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No Apartheid - Wall Of Justice
title No Apartheid - Wall Of Justicedescription Photo is of the mural before restoration. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Mexican American Art Tutu, Desmond Aquino, Corazon Cojuangco Mural Art Chicano Art South Africa Jesus Christ In Art Mexican Americans Chicanos Anti-racism Criticismcontributor Calisphere -
No Apartheid - Wall Of Justice Revival
title No Apartheid - Wall Of Justice Revivaldescription Mural depicts Dr. Martin Luther King, Jr., Coretta Scott King, Chief Joseph, and Mahatma Gandhi as part of the No Apartheid Mural. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Mexican American Art Gandhi, Mahatma, 1869-1948 Mural Art Chicano Art King, Martin Luther, Jr., 1929-1968 South Africa Joseph, Nez Percé Chief, 1840-1904 King, Coretta Scott, 1927- Mexican Americans Chicanos Anti-racism Criticismcontributor Calisphere -
End Racism (Detail Of Select Woods, Inc. Mural)
title End Racism (Detail Of Select Woods, Inc. Mural)description Aerosol mural on the exterior wall of the Select Woods, Inc. building, 17th and Commercial Streets, San Diego. This portion of the mural features the words "End Racism". They are in a collage style, with each letter in a different font, like a ransom note. Beside this message are three pieces, one by Dyse, one by Ser, and the other indecipherable. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Ortiz, Jessie "Buster"subject Mexican American Art Graffiti Automobiles Aerosol Hip-Hop Mural Art Chicano Art Jesus Christ In Art Mexican Americans Chicanos Anti-racism Criticismcontributor Calisphere -
No Apartheid - Wall Of Justice - Revival 2002
title No Apartheid - Wall Of Justice - Revival 2002description Acrylic mural on the corner of 32nd Street and Imperial Avenue was restored by Mario Torero and FUERZA for the Bronze Triangle. This photo was taken before the restoration. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Mexican American Art Tutu, Desmond Mural Art Chicano Art King, Martin Luther, Jr., 1929-1968 Blacks Clergy South Africa Jesus Christ In Art Mexican Americans Chicanos Anti-racism Criticismcontributor Calisphere -
No Apartheid - Wall Of Justice Revival
title No Apartheid - Wall Of Justice Revivaldescription Acrylic mural on a low wall at 32nd Street and Imperial Avenue, San Diego, (Oceanview and 30th, according to documentation) is a restoration of an older, anti-Apartheid mural. New inspirational figures have been painted in. In this photo, Cesar Chávez, the Dalai Lama, Jesus Christ, Bishop Oscar Romero, Corazon Aquino, Bishop Desmond Tutu, Nelson Mandela, and Mother Teresa are visible. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Mexican American Art Teresa, Mother, 1910- Tutu, Desmond Aquino, Corazon Cojuangco Mural Art Chicano Art Romero, Oscar A. (Oscar Arnulfo), 1917-1980 Mexican Americans South Africa Jesus Christ In Art Mandela, Nelson, 1918- Chávez, Cesar, 1927-1993 Bstan-'Dzin-Rgya-Mtsho, Dalai Lama Xiv, 1935- Chicanos Anti-racism Criticismcontributor Calisphere -
No Apartheid - Wall Of Justice Revival
title No Apartheid - Wall Of Justice Revivaldescription Acrylic mural on a low wall at 32nd Street and Imperial Avenue, San Diego, (Oceanview and 30th, according to documentation) is a restoration of an older, anti-Apartheid mural. New inspirational figures have been painted in. In this photo, Cesar Chávez, the Dalai Lama, Jesus Christ, Bishop Oscar Romero, and Corazon Aquino are visible. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Mexican American Art Aquino, Corazon Cojuangco Mural Art Chicano Art Romero, Oscar A. (Oscar Arnulfo), 1917-1980 Mexican Americans South Africa Jesus Christ In Art Chávez, Cesar, 1927-1993 Bstan-'Dzin-Rgya-Mtsho, Dalai Lama Xiv, 1935- Chicanos Anti-racism Criticismcontributor Calisphere -
No Apartheid - Wall Of Justice Revival
title No Apartheid - Wall Of Justice Revivaldescription Acrylic mural on a low wall at 32nd Street and Imperial Avenue, San Diego, (Oceanview and 30th, according to documentation) is a restoration of an older, anti-Apartheid mural. New inspirational figures have been painted in. In this photo, Bishop Oscar Romero, Corazon Aquino, Bishop Desmond Tutu, Nelson Mandela, Mother Teresa, and Dr. Martin Luther King Jr. are visible. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Mexican American Art Teresa, Mother, 1910- Tutu, Desmond Aquino, Corazon Cojuangco Mural Art Chicano Art King, Martin Luther, Jr., 1929-1968 Romero, Oscar A. (Oscar Arnulfo), 1917-1980 South Africa Mexican Americans Chicanos Anti-racism Criticismcontributor Calisphere -
No Apartheid - Wall Of Justice Revival
title No Apartheid - Wall Of Justice Revivaldescription Acrylic mural on a low wall at 32nd Street and Imperial Avenue, San Diego, (Oceanview and 30th, according to documentation) is a restoration of an older, anti-Apartheid mural. New inspirational figures have been painted in. In this photo, Bishop Oscar Romero, Corazon Aquino, Bishop Desmond Tutu, and Nelson Mandela are visible. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Africa Mexican American Art Tutu, Desmond Mural Art Chicano Art Blacks Liberation Theology Romero, Oscar A. (Oscar Arnulfo), 1917-1980 Clergy South Africa Jesus Christ In Art Mandela, Nelson, 1918- Mexican Americans Chicanos Anti-racism Criticismcontributor Calisphere -
