzadadescription Photo is of vendors and cars on the Mexican side of the border. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknowncontributor Calisphere -
La Vida Loca
title La Vida Locadescription Mural in unknown media on an unknown wall depicts three pachucos next to a street sign reading "2nd St". A pachuco and a pachuca dance near a jukebox, and Cesar Chávez demonstrates with strikers. He holds his finger up to a Border Patrol agent. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Iñiguez, Tonysubject Pachucos Border Patrols Chávez, Cesar, 1927-1993 Labor Unions Mexican American Art Pachucas Demonstrations In Art Immigration Regulation And Control Mural Art Chicano Art Chicana Art Strikes And Lockouts Chicanas Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Painting in unknown media depicts a coyote (or wolf) with a forked tongue wearing a fedora in the upper left corner. One side of his tongue reads, "Spanish", the other, "Inglés". A word bubble from his mouth reads, "Q'Vo Que Paza Paso Pazando Pa' Siempre K-Z". Title text reads, "Chicanozauro 500". In the upper right corner, a calavera, a cross, and a Mayan police officer are enclosed in a barbed wire frame. Text reads, "In the Beginning" and "Que Nuevas". In the lower left corner, a rectangle contains an image of a Mayan man handing a woman a torch. In the lower left corner, the three-faced symbol of mestizaje speaks two word bubbles. The one on the left reads, "La Causa La Huelga La Migra La Chota Bilingl Ed Racismo Genocide Drogas K-Z". The one on the right reads, "Power Respeto Libertad Culture Aztlán". There is also a lowrider with the words "La Lucha Keeps On" driven by the pachuco wolf. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Ochoa, Victorsubject Lowriders Police In Art Mestizaje Automobiles Drugs Immigration Regulation And Control Low Rider Pachucos Barbed Wire Calaveras Bilingualism Aztlán Mayans Mexican Americans Biculturalism Mexican American Art Crosses In Art Chicano Art Bilingual Bicultural Education Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of artists in Mexican wrestling masks in front of a mural depicting Benito Juarez with the words, "El respeto al derecho ajeno es la paz." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican Wrestling Masks Mexican American Art Mexican American Border Region Artists Immigration Regulation And Control Immigration Mural Art Chicano Art Performance Art Juárez, Benito, 1806-1872 Mexican Americans Human Rights Masks Border Art Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This series of photos depicts a mural that is in remembrance of those who have died attempting to cross the border. It is composed of wooden crosses painted white with the name, age, and origin of the deceased in black when it is known. These are nailed to a corrugated iron portion of the wall demarcating the U.S.-Mexican border. Police tape with the words "Crime Scene Do Not Cross" is strung in front of the crosses.artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Crosses In Art Immigration Regulation And Control Immigration Mural Art Chicano Art Murals (Any Medium) Death In Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Pintando La Frontera (Detail)
title Pintando La Frontera (Detail)description A large aerosol mural extends across an entire brick wall and around the corner. In this portion, Pete Wilson is depicted as a devil, with horns and a tail and a swastika badge. A tattooed, dreadlocked artist standing before the mural makes a rude gesture toward the image of Wilson. Text on the sidewalk reads, "Fuck Pete Wilson" with an arrow leading to the portrait. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Asylumsubject Barbed Wire Devil In Art Mexican American Art Mexican American Border Region Artists Aerosol Hip-Hop Immigration Regulation And Control Mural Art Chicano Art Wilson, Pete Mexican Americans Border Art Chicanos Street art Spray paintcontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This portion of the Border Crossing Memorial is in the form of an assemblage. In the center is clothing attached to a black cross which leans against the corrugated iron wall on the border. At its base is a vase of flowers. Three crosses on either side of the central black cross enumerate border deaths by year: In 1995, 61 deaths, in 1996, 59 deaths, in 1997, 89 deaths, in 1998, 147 deaths, in 1999, 111 deaths, and in 2000, 117 deaths. On the ground in front of the crosses are empty milk jugs with the words "No identificado" on them.artist/creator Artist Unknownsubject Mexican American Art Altars Crosses In Art Immigration Regulation And Control Immigration Mural Art Chicano Art Death In Art Mexican Americans Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This series of photos depicts a mural that is in remembrance of those who have died attempting to cross the border. It is composed of wooden crosses painted white with the name, age, and origin of the deceased in black when it is known. These are nailed to a corrugated iron portion of the wall demarcating the U.S.-Mexican border. Police tape with the words "Crime Scene Do Not Cross" is strung in front of the crosses.artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Crosses In Art Immigration Regulation And Control Immigration Mural Art Chicano Art Murals (Any Medium) Death In Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Pintando La Frontera (Detail)
