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Black Madonna
title Black Madonnadescription From the Retablo Series, this painting depicts the Black Madonna emerging from the maguey. The background is the cityscape of Djenné, Mali, known for its adobe architecture. This painting is informed by research conducted in Mexico. Richard Dennis created and signed the metal frame in 1992 (#15), which he fabricated for the artist. Oil on metal with metal frame. Dimensions: 17" x 14" x 1"artist/creator Barraza, Santasubject Black Madonna Mali--Djenné Maguey Serpents in art Chicana art Tejana art Cityscapes Metal Paintings Retabloscontributor Santa C. Barraza -
Coatlicue, A/P
title Coatlicue, A/Pdescription The artist proof print was created at Robert Blackburn Printmaking Workshop in New York City during an artist fellowship. Coatlicue emerges from the maguey. The black ink print allows the artist to approve the image in preparation for the final work. Lithography. Dimensions of image: 17 ¼" x 11 ¼"artist/creator Barraza, Santasubject Prints Coatlicue (Aztec deity) Maguey Production process Artist proofs Chicana art Tejana art Aztecs Serpents in artcontributor Santa C. Barraza -
Coatlicue
title Coatlicuedescription The artist proof print was created at Robert Blackburn Printmaking Workshop in New York City during an artist fellowship. Coatlicue emerges from the maguey. To save costs during production, the artist used the back side of the paper to test the green maguey, and the color bleeds through the image. Lithography. Dimensions of image: 17 ¼" x 11 ¼"artist/creator Barraza, Santasubject Prints Coatlicue (Aztec deity) Maguey Production process Artist proofs Chicana art Tejana art Aztecs Serpents in artcontributor Santa C. Barraza -
Coatlicue con Milagros
title Coatlicue con Milagrosdescription The work depicts Coatlicue and La Adelita, appropriated from a Agustín Víctor Casasola (1874-1938) photograph of the Mexican Revolution. Mixed media with manipulated collagraph. Dimensions: 18 ½” x 13"artist/creator Barraza, Santasubject Multimedia Mixed media Fiber arts Milagros Maguey Coatlicue (Aztec deity) Collagraphs Chicana art Tejana art Adelitas Feminism Aztecs Nepantla Serpents in art Soldaderascontributor Santa C. Barraza -
Codex of Emma Tenayucca
title Codex of Emma Tenayuccadescription From the Codex Series, the painting honors labor activist Emma Tenayuca (1916-1999), who organized pecan shellers, mostly Mexican American women of San Antonio, Texas. Their strike for better labor conditions and higher wages in 1938 was the first successful large-scale action of the community's struggle for justice. The artist used a black and white photograph to create the portrait, and she added a Toltec warrior's pectoral. The labor organizer emerges from the maguey which is rooted to the earth. Coyolxauhqui, the Aztec moon goddess, sits on a half-moon and holds a rabbit. Much of the imagery is appropriated from the codices, including hieroglyphs and iconography. The cut tree in the top right corner is the artist's icon for Aztlan. Acrylic on canvas. Dimensions: 54” x 55”artist/creator Barraza, Santasubject Feminism Chicana art Tejana art Symbols Appropriation Coyolxauhqui (Aztec deity) Calendar art Hieroglyphs Codices Postmodernism Tenayuca, Emma, 1916-1999 Paintings Visual quotation Toltec warrior Borderlands Frontera Maguey Moon Ollin Portraits Serpents in art Tonallicontributor Santa C. Barraza -
Codex de La Llorona de la Diosa de Maize
title Codex de La Llorona de la Diosa de Maizedescription From the Codex Series, the artist visualizes a story that she learned from her mother. La Llorona emerges from the maguey which has a fetus. The diosa stands behind a corn plant, appropriated from a codex. Among the icons associated with La Llorona and the Corn Goddess are corn, cacao, water, a fetus, plants, a fertility symbol, and the sundial. Marble dust sourced from Mexico is used to create texture. Acrylic on canvas. Dimensions: 39 ¾" x 43 ½"artist/creator Barraza, Santasubject Calendar art Feminism Chicana art Tejana art Symbols Appropriation Hieroglyphs Codices Postmodernism La Llorona Maguey Corn goddess Indigeneity Landscapes Maiz Nudes in art Paintings Sun ray Tattoos Tonallicontributor Santa C. Barraza -
Codex de Rigoberta Menchu