Destination L.A. Exhibition
title Destination L.A. Exhibitiondescription Cat.3 040(19) Installation from Los Angeles Contemporary Exhibition depicts a 'redneck' family watching David Duke on television. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Racism In Art Mexican American Art Television Art - Exhibitions Chicano Art Duke, David Ernest Installations (Art) Ku Klux Klan (1915- ) Mexican Americans Chicanos Anti-racism Criticismcontributor Calisphere -
Calavera De Los Bravos Ku Kus Klanes
title Calavera De Los Bravos Ku Kus Klanesdescription Cat.5 075(23) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ These prints were taken from the original art works of the Mexican artist and lithographer José Guadalupe Posada and exhibited at Centro Cultural de la Raza, Balboa Park, San Diego, CA (1980).artist/creator Posada, Jose Guadalupesubject Calaveras Lithography Prints Mexican Americans Ku Klux Klan (1915- ) Lithography, Mexican Art, Mexican Posada, José Guadalupe, 1852-1913 Graphic Arts Chicanos Anti-racism Criticismcontributor Calisphere -
Angelitos Negros, Film Poster For
title Angelitos Negros, Film Poster Fordescription Cat.3 077(48) From the Mexican Movie Poster Exhibition, curators: Ralph Maradiaga, René Yáñez, Carmen Lomas Garza (main curator) and María V. Pinedo; A collection of Mexican movie posters from the Enrique Flores Collection, Mission, Texas. Poster is for the film "Angelitos Negros" and features an elegant looking man and woman looking at one another. Between them is the face of a small child. At top left, a servant (an actress in blackface) looks on. Text reads, "Prod. Rodriguez Hnos. S.A. presenta a su Artista Exclusiva Pedro Infante con Emilia Guiu y Rita Montaner en Angelitos Negros con Titina Argumento de Joselito Rodriguez". Vertical text along right side reads "Juanino [illegible]". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Renán Berenguer, Juaninosubject Racism Racism In Art Guiú, Emilia Film Posters Motion Pictures Lithography Infante, Pedro, 1917-1957 Mass Media And The Arts Performing Arts Prints Lithography, Mexican Art, Mexican Posters Advertising In Art Graphic Arts Minstrelsy Anti-racism Criticism Political artcontributor Calisphere -
El Mito Y Los Matones
title El Mito Y Los Matonesdescription September calendar from La Historia de California Calendar. The image is of a male Zoot-Suiter, as well as, a man and a woman wearing Zoot-Suits in the background. Colors: superimposition of blue, green, magenta and yellow. On the right hand side of the print there is a reproduction of the newspaper's news which reads: "Zoot-Suiter / Hordes Invade / Los Angeles / U.S. Navy And / Marines / Called In." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Montoya, Josésubject Graffiti Intergroup Relations Riots Mass Media And The Arts Calendar Art Riots - California Soldiers Armed Forces Graphic Arts California - History Prints Zoot Suit Riots, Los Angeles, Calif., 1943 Pachucos Pachucas Mexican Americans Mexican American Art Newspapers In Art Chicano Art Posters Chicanos Anti-racism Criticismcontributor Calisphere -
101 Uses For Lawn Grooms
title 101 Uses For Lawn Groomsdescription A toy-like cut out image of a black person is holding a ring with a rope connected to the gallows from which a tied-up person with a bandana covering his eyes is hanging. On the side of the gallows, there is the following text: "How to constructively engage aparthied [sic] or racism on the line." The background is absolutely black with a golden color stripe at the top and a green one at the bottom. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Sances, Jossubject Racism Posters Africa Mexican American Art Chicano Art Murder In Art Prints Mexican Americans South Africa Lynching Graphic Arts Chicanos Anti-racism Criticismcontributor Calisphere -
Art Against Apartheid, Announcement Poster For
title Art Against Apartheid, Announcement Poster Fordescription Announcement poster for "Art Against Apartheid / San Francisco Bay Area 1985 / Support / The Liberation / Movements in / Southern Africa. . . . For More Info East Bay 527-1401 / S.F. 641-9055." Full bleed image of a girl looking scared and worried behind jail bars. The image is framed by an almond shape. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Sances, Jossubject Racism Africa Mexican American Art Rivera, Diego, 1886-1957 Art - Exhibitions Chicano Art Blacks Prints Mexican Americans Prisoners South Africa Posters Imprisonment Graphic Arts Chicanos Anti-racism Criticismcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.3 060(1-13)(8) From the Fashion Moda Traveling Exhibition, From South Bronx, New York, curated by René Yáñez. Collage of early American advertisements that exploit stereotypes of blacks to sell products. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Collage Racism Stereotypes Ethnic Stereotypes Art - Exhibitions Discrimination Blacks Consumption (Economics) In Art Advertising In Art Anti-racism Criticismcontributor Calisphere -