title Pintando La Frontera (Detail)description A large aerosol mural extends across an entire brick wall and around the corner. In this portion, Pete Wilson is depicted as a devil, with horns and a tail and a swastika badge. He holds a pair of binoculars and stands between a sign with a running family in silhouette and a barbed wire fence guarded by a watchtower. Text in the upper right corner is a list of people who inspired and supported the artists, including their families and many hip-hop artists. Text above the caricature of Wilson reads, "Pintando [La Frontera]". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Asylumsubject Barbed Wire Devil In Art Graffiti Mexican American Art Mexican American Border Region Immigration Regulation And Control Hip-Hop Mural Art Wilson, Pete Chicano Art Politics In Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This series of photos depicts a mural that is in remembrance of those who have died attempting to cross the border. It is composed of wooden crosses painted white with the name, age, and origin of the deceased in black when it is known. These are nailed to a corrugated iron portion of the wall demarcating the U.S.-Mexican border. Police tape with the words "Crime Scene Do Not Cross" is strung in front of the crosses.artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Crosses In Art Immigration Regulation And Control Immigration Mural Art Chicano Art Murals (Any Medium) Death In Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Peligro Animales Venenosos
title Peligro Animales Venenososdescription A metal sign posted on the wall separating the U.S. from Mexico words migrants of the dangers of poisonous animals, including scorpions, spiders, snakes, and centipedes. Text reads, "Peligro Animales Venenosos SG Programa Nacional De Proteccion A Migrantes Secretaria De Gobernacion Instituto Nacional De Migracion". The photo, juxtaposed with photos of the Border Crossing Memorial, highlights the absurdity of the sign itself and the Mexican government's measures to protect migrants. The sign warns of poisonous animals when the greater danger is from dehydration, exhaustion, vigilantism, abuse by coyotes, and exploitation by labor contractors. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Mexican Governmentsubject Animals In Art Mexican American Border Region Immigration Regulation And Control Immigration Mural Art Art, Mexican Border Artcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Painting in unknown media is of a man whose hands and thumbs are bound. He is in the custody of two armed men in green uniforms. A third uniformed man detains a man on the ground. In front of the arrested man are two women in rebozos and a man in a red helmet. A multitude of elderly gentlemen with white hair watch the affair from the other side of a chain-link fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Laguna, Juansubject Fences In Art Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Soldiers Mexican Americans Aged Ancianos Imprisonment Armed Forces Border Art Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This portion of the Border Crossing Memorial asks, "¿Cuantos mas?". Between the two words is a series of wooden panels painted with red numbers, resembling a counter. The last panel has two numbers, as if in transition.artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Mural Art Chicano Art Murals (Any Medium) Death In Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Portrait Of Francisco Sanchez, Shot To Death By The Border Patrol On December 8, 1980
title Portrait Of Francisco Sanchez, Shot To Death By The Border Patrol On December 8, 1980description Cat.5 027 Hand with barbed wire and the head of a man with his eyes closed and an identification number under his chin. The words read: "Imagine there's no countries". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Graphic Arts Barbed Wire Border Patrols Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Lennon, John, 1940-1980 Prints Mexican Americans Hand In Art Border Art Chicanoscontributor Calisphere -
Undocumented Worker (Detail)
title Undocumented Worker (Detail)description Cat.8 106(4) Rubber surface conditioner, liquitex, and pro-line vinyl paints on acid-etched conrete freeway support pillar, Chicano Park. Mural depicts five scenes with artistic interpretations of immigrant labor. Detail is of the upper half of the mural. At the top a chicana tears down a wall. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Immigration Regulation And Control Immigration Mural Art Undocumented Workers Chicano Art Work Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.7 035(3) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr (January 1989). Message board cautions drivers to "Watch for people crossing road." A yellow diamond shaped sign has a graphic of a human running. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Photography, Artistic Mexican Americans Border Art Chicanoscontributor Calisphere -
Amnesty Room
