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Immigration
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Who's the Illegal Alien, Pilgrim?
title Who's the Illegal Alien, Pilgrim?description Yolanda López, Who's the Illegal Alien, Pilgrim?, 1978, offset lithograph on paper, Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund, 2020.43.2, © 1978, Yolanda Lopezartist/creator López, Yolanda M.contributor Smithsonian American Art Museum (SAAM) -
Who's the Illegal Alien, Pilgrim?
title Who's the Illegal Alien, Pilgrim?description Yolanda López, Who's the Illegal Alien, Pilgrim?, 1981, offset lithograph on paper, Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund, 2020.43.1, © 1978, Yolanda Lopezartist/creator López, Yolanda M.contributor Smithsonian American Art Museum (SAAM) -
De la tierra somos !no somos ilegales!
title De la tierra somos !no somos ilegales!description Carlos A. Cortéz, De la tierra somos !no somos ilegales!, 1984, linoleum cut on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.6, © 2020, Dora Katsikakisartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
The Gilded Age
title The Gilded Agedescription Carlos A. Cortéz, The Gilded Age, 1992, linocut on paper, Smithsonian American Art Museum, Museum purchase, 1993.13.5, artist claims work to be in public domainartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
De la Tierra Somos (!No Somos Illegales!)
title De la Tierra Somos (!No Somos Illegales!)description Carlos A. Cortéz, De la Tierra Somos (!No Somos Illegales!), 1984, woodcut on paper, Smithsonian American Art Museum, Museum purchase, 1993.13.3, artist claims work to be in public domainartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
The Mexican in Chicago
title The Mexican in Chicagodescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website section -
Telling Images Bracket the "Broken-Promise(d) Land": The Culture of Immigration and the Immigration of Culture across Borders
title Telling Images Bracket the "Broken-Promise(d) Land": The Culture of Immigration and the Immigration of Culture across Bordersdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Sorell, V. A. (Victor A.) -
El pachuco y otros extremos
title El pachuco y otros extremosdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Paz, Octavio -
The multicultural paradigm : an open letter to the National Arts Community
title The multicultural paradigm : an open letter to the National Arts Communitydescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Gómez-Peña, Guillermo -
The outlaw artist of 18th street : Marcos Raya: his life, his work, his demon
title The outlaw artist of 18th street : Marcos Raya: his life, his work, his demondescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Huebner, Jeff -
Marchista (Harlingen, Tex.)
title Marchista (Harlingen, Tex.)description Newspaper from Harlingen, Texas published by the Valley Coalition for Justice that includes news and information relating to the organization and reports on participation in the Latino and Immigrants' Rights March in Washington, D. C.artist/creator Valley Coalition For Justicesubject Cameron County (Tex.) -- Newspapers. Business, Economics And Finance - Journalism Mexican Americans -- Rio Grande Valley (Colo.-Mexico And Tex.) -- Newspapers. Business, Economics And Finance - Advertising Immigration Business, Economics And Finance - Communications - Newspapers Valley Coalition For Justice. People - Ethnic Groups - Hispanics Places - United States - Texas - Cameron County Latino And Immigrants' Rights March United States -- Emigration And Immigration -- Government Policy -- Newspapers. Harlingen (Tex.) -- Newspapers.contributor Portal to Texas History (TPTH) -
The Dilemma of the Illegal Alien: A Research Paper for English IV
title The Dilemma of the Illegal Alien: A Research Paper for English IVdescription Research paper written by Carlton M. Godbold about the undocumented immigration of Mexican citizens into the United States. It covers the ways immigrants enter the US as well as the motivating factors of the businesses who employ migrants. This paper was written for an English IV class at Marfa High School.artist/creator Godbold, Carlton M.contributor Portal to Texas History (TPTH) -
History Report
title History Reportdescription History Report by Jess Wvans about a book by Bary Scobee, titled "Nick Mersfelder, A Remarkable Man."artist/creator Evans, Jesssubject Epsy, Joe Mersfelder, Nick Young, Gerald Immigration People - Groups - Pioneers Agriculture - Ranching Landscape And Nature - Mountainscontributor Portal to Texas History (TPTH) -
U. S. Border Patrol Seal
title U. S. Border Patrol Sealdescription Photograph of a sign depicting the seal of the United States Border Patrol. The sign appears to be near a field. There are several buildings in the background.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Border Patrol Vehicle
title Border Patrol Vehicledescription Photograph of a U. S. Border Patrol vehicle. There is a Border Patrol seal on the driver's side door. There are buses in the background that are used to transport illegal aliens back across the border.artist/creator Unknownsubject Buses Immigration Border Patrol Business, Economics And Finance - Transportation - Automobilescontributor Portal to Texas History (TPTH) -
Man Holding Tortilla
title Man Holding Tortilladescription Photograph of a man holding a tortilla near the United States-Mexico border. There are mountains in the background.artist/creator Unknownsubject Social Life And Customs - Food And Cooking Immigration Landscape And Nature - Deserts Tortillascontributor Portal to Texas History (TPTH) -
History and Organization of the Immigration and Naturalization Service
