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Fences In Art
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La Raza Cosmica And Los Niños Del Mundo
title La Raza Cosmica And Los Niños Del Mundodescription "The viewer will observe the chain link fence in the fore ground. This fence was finally removed to open more space for the Chicano Park." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Grupo De Santanacontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of two women manipulating a barbed wire fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Artists Chicano Art Performance Art Mexican Americans Chicana Art Chicanas Border Art Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of three people creating an earthworks/assemblage sculpture composed of a ring of stone with a "border suture" in the center. A length of barbed wire is strung across the ring under the suture. In this photo, the artists place vegetation in the ring. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Fences In Art Flowers In Art Barbed Wire Mexican American Art Mexican American Border Region Artists Chicano Art Performance Art Mexican Americans Chicana Art Chicanas Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Metal sculpture depicts a hand holding a man from the collar of his vest. A chain link fence is incorporated into the work. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Fences In Art Mexican American Art Metal Sculpture Chicano Art Mexican Americans Hand In Art Sculpture Border Art Chicanoscontributor Calisphere -
Pastel De Despedida
title Pastel De Despedidadescription Photo is of a cake decorated with a plastic fence and cacti. Writing in icing reads, "Feliz Retorno De Tu Viaje Por Las Fronteras." One side of the fence is labeled "USA"; the other is labeled "Mexico". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Fences In Art Mexican American Art Cactus Food In Art Mexican American Border Region Chicano Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Home Boys/White Fence
title Home Boys/White Fencedescription Black-and-white photo is of a cholo tying a bandanna around a young man's forehead. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Galvez, Josesubject Fences In Art Mexican American Art Cholos Chicano Art Photography, Artistic Gangs Bandannas Mexican Americans Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. This photo is of a man and a woman on either side of a barbed wire fence. The man's foot is on a metal sculpture (one of the "border sutures") underneath the fence and the woman holds a sledgehammer. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Artists Chicano Art Performance Art Mexican Americans Sculpture Chicanas Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Portable mural in unknown media affixed to an interior wall depicts human faces, nopales, a fence, an eagle, and the Dalai Lama. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Ochoa, Victorsubject Fences In Art Mexican American Art Border Art Mural Art Eagles Chicano Art Nopales Art, Abstract Mexican Americans Bstan-'Dzin-Rgya-Mtsho, Dalai Lama Xiv, 1935- Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of a woman spray painting a barbed wire fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Artists Chicano Art Performance Art Mexican Americans Chicana Art Chicanas Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Painting in unknown media is of a man whose hands and thumbs are bound. He is in the custody of two armed men in green uniforms. A third uniformed man detains a man on the ground. In front of the arrested man are two women in rebozos and a man in a red helmet. A multitude of elderly gentlemen with white hair watch the affair from the other side of a chain-link fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Laguna, Juansubject Fences In Art Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Soldiers Mexican Americans Aged Ancianos Imprisonment Armed Forces Border Art Chicanoscontributor Calisphere -
University Art Gallery Mis.Ce.Ge.Nation
title University Art Gallery Mis.Ce.Ge.Nationdescription Cat.3 025(13) Installations by David Avalos, Deborah Small, William Franco, Miki Seifert, and Randall Evans exhibited at the University of Colorado, Boulder and the Centro Cultural de la Raza. Photo is of an assemblage with nopal and chain-link fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator University Of Colorado-Bouldersubject Fences In Art Mexican American Art Cactus Mexican American Border Region Art - Exhibitions Chicano Art Nopales Mexican Americans Installations (Art) Border Art Chicanoscontributor Calisphere -
University Art Gallery Mis.Ce.Ge.Nation
