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Untitled
title Untitleddescription Watercolor on vellum, 19 in. x 24 in. In this watercolor, a group of Tarahumara, originally the Rarámuri, participate in a ritual, perhaps the annual “curing” ceremony to assure plentiful rain and a good harvest. Other curing rituals helped to heal tribal members and protect their animals. Here, the shaman wearing a red shirt holds an offering, while behind him the drummer makes music and dances. The Rarámuri once occupied large areas in the Chihuahuan Desert but were driven south by the Spanish settlers looking for precious metals. Primarily farmers, the Rarámuri lived on small farming settlements or “ranchos.” Their original name, Rarámuri, refers to their ability to run long distances. They were never fully assimilated, although many blend Catholic practices with their native religion. In the twenty-first century, their population numbers around 70,000, and they remain fiercely independent. Artist Marta Arat (1932-2002) was born in Ciudad Juarez, Chihuahua, Mexico. She spent most of her adult life along the El Paso-Juárez border, where she studied art at The University of Texas at El Paso. Arat painted her social and spiritual self and created work that experimented with color while mirroring a time and place that reflects the region of the Chihuahuan borderlands. Arat’s work presents images taken from the beauty and diversity of people’s hopes, aspirations and dreams. Marta Arat painted a full spectrum of women, with the belief that women along the US-Mexico border are often overlooked though they are a historic example of life and change. She was a close friend of the El Paso collector Juan Sandoval. Arat was active in the Soñando Juntos organization, an immigrant youth-led organization that empowers borderland immigrant youth through civic engagement. Locally, her first exhibition Life in the Barranca Del Cobre in 1980 was followed by her first group exhibition La Mujer y Su Arte in 1984. Arat’s artwork has been published in magazines, books, and commercially. From Chihuahua, Mexico throughout Texas and to other parts of the region, she has exhibited in museums, galleries and university libraries. Her paintings can be found in many private, corporate, and public museum collections throughout Mexico and the United States.artist/creator Arat, Martasubject Borderlands Frontera Indigenous peoples Indígenas Tarahumara Indians Watercolors Paintings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
$26
title $26description Oil on canvas, 49.5 in. x 87.75 in. As a borderland artist, Francisco Delgado illustrates U.S. citizens crossing the border into Mexico. Tourists, workers, students, commercial and industrial travelers pass through the busy El Paso-Juárez, Mexico border, which also conveys to-and-fro international trade between Mexico and the United States. According to Delgado, his painting represents the crossing of currency from the U.S. to Mexico, where the U.S. dollar is valued for its purchasing power (consistently worth more than pesos). This scene takes place at the “Free Bridge” (Cordova Bridge or the Bridge of the Americas) in El Paso as drivers cross into Juárez. U.S. Presidents Andrew Jackson (left), Abraham Lincoln (center), and George Washington (right) drive individually into Mexico, each of them pictured on U.S. dollar bills. Together, the total worth of their currency adds up to $26 (Jackson $20, Lincoln $5, and Washington $1). Jackson appears to be yelling, perhaps at the newspaper vendor who runs toward him. An angry Lincoln is saying “no” to a window washer, who wipes down his windshield and asks to be paid. He holds up an empty Coke bottle to Lincoln, who refuses to drop money into it. Meanwhile, a woman, wearing a green shawl (symbolizing the color of money) and holding a cup from McDonald’s, begs Lincoln for money. Her little boy reaches for his milk bottle that she clutches in her left hand. Washington waits patiently for the traffic to move forward. A paleta (Mexican popsicle) vendor pushes his paleta wagon, hoping to sell to the Americans. Delgado explains, “The masks on the vendors and other Mexicans symbolize the struggle to survive. They are luchadores [Mexican wrestlers]. The masks are black because they are anonymous, and we do not see them. We don’t see or acknowledge their faces or struggle.” Francisco Delgado was born on November 3, 1974, in Ciudad Juárez, and grew up in El Paso’s Segundo Barrio. He received his Master of Fine Arts from the Yale School of Art. His Bordeño artworks are informed by the social and cultural struggles inherent to life on the Mexican and United States border. His artwork addresses issues of identity, race, cultural traditions, and government policies that affect migration and immigrants. In his own words, Delgado says, “I am a visual artist with an artistic focus on social issues.” He visually represents the history of his community and creates a dialogue for social change. Often using dark humor or satire to depict his narratives, his artwork highlights the struggles of underrepresented people along the border. A prolific artist, Delgado works in painting, drawing, printmaking, and has also produced community murals. His works have been published in books and exhibited in national and international art exhibitions and community institutions. Francisco currently resides, teaches, and creates artwork in El Paso.artist/creator Delgado, Franciscosubject Borderlands Frontera Texas--El Paso United States Presidents Money Oil Paintings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Trolley Slap
title Trolley Slapdescription Oil on OSP, 24 in. x 19.25 in. The view of a street from the point of view of someone moving away in a trolley car.artist/creator Casas, Victorsubject Perspective Borderlands Frontera Trolley cars Oil Paintings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
1936 Ford