title History and Organization of the Immigration and Naturalization Servicedescription Research paper for an American History class at Marfa High School, written by Debbie Henderson on December 7, 1970. The paper gives the history of the Immigration and Naturalization Service, with extensive coverage of the U.S. Border Patrol at Marfa, Texas. It includes information about smugglers during prohibition, patrolmen's uniforms, the minimum requirements to join the U. S. Border Patrol, as well as the names of the staff people at the Marfa Headquarters in 1971.artist/creator Henderson, Debbiecontributor Portal to Texas History (TPTH) -
We Are Human
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Benefit Dance For: Centro Legal De La Raza, Oakland
title Benefit Dance For: Centro Legal De La Raza, Oaklanddescriptionsubject Immigrationcontributor Calisphere -
No Simpson Rodino
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Declaracion De Amor
title Declaracion De Amordescriptionartist/creator Montoya, Malaquiassubject Immigrationcontributor Calisphere -
Un Continente Unidad Sin Fronteras
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Me Vine Desde Alla
title Me Vine Desde Alladescriptionartist/creator Montoya, Malaquiassubject Immigrationcontributor Calisphere -
Si Se Puede
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Inmigrante
title Inmigrantedescriptionartist/creator National Coalition For Fair Immigration Laws And Practicessubject Immigrationcontributor Calisphere -
Dreams Are Stronger Than Fear
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Ya Basta
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May Day 2014 Shut Down Ice Now
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Todos Somos Americanos
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Mano A Mano Latinos Somos Uno
title Mano A Mano Latinos Somos Unodescriptionartist/creator Montoya, Malaquiassubject Immigrationcontributor Calisphere -
Me Hechan De Mojado
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Siempre En La Lucha
title Siempre En La Luchadescriptionartist/creator Vazquez, Chandrasubject Immigrationcontributor Calisphere -
Defend Ethnic Studies
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Got Lunch?
title Got Lunch?descriptionartist/creator Dominguez, Francisco Jsubject Immigrationcontributor Calisphere -
Destination America
title Destination Americadescriptionartist/creator Dominguez, Francisco Jsubject Immigrationcontributor Calisphere -
Escape To Nature
title Escape To Naturedescriptionartist/creator Montoya, Malaquiassubject Immigrationcontributor Calisphere -
518 Years Of Resistance
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Undocunation
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Aliens On Their Own Land
title Aliens On Their Own Landdescriptionartist/creator Montoya, Malaquiassubject Immigrationcontributor Calisphere -
Migra Ii
title Migra Iidescription Acrylic painting depicts an immigration officer taking two men with their hands behind their heads into custody. The background is yellow. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Rodriguez, Pedro A.subject Border Patrols Mexican American Art Law Enforcement Immigration Regulation And Control Immigration Undocumented Workers Chicano Art Immigration And Naturalization Service Mexican Americans Police In Art Border Art Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. Photo is of artists in Mexican wrestling masks in front of a mural depicting Benito Juarez with the words, "El respeto al derecho ajeno es la paz." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican Wrestling Masks Mexican American Art Mexican American Border Region Artists Immigration Regulation And Control Immigration Mural Art Chicano Art Performance Art Juárez, Benito, 1806-1872 Mexican Americans Human Rights Masks Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Mural in unknown media on a Chicano Park concrete freeway underpass depicts an eagle, an ant, ears of corn, animals, part of a feathered serpent, and skeletal hands inside letters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Ochoa, Victorsubject Aztec Gods Mexican American Art Animals In Art Conquistadors Immigration Mural Art Chicano Art Quetzalcoatl (Aztec Deity) Mexican Americans Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This series of photos depicts a mural that is in remembrance of those who have died attempting to cross the border. It is composed of wooden crosses painted white with the name, age, and origin of the deceased in black when it is known. These are nailed to a corrugated iron portion of the wall demarcating the U.S.-Mexican border. Police tape with the words "Crime Scene Do Not Cross" is strung in front of the crosses.artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Crosses In Art Immigration Regulation And Control Immigration Mural Art Chicano Art Murals (Any Medium) Death In Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This portion of the Border Crossing Memorial is in the form of an assemblage. In the center is clothing attached to a black cross which leans against the corrugated iron wall on the border. At its base is a vase of flowers. Three crosses on either side of the central black cross enumerate border deaths by year: In 1995, 61 deaths, in 1996, 59 deaths, in 1997, 89 deaths, in 1998, 147 deaths, in 1999, 111 deaths, and in 2000, 117 deaths. On the ground in front of the crosses are empty milk jugs with the words "No identificado" on them.artist/creator Artist Unknownsubject Mexican American Art Altars Crosses In Art Immigration Regulation And Control Immigration Mural Art Chicano Art Death In Art Mexican Americans Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This series of photos depicts a mural that is in remembrance of those who have died attempting to cross the border. It is composed of wooden crosses painted white with the name, age, and origin of the deceased in black when it is known. These are nailed to a corrugated iron portion of the wall demarcating the U.S.