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Untitled

title Untitled

description Serigraph on paper, 11 in. x 15 in. Three men on horseback crossing a border through a hole in a broken chain-link fence at night.

artist/creator Burciaga, José Antonio

subject Horses Animals in art Desert Fences Barbed Wire Stars Estrellas Borderlands Frontera Screen prints Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)

contributor Mexic-Arte Museum (MAM)
Magueyes II

title Magueyes II

description Intaglio on paper, 24 in. x 18 in. The New Immigration: Ten Etchings Portfolio by Self Help Graphics, Los Angeles, CA and Galería Sin Fronteras, Austin, TX. Layers of faces within what looks like a detention center with barbed wire fences. In 1988, Sister Karen Boccalero, founder of Self Help Graphics in Los Angeles, and Dr. Gilberto Cárdenas, founder of Galería Sin Fronteras in Austin, co-organized this portfolio of ten etchings by five artists. The prints, sponsored by Self Help Graphics and co-published by Galería Sin Fronteras, were produced at Taller Romero in Mexico City by printer Renato Esquivel Romero. According to Cárdenas, this series pays “homage to the perseverance and dignity of the new Latino immigrants as they struggle with the transition into American society.” He also said that they are a reminder of “the role that immigration plays in enriching the economic vitality of our society and the contributions that the immigrants and their children will have in making American society a better community for tomorrow—a community ‘sin fronteras.’” Each of the five selected artists presented a distinctive perspective on politics, immigration, and the border.

artist/creator Romero, Alejandro

subject Politics in art Faces Figurative art Fences Barbed Wire Immigration Immigrants Borderlands Frontera Intaglio Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)

contributor Mexic-Arte Museum (MAM)
Untitled

title Untitled

description Intaglio on paper, 24 in. x 18 in. The New Immigration: Ten Etchings Portfolio by Self Help Graphics, Los Angeles, CA and Galería Sin Fronteras, Austin, TX. A flag potentially being pierced by an agave plant behind a wall with barbed wire in the foreground and background. In 1988, Sister Karen Boccalero, founder of Self Help Graphics in Los Angeles, and Dr. Gilberto Cárdenas, founder of Galería Sin Fronteras in Austin, co-organized this portfolio of ten etchings by five artists. The prints, sponsored by Self Help Graphics and co-published by Galería Sin Fronteras, were produced at Taller Romero in Mexico City by printer Renato Esquivel Romero. According to Cárdenas, this series pays “homage to the perseverance and dignity of the new Latino immigrants as they struggle with the transition into American society.” He also said that they are a reminder of “the role that immigration plays in enriching the economic vitality of our society and the contributions that the immigrants and their children will have in making American society a better community for tomorrow—a community ‘sin fronteras.’” Each of the five selected artists presented a distinctive perspective on politics, immigration, and the border.

artist/creator Montoya, Malaquías

subject Politics in art Agaves Barbed Wire Banderas Flags Immigration Immigrants Intaglio Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)

contributor Mexic-Arte Museum (MAM)
A Votar

title A Votar

description Intaglio on paper, 18 in. x 24 in. The New Immigration: Ten Etchings Portfolio by Self Help Graphics, Los Angeles, CA and Galería Sin Fronteras, Austin, TX. Crowds of people are on either side of a barbed wire with bound hands. The people are small and look up to massive voting boxes for the USA and Mexico, with large hands contributing their votes. In 1988, Sister Karen Boccalero, founder of Self Help Graphics in Los Angeles, and Dr. Gilberto Cárdenas, founder of Galería Sin Fronteras in Austin, co-organized this portfolio of ten etchings by five artists. The prints, sponsored by Self Help Graphics and co-published by Galería Sin Fronteras, were produced at Taller Romero in Mexico City by printer Renato Esquivel Romero. According to Cárdenas, this series pays “homage to the perseverance and dignity of the new Latino immigrants as they struggle with the transition into American society.” He also said that they are a reminder of “the role that immigration plays in enriching the economic vitality of our society and the contributions that the immigrants and their children will have in making American society a better community for tomorrow—a community ‘sin fronteras.’” Each of the five selected artists presented a distinctive perspective on politics, immigration, and the border.