title 1936 Forddescription Watercolor on paper, 34 in. x 45 in. "The automobile is an iconic symbol of American culture. Within the Chicano culture, old classic cars are not just instruments for mobility but are re-fashioned machines with sensory and aesthetic appeal and are objects of art. Both my grandfather and my father had a handsome old classic car. My son continues the tradition with his refurbished 1965 Mustang. I saw this 1936 Ford at a restaurant and fell in love with it and asked the owner permission to photograph it. I wondered about what travels this handsome car had taken and what stories it could tell. I wanted the painting to have a feeling of an endless clear sky on a warm summer day, like driving on a never-ending highway. This award-winning painting was on exhibition at the Americana Museum when Juan Sandoval first saw it. He immediately was attracted to it and decided to purchase it because it reminded him of his childhood. He never owned a car, preferring to use his money to purchase art; so he stated that this painting would be his car if anyone ever asked him if he owned one. My painting was reproduced in [the book] Hecho en Tejas. I am inspired by the rich Hispanic culture, and through it I hope to encourage a greater understanding and appreciation of the Hispanic culture. I was born and raised in El Paso, TX. After attending Modesto Junior College and The University of Arizona, I received my BA in Art Education from the University of Texas, El Paso. I have taught art in the public school system for 20 years. My artwork has been published in books, such as Triumph of Our Communities, Contemporary Chicana and Chicano Art, and Art of West Texas Women. My art has been included in numerous major art exhibitions and in public and private collections across the United States. Currently, I am an Artist-in-Residence for Chicano Studies at the University of Texas at El Paso." — Maria Almeida Natividadartist/creator Natividad, Maria Almediasubject Cars Automobiles Borderlands Frontera Ford automobile Desert Watercolors Paintings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Carnal
title Carnaldescription Oil on wood panel, 48 in. x 36 in. A painting of a pachuco in a suit with arrows in his chest and ropes around his arms. El Paso artist Francisco Delgado references the Christian saint and martyr St. Sebastian (AD 256 – 288) who was bound to a tree or post and shot with arrows by Roman soldiers after he refused to deny his faith, as ordered by Emperor Diocletian. Rescued and healed by St. Irene, St. Sebastian later was clubbed to death by the Romans. Inspired by Renaissance paintings honoring this saint, Delgado pays homage to Mexican and Chicano hipsters, pachucos, who were attacked by U.S. servicemen and arrested during the Zoot Suit Riots in Los Angeles, June 3 – 8, 1943. The history of the zoot suit is complex. Pachucos wore zoot suits prior to and during World War II, but they did not invent them, nor did they wear them exclusively. Zoot suits were first worn by African American jazz musicians that toured around the country. Jazz aficionados popularized them by wearing them to dances, and they grew widespread from there. In Los Angeles, they were worn by African Americans, Mexican Americans, Japanese Americans, and ethnic whites including Italian Americans and Jewish Americans, among others. Francisco Delgado was born on November 3, 1974, in Ciudad Juárez, and grew up in El Paso’s Segundo Barrio. He received his Master of Fine Arts from the Yale School of Art. His Bordeño artworks are informed by the social and cultural struggles inherent to life on the Mexican and United States border. His artwork addresses issues of identity, race, cultural traditions, and government policies that affect migration and immigrants. In his own words, Delgado says, “I am a visual artist with an artistic focus on social issues.” He visually represents the history of his community and creates a dialogue for social change. Often using dark humor or satire to depict his narratives, his artwork highlights the struggles of underrepresented people along the border. A prolific artist, Delgado works in painting, drawing, printmaking, and has also produced community murals. His works have been published in books and exhibited in national and international art exhibitions and community institutions. Francisco currently resides, teaches, and creates artwork in El Paso.artist/creator Delgado, Franciscosubject Portraits Borderlands Frontera Pachucos Saints Saints in art Martyrs Zoot suits Oil Paintings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Antropofagio: Radio Flyer
title Antropofagio: Radio Flyerdescription Oil on canvas, 60 in. x 72.5 in. A shirtless boy riding his tricycle through rock and cactus in what looks like a back alley, and behind him lays an upside-down plastic pool. Using Renaissance perspective and chiaroscuro, Francisco Delgado’s painting is a visual metaphor for his life living and working in the borderland of El Paso. Despite the rocks and cacti obstructing his passage, a young man wearing only shorts and Nike shoes plows his Radio Flyer tricycle forward. Oddly, the tricycle rider is headless, and his face is on his stomach. According to the artist, his imagery was inspired by the Brazilian poet Oswald de Andrade’s 1928 Manifesto Antropófago (Anthropophagist Manifesto). Its argument is that colonized countries, such as Brazil, should ingest the culture of the colonizer and digest it in its own way. Delgado refers to this as “cultural cannibalism” to explain how “Chicanos ingest American culture, and we make it our own.” The artist combines this cannibal concept with the Blemmyae, headless human figures with faces on their torsos, as found in Greek and Roman mythology and medieval art. Francisco Delgado was born on November 3, 1974, in Ciudad Juárez, and grew up in El Paso’s Segundo Barrio. He received his Master of Fine Arts from the Yale School of Art. His Bordeño artworks are informed by the social and cultural struggles inherent to life on the Mexican and United States border. His artwork addresses issues of identity, race, cultural traditions, and government policies that affect migration and immigrants. In his own words, Delgado says, “I am a visual artist with an artistic focus on social issues.” He visually represents the history of his community and creates a dialogue for social change. Often using dark humor or satire to depict his narratives, his artwork highlights the struggles of underrepresented people along the border. A prolific artist, Delgado works in painting, drawing, printmaking, and has also produced community murals. His works have been published in books and exhibited in national and international art exhibitions and community institutions. Francisco currently resides, teaches, and creates artwork in El Paso.artist/creator Delgado, Franciscosubject Borderlands Frontera Cannibalism Consumerism Consumption (Economics) in art Nike Tricycles Texas--El Paso Oil Paintings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Ruben
title Rubendescription Acrylic on canvas, 37.5 in. x 36 in. A collage of images and cursive letters with ghostly female faces. The background image is a man with black hair and a mustache.artist/creator Casas, Victor "Mask"subject Abstraction Borderlands Frontera Portraits Acrylic Paintings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Danny
title Dannydescription Acrylic on canvas, 36 in. x 37.5 in. A collage of images and cursive writing including a Pope, Mesoamerican imagery, and women. The background is the profile of bald man with a mustache.artist/creator Casas, Victor "Mask"subject Abstraction Borderlands Frontera Acrylic Paintings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
¿Un postmodernismo en México?