title University Art Gallery Mis.Ce.Ge.Nationdescription Cat.3 025(2) Installations by David Avalos, Deborah Small, William Franco, Miki Seifert, and Randall Evans exhibited at the University of Colorado, Boulder and at the Centro Cultural de la Raza. Photo is a view of an installation from above. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator University Of Colorado-Bouldersubject Fences In Art Mexican American Art Mexican American Border Region Art - Exhibitions Chicano Art Mexican Americans Installations (Art) Border Art Chicanoscontributor Calisphere -
Capp Street Project--Border Axes
title Capp Street Project--Border Axesdescription Cat.3 007(10) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Victor Ochoa holds a metal pole behind a chain-link fence. Two unidentified performance artists wearing Lucha libre masks cling to the fence. Capp Street residence, San Francisco, CA.artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Fences In Art Mexican Wrestling Masks Mexican American Art Mexican American Border Region Artists Chicano Art Performance Art Mexican Americans Masks Border Art Chicanoscontributor Calisphere -
Humberto Carrillo
title Humberto Carrillodescription Cat.1 025(4) From the Border Realities--Part Two Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (February 1986). This piece uses a Xerox of an injury to a young boy who was shot by the border patrol because he was throwing rocks. A definition of a boulder was included as well as the District Attorney's refusal to prosecute the border patrol responsible for the shooting. Parallels are drawn with apartheid South Africa's practice of shooting children who throw stones. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Fences In Art Children In Art Border Patrols Mexican American Art Photography In Art Immigration Chicano Art Violence Mexican Americans Installations (Art) Border Art Chicanoscontributor Calisphere -
Border Realities Exhibition
title Border Realities Exhibitiondescription Cat.3 004(3) Photo of assemblage installation and other pieces from exhibition at Galería de la Raza, San Francisco. A nopal cactus, unrestrained by the chainlink fence limiting it, has grown through to the other side. Photos in background. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Fences In Art Chicanos Mexican American Art Cactus Mexican American Border Region Art - Exhibitions Chicano Art Mexican Americans Border Art Assemblage (Art)contributor Calisphere -
Border Sutures Performance/Journey
title Border Sutures Performance/Journeydescription Cat.10 003(7) Performance/Journey from Matamoros/Brownsville to San Diego/Tijuana. Performance art piece on/near the border in Nogales, Arizona. This photo is of two women taking down a barbed wire fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Chicano Art Performance Art Mexican Americans Chicana Art Chicanas Border Art Chicanoscontributor Calisphere -
End Of The Line Workshop
title End Of The Line Workshopdescription Cat.3 010(99) Performance artists dressed as characters from Victor Ochoa's Border Bingo/Lotería Fronteriza on the borderline between Tijuana, Mexico, and San Diego, U.S.A. This piece appears as the silhouette of a ship possibly one of Columbus' ship, painted to look like a chain link fence. It is on fire. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Columbus, Christopher Fences In Art Mexican American Art Columbus Day Fire In Art Chicano Art Día De La Raza (Mexican Holiday) Performance Art Mexican Americans Ships In Art Border Art Chicanoscontributor Calisphere -
Donkey Cart Altar (Detail)
title Donkey Cart Altar (Detail)description A two wheel carreta has the painted image of a man with his hands raised in the air and a border patrol agent frisking him on its backboard. Stairsteps in from the piece have "1985 San Diego" painted on them. On the back of the cart is a Xerox of a photograph and information which identifies it as a "portrait of Francisco Sanchez, shot to death by the border patrol on December 8, 1980". Detail is of a painted nopal cactus behind a measure of chain-link fence. Cat.12 016(7) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Fences In Art Mexican American Art Cactus Mexican American Border Region Assemblage (Art) Chicano Art Nopales Mexican Americans Sculpture Border Art Chicanoscontributor Calisphere -
Border Bingo/Lotería Fronteriza (Detail)
title Border Bingo/Lotería Fronteriza (Detail)description Cat.8 036(5) From the Border Realities Exhibition at Galería de la Raza, 2851 24th Street, San Francisco, CA (February 23-March 23, 1985). Portable mural by Victor Ochoa. Detail is of several Lotería cards, including "El Bote", "La Mordida", "La Luna", "La Valiente", "El Burro", "El Peso", and "La Ventana". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Fences In Art Mexican American Art Mexican American Border Region Immigration Mural Art Chicano Art Mexican Americans Lotería (Game) Border Art Chicanoscontributor Calisphere -