artist/creator Limón, Leo

subject Mexico Immigration Immigrants United States Buildings Voting People Rope Barbed Wire Hands Hand in art Intaglio Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)

contributor Mexic-Arte Museum (MAM)
¡Cesen Deportación!

title ¡Cesen Deportación!

description Rupert García, ¡Cesen Deportación!, 1973, reprinted in collaboration with Dignidad Rebelde 2011, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund, 2020.39.9, © 1973, Rupert García

artist/creator

subject Fences Barbed wire Deportation

contributor screenprint on paper
Border Sutures 1990

title Border Sutures 1990

description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of two women manipulating a barbed wire fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Border Arts Workshop/Taller De Arte Fronterizo

subject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Artists Chicano Art Performance Art Mexican Americans Chicana Art Chicanas Border Art Chicanos

contributor Calisphere
Border Sutures 1990

title Border Sutures 1990

description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of three people creating an earthworks/assemblage sculpture composed of a ring of stone with a "border suture" in the center. A length of barbed wire is strung across the ring under the suture. In this photo, the artists place vegetation in the ring. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Border Arts Workshop/Taller De Arte Fronterizo

subject Fences In Art Flowers In Art Barbed Wire Mexican American Art Mexican American Border Region Artists Chicano Art Performance Art Mexican Americans Chicana Art Chicanas Border Art Chicanos

contributor Calisphere
Border Sutures 1990

title Border Sutures 1990

description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. This photo is of a man and a woman on either side of a barbed wire fence. The man's foot is on a metal sculpture (one of the "border sutures") underneath the fence and the woman holds a sledgehammer. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Border Arts Workshop/Taller De Arte Fronterizo

subject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Artists Chicano Art Performance Art Mexican Americans Sculpture Chicanas Border Art Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Painting in unknown media depicts a coyote (or wolf) with a forked tongue wearing a fedora in the upper left corner. One side of his tongue reads, "Spanish", the other, "Inglés". A word bubble from his mouth reads, "Q'Vo Que Paza Paso Pazando Pa' Siempre K-Z". Title text reads, "Chicanozauro 500". In the upper right corner, a calavera, a cross, and a Mayan police officer are enclosed in a barbed wire frame. Text reads, "In the Beginning" and "Que Nuevas". In the lower left corner, a rectangle contains an image of a Mayan man handing a woman a torch. In the lower left corner, the three-faced symbol of mestizaje speaks two word bubbles. The one on the left reads, "La Causa La Huelga La Migra La Chota Bilingl Ed Racismo Genocide Drogas K-Z". The one on the right reads, "Power Respeto Libertad Culture Aztlán". There is also a lowrider with the words "La Lucha Keeps On" driven by the pachuco wolf. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Ochoa, Victor

subject Lowriders Police In Art Mestizaje Automobiles Drugs Immigration Regulation And Control Low Rider Pachucos Barbed Wire Calaveras Bilingualism Aztlán Mayans Mexican Americans Biculturalism Mexican American Art Crosses In Art Chicano Art Bilingual Bicultural Education Chicanos

contributor Calisphere
Border Sutures 1990

title Border Sutures 1990

description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of a woman spray painting a barbed wire fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net

artist/creator Border Arts Workshop/Taller De Arte Fronterizo

subject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Artists Chicano Art Performance Art Mexican Americans Chicana Art Chicanas Border Art Chicanos

contributor Calisphere
Pintando La Frontera (Detail)

title Pintando La Frontera (Detail)

description A large aerosol mural extends across an entire brick wall and around the corner. Detail is of the portion of the mural around the corner from the "Pintando la Frontera" portion. It depicts, from left to right, a nude woman behind barbed wire in front of a cityscape, (text in the sky above the city reads, "Ciudad Desnuda / Madre Tierra que Grita / Niños de la Calle Se Pierden / En la Miseria de la Ciudad... / ...Un Alurin / Tipo Los Doors / We Live Al Otro lado / En El Mundo de Los Sueños / Donde cualquier Cosa / Puede Pasar... / Los Antepasados / Creando un Cambio / Un Futureo / Un Nuevo Amanecer") a child, a bearded man with long hair (possibly Jim Morrison), a bomb by Nuke, a calavera, the acronym "FZLN", Emiliano Zapata, a UFO, a depiction of Carlos Salinas de Gortari as the chupacabras with the word "El Chupa Patria", and a bomb by UTI. Text above the FZLN reads, "¡¡Paz Justicia Democracia Dignidad!!" The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Uti