-Mexican border. Police tape with the words "Crime Scene Do Not Cross" is strung in front of the crosses.artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Crosses In Art Immigration Regulation And Control Immigration Mural Art Chicano Art Murals (Any Medium) Death In Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This series of photos depicts a mural that is in remembrance of those who have died attempting to cross the border. It is composed of wooden crosses painted white with the name, age, and origin of the deceased in black when it is known. These are nailed to a corrugated iron portion of the wall demarcating the U.S.-Mexican border. Police tape with the words "Crime Scene Do Not Cross" is strung in front of the crosses.artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Crosses In Art Immigration Regulation And Control Immigration Mural Art Chicano Art Murals (Any Medium) Death In Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Peligro Animales Venenosos
title Peligro Animales Venenososdescription A metal sign posted on the wall separating the U.S. from Mexico words migrants of the dangers of poisonous animals, including scorpions, spiders, snakes, and centipedes. Text reads, "Peligro Animales Venenosos SG Programa Nacional De Proteccion A Migrantes Secretaria De Gobernacion Instituto Nacional De Migracion". The photo, juxtaposed with photos of the Border Crossing Memorial, highlights the absurdity of the sign itself and the Mexican government's measures to protect migrants. The sign warns of poisonous animals when the greater danger is from dehydration, exhaustion, vigilantism, abuse by coyotes, and exploitation by labor contractors. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Mexican Governmentsubject Animals In Art Mexican American Border Region Immigration Regulation And Control Immigration Mural Art Art, Mexican Border Artcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Painting in unknown media is of a man whose hands and thumbs are bound. He is in the custody of two armed men in green uniforms. A third uniformed man detains a man on the ground. In front of the arrested man are two women in rebozos and a man in a red helmet. A multitude of elderly gentlemen with white hair watch the affair from the other side of a chain-link fence. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Laguna, Juansubject Fences In Art Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Soldiers Mexican Americans Aged Ancianos Imprisonment Armed Forces Border Art Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This portion of the Border Crossing Memorial asks, "¿Cuantos mas?". Between the two words is a series of wooden panels painted with red numbers, resembling a counter. The last panel has two numbers, as if in transition.artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Mural Art Chicano Art Murals (Any Medium) Death In Art Mexican Americans Border Art Chicanoscontributor Calisphere -
How I Came To America
title How I Came To Americadescription Image is of a woman and a child with a sun and a mountain in the background. "Remembering 1st visit to Albuquerque with mother and discovering America was a 'strange place' - 'Stranger than the village and the mountains that I came from'." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Montoya, Josésubject Watercolors Mexican American Art Rebozos Immigration Chicano Art Children And Adults In Art Mexican Americans Chicanoscontributor Calisphere -
Metamorphosis In Progress
title Metamorphosis In Progressdescription Seven artists on scaffolding work on Metamorphosis (The Butterfly Mural), K Street Parking lot, Sacramento. The mural was painted by Juanishi Orosco, Stan Padilla, Esteban Villa, and their children assisted. The artists used Poly-tec mural paint. It is unclear who is who in this photo. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Royal Chicano Air Forcesubject Mexican American Art Butterflies In Art Immigration Mural Art Chicano Art Art, Abstract Mexican Americans Chicanoscontributor Calisphere -
Los Que Se Van, Film Poster For
title Los Que Se Van, Film Poster Fordescription Film poster for "Los Que Se Van". Image is of eleven silhouettes on a hilltop. The background is a gradation from orange to yellow. Text reads, "Producción: Consejo Nacional Para la Cultura Y Las Artes (Unidad de Producciones Audiovisuales) Colegio de la Frontera Norte/ Realización: Adolfo Davila/ Helena Tamayo/ Música: Kiliwa/ Fotografía: Adolfo Davila/ Duración: 27 minutos/ Tijuana/ Mexico/ 1991". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Mexican American Art Film Posters Motion Pictures Mexican Film Posters Immigration Chicano Art Mass Media And The Arts Prints Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Entrance Is Not Acceptance Exhibition
title Entrance Is Not Acceptance Exhibitiondescription Cat.3 047(4) Interactive multi-media installation with videotaped interviews and slide projections for the Newport Harbor Art Museum's Third Biennial: Mapping Histories. Photo is of an installation compsed of a sign reading "Entrance is Not" above a series of doors with one letter from the word "Acceptance" on each. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Immigration Assimilation (Sociology) Art - Exhibitions Chicano Art Installations (Art) Mexican Americans Chicanoscontributor Calisphere -
Humberto Carrillo