title ¿Un postmodernismo en México?description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Debroise, Olivier -
Lo real maravilloso : The marvelous/the real
title Lo real maravilloso : The marvelous/the realdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Ybarra-Frausto, Tomás -
Nuestras artes en Michigan: an overview of Chicano/Latino/Hispanic art in Michigan
title Nuestras artes en Michigan: an overview of Chicano/Latino/Hispanic art in Michigandescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Gonzales, Jesse -
Charles Bojorquez : taking "old school" further
title Charles Bojorquez : taking "old school" furtherdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Aranda-Alvarado, Rocío -
Hidden histories : the Chicano experience
title Hidden histories : the Chicano experiencedescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Goldman, Shifra M. -
El mestizo
title El mestizodescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Martínez, César Augusto -
Diego Rivera and the Revolution: Mexico in Times of Change
title Diego Rivera and the Revolution: Mexico in Times of Changedescription Book discussing Diego Rivera's life and works to accompany the exhibition of Rivera's work presented by the Diego Rivera Studio Art Museum and the Mexic-Arte Museum. The book includes several photographs from Rivera's life and a catalog of the works included in the exhibition.artist/creator Sánchez, Jorge Paris Palacios Pio Pulido Soriano, José Juan Lozano, Roberto Javier Olvera May, Jacqueline Hernández, Javier Morales Pulido, Blanca Garduño Albores, Susana Castellanos Rendón, Claudio Omaña, Sigfrido Meyer Campero, Mariana Mexic-Arte Museum Museo Estudio Diego Rivera Estrada, Sylvia Orozco Rivera, Juan Coronel Briseño, Juan Elizarrarás Littleton, Suesubject Kahlo, Frida Artists Rivera, Diego, 1886-1957 Exhibitions Paintings Murals Social Life And Customs - Correspondence People - Individuals Arts And Craftscontributor Portal to Texas History (TPTH) -
Chicanerio
title Chicaneriodescription Pamphlet produced to accompany two exhibits, "Sam Coronadas, A Retrospective" and "Chicanas Only, Mas Rudas," containing biographical information and artistic statements for both featured artists.subject Gamez, Kristin Buentello, Ruth Hernandez, Mari Castillo, Sarah Paintings Printmaking Coronado, Sam Más Rudas Art Collectives Biographies Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of six paintings hanging on the walls of the Young Latino Artists exhibit in the Mexic-Arte Museum. The paintings on the left have descriptions for the artwork, and the ones on the right wall are positioned in a straight line.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of an Abstract Landscape Painting
title Photograph of an Abstract Landscape Paintingdescription Photograph of an abstract painting of a landscape featuring deep blues and dark reds.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Abstracts Paintings Social Life And Customs - Fairs And Exhibitions Landscapes Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Sergio Palacios's "The Legend of Maliwari"
title Sergio Palacios's "The Legend of Maliwari"description Photograph of Sergio Palacios's painting at the Young Latino Artists exhibit at the Mexic-Arte Museum, entitled "The Legend of Maliwari," featuring an abstract style.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Abstracts Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Painting of a Girl on a Sidewalk
title Painting of a Girl on a Sidewalkdescription Photograph of a painting showing a little girl standing on a path leading to a building, and four boxes appearing to be falling over.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Paintings Boxes Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of Arturo Palacios's "The Four Elements" in progress at the Young Latino Artists exhibit in the Mexic-Arte Museum. This process involves four sheets hanging from the ceiling surrounding bowls of paint and a sheet lying on the floor in the middle.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Installations Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of the beginning stages of Arturo Palacios's "The Four Elements" on a sheet hanging from the ceiling of the Mexic-Arte Museum. Palacios's painting is a part of the Young Latino Artists exhibit within the museum.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Sheets Arts And Crafts Draftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a wall in the Young Latino Artists exhibit with two paintings hanging on either side. The painting on the left shows only a hand on an empty background; the painting on the right shows a distorted face, resembling wind.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a portrait of a woman created by M. Sosa, hanging on a wall within the Young Latino Artists exhibit in the Mexic-Arte Museum.subject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Paintings Portraits Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of a Painting by David Godoy
title Photograph of a Painting by David Godoydescription Photograph of a painting by David Godoy featuring a woman holding a baby standing in front of an angry crowd.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Flor Gaitan-Stumbo's Artwork
title Flor Gaitan-Stumbo's Artworkdescription Photograph of a piece of artwork created by Flor Gaitan-Stumbo, featuring abstract-styled birds and dots.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a painting created by the Rio Grande Valley Artists entitled "Cruda Moral" hanging at the Young Latino Artists exhibit at the Mexic-Arte Museum.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Rio Grande Valley Artists Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of Three Pieces of Artwork in an Exhibit
title Photograph of Three Pieces of Artwork in an Exhibitdescription Photograph of three pieces of art hanging on a wall in the Young Latino Artists exhibit in the Mexic-Arte Museum. One piece features a superhero with blades coming out of his hands; another piece shows a man's profile with red and white stripes; the bottom piece is a black and white abstract.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of Artwork in the Mexic-Arte Museum