Destination L.A. Exhibition
title Destination L.A. Exhibitiondescription Cat.3 040(6) Installation from Los Angeles Contemporary Exhibition depicts a police officer on a bicycle with a nopal just in front of him. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Fences In Art Mexican American Art Graffiti Cactus Mexican American Border Region Chicano Art Nopales Mexican Americans Installations (Art) Police In Art Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.7 005(11) From the Border Realities Exhibition at Centro Cultural de la Raza (February 23-March 23, 1985). Installation features a blowup of the famous woodcut of the "cargo" of the Middle Passage. There is text relating to famous slave ships. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Fences In Art Globes Mexican American Art Shells In Art Art - Exhibitions Chicano Art Blacks Mexican Americans Installations (Art) Slavery In Art Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.7 007(14) From the Border Realities Exhibition at Galería de la Raza, organized by Border Arts Workshop/Tallér de Arte Fronterízo (February 23-March 23, 1985). Newspaper articles attached to a representation of a chain link fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Fences In Art Mexican American Art Newspapers In Art Mexican American Border Region Art - Exhibitions Chicano Art Mexican Americans Installations (Art) Border Art Chicanoscontributor Calisphere -
Whitewash(Ed) Portable Exhibition
title Whitewash(Ed) Portable Exhibitiondescription Cat.3 101(7) Installation fron exhibition features American images with distorted swastikas. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Fences In Art Barbed Wire Mexican American Art Weapons In Art Art - Exhibitions Chicano Art Installations (Art) Flags In Art Symbolism Mexican Americans Chicanoscontributor Calisphere -
End Of The Line Workshop
title End Of The Line Workshopdescription Cat.3 010(118) Performance artists dressed as characters from Victor Ochoa's Border Bingo/Lotería Fronteriza on the borderline between Tijuana, Mexico, and San Diego, U.S.A. Photo of graffiti on border fence reads, "Sin Fronteras". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Fences In Art Mexican American Art Columbus Day Graffiti Mexican American Border Region Chicano Art Día De La Raza (Mexican Holiday) Performance Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Unknown
title Unknowndescription Cat.3 004(4) Installation piece from the Border Realities exhibition at Galería de la Raza, San Francisco, resembles a magazine stand like the kind so common in Tijuana. Magazine covers reflect current issues of the day. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Fences In Art Magazine Covers Mexican American Art Reagan, Ronald Pryor, Richard Art - Exhibitions Chicano Art Mass Media And The Arts Mexican Americans Installations (Art) Border Art Chicanoscontributor Calisphere -
Babalonia
title Babaloniadescription Cat.9 031 From the Victor Ochoa--Easel Painting and Graphics Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA. Painting of a car checking in at a border crossing identified as "Babylonia." The driver shows a green card to a man wearing dark glasses and a uniform and a dog sits nearby. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Fences In Art Border Patrols Automobiles Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Mexican Americans Dogs In Art Green Cards Border Art Chicanoscontributor Calisphere -
David Avalos Exibition
title David Avalos Exibitiondescription Cat.3 037(2) Photo is part of Avalos' "Cristo" assemblage installation. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Automobiles Parts Fences In Art Chicanos Mexican American Art Cactus Mexican American Border Region Chicano Art Nopales Violence Mexican Americans Border Art Assemblage (Art)contributor Calisphere -
Lotería Chicana (Detail)
title Lotería Chicana (Detail)description Cat.1 028(9) From the California Murals Off the Wall Exhibition at Centro Cultural de la Raza (March 1983 and 1984). This piece integrates a painting made from a photo taken during a Committee on Chicano Rights march at the U.S./Mexican border. A man is holding a map of Mexico which has the words: "Asi era Mexico antes del Robo" ["This was Mexico before the robbery"]. This image was mixed with the artist's version of Lotería, a game similar to Bingo. Detail is of the "Pay Window" in between the man holding the map and the Lottery wheel. The window is covered by a wire mesh, behind which is an image of a pointed pistol. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Fences In Art Mexican American Art Firearms In Art Chicano Art Sculpture Lotería (Game) Mexican Americans Chicanoscontributor Calisphere -