subject Landscapes (Representations) Aerosol Mural Art Poetry Mexican American Border Region Ejército Zapatista De Liberación Nacional (Mexico) Fire In Art Nudes Revolutionaries Zapata, Emiliano, 1879-1919 Barbed Wire Morrison, Jim, 1943-1971 Mexican Americans Mexican American Art Politicians Hip-Hop Chicano Art Chicano Movement Salinas De Gortari, Carlos Border Art Chicanos Street art Spray paint

contributor Calisphere
Pintando La Frontera (Detail)

title Pintando La Frontera (Detail)

description A large aerosol mural extends across an entire brick wall and around the corner. In this portion, Pete Wilson is depicted as a devil, with horns and a tail and a swastika badge. A tattooed, dreadlocked artist standing before the mural makes a rude gesture toward the image of Wilson. Text on the sidewalk reads, "Fuck Pete Wilson" with an arrow leading to the portrait. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Asylum

subject Barbed Wire Devil In Art Mexican American Art Mexican American Border Region Artists Aerosol Hip-Hop Immigration Regulation And Control Mural Art Chicano Art Wilson, Pete Mexican Americans Border Art Chicanos Street art Spray paint

contributor Calisphere
Zamos Hermanos

title Zamos Hermanos

description A piece to the left is a character who points a gun at the viewer. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Swank

subject Barbed Wire Mexican American Art Firearms In Art Mexican American Border Region Aerosol Hip-Hop Mural Art Chicano Art Mexican Americans Border Art Chicanos Street art Spray paint

contributor Calisphere
Pintando La Frontera (Detail)

title Pintando La Frontera (Detail)

description A large aerosol mural extends across an entire brick wall and around the corner. In this portion, Pete Wilson is depicted as a devil, with horns and a tail and a swastika badge. He holds a pair of binoculars and stands between a sign with a running family in silhouette and a barbed wire fence guarded by a watchtower. Text in the upper right corner is a list of people who inspired and supported the artists, including their families and many hip-hop artists. Text above the caricature of Wilson reads, "Pintando [La Frontera]". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Asylum

subject Barbed Wire Devil In Art Graffiti Mexican American Art Mexican American Border Region Immigration Regulation And Control Hip-Hop Mural Art Wilson, Pete Chicano Art Politics In Art Mexican Americans Border Art Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Assemblage from the Border Realities exhibition at the Centro Cultural de la Raza. The painted image of a man being frisked by a Border Patrol Agent is placed in a three-dimensional space with a model of a building in the Greek style, barbed wire, and wooden platforms. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Avalos, David

subject Barbed Wire Mexican American Art Border Patrols Mexican American Border Region Mexican Americans Border Art Sculpture

contributor Calisphere
No Human Being Is Illegal Exhibit

title No Human Being Is Illegal Exhibit

description Photo is from a Centro Cultural de la Raza exhibit. A large banner features images of the Statue of Liberty and barbed wire. Text reads, "No Human Being is Illegal". Many other works are also on display. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Centro Cultural De La Raza

subject Statue Of Liberty (New York, N.Y.) In Art Barbed Wire Mexican American Art Art - Exhibitions Chicano Art Mexican Americans Chicanos

contributor Calisphere
South East Sd

title South East Sd

description Aerosol mural on a brick wall topped with barbed wire. Image is of a man's head emerging from a long series of convoluted pipes, whose origin is a spraycan. Text reads "South East SD", "Often N SH SE", "Often Angel", and "Diego Town 1993". Text on the spraycan reads, "Danger". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu

artist/creator Wis B

subject Barbed Wire Mexican American Art Graffiti Aerosol Hip-Hop Mural Art Chicano Art Mexican Americans Chicanos

contributor Calisphere
Portrait Of Francisco Sanchez, Shot To Death By The Border Patrol On December 8, 1980

title Portrait Of Francisco Sanchez, Shot To Death By The Border Patrol On December 8, 1980