title Photograph of Artwork in the Mexic-Arte Museumdescription Photograph of artwork hanging in a section of the Young Latino Artists exhibit in the Mexic-Arte Museum. The artwork hanging on the left wall is entitled "Scientific Data Resurrection," the artwork lying on the floor is entitled "As They Lie" and was created by Amorette Garza, and the paintings on the right wall were done by Juan Miguel Ramos.artist/creator Ramos, Juan Miguel Garza, Amorette Mexic-Arte Museum (Austin, Tex.) Vargas-Suarez Universalsubject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Installations Paintings Garza, Amorette Social Life And Customs - Fairs And Exhibitions Ramos, Juan Miguel Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of a Woman Looking at a Piece of Artwork
title Photograph of a Woman Looking at a Piece of Artworkdescription Photograph of a woman looking at a piece of art featuring drawings of shirts and a red target sign in the middle.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Crafts - Paintings Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a number of paintings hanging on the walls of the Young Latino Artists exhibit in the Mexic-Arte Museum. The painting on the far left was created by David Godoy and features a woman holding a baby in front of a crowd of angry people; the frame in the center holds seven photographs, and the left wall contains a number of various art pieces.subject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Displays Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of Six Paintings at the Young Latino Artists Exhibit
title Photograph of Six Paintings at the Young Latino Artists Exhibitdescription Photograph of paintings hanging on a wall at the Mexic-Arte Museum as part of the Young Latino Artists exhibit. The two paintings on the far left were done by Sonia, Garcia; the two in the middle were done by Eduardo Garcia; the two on the far right were done by Daniel Cuellar.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Installations Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of Arturo Palacios's "The Four Elements" in progress at the Young Latino Artists exhibit in the Mexic-Arte Museum. This process involves four sheets hanging from the ceiling surrounding bowls of paint and a sheet lying on the floor in the middle.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Installations Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a painting showing the profile of a man shaded in blue, and red and white stripes coming out from the man's face.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Profiles Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Painting of a Hand
title Painting of a Handdescription Photograph of a painting of a hand lying on a background of dark grey and green.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Paintings Hands Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a piece of artwork on a red background featuring a demon-like figure, with horns, fire on his hands, and a tail.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Demons Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of Sergio Palacios's painting entitled "The Feast" hanging in the Young Latino Artists exhibit in the Mexic-Arte Museum. The artwork features skeletons wielding knives dancing over numerous severed heads.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of Artwork Hanging in an Exhibit
title Photograph of Artwork Hanging in an Exhibitdescription Photograph of three paintings hanging on walls at the Young Latino Artists exhibit in the Mexic-Arte Museum. There are descriptions for each painting describing it and other details concerning the art.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Displays Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a section of the Young Latino Artists exhibit featuring artwork done by Jacqueline Rush Rivera, including one large painting and two smaller paintings on the right wall.subject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Crafts - Paintings Rivera, Jacqueline Rush Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of art pieces being put together in the Young Latino Artists exhibit in the Mexic-Arte Museum. There are four sheets surrounding a cloth in the middle of the floor; other paintings are already hung on the walls.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Installations Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Sheets Arts And Craftscontributor Portal to Texas History (TPTH) -
David Godoy's "The Struggle"
title David Godoy's "The Struggle"description Photograph of David Godoy's painting entitled "The Struggle," showing a person holding the Mexico flag while the other people pull each other up.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a number of paintings hanging in the Young Latino Artists exhibit in the Mexic-Arte Museum. The painting on the left is by David Godoy and features a woman holding a baby in front of a large crowd; the middle paintings feature a graffiti style; there are six paintings hanging on the far right wall.subject Museum Exhibits -- Texas -- Austin -- Photographs. Graffiti Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of Artwork in the Young Latino Artists Exhibit