title Amnesty Roomdescription Cat.7 006(2) From the Border Realities Exhibition at New York Artist Space Gallery and Centro Cultural de la Raza (February 23-March 23, 1985). This photo is of the installation titled "Amnesty Room." The installation is composed of a blow-up photo of Howard Ezell, the Western Regional Commisioner for the Immigration and Naturaliztion Service under Reagan, and Senator Alan K. simpson (R-Wyoming) weaving sombreros. This image is placed in a boat named U.S.S. Amnesty. Text on the tip of the boat reads, "If you catch an alien, you ought to clean 'em and try 'em yourself." -H. Ezell." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican American Art Politicians Mexican American Border Region Boats And Boating In Art Immigration Regulation And Control Sombreros Chicano Art Immigration And Naturalization Service Mexican Americans Simpson, Alan K Border Art Chicanoscontributor Calisphere -
Border Sutures Performance/Journey
title Border Sutures Performance/Journeydescription Cat.10 003(40) Performance/Journey from Matamoros/Brownsville to San Diego/Tijuana. Performance art piece on/near the border in El Paso. This photo is of "Team Migra". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Children Performance Art Mexican Americans Masks Border Art Chicanoscontributor Calisphere -
The Border Is An International Fiction
title The Border Is An International Fictiondescription Cat.5 018(3) Pages from the journal Fiction International (San Diego, CA) focusing on the ongoing debate about the U.S./Mexican border. This page features a reclining person watching television inside a room with a barred window, along with text. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Mexican American Art Newspapers In Art Mexican American Border Region Border Art Immigration Regulation And Control Immigration Television Chicano Art Immigration And Naturalization Service Prints Mexican Americans Graphic Arts Chicanoscontributor Calisphere -
Undocumented Worker
title Undocumented Workerdescription Cat.8 106(3) Rubber surface conditioner, liquitex, and pro-line vinyl paints on acid-etched conrete freeway support pillar, Chicano Park. Mural depicts five scenes with artistic interpretations of immigrant labor. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Immigration Regulation And Control Immigration Mural Art Undocumented Workers Chicano Art Work Women In Art Mexican Americans Chicanoscontributor Calisphere -
Donkey Cart Altar
title Donkey Cart Altardescription A two wheel carreta has the painted image of a man with his hands raised in the air and a border patrol agent frisking him on its backboard. Stairsteps in from the piece have "1985 San Diego" painted on them. On the back of the cart is a Xerox of a photograph and information which identifies it as a "portrait of Francisco Sanchez, shot to death by the border patrol on December 8, 1980". Cat.12 016(8) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Border Patrols Mexican American Art Mexican American Border Region Immigration Regulation And Control Assemblage (Art) Immigration Chicano Art Mexican Americans Sculpture Border Art Chicanoscontributor Calisphere -
Babalonia
title Babaloniadescription Cat.9 031 From the Victor Ochoa--Easel Painting and Graphics Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA. Painting of a car checking in at a border crossing identified as "Babylonia." The driver shows a green card to a man wearing dark glasses and a uniform and a dog sits nearby. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Fences In Art Border Patrols Automobiles Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Mexican Americans Dogs In Art Green Cards Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.7 035(2) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr (January 1989). Message board cautions drivers to "Watch for people crossing road." A yellow diamond shaped sign has a graphic of a human running. Also displayed at the New York Artist Space Gallery, New York, NY. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Photography, Artistic Mexican Americans Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.8 016(2) Mural in unknown media on outer wall of an office or apartment building at the corner of Lincoln and Wabash Streets in San Diego. A woman in the sun raises her arm to other people in its rays. Beneath this, the elderly and minorities in an inner city. A sign reads, "Alto a las Deportaciones". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Mexican American Art Women'S Rights Women In Art Immigration Regulation And Control Mural Art Chicano Art Aged Chicana Art Ancianos Sun - In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.7 035(1) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr (January 1989). Message board cautions drivers to "Watch for people crossing road." A yellow diamond shaped sign has a graphic of a human running. Also displayed at the New York Artist Space Gallery, New York, New York. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Photography, Artistic Mexican Americans Border Art Chicanoscontributor Calisphere -
Undocumented Worker (Detail)
title Undocumented Worker (Detail)description Cat.8 106(5) Rubber surface conditioner, liquitex, and pro-line vinyl paints on acid-etched conrete freeway support pillar, Chicano Park. Mural depicts five scenes with artistic interpretations of immigrant labor. Detail is of the uppermost panel. A man's body is half-formed by a constellation. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Immigration Regulation And Control Immigration Mural Art Undocumented Workers Chicano Art Work Women In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
¡Cesen Deportación!