description Cat.5 027 Hand with barbed wire and the head of a man with his eyes closed and an identification number under his chin. The words read: "Imagine there's no countries". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Avalos, David

subject Graphic Arts Barbed Wire Border Patrols Mexican American Art Mexican American Border Region Immigration Regulation And Control Chicano Art Lennon, John, 1940-1980 Prints Mexican Americans Hand In Art Border Art Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Cat.7 005(7) From the Border Realities Exhibition at Centro Cultural de la Raza (February 23-March 23, 1985). Installation resembles a wrestling ring with barbed wire for ropes. A bride wears a Mexican wrestling mask. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Artist Unknown

subject Mexican Wrestling Masks Barbed Wire Mexican American Art Wrestlers In Art Serpents In Art Art - Exhibitions Chicano Art Wedding Costume Mexican Americans Installations (Art) Masks Border Art Chicanos

contributor Calisphere
Border Sutures Performance/Journey

title Border Sutures Performance/Journey

description Cat.10 003(7) Performance/Journey from Matamoros/Brownsville to San Diego/Tijuana. Performance art piece on/near the border in Nogales, Arizona. This photo is of two women taking down a barbed wire fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Centro Cultural De La Raza

subject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Chicano Art Performance Art Mexican Americans Chicana Art Chicanas Border Art Chicanos

contributor Calisphere
Sketches For "The Life Of Pedro J. Gonzalez" Mural

title Sketches For "The Life Of Pedro J. Gonzalez" Mural

description Cat.4 013(18) Preliminary sketches for the mural painted at Chicano Park, Logan Ave., San Diego, CA. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Ochoa, Victor

subject Barbed Wire Farm Workers Mexican American Art Radio Stations Agricultural Laborers Music Chicano Art Musicians Studies (Visual Works) Pastels (Crayons) Mexican Americans Chicanos

contributor Calisphere
Whitewash(Ed) Portable Exhibition

title Whitewash(Ed) Portable Exhibition

description Cat.3 101(7) Installation fron exhibition features American images with distorted swastikas. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Centro Cultural De La Raza

subject Fences In Art Barbed Wire Mexican American Art Weapons In Art Art - Exhibitions Chicano Art Installations (Art) Flags In Art Symbolism Mexican Americans Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Cat.4 028 From Border Realities--Part Two Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (February 1986). Felt-tipped marker drawing of a man rising from a basket of plants. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Schnorr, Michael

subject Chicanos Barbed Wire Mexican American Art Pen Drawing Chicano Art Mexican Americans Clothing And Dress In Art

contributor Calisphere
Teatro De La Gente Presenta "El Quetzal"

title Teatro De La Gente Presenta "El Quetzal"

description Cat.5 081 Poster from Royal Chicano Air Force, Sacramento, CA for Teatro de la Gente. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Montoya, Malaquías

subject Barbed Wire Cinco De Mayo (Mexican Holiday) Birds In Art Mexican American Art Quetzals Chicano Art Performing Arts Prints Mexican Americans Teatro Graphic Arts Chicanos

contributor Calisphere
The Border Is An International Fiction

title The Border Is An International Fiction

description Cat.5 018(2) Pages from the journal Fiction International (San Diego, CA) focusing on the ongoing debate about the U.S./Mexican border. This page features a stylized man with his hands behind his head and barbed wire wrapped around his limbs as a helicopter flies overhead. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Avalos, David

subject Graphic Arts Barbed Wire Border Patrols Mexican American Art Mexican American Border Region Chicano Art Prints Mexican Americans Border Art Chicanos

contributor Calisphere
Y Que Magazine Cover

title Y Que Magazine Cover

description Cat.5 029(6) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ This series of color and black and white photocopies combines and recombines elements to create different compositions. Y Que is a magazine devoted to color xerography.