title Photograph of Artwork in the Young Latino Artists Exhibitdescription Photograph of artwork hanging on the walls of the Mexic-Arte Museum, for the Young Latino Artists exhibit. The painting on the far left is Flor Gaitan-Stumbo's "Reclining Hippo;" to go along with the paintings on the wall there is also a sculpture sitting in the middle of the floor.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Gaitan-Stumbo, Flor Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Crafts - Sculptures Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of Arturo Palacios's "The Four Elements" in progress at the Young Latino Artists exhibit in the Mexic-Arte Museum. This process involves four sheets hanging from the ceiling surrounding bowls of paint and a sheet lying on the floor in the middle.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Installations Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of an abstract piece of art showing two human faces and various colors.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Abstracts Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a section of the Young Latino Artists exhibit in the Mexic-Arte Museum in the process of being put together. Currently there are paintings hanging on the walls, and a circle of sheets hanging in the middle of the room surrounding bowls full of paint.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Installations Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of Arturo Palacios's "The Four Elements" in progress at the Young Latino Artists exhibit in the Mexic-Arte Museum. This photo shows a sheet hanging from the ceiling with bowls of paint and a sheet lying in the middle of the floor.subject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Installations Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Sheets Arts And Crafts Draftscontributor Portal to Texas History (TPTH) -
Photograph of a Painting in an Art Exhibit
title Photograph of a Painting in an Art Exhibitdescription Photograph of an erotic-styled painting displayed at the Young Latino Artists exhibit in the Mexic-Arte Museum. The woman in the painting has purple spotted arms, orange hair, and is standing above pink flowers; the background is of bamboo trees.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Trees Exhibitions Artworks Erotica Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of Eight Paintings Hanging in an Exhibit
title Photograph of Eight Paintings Hanging in an Exhibitdescription Photograph of eight pieces of artwork hanging on two walls; the left wall features a demon-like figure, a space-themed paintings, a street map with a drawing of a man, and a framed photograph of an altar.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of Arturo Palacios's "The Four Elements" in progress at the Young Latino Artists exhibit in the Mexic-Arte Museum. This photo shows a sheet hanging from the ceiling covered with splatters of paint in the upper right corner.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Sheets Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists Exhibit Display
title Young Latino Artists Exhibit Displaydescription Photograph of the display welcoming viewers to the Young Latino Artists exhibit in the Mexic-Arte Museum; the sign shows that the exhibit runs from May 30 to July 5.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Signs Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a section of the Young Latino Artists exhibit in the Mexic-Arte Museum. This section of the exhibit features artwork done by, from left to right, Vargas-Suarez Universal, Amorette Garza, and Juan Miguel Ramos.artist/creator Ramos, Juan Miguel Garza, Amorette Mexic-Arte Museum (Austin, Tex.) Vargas-Suarez Universalsubject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Installations Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of an abstract painting hanging on a wall; the painting appears to represent a human face with tape over the mouth.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Abstracts Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of two paintings hanging on a wall in the Young Latino Artists exhibit in the Mexic-Arte Museum. The painting on the right is of the Crucifixion, and the other is of a man without clothes on; the text in the middle is written in Spanish.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
David Godoy's "The Struggle"
title David Godoy's "The Struggle"description Photograph of David Godoy's painting entitled "The Struggle," showing a person holding the Mexican flag while the other people pull each other up.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of Artwork in the Young Latino Artists Exhibit
title Photograph of Artwork in the Young Latino Artists Exhibitdescription Photograph of artwork hanging on the walls of the Mexic-Arte Museum, for the Young Latino Artists exhibit. To go along with the paintings on the wall there is also a sculpture sitting in the middle of the floor.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Arts And Crafts - Sculptures Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Photograph of a piece of artwork done by Vargas-Suarez Universal. This artwork features a blurry square in the center and two small boxes with the words "ACID" printed on them.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artists Exhibitions Artworks Paintings Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Young Latino Artists
title Young Latino Artistsdescription Image of an unidentified piece of art with a heavy influence on astronomy. The let side is a screenshot from a computer looking at constellations; the middle image is entitled "An Astronomer's Residence;" and the image on the right resembles a black hole.artist/creator Unknownsubject Museum Exhibits -- Texas -- Austin -- Photographs. Screenshots Exhibitions Artworks Paintings Art Exhibits Mexic-Arte Museum (Austin, Tex.) Astronomy Drawings Arts And Craftscontributor Portal to Texas History (TPTH) -
Image of a Painting of a Face
title Image of a Painting of a Facedescription Close-up image of a painting of a human face, using mostly dark colors.artist/creator Unknownsubject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Paintings Art Exhibits Faces Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Texas Panorama: An Exhibition of Paintings by Twenty-Seven Texas Artists
title Texas Panorama: An Exhibition of Paintings by Twenty-Seven Texas Artistsdescription Catalog from the exhibition "Texas Panorama," October 10–November 28, 1943, at the Dallas Museum of Fine Arts in Dallas, Texas.