title Humberto Carrillodescription Cat.1 025(4) From the Border Realities--Part Two Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (February 1986). This piece uses a Xerox of an injury to a young boy who was shot by the border patrol because he was throwing rocks. A definition of a boulder was included as well as the District Attorney's refusal to prosecute the border patrol responsible for the shooting. Parallels are drawn with apartheid South Africa's practice of shooting children who throw stones. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Fences In Art Children In Art Border Patrols Mexican American Art Photography In Art Immigration Chicano Art Violence Mexican Americans Installations (Art) Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.11 001(4) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr at the Artist Space Gallery, New York, NY, and Centro Cultural de la Raza, Balboa Park, San Diego, CA (January 1989). Photographs document life in transient border shelters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Mexican American Art Dwellings In Art Mexican American Border Region Immigration Chicano Art Photography, Artistic Poverty Mexican Americans Border Art Chicanoscontributor Calisphere -
Highways Opening Benefit--Cinco De Mayo Celebration
title Highways Opening Benefit--Cinco De Mayo Celebrationdescription Cat.3 053(17) Performance commemorates Cinco de Mayo as well as providing commentary on Columbus' role in the decimation and exploitation of native peoples. This photo is of a stage set or installation art for ambiance. On the ground is a ship dated October 12, 1492, and beneath it, a cross. Against the back wall is a picture of a crowd with their hands up, possibly at a third reich rally. Highways Performance Space, Santa Monica. The picture is placed in a boat named "U.S.S. Amnesty". Text on the boat reads, "If you catch an alien, you ought to clean 'em and try 'em yourself.- Hi Ezell." Ezell was the Western Regional Commissioner for the Immigration Naturalization Services under Regan. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Columbus, Christopher Cinco De Mayo (Mexican Holiday) Mexican American Art Crosses In Art Immigration Chicano Art Installations (Art) Ships In Art Mexican Americans Chicanoscontributor Calisphere -
Undocumented Worker (Detail)
title Undocumented Worker (Detail)description Cat.8 106(4) Rubber surface conditioner, liquitex, and pro-line vinyl paints on acid-etched conrete freeway support pillar, Chicano Park. Mural depicts five scenes with artistic interpretations of immigrant labor. Detail is of the upper half of the mural. At the top a chicana tears down a wall. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Immigration Regulation And Control Immigration Mural Art Undocumented Workers Chicano Art Work Mexican Americans Chicanoscontributor Calisphere -
Border Realities
title Border Realitiesdescription Cat.3 023(5) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ View of David Avalos' installation Portait of Francisco Sanchez, Shot to Death by the Border Patrol on December 8, 1980 from the exhibition at Galería de la Raza, San Francisco.artist/creator Centro Cultural De La Razasubject Border Patrols Mexican American Art Mexican American Border Region Immigration Chicano Art Nopales Mexican Americans Border Art Chicanoscontributor Calisphere -
Vine, Vi...Y Mejor Me Fui De Willebaldo López
title Vine, Vi...Y Mejor Me Fui De Willebaldo Lópezdescription Cat.5 028 Silkscreen announcement poster for Mexican playwright López Guzmán's play "Vine, Vi...y Mejor me Fui" about the immigrant experience. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Mexican American Art Calaveras López Guzmán, Willebaldo, 1944- Immigration Chicano Art Performing Arts Prints Mexican Americans Teatro Posters Graphic Arts Chicanoscontributor Calisphere -
Los Desarraigados, Announcement Poster For
title Los Desarraigados, Announcement Poster Fordescription Announcement poster for "Los Desarraigados". The same image of a crowd is repeated three times. Text reads, "Centro Cultural de la Mission (M.C.C.) 2868 Mission St. San Francisco/ Y/ Teatro Gusto/ presentan:/ Los Desarraigados/ El drama de una familia que deja su pais en busca de la "felicidad" en los E.E.U.U./ Viernes 19, Sabado 20 y Domingo 21 de Enero de 1979 a las 8:00 P.M. Adm. $2.00". "Los Desarraigados" is a play by Humberto Robles. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Mexican American Art Robles, J. Humberto (José Humberto), 1921- Plays Immigration Chicano Art Performing Arts Prints Mexican Americans Mexican Americans--Drama Teatro Posters Graphic Arts Chicanoscontributor Calisphere -
Untitled Installation
title Untitled Installationdescription Cat.1 033(1) From the David Avalos Solo Exhibition at Galería Posada, Sacramento (1985). This piece combines a collage and two hubcap art works. The word "Cristo" is crossed out and centered above the collage, which is a group of color Xeroxes on a Parade magazine cover. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Automobiles Parts Collage Mexican American Art Mexican American Border Region Immigration Chicano Art Mexican Americans Installations (Art) Jesus Christ In Art Border Art Chicanoscontributor Calisphere -
Border Bingo/Lotería Fronteriza (Detail)
title Border Bingo/Lotería Fronteriza (Detail)description Cat.8 036(5) From the Border Realities Exhibition at Galería de la Raza, 2851 24th Street, San Francisco, CA (February 23-March 23, 1985). Portable mural by Victor Ochoa. Detail is of several Lotería cards, including "El Bote", "La Mordida", "La Luna", "La Valiente", "El Burro", "El Peso", and "La Ventana". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Fences In Art Mexican American Art Mexican American Border Region Immigration Mural Art Chicano Art Mexican Americans Lotería (Game) Border Art Chicanoscontributor Calisphere -