Props And Scenery
title Props And Scenerydescription "Multi-Colored Abst[r]act depicting minorities in background. Gold-yellow line symbolizes color barrier in advertisement and film industries. This abstract was created after observing first hand, how the media (adver[t]ising & film) reduces minorities to 'Props & Scenery' in ads and/or films. The absence of people of color, particularly in front of the camera, in the adver[t]ising & film world is alive and well in Los Angeles. The abstract here is the background is full of color yet there is a color barrier represented by the yellow-gold line in the foreground." Colors used: Blue, Red, Yellow, Orange, Lt. Purple, Dark Purple, and Black. # Prints:2. Maestras 4; Coventry Rag, 290 gms; I-size 22" x 16"; P-size: 26" x 20"; Ed# 4/78, 6/78; prnt: José Alpuche; mrtx: destroyed; signed. lower left; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Gonzalez, Cicisubject Actors Mexican American Art Intergroup Relations Actresses Art - Exhibitions Chicano Art Discrimination Mass Media And The Arts Mexican Americans Prints Chicana Art Teatro Posters Chicanas Graphic Arts Chicanos Anti-racism Criticismcontributor Calisphere -
Capitalista
title Capitalistadescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com Work is composed of 20 silkscreen panels and depicts George Washington riding the monster of Eurocentrism. A jaguar looks on as indigenous people confront this beast. In the background, the Capitol"ista" Records building looms. In the sky above George Washington is a seal with Caesar's quote "Veni Vidi Vici".artist/creator De La Loza, Ernestosubject Washington, George, 1732-1799 Mexican American Art Capitalism Jaguar In Art Caesar, Julius Chicano Art Architecture In Art Prints Mexican Americans Chicanos Anti-racism Criticismcontributor Calisphere -
Untitled (Sometimes We Become What We Hate)
title Untitled (Sometimes We Become What We Hate)description Image four men in drag in black face holding golliwog dolls with text arranged as an eye chart reading "Sometimes We Become What We Hate". Colors used: Beige, Off White, Warm Dk Brown, Warm Brown/Black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevensubject Racism Mexican American Art Stereotypes Intergroup Relations Ethnic Stereotypes Chicano Art Prints Mexican Americans Women In Art Posters Graphic Arts Chicanos Minstrelsy Anti-racism Criticismcontributor Calisphere -
Untitled (So Tell Me Who'S The Nigger Now)
title Untitled (So Tell Me Who'S The Nigger Now)description Image of a man in drag in black face holding a feather duster with text arranged as an eye chart reading "So Tell Me Who's the Nigger Now". Colors used: Beige, Off White, Cold Gray/Brown, Warm Brown/Black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevensubject Racism Mexican American Art Stereotypes Women Domestics Ethnic Stereotypes Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanos Minstrelsy Drag Anti-racism Criticismcontributor Calisphere -
Some Indignities Persist
title Some Indignities Persistdescription "Man in blackface holds up dress against wooden fence background with text over printed in the form of an eye chart reading "Some Indignities Persist". Images of people in blackface have been a source of both disturbance and fascination to me. These images are intensely powerful in both their literal statements and in their ability to allow the viewer to create a context through the bias of their associations. Generations of African Americans have suffered grievous injury at the hands of people whose livelihood was derived from creating and reinforcing stereotypes through blackface minstrelsy. The creation of a stereotype was an essential element in maintaining white America's illusion of superiority. It characterized us as buffoons and tricksters, as inherently lazy and immoral and perennial children who were dependent on the paternalism of our "masters" for survival. Slavery, even the post emancipation more subliminal variety, was contingent on making its victims appear to be less than human. The images I've used are taken from late nineteenth century photographs of vaudeville and minstrel show performers. Ironically, blackface minstrelsy, through its wholesale appropriation of African American culture, is recognized as the "America;s first indigenous musical-theater genre." Manifestations exist to this day in everything from black stand-up comedy to the "crews" and "posses" of hip-hop. My work entreats the viewer to look at these images, while at the same time looking through them, to discover an alternate context. It is my hope that the work might offer a glimpse into the origins of some conscious or subconscious contemporary thinking with regard to race, color, and gender. If you are discomforted by what you see, I invite you to examine those feelings, for out of this examination will come enlightenment." Colors used: Rust/Beige, Off White, Dark Gray, and Gray Black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevensubject Fences In Art Racism Mexican American Art Stereotypes Ethnic Stereotypes Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanos Minstrelsy Drag Anti-racism Criticismcontributor Calisphere