Includes: essay, selected imagessubject Texas Artists Exhibitions Artworks Paintings Museum Exhibits -- Texas -- Dallas. Exhibition Catalogs Arts And Craftscontributor Portal to Texas History (TPTH) -
My Land, My Heritage, My Hope: Slide 49
title My Land, My Heritage, My Hope: Slide 49description Photograph of images hanging on a wall in a Presidio museum. There is a painting of an Apache Indian on the left and a photograph of an older Indian seated among desert cacti and brush on the right. Text is printed below the images, but is not readable. The image accompanied a written speech, with the caption: "After the death of the Apache chief, Victorio, the Big Bend was relatively safe. Fort Davis was decommissioned in 1891, after outliving its usefulness" (p. 5).artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Yaa Paint Workshop
title Yaa Paint Workshopdescription Children paint as part of YAA tour/workshop, here at the Torres home/studio. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Mexican American Art Children'S Art Workshops (Seminars) Chicano Art Children Paintings Mexican Americans Chicanoscontributor Calisphere -
Mathew Lagler
title Mathew Laglerdescription Salvador Torres gives volunteer art classes to Mathew Lagler at the Torres home/studio/gallery. "Please see "A Tradition of Masters - The Chicano Mural Story" Video 18 minutes. This video story tells the story of Chicano Park, Salvador and Gloria Torres and Mathew working on a portion of the Chicano Park mural on T-Abut off ramp to National Avenue. Video is in Salvador Torres collection." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Gloriasubject Mexican American Art Children'S Art Artists Chicano Art Children Paintings Mexican Americans Chicanoscontributor Calisphere -
Parade March For Cesar E. Chavez
title Parade March For Cesar E. Chavezdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Unidentified women hold paintings up on sticks. They are done with acrylics by Mario Torero. Left to right they depict: La Virgen de Guadalupe, Frida Kahlo, Cesar Chavez, Chavez/Virgen collage, and the Virgen de Guadalupe. The length of the procession is visible in this shot.artist/creator Unknownsubject Kahlo, Frida Mexican American Art Chicanas Chicano Art Guadalupe, Our Lady Of Demonstrations Paintings Chávez, Cesar, 1927-1993 Mexican Americans Chicanoscontributor Calisphere -
Yaa Painting Workshop
title Yaa Painting Workshopdescription Children paint as part of YAA tour of Chicano Park and the Torres home/studio. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Mexican American Art Children'S Art Workshops (Seminars) Chicano Art Children Paintings Mexican Americans Chicanoscontributor Calisphere -
Salvador Roberto Torres Portaits
title Salvador Roberto Torres Portaitsdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Torres stands before work. "Photos of Salvador Torres at 2153 1/2 Logan studio." Salvador Torresartist/creator Artist Unknowncontributor Calisphere -
Si Se Puede
title Si Se Puededescription A no-parking sign has been painted dark blue, with the text "Si Se Puede" in light blue and white. Possibly an example of the reclamation of local materials and facilities reconfigured by and for the Chicano community. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Artist Unknowncontributor Calisphere -
Chicano Park Mural Apperentice Concept
title Chicano Park Mural Apperentice Conceptdescription "Salvador Torres and Mathew Lagler on the roof top of Salvador Torres Workshop over-looking the San Diego Coronado Bay Bridge. Salvador Torres foresees the idea of the need to develop a young mural apprenticeship program. 1973, Salvador Torres expresses this idea to Beth Coffelt, Art Critic (see San Diego Magazine, December issue.) Salvador Torres' Curriculum centered around the Chicano Park Murals. The idea is to start the young artists drawing and painting the columns of Chicano Park to familiarize them with the artistic problems of compositional problems of 3-D surfaces, sizes, lights sources, and simple drawing and painting techniques. The idea of this apprenticeship begins in the elementary and secondary, college and university levels. Drawing, Painting, Sculpture, directed to monumental public art. This idea is partially understood and practiced by Victor Ochoa, with classes he is hired to conduct, (See children's mural in Chicano Park in Victor Ochoa collection)." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Gloriasubject Mexican American Art Children'S Art Artists Chicano Art Children Paintings Mexican Americans Chicanoscontributor Calisphere -
Portable Mural
title Portable Muraldescription Child paints portable mural on YAA tour of Torres home/studio. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Mexican American Art Children'S Art Workshops (Seminars) Chicano Art Children Paintings Mexican Americans Chicanoscontributor Calisphere -
Mother Earth, Father Sky
title Mother Earth, Father Skydescription Call Number: Box 09, folder 04, slide 25 Image is of a white face that hovers in the sky just above the Earth. On either side of the face are ghost-like feminine figures. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Nature in art Chicana Art Chicana feminism Indigenous spirituality Indígenas Indigeneity Acrylic paint Mother Earth Surrealism Paintingscontributor Calisphere -
Art Exhibition
title Art Exhibitiondescription Photo is of several works at an exhibition at University of California, Los Angeles and the attendees who look at them. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Mexican American Art Art Exhibition Audiences Art - Exhibitions Chicano Art Paintings Xicanindio Art Mexican Americans Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000-mile border between the U.S. and Mexico. Photo is of children drawing on a large piece of cloth. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican American Art Children'S Art Mexican American Border Region Artists Chicano Art Children Performance Art Mexican Americans Paintings Border Art Chicanoscontributor Calisphere -
Border Sutures 1990
title Border Sutures 1990description Border Sutures was a traveling performance art piece that visited cities along the 2000 mile border between the U.S. and Mexico. This photo is of a tag on a leg of a canopy that reads, "BAW TAF 90". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Mexican American Art Mexican American Border Region Chicano Art Performance Art Mexican Americans Paintings Border Art Chicanoscontributor Calisphere -
Viaje A Yucatán - Arte Maya