Untitled Installation (Detail)
title Untitled Installation (Detail)description Cat.1 033(3) From the David Avalos Solo Exhibition at Galería Posada (1985). This piece combines a collage and two hubcap art works. The word "Cristo" is crossed out and centered above the collage, which is a group of color Xeroxes on a Parade magazine cover. Detail is of the magazine cover, which features Immigration Commissioner Castillo and images of Christ bound at the hands and blindfolded. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Collage Mexican American Art Mexican American Border Region Castillo, Leonel Immigration Chicano Art Mexican Americans Jesus Christ In Art Border Art Chicanoscontributor Calisphere -
The Border Is An International Fiction
title The Border Is An International Fictiondescription Cat.5 018(3) Pages from the journal Fiction International (San Diego, CA) focusing on the ongoing debate about the U.S./Mexican border. This page features a reclining person watching television inside a room with a barred window, along with text. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Mexican American Art Newspapers In Art Mexican American Border Region Border Art Immigration Regulation And Control Immigration Television Chicano Art Immigration And Naturalization Service Prints Mexican Americans Graphic Arts Chicanoscontributor Calisphere -
Conquests Do Not Belong Only To The Past--Group Slide Projection Exhibition
title Conquests Do Not Belong Only To The Past--Group Slide Projection Exhibitiondescription Cat.3 007(4) Photo of a young woman holding a large crucifix on the side of a road that crosses the border. Behind her a sign reads, "Watch for Pedestrians Next 11 Miles". Presented as part of a slide show at INTAR (International Arts Relations) Gallery, New York, NY. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican American Art Crosses In Art Immigration Chicano Art Mexican Americans Jesus Christ In Art Chicanas Border Art Chicanoscontributor Calisphere -
Undocumented Worker
title Undocumented Workerdescription Cat.8 106(3) Rubber surface conditioner, liquitex, and pro-line vinyl paints on acid-etched conrete freeway support pillar, Chicano Park. Mural depicts five scenes with artistic interpretations of immigrant labor. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Immigration Regulation And Control Immigration Mural Art Undocumented Workers Chicano Art Work Women In Art Mexican Americans Chicanoscontributor Calisphere -
Donkey Cart Altar
title Donkey Cart Altardescription A two wheel carreta has the painted image of a man with his hands raised in the air and a border patrol agent frisking him on its backboard. Stairsteps in from the piece have "1985 San Diego" painted on them. On the back of the cart is a Xerox of a photograph and information which identifies it as a "portrait of Francisco Sanchez, shot to death by the border patrol on December 8, 1980". Cat.12 016(8) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Border Patrols Mexican American Art Mexican American Border Region Immigration Regulation And Control Assemblage (Art) Immigration Chicano Art Mexican Americans Sculpture Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.11 001(8) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr at the Artist Space Gallery, New York, NY, and Centro Cultural de la Raza, Balboa Park, San Diego, CA (January 1989). Photographs document life in transient border shelters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Immigration Chicano Art Photography, Artistic Poverty Mexican Americans Women In Art Chicanas Border Art Chicanoscontributor Calisphere -
Destination L.A. Exhibition
title Destination L.A. Exhibitiondescription Cat.3 040(1) Entrance to Los Angeles Contemporary Exhibition (LACE), Los Angeles. Above door reads, "Destination L.A." and one of the doors resembles a dollar bill. Text to the left of the doorway describes the maquiladoras of the U.S.-Mexico border region. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Mexican American Border Region Money In Art Immigration Art - Exhibitions Chicano Art Mexican Americans Installations (Art) Border Art Chicanoscontributor Calisphere -
Babalonia
title Babaloniadescription Cat.9 031 From the Victor Ochoa--Easel Painting and Graphics Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA. Painting of a car checking in at a border crossing identified as "Babylonia." The driver shows a green card to a man wearing dark glasses and a uniform and a dog sits nearby. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Fences In Art Border Patrols Automobiles Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Mexican Americans Dogs In Art Green Cards Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.11 001(5) From the Vidas Perdidas/Lost Lives Exhibition organized through Border Arts Workshop/Taller de Arte Fronterizo by Richard Lou, Victor Ochoa, Robert Sanchez and Michael Schnorr at the Artist Space Gallery, New York, NY, and Centro Cultural de la Raza, Balboa Park, San Diego, CA (January 1989). Photographs document life in transient border shelters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Mexican American Art Mexican American Border Region Immigration Chicano Art Photography, Artistic Poverty Mexican Americans Women In Art Chicanas Border Art Chicanoscontributor Calisphere -
Border Bingo/Lotería Fronteriza (Detail)