title ¡Cesen Deportación!description Cat.5 046 Silkscreen poster of barbed wire with title text. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator García, Rupertsubject Barbed Wire Mexican American Art Immigration Regulation And Control Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Peligro! Deportación, Announcement Poster For
title Peligro! Deportación, Announcement Poster Fordescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/ Unsigned. Other inscriptions in yellow marker across the bottom read "MECHA Central & Sacra. Comm. For New Immigration Policy"; chopmark: "RCAF, BAS, c/s" in black located in the lower right corner. Announcement poster for "Peligro! Deportación." Photo silkscreen of an internment camp on a red background. Black type reads: "Peligro! Deportación, Piquete contra el Plan de Carter!, 29 de Marzo...Hace Ley!!"artist/creator Mendoza, Francosubject Barbed Wire Mexican American Art Lions In Art Concentration Camps--United States Demonstrations In Art Immigration Regulation And Control Lithography Chicano Art Prints Mexican Americans Carter, Jimmy, 1924- Posters Graphic Arts Chicanoscontributor Calisphere -
Marcha Contra La Migra, Announcement Poster For
title Marcha Contra La Migra, Announcement Poster Fordescription Announcement Poster for "Marcha Contra la Migra. . . .Un daño contra uno / es un daño contra todos. Image of a large group of workers in a demonstration holding big banners with the text: "Somos un pueblo / Mexican / Chicano." Underneath the image, printed text describes the itinerary and schedules. In the bottom part of the print are a workers' symbol, the acronym C.A.S.A., and a triangle symbol with a variation of the United Farm Workers huelga eagle inside. The print is smeared and faded-out in some areas. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Border Patrols Mexican American Art Demonstrations In Art Immigration Regulation And Control Chicano Art Immigration And Naturalization Service Prints Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Borderlines: Thinking About Gramma And My Life As An American Woman
title Borderlines: Thinking About Gramma And My Life As An American Womandescription Cat.7 013 From W x W (Woman by Woman) Exhibition at Galería de la Raza (May 10- June 1, 1985). Installation features two small round tables stacked one on top of the other. They are surrounded by barbed wire. Lower table has magazines with doomsday headlines. Upper table has tableware and a photograph. On the ground is a spilled jar of hot sauce. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator López, Yolanda M.subject Flowers In Art Barbed Wire Magazine Covers Ethnicity In Art Cactus Photography In Art Immigration Regulation And Control Chicano Art Tableware Chicana Art Chicanas Border Art Chicanoscontributor Calisphere -
La Sirena
title La Sirenadescription Cat.9 015 From Border Realities Exhibition at Galería de la Raza. From Border Bingo/Lotería Fronteriza series. In "La Sirena", the lotería card 'la sirena' (mermaid) has been replaced with a police siren and an INS agent with the face of a skull. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Ochoa, Victorsubject Fences In Art Border Patrols Calaveras Mexican American Art Mexican American Border Region Law Enforcement Immigration Regulation And Control Immigration Skull In Art Racial Profiling In Law Enforcement Chicano Art Immigration And Naturalization Service Mexican Americans Paintings Police In Art Lotería (Game) Border Art Chicanoscontributor Calisphere -
Chicano Moratorium, Announcement Poster For
title Chicano Moratorium, Announcement Poster Fordescription Announcement Poster for "Chicano Moratorium 1970-1984, 'Self-Determination in Aztlán,' Sunday, August 26, 1-6 p.m., Dolores Park, S.F...1st floor." The image is a crowd of people carrying signs that say: "No Migra Raids, No Vietnams, U.S. out of Central America..." The background is orange. The type is black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject International Relations Vietnamese Conflict, 1961-1975 United States Mexican American Art Peace Movements Demonstrations In Art Immigration Regulation And Control Aztlán Chicano Art Prints Chicano Movement Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Cactus Hearts/Barbed Wire Dreams: Media Myths And Mexicans Exhibition
title Cactus Hearts/Barbed Wire Dreams: Media Myths And Mexicans Exhibitiondescription Cat.3 067(1) Mural outside the Galería announces exhibit curated by Enrique Chagoya, Yolanda López, and René Yáñez. Depicts a road traversing a desert landscape. A Mexican peasant sleeps while leaning against a cactus. A labeled "INS"(Immigration and Naturalization Service" car is visible in the distance. Text reads, "Cactus Hearts/Barbed Wire dreams An Installation by Yolanda M. López _Media Myths _And Mexicans_ September 6-October 1, 1988 This show is dedicated to the children & youth of the Mission." Mural has been defaced. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Landscapes (Representations) Ethnicity In Art Graffiti Mural Art Mass Media And The Arts Cactus Stereotypes Mexican American Border Region Immigration Regulation And Control Ethnic Stereotypes Mural Paintings Chicana Art Mexican Americans Mexican American Art Immigration Art - Exhibitions Chicano Art Immigration And Naturalization Service Chicanas Border Art Chicanos López, Yolanda M.contributor Calisphere -