artist/creator Avalos, David

subject Magazine Covers Barbed Wire Cinco De Mayo (Mexican Holiday) Mexican American Art Food In Art Chicano Art Calendar Art Prints Mexican Americans Hand In Art Graphic Arts Chicanos

contributor Calisphere
Odd Work Solo By Dave Ng, Announcement Poster For

title Odd Work Solo By Dave Ng, Announcement Poster For

description Announcement poster for "Odd Work Solo by Dave Ng". Gray lettering framed by barbed wire on a red background. Text reads, "Galeria Museo 2868 Mission St. SF/ music: Orquesta René del Mar/ Reception July 27 7-10 pm thru: Aug 18 79/ Mission Cultural Center". Text in lower right reads, "publicity funded by Zellerback". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Artist Unknown

subject Barbed Wire Mexican American Art Asian Americans Art - Exhibitions Chicano Art Prints Mexican Americans Asian American Art Posters Graphic Arts Chicanos

contributor Calisphere
Y Que Magazine Cover

title Y Que Magazine Cover

description Cat.5 029(1) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ This series of color and black and white photocopies combines and recombines elements to create different compositions. Y Que is a magazine devoted to color xerography.

artist/creator Avalos, David

subject Magazine Covers Barbed Wire Mexican American Art Graffiti Chicano Art Prints Mexican Americans Tijuana (Baja California, Mexico) Graphic Arts Chicanos

contributor Calisphere
Border Patrol Dumbo

title Border Patrol Dumbo

description Cat.9 013(2) From an exhibition of David Avalos' work at Centro Cultural de la Raza. This black and white painting has a cartoon-like quality. The image is a variation of Sylvester Stallone's "Rambo," using a border patrolman to draw attention to the rampant violence and abuse of Mexican children on the border. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator Avalos, David

subject Fences In Art Graphic Arts Barbed Wire Border Patrols Mexican American Art Firearms In Art Mexican American Border Region Chicano Art Violence Mexican Americans Border Art Chicanos

contributor Calisphere
Cafe Mestizo Exhibition

title Cafe Mestizo Exhibition

description Cat.3 030 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ View of installations that incorporate sculptures by David Avalos, as exhibited at INTAR (International Arts Relations) Gallery, New York.

artist/creator Centro Cultural De La Raza

subject Automobiles Parts Barbed Wire Mexican American Art Television Art - Exhibitions Chicano Art Sculpture Mexican Americans Chicanos

contributor Calisphere
David Avalos Exibition

title David Avalos Exibition

description Cat.3 037(5) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ View of two works from the David Avalos Exhibition at the Centro Cultural de la Raza.

artist/creator Centro Cultural De La Raza

subject Chicanos Barbed Wire Border Patrols Calaveras Fossil Fuels Mexican American Art Art - Exhibitions Chicano Art Mexican Americans Carter, Jimmy, 1924- Lotería (Game) Border Art Assemblage (Art)

contributor Calisphere
¡Cesen Deportación!

title ¡Cesen Deportación!

description Cat.5 046 Silkscreen poster of barbed wire with title text. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/

artist/creator García, Rupert

subject Barbed Wire Mexican American Art Immigration Regulation And Control Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Chopmark: "RCAF" in black located in the lower right corner of the image area. Black outlined image of a male and female head above a tower with barbed wire. The background is pink/purple. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/

artist/creator Hernández, Pete

subject Landscapes (Representations) Barbed Wire Mexican American Art Mexican American Border Region Border Art Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanos

contributor Calisphere
El Quetzal, Announcement Poster For

title El Quetzal, Announcement Poster For

description Signed. Inscription in blue located in the bottom center reads: "Malaquias Montoya/RCAF". Announcement Poster for "El Quetzal." Image of a stylized man/bird. Colors are: lime green, purple, orange, blue, ochre, and florescent pink. Blue and purple type reads: "Teatro de La Gente presenta el Quetzal, el Quetzal." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/

artist/creator Montoya, José

subject Barbed Wire Mexican American Art Birds In Art Quetzalcoatl (Aztec Deity) Chicano Art Prints Teatro Posters Mexican Americans Chicanos Prints - Technique

contributor Calisphere
Peligro! Deportación, Announcement Poster For

title Peligro! Deportación, Announcement Poster For

description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/ Unsigned. Other inscriptions in yellow marker across the bottom read "MECHA Central & Sacra. Comm. For New Immigration Policy"; chopmark: "RCAF, BAS, c/s" in black located in the lower right corner. Announcement poster for "Peligro! Deportación." Photo silkscreen of an internment camp on a red background. Black type reads: "Peligro! Deportación, Piquete contra el Plan de Carter!, 29 de Marzo...Hace Ley!!"