title Viaje A Yucatán - Arte Mayadescription Ceramic jar is painted with the image of a Mayan. This photo appears to have been taken at a museum. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknowncontributor Calisphere -
All The Way To The Bay Sculptures
title All The Way To The Bay Sculpturesdescription A wooden structure in Chicano Park is painted yellow, red, and blue. A panel of the structure depicts the San Diego Coronado Bay Bridge and a raised Chicano fist. Text on this panel reads, "All the Way to the Bay! 5.4 Acres & More More Murals & Sculptures Not Shipyard". Text on the yellow panel reads, "Being in this urban forest is more than just a day in the sun.". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknowncontributor Calisphere -
Portable Mural Workshop
title Portable Mural Workshopdescription Photo is of children painting large sheets of butcher paper on the floor of the Centro Cultural de la Raza. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Mexican American Art Children'S Art Workshops (Seminars) Mural Art Chicano Art Children Paintings Mexican Americans Chicanoscontributor Calisphere -
Chavez Sculpture
title Chavez Sculpturedescription Image is of Cesar Chavez holding the hands of two children. This work is probably not a sculpture in the traditional sense, in that it is not meant to be viewed from all sides. It appears to be a freestanding cutout. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Mexican American Art Chicano Art Paintings Children And Adults In Art Sculpture Chávez, Cesar, 1927-1993 Mexican Americans Chicanoscontributor Calisphere -
I Don'T Go There
title I Don'T Go Theredescription Black outlines on yellow paper will be filled in for a BC/Dizney UCSD project called "I Don't Go There". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Prigoff, Jamescontributor Calisphere -
Centro Elemental
title Centro Elementaldescription Photo is of several works at the Centro Elemental exhibition at the Centro Cultural de la Raza, San Diego. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Centro Cultural De La Razasubject Mexican American Art Art - Exhibitions Chicano Art Paintings Women In Art Mexican Americans Chicanoscontributor Calisphere -
Centro Graf "Battle"
title Centro Graf "Battle"description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu Victor Ochoa and two writers stand in front of a portable mural outside the Centro Cultural de la Raza building featuring a bald writer wearing a mask connected to a can of spraypaint. He stands next to an tag which is obscured by the artists.artist/creator Centro Cultural De La Razasubject Mexican American Art Graffiti Artists Aerosol Hip-Hop Chicano Art Paintings Mexican Americans Chicanoscontributor Calisphere -
Centro Elemental
title Centro Elementaldescription Photo is of several works at the Centro Elemental exhibition at the Centro Cultural de la Raza, San Diego. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Centro Cultural De La Razasubject Singers Mexican American Art Graffiti Aerosol Hip-Hop Mural Art Morrison, Jim, 1943-1971 Art - Exhibitions Chicano Art Paintings Mexican Americans Chicanoscontributor Calisphere -
José Montoya - It Works On Paper Retirement Retrospective
title José Montoya - It Works On Paper Retirement Retrospectivedescription "A series of paintings and drawings from Prof. Montoya's Retirement Retrospective. Made in multiple media and in various sizes. Show was shown from mid-April to the end of May.". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator California State University Sacramento Robert Else Gallerycontributor Calisphere -
Adrian Reveles Memorial Fund, Announcement Poster For
title Adrian Reveles Memorial Fund, Announcement Poster Fordescription Announcement poster for the Adrian Reveles Memorial Fund features a José Montoya watercolor landscape. Text reads, "Dos Rios Elementary School 700 Dos Rios Street, Sacra Live Music Alberto Ybarra Y Nomas Tres Mizoc Ballet Sol de Sacra Trio Casindio Featuring The Third Dimension (Breakers de Sacra) Dancing Food Barrio Slide Show Youth Achievement Award Display y Otr[a]s Cositas, But No alcohol! Tickets at La Raza Bookstore (446-5133) or at the Door Couples $15.00 Singles $10.00 16 and under $0". "Poster for the family of a youth who was shot during a drive-by." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Montoya, Josésubject Watercolors Landscapes (Representations) Mexican American Art Chicano Art Prints Paintings Mexican Americans Chicanoscontributor Calisphere -
Car Wash
title Car Washdescription Poster paint on butcher paper paintings displayed on a wall at the Northgate Hacienda housing project read, "Car Wash $1.00 Just for Outside", "Car Wash 50¢ For Inside not out[side]", etc. The artists are visible in the photo. “Barrio Art for Ethnic Groups is the name of the course in the CSUS [California State University Sacramento] catalogue. In 1970 the initial “seed money” to purchase art supplies for the classes in the Barrio came from Teichart Construction Company. The Teichart family is well known in the Sacramento area for supporting community programs. They embraced Montoya’s vision of the program and donated $800.00 for art material for him to get started area. As a newly hired staff member Montoya was not aware of CSUS funding sources. But in due time after the initial donation he applied to ASI (Associated Student, Inc.) and eventually turned to IRA (Instructionally Related Material) for funding and it still continues to fund the Barrio Art Program.” The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Children In Barrio Art Programcontributor Calisphere -
José Montoya - It Works On Paper Retirement Retrospective
title José Montoya - It Works On Paper Retirement Retrospectivedescription "A series of paintings and drawings from Prof. Montoya's Retirement Retrospective. Made in multiple media and in various sizes. Show was shown from mid-April to the end of May." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator California State University Sacramento Robert Else Gallerycontributor Calisphere -
José Montoya - It Works On Paper Retirement Retrospective
title José Montoya - It Works On Paper Retirement Retrospectivedescription "A series of paintings and drawings from Prof. Montoya's Retirement Retrospective. Made in multiple media and in various sizes. Show was shown from mid-April to the end of May." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator California State University Sacramento Robert Else Gallerycontributor Calisphere -
José Montoya - It Works On Paper Retirement Retrospective