Border Patrol Dumbo
title Border Patrol Dumbodescription Cat.9 013(2) From an exhibition of David Avalos' work at Centro Cultural de la Raza. This black and white painting has a cartoon-like quality. The image is a variation of Sylvester Stallone's "Rambo," using a border patrolman to draw attention to the rampant violence and abuse of Mexican children on the border. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Fences In Art Graphic Arts Barbed Wire Border Patrols Mexican American Art Firearms In Art Mexican American Border Region Chicano Art Violence Mexican Americans Border Art Chicanoscontributor Calisphere -
Indian Graveyard
title Indian Graveyarddescription Cat.7 025(1) From the We Are Part of the Earth Exhibition, curated by Jaune Quick-to-See Smith at Centro Cultural de la Raza (April 16-May 20, 1990). Square enclosure constructed of wooden fence posts, wood scraps, wire, and recycled metal head boards from beds. It is filled with soil and stones. Crosses of various sizes and tombstones have been used to create the impression of a graveyard. Lit candles have been placed at the base of each "grave". Part of California Mission Daze. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Luna, Jamessubject Indians Of Mexico Fences In Art Cemeteries Indians Of North America Mexican American Art Intergroup Relations Genocide In Art Art - Exhibitions Chicano Art Death In Art Installations (Art) Candles And Lights Mexican Americans Chicanos Gravepostscontributor Calisphere -
Lotería Chicana (Detail)
title Lotería Chicana (Detail)description Cat.1 028(13) From the California Murals Off the Wall Exhibition at Centro Cultural de la Raza (March 1983 and 1984). This piece integrates a painting made from a photo taken during a Committee on Chicano Rights march at the U.S./Mexican border. A man is holding a map of Mexico which has the words: "Asi era Mexico antes del Robo" ["This was Mexico before the robbery"]. This image was mixed with the artist's version of Lotería, a game similar to Bingo. Detail mimics the lotería card for "la mano" but placed a chain-link fence between the hand and the viewer. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Fences In Art Mexican American Art Mexican American Border Region Chicano Art Mexican Americans Hand In Art Sculpture Lotería (Game) Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.8 109 From the California Murals off the Wall Exhibition at Centro Cultural de la Raza, 2004 Park Blvd. Building #671, Balboa Park, San Diego, CA (March 1983); Mural of an American flag covered with barbed wire with a sign in the center: "United States of America--No Trespassing--Immigration and Naturalization Service." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Sigüenza, Herbertsubject Fences In Art Mexican American Art Mexican American Border Region Mural Art Chicano Art Immigration And Naturalization Service Mexican Americans Flags In Art Border Art Chicanoscontributor Calisphere -
Border Bingo/Lotería Fronteriza (Detail)
title Border Bingo/Lotería Fronteriza (Detail)description Cat.8 036(9) From the Border Realities Exhibition at Galería de la Raza, 2851 24th Street, San Francisco, CA (February 23-March 23, 1985). Portable mural by Victor Ochoa. Detail is of the Lotería card "La Valiente", which depicts a woman penetrating a chain-link fence. The card is mocks the chauvinism of traditional Mexican culture, which, in the original Lotería, only has "El Valiente", with an image of a man. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Fences In Art Mexican American Art Mexican American Border Region Immigration Mural Art Chicano Art Mexican Americans Lotería (Game) Border Art Chicanoscontributor Calisphere -
Border Realities, Announcement Poster For
title Border Realities, Announcement Poster Fordescription Image is of a silhouette photograph of a man in a cross-like form. He rests on a fence composed of geometric overlay. Background is blue. At bottom right hand corner of poster is a black box with white lettering that reads "Galeria de la Raza presents Border Realities a multi-media art event; San Diego's Border Art Workshop February 22-March 23 1985; 2851 24th St SF CA." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Fences In Art Graphic Arts Mexican American Art Mexican American Border Region Art - Exhibitions Chicano Art Prints Mexican Americans Celebrations Posters Border Art Chicanoscontributor Calisphere -
Tourist Towns