title Border Bingo/Lotería Fronteriza (Detail)description Cat.8 036(9) From the Border Realities Exhibition at Galería de la Raza, 2851 24th Street, San Francisco, CA (February 23-March 23, 1985). Portable mural by Victor Ochoa. Detail is of the Lotería card "La Valiente", which depicts a woman penetrating a chain-link fence. The card is mocks the chauvinism of traditional Mexican culture, which, in the original Lotería, only has "El Valiente", with an image of a man. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Fences In Art Mexican American Art Mexican American Border Region Immigration Mural Art Chicano Art Mexican Americans Lotería (Game) Border Art Chicanoscontributor Calisphere -
Undocumented Worker (Detail)
title Undocumented Worker (Detail)description Cat.8 106(5) Rubber surface conditioner, liquitex, and pro-line vinyl paints on acid-etched conrete freeway support pillar, Chicano Park. Mural depicts five scenes with artistic interpretations of immigrant labor. Detail is of the uppermost panel. A man's body is half-formed by a constellation. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Schnorr, Michaelsubject Mexican American Art Immigration Regulation And Control Immigration Mural Art Undocumented Workers Chicano Art Work Women In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
End Of The Line Workshop
title End Of The Line Workshopdescription Cat.3 010(85) Performance artists dressed as characters from Victor Ochoa's Border Bingo/Lotería Fronteriza on the borderline between Tijuana, Mexico, and San Diego, U.S.A. This photo is of a man dressed as a taxi. His car is labeled "Coyote". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican American Art Columbus Day Mexican American Border Region Immigration Chicano Art Día De La Raza (Mexican Holiday) Coyotes (Immigrant Smugglers) Performance Art Mexican Americans Border Art Chicanoscontributor Calisphere -
Entrance Is Not Acceptance Exhibition
title Entrance Is Not Acceptance Exhibitiondescription Cat.3 047(1) Interactive multi-media installation with videotaped interviews and slide projections for the Newport Harbor Art Museum's Third Biennial: Mapping Histories. Photo is of an istallation compsed of a sign reading "Entrance Is Not" above a seris of doors wirh one letter from the word "Acceptance" on each. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Immigration Assimilation (Sociology) Art - Exhibitions Chicano Art Installations (Art) Mexican Americans Chicanoscontributor Calisphere -
Not Cristo
title Not Cristodescription Photo of David Avalos installation from an unknown exhibition featuring a collage beneath the crossed-out word 'Cristo'. The area surrounding the collage and text is smeared with red paint resembling blood. Text on either side of the collage reads, "Christ is the perfect victim you can abuse him all you want and he will still forgive you... Cristo goes both ways at the border and thus becomes meaningful as a symbol for social and political change." The collage features images of Christ, Immigration Commisioner Leonel Castillo, and the text "A Shephard Policeman". On either side of the area smeared with blood are reproductions from a newspaper article titled " Boy finds scars of shooting burn deep in his mind." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/;artist/creator Avalos, Davidsubject Collage Mexican American Art Newspapers In Art Mexican American Border Region Immigration Art - Exhibitions Chicano Art Violence Mexican Americans Installations (Art) Jesus Christ In Art Mixed Media Border Art Chicanoscontributor Calisphere -
August Calendar (7 Agosto 7)
title August Calendar (7 Agosto 7)description Edition: 221/225; signed. Inscription below image area reads: "221/225, RCAF, Rodolfo Cuellar". August Calendar "7 Agosto 7." Four gold, brown and silver kodolith images. Brown type reads: "From Chihuahua, y Sabrán Los dioses desde donde before...Saludo." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/artist/creator Cuellar, Rodolfo "Rudy"subject Mexican American Art Automobiles Migration Immigration California - History Calendar Art Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Ya! From Calendario De Amor 1978
title Ya! From Calendario De Amor 1978description Edition: 13/70; unsigned. Inscription in pencil below image area reads: "13/70, Ya! ME 77". January, February, and March Calendar. Image of two science fiction aliens kissing. Background of blue/florescent orange and ochre gradation. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/artist/creator Garcia, Maxsubject Mexican American Art Unidentified Flying Objects Undocumented Workers Immigration Love In Art Chicano Art Calendar Art Prints Science Fiction Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
August Calendar (7 Agosto 7)
title August Calendar (7 Agosto 7)description August Calendar (7 Agosto 7). Four gold, black and silver photographic images of people: a woman cleaning a window, a train machinist, two men in a car with an airplane in the background, and two workers. On the right side of the print, there is text that reads: "From Chihuahua, y sabrán los dioses desde donde before that, like scattered leafs from an autumn storm we drifted by rails across make believe fronteras del norte. From E.R., Dunsmuir, Chicago, junta hasta Roseville, we layed cold steel rails and sweated at the round house, journ[ey]ing long. Singing a song in search of El Dorado - only to retire and be swept away lost or forgotten by company policy now upheld by your sons and daughters. Trabajadores compañeros les saludo." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Cuellar, Rodolfo "Rudy"subject Graphic Arts Mexican American Art Work Immigration California - History Calendar Art Chicano Art Corn In Art Mexican Americans Prints Transportation Women In Art Posters Airplanes In Art Chicanoscontributor Calisphere -
La Unidad Es La Vida; Sin Ella, No Hay Vida