artist/creator Mendoza, Franco

subject Barbed Wire Mexican American Art Lions In Art Concentration Camps--United States Demonstrations In Art Immigration Regulation And Control Lithography Chicano Art Prints Mexican Americans Carter, Jimmy, 1924- Posters Graphic Arts Chicanos

contributor Calisphere
1St Annual Mexican American Hall Of Fame, Announcement Poster For

title 1St Annual Mexican American Hall Of Fame, Announcement Poster For

description Chopmark: "RCAF" in red located at the bottom center. Announcement Poster for "1st Annual Mexican American Hall of Fame." Image of a woman's face with brown skin, black hair and a white and brown crown. She has a white circle behind her. Yellow type on a blue background reads: "1st Annual Mexican American Hall of Fame Sports Ass. Dance & Queen Contest." Yellow and red type on her black hair reads: "Musica por Manuel Avalos y Los Primeros, Sat, Nov. 23rd, 9 pm - 1 am, Cal Expo Bldg. A, Donations $3 at door, $2.00 in advance." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/

artist/creator Orosco, Juanishi

subject Posters Barbed Wire Mexican American Art Chicano Art Prints Dance Mexican Americans Chicanos Prints - Technique

contributor Calisphere
Borderlines: Thinking About Gramma And My Life As An American Woman

title Borderlines: Thinking About Gramma And My Life As An American Woman

description Cat.7 013 From W x W (Woman by Woman) Exhibition at Galería de la Raza (May 10- June 1, 1985). Installation features two small round tables stacked one on top of the other. They are surrounded by barbed wire. Lower table has magazines with doomsday headlines. Upper table has tableware and a photograph. On the ground is a spilled jar of hot sauce. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator López, Yolanda M.

subject Flowers In Art Barbed Wire Magazine Covers Ethnicity In Art Cactus Photography In Art Immigration Regulation And Control Chicano Art Tableware Chicana Art Chicanas Border Art Chicanos

contributor Calisphere
Argentina. . .One Year Of Military Dictatorship, Announcement Poster For

title Argentina. . .One Year Of Military Dictatorship, Announcement Poster For

description Announcement Poster for "Argentina / March 24, 1976 - March 24, 1977. One Year Of Military Dictatorship." Image of a black forearm and a fist around which there is barbed wire that ends in a bleeding red flower. The red drops turn into red lettering. The lower half of the print is a black surface that resembles a mountain landscape and contains white lettering that describes dates and times of several events. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Montoya, Malaquías

subject International Relations Flowers In Art Barbed Wire Mexican American Art South America Demonstrations In Art Blood In Art Chicano Art Prints Mexican Americans Political Prisoners In Art Human Rights Posters Argentina Graphic Arts Chicanos

contributor Calisphere
The Silent Majorities

title The Silent Majorities

description On one side there is an image of an athlete playing baseball in a crowded stadium. Light blue and green lettering reads: "The U.S.A." Next to it there is an image of a barbed wire fence with the inscription: "Vietnam." Colors: navy blue and green. Text below the image reads, "The Silent Majorities." Produced at Mission Grafica, Mission Cultural Center for the Latino Arts. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Artist Unknown

subject War In Art Politics In Art Graphic Arts Vietnam Fences In Art Prints Barbed Wire Prisoners Vietnamese Conflict, 1961-1975 United States Imprisonment Sports In Art Mexican Americans War Mexican American Art Baseball In Art Chicano Art Athletes In Art Posters Chicanos

contributor Calisphere
(Title Unknown) [El Diez Y Seis De Septiembre]

title (Title Unknown) [El Diez Y Seis De Septiembre]

description Picture of two workers raising up a barbed wire barrier. One man is holding a wrench and the other a shot-gun. Text is red and yellow and reads "El Diez y Seis de Septiembre el Dia de la Independencia el Dia de Resistencia; 12 de Septiembre Domingo 6pm; Center for the Performing Arts 255 Almaden Blvd. San Jose, Califas". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Montoya, Malaquías

subject Barbed Wire Mexican American Art Chicano Art Prints Chicano Movement Mexican Americans Celebrations Independence Day (Mexico) Posters Graphic Arts Chicanos