title Tourist Townsdescription Cat.12 023(1) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Wood and chain link fence. This work comments on the border. Two stairsteps are mounted on the wall. One is covered with a chain link fence and has the words "Tijuana 1984" carved into it; the other stairsteps has the points of nails sticking from it in a threatening way and a shoe nailed down on a bottom step. Also visible are the words: "San Diego 1984". These steps also were used in the Donkey Cart Altar.artist/creator Avalos, Davidsubject Fences In Art Mexican American Art Mexican American Border Region Chicano Art Mexican Americans Sculpture Tijuana (Baja California, Mexico) Border Art Chicanoscontributor Calisphere -
University Art Gallery Mis.Ce.Ge.Nation
title University Art Gallery Mis.Ce.Ge.Nationdescription Cat.3 025(10) Installations by David Avalos, Deborah Small, William Franco, Miki Seifert, and Randall Evans exhibited at the University of Colorado, Boulder and at the Centro Cultural de la Raza. Photo is of an assemblage with nopal and chain-link fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator University Of Colorado-Bouldersubject Fences In Art Mexican American Art Cactus Mexican American Border Region Art - Exhibitions Chicano Art Nopales Mexican Americans Installations (Art) Border Art Chicanoscontributor Calisphere -
Border Realities, Announcement Poster For
title Border Realities, Announcement Poster Fordescription Image is of a black and white photograph of a man in a cross-like form. He rests on a fence composed of geometric overlay. Background is blue. At bottom right hand corner of poster is a black box with white lettering that reads "Galeria de la Raza presents Border Realities a multi-media art event; San Diego's Border Art Workshop February 22-March 23 1985; 2851 24th St SF CA. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Fences In Art Graphic Arts Mexican American Art Mexican American Border Region Art - Exhibitions Chicano Art Prints Mexican Americans Posters Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.9 075 From Steven Moses-- In Memoriam Exhibition at Galería de la Raza, 1987. Work in indeterminate media depicts a human figure sprawled about, a fence, and a toy wagon. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Moses, Stevensubject Fences In Art Toys In Art Mexican American Art Surrealism Chicano Art Art, Abstract Paintings Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.9 074 From Steven Moses-- In Memoriam Exhibition at Galería de la Raza, 1987. Work in indeterminate media depicts an ethereal human figure tumbling in the background and an oblique fence in the fore. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Moses, Stevensubject Fences In Art Mexican American Art Surrealism Chicano Art Paintings Mexican Americans Chicanoscontributor Calisphere -
Casas Sin Cercados, Film Poster For
title Casas Sin Cercados, Film Poster Fordescription Film Poster for "Casas Sin Cercados." Image of several clothes pins and one pin holds a flower. The background is orange and there is a purple border that frames the print. White text below the image reads, "Casas Sin Cercados [/] Film Búlgaro En Colores [/] Dirección: Gueorgui Stoyanov [/] Con: Kirco Petrov [/] Konstantin Kotzev [/] Stefn Danailov." This print is from the Galería de la Raza collection of Cuban posters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Reboiro, Antonio Fernándezsubject Fences In Art Flowers In Art Film Posters Art, Cuban Motion Pictures Mass Media And The Arts Prints Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
La Sirena
title La Sirenadescription Cat.9 015 From Border Realities Exhibition at Galería de la Raza. From Border Bingo/Lotería Fronteriza series. In "La Sirena", the lotería card 'la sirena' (mermaid) has been replaced with a police siren and an INS agent with the face of a skull. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Ochoa, Victorsubject Fences In Art Border Patrols Calaveras Mexican American Art Mexican American Border Region Law Enforcement Immigration Regulation And Control Immigration Skull In Art Racial Profiling In Law Enforcement Chicano Art Immigration And Naturalization Service Mexican Americans Paintings Police In Art Lotería (Game) Border Art Chicanoscontributor Calisphere -
The Silent Majorities
title The Silent Majoritiesdescription On one side there is an image of an athlete playing baseball in a crowded stadium. Light blue and green lettering reads: "The U.S.A." Next to it there is an image of a barbed wire fence with the inscription: "Vietnam." Colors: navy blue and green. Text below the image reads, "The Silent Majorities." Produced at Mission Grafica, Mission Cultural Center for the Latino Arts. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject War In Art Politics In Art Graphic Arts Vietnam Fences In Art Prints Barbed Wire Prisoners Vietnamese Conflict, 1961-1975 United States Imprisonment Sports In Art Mexican Americans War Mexican American Art Baseball In Art Chicano Art Athletes In Art Posters Chicanoscontributor Calisphere -