title La Unidad Es La Vida; Sin Ella, No Hay Vidadescription Announcement Poster for "La Unidad Es la Vida; Sin Ella, No Hay Vida." Collage with several images of people dressed in fluorescent colors. On the bottom, it reads: "We put food on the table and clothing on people's backs / and do the work most Americans don't want to do for / less money than Americans will work for; and now / they want me to say I'm thankful because they're / giving me amnesty, even though most of the people I / know won't get it. Just because I'm legal all of a sudden / doesn't mean I'll forget those who aren't." [Addendum: Identified by Center for the Study of Political Graphics as a print made by Red Back Graphics (Australia), ca. late 1980s, 8/12/96.]. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Pachucos Mexican American Art Undocumented Workers Immigration Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Angel Island. An Exhibition Of The Chinese Experience At The Immigration Station, Announcement Poster For
title Angel Island. An Exhibition Of The Chinese Experience At The Immigration Station, Announcement Poster Fordescription Announcement poster for "Angel Island: An Exhibition Of The Chinese Experience At The Immigration Station." A Chinese child in a black suit and yellow tie is looking at the viewer against a yellow window subdivided by a grid in a black background. Red lettering spells Chinese characters interspersed with Anglo ones. A partial translation from Chinese reads in English: "Exhibition about the Chinese detention at Angel Island upon arrival to the United States". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Wong, Lelandsubject Children In Art Asian Americans Immigration Art - Exhibitions Chicano Art Asian American Artcontributor Calisphere -
Altar To My Grandmother (In Miniature)
title Altar To My Grandmother (In Miniature)description Cat.7 016(1) From El Día de los Muertos Exhibition, organized by Ralph Maradiaga and René Yáñez at Galería de la Raza (October 23- November 2, 1981). Altar to the artist's grandmother in the form of a caja. Top serves as display for miniatures, mostly domestic items. Inside are cutouts in the shape of jalapeños but which feature calaveras. Bottom covered with marigolds. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Pinedo, María V.subject Statue Of Liberty (New York, N.Y.) In Art Butterflies In Art Cajas Miniature Objects Altars Death In Art Día De Los Muertos Flags In Art Memory In Art Flowers In Art Calaveras Jalapeño Chicana Art Women In Art Mexican Americans Skull In Art Collage Mexican American Art Hot Peppers Marigolds Crosses In Art Immigration Family Chicano Art Chicanas Chicanoscontributor Calisphere -
La Sirena
title La Sirenadescription Cat.9 015 From Border Realities Exhibition at Galería de la Raza. From Border Bingo/Lotería Fronteriza series. In "La Sirena", the lotería card 'la sirena' (mermaid) has been replaced with a police siren and an INS agent with the face of a skull. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Ochoa, Victorsubject Fences In Art Border Patrols Calaveras Mexican American Art Mexican American Border Region Law Enforcement Immigration Regulation And Control Immigration Skull In Art Racial Profiling In Law Enforcement Chicano Art Immigration And Naturalization Service Mexican Americans Paintings Police In Art Lotería (Game) Border Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.3 067(4) Installation from Cactus Hearts/Barbed Wire Dreams: Media-Myths and Mexicans Exhibition. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator López, Yolandasubject Landscapes (Representations) Ethnicity In Art Mural Art Mass Media And The Arts Automobiles - Models Cactus Ethnic Stereotypes Nopales Murals (Any Medium) Installations (Art) Flags In Art Woodcuts Mural Paintings Chicana Art Mexican Americans Mexican American Art Women Undocumented Workers Immigration Art - Exhibitions Chicano Art Mixed Media Chicanas Border Art Chicanoscontributor Calisphere -
Cactus Hearts/Barbed Wire Dreams: Media Myths And Mexicans Exhibition
title Cactus Hearts/Barbed Wire Dreams: Media Myths And Mexicans Exhibitiondescription Cat.3 067(1) Mural outside the Galería announces exhibit curated by Enrique Chagoya, Yolanda López, and René Yáñez. Depicts a road traversing a desert landscape. A Mexican peasant sleeps while leaning against a cactus. A labeled "INS"(Immigration and Naturalization Service" car is visible in the distance. Text reads, "Cactus Hearts/Barbed Wire dreams An Installation by Yolanda M. López _Media Myths _And Mexicans_ September 6-October 1, 1988 This show is dedicated to the children & youth of the Mission." Mural has been defaced. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Landscapes (Representations) Ethnicity In Art Graffiti Mural Art Mass Media And The Arts Cactus Stereotypes Mexican American Border Region Immigration Regulation And Control Ethnic Stereotypes Mural Paintings Chicana Art Mexican Americans Mexican American Art Immigration Art - Exhibitions Chicano Art Immigration And Naturalization Service Chicanas Border Art Chicanos López, Yolanda M.contributor Calisphere -
El Coyote
title El Coyotedescription Cat.9 014 From Border Realities Exhibition at Galería de la Raza. Part of Ochoa's Border Bingo/Lotería Fronteriza series, wherein 'border personalities" are typified in Lotería style. In El Coyote, the underground immigration agent is represented as the animal coyote, carrying a limp body in its mouth, which is on the other side of a barbed wire fence from the rest of its body. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Ochoa, Victorsubject Fences In Art Barbed Wire Mexican American Art Mexican American Border Region Immigration Regulation And Control Immigration Chicano Art Coyotes (Immigrant Smugglers) Mexican Americans Paintings Lotería (Game) Border Art Chicanoscontributor Calisphere -