title José Montoya - It Works On Paper Retirement Retrospectivedescription "A series of paintings and drawings from Prof. Montoya's Retirement Retrospective. Made in multiple media and in various sizes. Show was shown from mid-April to the end of May." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator California State University Sacramento Robert Else Gallerycontributor Calisphere -
La Educación
title La Educacióndescription Cat.8 025 Portable mural in pro-line industrial vinyl paints on canvas depicts Chicanos studying, graduating, and succeeding. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Children In Art Doves In Art Mexican American Art Automobiles Schools Education Television Mural Art Chicano Art Video Recording Paintings Chicanas Mexican Americans Chicanoscontributor Calisphere -
Ceremony Of Memory Exhibition
title Ceremony Of Memory Exhibitiondescription Cat.3 034(19) Several small pieces from the exhibition at the Centro Cultural de la Raza, San Diego. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Calaveras Art - Exhibitions Chicano Art Prints Paintings Mexican Americans Chicanoscontributor Calisphere -
Mano De Oroxco
title Mano De Oroxcodescription Cat.1 052 From the Ceremony of Memory Exhibition curated by Patricio Chavez at Centro Cultural de la Raza (November 17, 1989-January 21, 1990). A painting of an outstretched, flesh toned hand on a blue background dominates this box. On the right border of the painting is a simplified version of the same hand (one-tenth its size). A metal hand, again reduced in size, is mounted above it. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Chagoya, Enriquecontributor Calisphere -
Huichol Style Yarn Art Workshops, Demonstrations And Exhibitions
title Huichol Style Yarn Art Workshops, Demonstrations And Exhibitionsdescription A woman sits with her back to the viewer. Huichol-style yarn paintings are displayed amongst natural surroundings. Cat.3 055(3) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Workshops (Seminars) Indian Art Huichol Art Art - Exhibitions Chicano Art Paintings Indigenous artcontributor Calisphere -
Amigos
title Amigosdescription Cat.8 024 Portable mural in pro-line industrial vinyl paints on canvas depicts wedding sacraments, rite, and celebrations. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Bands (Ensembles) Ceremonies Mexican American Art Crosses In Art Weddings Mural Art Chicano Art Dancers In Art Paintings Celebrations Jesus Christ In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Calles Vivas Exhibition
title Calles Vivas Exhibitiondescription Cat.3 032(15) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ This chromed out Chevy is roped off to deter spectators from touching the enticing vehicle. From Calles Vivas Exhibition at Centro Cultural de la Raza, San Diego.artist/creator Centro Cultural De La Razasubject Mexican American Art Automobiles Chicano Art Lowriders Paintings Low Rider Mexican Americans Chicanoscontributor Calisphere -
Virgen Del Carmen
title Virgen Del Carmendescription Cat.7 030(1) From the Ceremony of Memory Exhibition curated by Patricio Chavez at Centro Cultural de la Raza (November 17, 1989-January 21, 1990). This painting of Our Lady Mount Carmel has conch shells and candles arranged around its feet. It is accompanied by white daisies and bowls of red liquid placed several feet apart on a wooden floor as a type of offering. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Rosado, Angel Suarezsubject Mexican American Art Altars Shells In Art Chicano Art Religious Art Mexican Americans Paintings Candles And Lights Women In Art Jesus Christ In Art Mary, Blessed Virgin, Saint Chicanoscontributor Calisphere -
Lotería Chicana (Detail)
title Lotería Chicana (Detail)description Cat.1 028(7) From the California Murals Off the Wall Exhibition at Centro Cultural de la Raza (March 1983 and 1984). This piece integrates a painting made from a photo taken during a Committee on Chicano Rights march at the U.S./Mexican border. A man is holding a map of Mexico which has the words: "Asi era Mexico antes del Robo" ["This was Mexico before the robbery"]. This image was mixed with the artist's version of Lotería, a game similar to Bingo. Detail is of the painted map portion of the work. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Mexican American Art Maps In Art Aztlán Chicano Art Paintings Sculpture Lotería (Game) Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.8 019 Notes: From the California Murals of the Wall Exhibition at Centro Cultural de la Raza, 2004 Park Blvd. Building #671, Balboa Park, San Diego, CA (March 1983). Portable mural depicts military officers and their wives sit at a dining table where two bloody bodies are served. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Artist Unknownsubject Central America Mexican American Art Mural Art Chicano Art Soldiers Political Violence Violence Mexican Americans Paintings Armed Forces Armed Forces - Officers Chicanoscontributor Calisphere -
Reunion Xx--Twentieth Anniversary Exhibition
title Reunion Xx--Twentieth Anniversary Exhibitiondescription A view of several works at the exhibition at the Centro Cultural de la Raza, San Diego. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Art - Exhibitions Chicano Art Mexican Americans Chicana Art Installations (Art) Paintings Masks Clothing And Dress In Art Chicanoscontributor Calisphere -
Border Realities--Part Two Exhibition
title Border Realities--Part Two Exhibitiondescription Cat.3 024 Photo is of several works on display at the Centro Cultural de la Raza, San Diego, CA. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Chicanos Mexican American Art Art - Exhibitions Chicano Art Mexican Americans Paintings Border Art Globescontributor Calisphere -
Huichol Style Yarn Art Workshops And Demonstrations And Exhibitions
title Huichol Style Yarn Art Workshops And Demonstrations And Exhibitionsdescription Cat.3 055(8) Roberto Espinosa stands next to a yarn painting in the Huichol style. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Animals In Art Workshops (Seminars) Artists Huichol Art Indian Art Chicano Art Paintings Mexican Americans Chicanos Indigenous artcontributor Calisphere -
José Guadalupe Posada Exhibition
title José Guadalupe Posada Exhibitiondescription A few works from the exhibition reveal Posada's profound influence on Chicano artists. The painting on the right is by Mario Torero. Cat.3 057(9) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Calaveras Art - Exhibitions Chicano Art Paintings Posada, José Guadalupe, 1852-1913 Mexican Americans Chicanoscontributor Calisphere