El Coyote
title El Coyotedescription Cat.9 014 From Border Realities Exhibition at Galería de la Raza. Part of Ochoa's Border Bingo/Lotería Fronteriza series, wherein 'border personalities" are typified in Lotería style. In El Coyote, the underground immigration agent is represented as the animal coyote, carrying a limp body in its mouth, which is on the other side of a barbed wire fence from the rest of its body. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Ochoa, Victorsubject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Coyotes (Immigrant Smugglers) Mexican Americans Paintings Lotería (Game) Border Art Chicanoscontributor Calisphere -
Promises, Promises
title Promises, Promisesdescription A blue human silhouette with one hand raised in the air dominates the poster. In the background are two farm workers pulling crops and a skyline of industrial horizon. At the top of the poster is a mouth with "promises" at both sides. Main colors are blue, red, and yellow. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Landscapes (Representations) Graphic Arts Farm Workers Mexican American Art Agricultural Laborers Crosses In Art Mexican American Border Region Immigration Regulation And Control Chicano Art Prints Mexican Americans Hand In Art Posters Border Art Chicanoscontributor Calisphere -
Travesías - La Cerca De Picos
title Travesías - La Cerca De Picosdescription A man climbing a barbed wire fence makes up the negative space of a black-purple-red gradation. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Márquez, Danielsubject Fences In Art Barbed Wire Mexican American Art Immigration Regulation And Control Chicano Art Prints Mexican Americans Chicanoscontributor Calisphere -
Commonalities
title Commonalitiesdescription "The imagery has 3 elements; [sic] The helicopter beaming down it's light (top left), 2 obscure figures facing one way and a directional target mark (top right). The three figures carry common religious related symbols. The fist figure to the left has the soul (The common philosophies that search for the inner self). The second carries the Virgin Mary the most popular identity in Mexico's Catholism. The last figure carries the most communicative media the television. The target, top right gives the direction of where the figures are heading to." Triangles and text frame the compostion. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Colors used: 1. Ligh (sic.) Green, 2. Red, 3. Yellow, 4. Pink, 5. Blue, 6. Black. "'Commonalities' is a visual statement pertaining to common issues I have shared with family and friends in East Los Angeles and in Tujuana, Mexico. The imagery has 3 elements; the helipcopter beaming down it's (sic.) light (top left), 3 obscure figures facing one way and a directional target mark (top right). The three figures carry common religious related symbols. The fist (sic.) figure to the left has the soul (the common philosophies that search for the inner self). The second carries the Virgin Mary the most popular identity in Mexico's Catholism (sic.). The last figure carries the most communicative media the television. The target, top right gives the direction of where the figures are heading to. The helicopter beams down it's (sic.) light on middle figure the one I most relate to and is also is (sic.) a statement of the violation of privacy and the search for the undocumented." A. Urista I-size: 19" x 25"; P-size: 20" x 26"; 49/61; Signed;, Inscription in pencil on the right hand corner of the image reads: "Arturo Urista, 87, 49/61, Commonalities"print: Oscar Duardo; chopmark: embossed "SHG" below the image on the right hand corner.artist/creator Urista, Arturosubject Mexican American Art Immigration Regulation And Control Undocumented Workers Religion In Art Chicano Art Symbolism Mexican Americans Chicanoscontributor Calisphere -
Washington En Tijuana
title Washington En Tijuanadescription Image is of George Washington in a Speedo or blue briefs, through which his genitals are visible. He stands next to a dog and in front of the border. Text behind him reads, "United States [B]order Inspection Sta[tion]". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Duffy, Ricardosubject Washington, George, 1732-1799 Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Generative Organs Prints Mexican Americans Dogs In Art Border Art Chicanoscontributor Calisphere -
V.G. Got Her Green Card
title V.G. Got Her Green Carddescription "A Virgin of Guadalupe holding a green card." Colors used: T-Ultra Blue, T-Violet, T-Magenta, T-Yellow, T-Turquoise, T-Green Shade Yellow, T-Flesh, O-Black, O-Green, T-White, Clear Gloss, and T-Yellow-Orange. #Prints: 2. Atelier XXXVII; Coventry Rag, 290 gms. I-size: 22" x 16"; P-size: 26" x 20"; Ed#: 4/80, 6/80; prnt: José Alpuche; mtrx: destroyed; signed lower left. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Martínez, Isabelsubject Mexican American Art Immigration Regulation And Control Immigration Religion In Art Chicano Art Prints Guadalupe, Our Lady Of Mexican Americans Chicana Art Green Cards Women In Art Posters Chicanas Graphic Arts Chicanoscontributor Calisphere