El Coyote
title El Coyotedescription Cat.9 014 From Border Realities Exhibition at Galería de la Raza. Part of Ochoa's Border Bingo/Lotería Fronteriza series, wherein 'border personalities" are typified in Lotería style. In El Coyote, the underground immigration agent is represented as the animal coyote, carrying a limp body in its mouth, which is on the other side of a barbed wire fence from the rest of its body. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Ochoa, Victorsubject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Coyotes (Immigrant Smugglers) Mexican Americans Paintings Lotería (Game) Border Art Chicanoscontributor Calisphere -
Travesías - La Cerca De Picos
title Travesías - La Cerca De Picosdescription A man climbing a barbed wire fence makes up the negative space of a black-purple-red gradation. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Márquez, Danielsubject Fences In Art Barbed Wire Mexican American Art Immigration Regulation And Control Chicano Art Prints Mexican Americans Chicanoscontributor Calisphere -
El Nuevo Mundo Valiente
title El Nuevo Mundo Valientedescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com Two photosilkscreened images in the center of the print depict a child sneaking through a hole in a fence and a military helicopter. Designs around the outside bring the eye to the center.artist/creator Delgado, Robertosubject Fences In Art Border Patrols Mexican American Art Church Buildings In Art Mexican American Border Region Chicano Art Huxley, Aldous, 1894-1963 Prints Mexican Americans Border Art Chicanoscontributor Calisphere -
Border Lights - Flag Reflection
title Border Lights - Flag Reflectiondescription Image is of an opening in a fence through which a line of people are about to pass. There is an image of a U.S. flag on the chest of the first person in line. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Novelo, Efrainsubject Fences In Art Mexican American Art Immigration Chicano Art Prints Mexican Americans Flags In Art Border Art Chicanoscontributor Calisphere -
Some Indignities Persist
title Some Indignities Persistdescription "Man in blackface holds up dress against wooden fence background with text over printed in the form of an eye chart reading "Some Indignities Persist". Images of people in blackface have been a source of both disturbance and fascination to me. These images are intensely powerful in both their literal statements and in their ability to allow the viewer to create a context through the bias of their associations. Generations of African Americans have suffered grievous injury at the hands of people whose livelihood was derived from creating and reinforcing stereotypes through blackface minstrelsy. The creation of a stereotype was an essential element in maintaining white America's illusion of superiority. It characterized us as buffoons and tricksters, as inherently lazy and immoral and perennial children who were dependent on the paternalism of our "masters" for survival. Slavery, even the post emancipation more subliminal variety, was contingent on making its victims appear to be less than human. The images I've used are taken from late nineteenth century photographs of vaudeville and minstrel show performers. Ironically, blackface minstrelsy, through its wholesale appropriation of African American culture, is recognized as the "America;s first indigenous musical-theater genre." Manifestations exist to this day in everything from black stand-up comedy to the "crews" and "posses" of hip-hop. My work entreats the viewer to look at these images, while at the same time looking through them, to discover an alternate context. It is my hope that the work might offer a glimpse into the origins of some conscious or subconscious contemporary thinking with regard to race, color, and gender. If you are discomforted by what you see, I invite you to examine those feelings, for out of this examination will come enlightenment." Colors used: Rust/Beige, Off White, Dark Gray, and Gray Black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevensubject Fences In Art Racism Mexican American Art Stereotypes Ethnic Stereotypes Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanos Minstrelsy Drag Anti-racism Criticismcontributor Calisphere -
Travesías - El Reptil
title Travesías - El Reptildescription Image is of a green-skinned man creeping under a barbed wire fence.artist/creator Márquez, Danielsubject Fences In Art Barbed Wire Mexican American Art Immigration Chicano Art Prints Mexican Americans Border Art Chicanoscontributor Calisphere