Cuidado Con Los Coyotes
title Cuidado Con Los Coyotesdescription A coyote sits with its back to the viewer and another sits in profile. The one in profile has the face of a man. The background is divided in two, with the top being red and the bottom a mixture of pink, yellow, and orange. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Sandoval, Teddysubject Mexican American Art Immigration Chicano Art Coyotes (Immigrant Smugglers) Prints Mexican Americans Anthropomorphism Border Art Chicanoscontributor Calisphere -
Border Lights Divided By Lights
title Border Lights Divided By Lightsdescription Image is of an opening in a fence through which six humans with featureless faces are about to pass. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Novelo, Efraincontributor Calisphere -
Los De Abajo
title Los De Abajodescription Atelier 23; Coventry Rag, 290 grms; I-size: 22 3/8" x 32 1/4"; P-size: 25 1/2" x 35"; Ed#: 4/58, 6/58; Signed;, Inscription in white below image area reads: "Los de Abajo, 4/58, Ortega, (c) copyright" COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Colors used: 1. Process cyan blue, 2. Process magenta, 3. Process Yellow, 4. Process Orange, 5. Process Violet, 6. Light Green, 7. Black. "'Los de Abajo' - the underdogs or the ones from below. Migrant workers are often see (sic.) as out of sight and not important, but the provide important work for our society, that is the colletion of our food. This peice is dedicated in memory of Cesar Chaves who help (sic.) the migrant worker. " T. Ortega Two trucks--one pink, one purple--are the central image before a deep green and light green background of rolling hills and grass. People load or unload the purple truck while others stop beside the pink truck, whose driving plate reads: "UFW" (United Farmers Workers). There is yellow sky with a small blue plane in the upper left-hand corner of the print.artist/creator Ortega, Tonysubject Farm Workers Mexican American Art Immigration Chicano Art Chávez, Cesar, 1927-1993 Mexican Americans Chicanoscontributor Calisphere -
Destiny
title Destinydescription Against a backdrop of flags, a family joins others on the other side of a barbed wire border. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Limón, Leosubject Barbed Wire Mexican American Art Immigration Family Chicano Art Prints Mexican Americans Flags In Art Border Art Chicanoscontributor Calisphere -
Border Lights - Flag Reflection
title Border Lights - Flag Reflectiondescription Image is of an opening in a fence through which a line of people are about to pass. There is an image of a U.S. flag on the chest of the first person in line. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Novelo, Efrainsubject Fences In Art Mexican American Art Immigration Chicano Art Prints Mexican Americans Flags In Art Border Art Chicanoscontributor Calisphere -
Travesías - Río Bravo
title Travesías - Río Bravodescription Image is of a man wading the Río Bravo (Rio Grande), the river separating Texas from Chihuahua. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Márquez, Danielcontributor Calisphere -
Seekers Of Gold
title Seekers Of Golddescription "The background consists of four different vertical rectangles of men's faces in dark blue tones; an outline map of the United States in red with statistical dots and direction lines emanate from siljouettes [sic] of Chinese laborers circa early 1900." Colors used: Milori Blue, T-DK Cyan Blue, T-LT. Trans baby Blue, T-Ultra Marine Blue, O-Yellow, O-Red, and O-Black; Seekrs of Gold refers to the desire of statistical information in matters especially of immigration and its effect on commerce, population and culture. Real numbers and actually available (sic.) in this work, and they seem to prefer the statistics in their imaginations. Seekers of Gold is intended for the viewer to recall the prevailing attributes given to Chinese immigrants who arrived in the United States in the 19th and 20th centuries. Despite laws intended to prevent discrimination in the workplace, the impact of the newly-arrived, then and now, on American culture is uneasy. Atelier 34; Coventry Rag, 290 grams; I-size: 16" x 20"; P-size: 20" x 26"; Ed#: 4/51, 6/51; prnt: José Alpuche; mtrx: Destroyed; Lower right The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Lee, Bettysubject Farm Workers Chinese Mexican American Art Agricultural Laborers Asian Americans Work Immigration Maps In Art Chicano Art Prints Chicana Art Asian American Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
V.G. Got Her Green Card
title V.G. Got Her Green Carddescription "A Virgin of Guadalupe holding a green card." Colors used: T-Ultra Blue, T-Violet, T-Magenta, T-Yellow, T-Turquoise, T-Green Shade Yellow, T-Flesh, O-Black, O-Green, T-White, Clear Gloss, and T-Yellow-Orange. #Prints: 2. Atelier XXXVII; Coventry Rag, 290 gms. I-size: 22" x 16"; P-size: 26" x 20"; Ed#: 4/80, 6/80; prnt: José Alpuche; mtrx: destroyed; signed lower left. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Martínez, Isabelsubject Mexican American Art Immigration Regulation And Control Immigration Religion In Art Chicano Art Prints Guadalupe, Our Lady Of Mexican Americans Chicana Art Green Cards Women In Art Posters Chicanas Graphic Arts Chicanoscontributor Calisphere -
Travesías - El Reptil
title Travesías - El Reptildescription Image is of a green-skinned man creeping under a barbed wire fence.artist/creator Márquez, Danielsubject Fences In Art Barbed Wire Mexican American Art Immigration Chicano Art Prints Mexican Americans Border Art Chicanoscontributor Calisphere