contributor Calisphere
El Coyote

title El Coyote

description Cat.9 014 From Border Realities Exhibition at Galería de la Raza. Part of Ochoa's Border Bingo/Lotería Fronteriza series, wherein 'border personalities" are typified in Lotería style. In El Coyote, the underground immigration agent is represented as the animal coyote, carrying a limp body in its mouth, which is on the other side of a barbed wire fence from the rest of its body. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Ochoa, Victor

subject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Coyotes (Immigrant Smugglers) Mexican Americans Paintings Lotería (Game) Border Art Chicanos

contributor Calisphere
Chair

title Chair

description Cat.12 029 From South Africa, State of Emergency Exhibition at Galería de la Raza. Assemblage sculpture consisting of a chair atop a cubic pedestal. Across the pedestal is draped a sash in red, white and green. The chair is adorned with many smaller objects, most of which are too small to distinguish. Among visible objects are a length of barbed wire, a sword, a cross, a wheel, and a lock. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org

artist/creator Connell, Kate

subject Furniture In Art Barbed Wire Mexican American Art Swords Crosses In Art Locks And Keys Weapons In Art Chicano Art Chicana Art South Africa Sculpture Chicanas Mexican Americans Chicanos

contributor Calisphere
Enredada En Sueños Del Cuerpo

title Enredada En Sueños Del Cuerpo

description A woman's body in a lascivious position is wrapped around with red barbed wire. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Gil, Xóchitl

subject Barbed Wire Mexican American Art Chicano Art Prints Chicana Art Sexuality In Art Dreams In Art Chicanas Mexican Americans Chicanos

contributor Calisphere
Travesías - La Cerca De Picos

title Travesías - La Cerca De Picos

description A man climbing a barbed wire fence makes up the negative space of a black-purple-red gradation. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Márquez, Daniel

subject Fences In Art Barbed Wire Mexican American Art Immigration Regulation And Control Chicano Art Prints Mexican Americans Chicanos

contributor Calisphere
Me Pico

title Me Pico

description Image is of a rooster in front of a U.S. flag. Barbed wire appears on the white stripes. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Ochoa, Jaime

subject Barbed Wire Mexican American Art Chicano Art Prints Roosters In Art Mexican Americans Flags In Art Border Art Chicanos

contributor Calisphere
La Virgen De Los Nopales

title La Virgen De Los Nopales

description "Nopales with the Americas are under an intense barbed wire rain. The Virgens are watching. America is represented by the nopal. The continent is under attack. The barbed wire that cut up our land are still raining upon us. The virgen watches. The sun, moon, and flower below are uncertain and uncomfortable with the situation." Colors used: Green - warm-mid, Blue - Light Turq., Brown - Light warm, Magenta, Light Warm Grey, and Black Rain". Atelier XLII- Maestras 4; Coventry Rag, 290 gms; I-size: 22" x 16"; P-size: 26" x 20"; Ed#: 4/72, 6/72; prnt: José Alpuche; mtrx: destroyed. Signed. lower right The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Jimenez Underwood, Consuelo

subject Barbed Wire Mexican American Art Cactus Maps In Art Religion In Art Chicano Art Nopales Prints Guadalupe, Our Lady Of Mexican Americans Chicana Art Posters Mixed Media Graphic Arts Chicanos

contributor Calisphere
Destiny

title Destiny

description Against a backdrop of flags, a family joins others on the other side of a barbed wire border. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Limón, Leo

subject Barbed Wire Mexican American Art Immigration Family Chicano Art Prints Mexican Americans Flags In Art Border Art Chicanos

contributor Calisphere
(Title Unknown)

title (Title Unknown)

description Acrylic painting on an irregularly-shaped piece of wood depicts two calaveras. One has orange hair and holds popcorn; the other wears a bandanna. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com

artist/creator Artist Unknown

subject Barbed Wire Mexican American Art Calaveras Automobiles Cholos Chicano Art Mexican Americans Chicanos

contributor Calisphere
Travesías - El Reptil

title Travesías - El Reptil

description Image is of a green-skinned man creeping under a barbed wire fence.

artist/creator Márquez, Daniel

subject Fences In Art Barbed Wire Mexican American Art Immigration Chicano Art Prints Mexican Americans Border Art Chicanos

contributor Calisphere