title Codex de Rigoberta Menchudescription From the Codex Series, this portrait of Rigoberta Menchú pays homage to her after she was awarded the Nobel Prize for Peace in 1992. She is emerging from the maguey, the artist's symbol of rebirth and resurrection. Behind the Nobel laureate is the Tree of Life from Palenque and Cipactli, a crocodilian earth monster. The red field depicts the Maya earth band, from which Cipactli is born. The blue Maya sky band contains hieroglyphs associated with celestial bodies. The hieroglyphs in the thirteen dual boxes symbolize motifs from Menchú's life, cultural concepts, and ideology. Acrylic on canvas. Dimensions: 54" x 55"artist/creator Barraza, Santasubject Codices Calendar art Portraits Menchú Tum, Rigoberta, 1959- Tree of Life Árbol de la vida Mexico--Chiapas--Palenque Maya Hieroglyphs Sacred codex Aztecs Mesoamerican Feminism Chicana art Tejana art Symbols Appropriation Indigeneity Indigenous people Maguey Ollin Paintings Postmodernism Tonalli Xipe Toteccontributor Santa C. Barraza -
Cihauteteo con Coyolxauhqui y St. Philomena
title Cihauteteo con Coyolxauhqui y St. Philomenadescription From the Mujeres Nobles Series, the artist printed her serigraph onto canvas and attached the image onto another canvas, on which she painted a house and other elements around the collage. The healing tree and cloud locate the artist in South Texas. The ollin hieroglyph appears in the foundation of the shotgun style house, an architectural style well-known in Texas. St. Philomena, the child martyr, appears above the home to safeguard it. Multimedia. Dimensions: 60" x 50”artist/creator Barraza, Santasubject Yellow Rose of Texas Occupied America Oztotl glyph Atlatl dart Coyolxauhqui (Aztec deity) La Llorona Chicana art Tejana art Borderlands Conquest Feminism Frontera Hieroglyphs Maguey Nudes in art Paintings Roses Symbols Tattooscontributor Santa C. Barraza -
Coyolxauhqui como Sirena
title Coyolxauhqui como Sirenadescription From the Codex Series, this painting is a feminist reimagining of Coyolxauhqui as a mermaid in South Texas. She wears Coatlcue's talisman of hearts and hands around her neck and a coral snake as a headdress. Much of the imagery is appropriated from the codices, including hieroglyphs and iconography. The green jay on Coyolxauhqui's shoulder locates the artist's presence in South Texas. Acrylic on canvas. Dimensions: 35 ½" x 35 ½"artist/creator Barraza, Santasubject Feminism Chicana art Tejana art Symbols Appropriation Coyolxauhqui (Aztec deity) Calendar art Hieroglyphs Codices Birds Paintings Nudes in art Postmodernism Tonallicontributor Santa C. Barraza -
Efigie, portador de una alma, I
title Efigie, portador de una alma, Idescription This print is from the Dream Series. The image is influenced by the artist's research on shamanism and recurring dreams of trying to heal her sister. The central image is chacmool. Monoprint on Italia paper. Dimensions of the image: 11 ½" x 16 ¾"artist/creator Barraza, Santasubject Chicana art Chacmool Mystery Dreams Abstraction Prints Tejana art Curanderismo Collective memories Duality Ducks Healing Memories Olmec Suncontributor Santa C. Barraza -
Efigie, portador de una alma, II
title Efigie, portador de una alma, IIdescription This print is from the Dream Series. In the dream the artist saw a curandero holding the chacmool with a duck on its belly, which he will use to retrieve the artist’s sister's lost soul from the Underworld. Later, Santa Barraza learned at the exhibition, The Road to Aztlan: Art of the Mythic Homeland, that the duck of her dreams resembles an ancient Mesoamerican ceramic, likely Olmec. Monoprint. Dimensions of the image: 11 ¾" x 16 ¾"artist/creator Barraza, Santasubject Chacmool Ducks Dreams Healing Collective memories Olmec Sun Duality Tejana art Chicana art Curanderismo Prints Abstraction Mysterycontributor Santa C. Barraza -
Efigie, portador de una alma, III
title Efigie, portador de una alma, IIIdescription This print is from the Dream Series. In the dream the artist saw a curandero holding the chacmool with a duck on its belly, which he will use to retrieve the artist’s sister's lost soul from the Underworld. Later, Santa Barraza learned at the exhibition, The Road to Aztlan: Art of the Mythic Homeland, that the duck of her dreams resembles an ancient Mesoamerican ceramic, likely Olmec. Monoprint. Dimensions of the image: 11 ¾" x 16 ¾"artist/creator Barraza, Santasubject Chacmool Ducks Dreams Healing Collective memories Olmec Sun Duality Tejana art Chicana art Curanderismo Abstraction Mystery Printscontributor Santa C. Barraza -
Figurative Composition
title Figurative Compositiondescription The painting was created as a class project focusing on modular style. Here, the artist used a human figure which was then abstracted. She also used this assignment to challenge her use of color. Acrylic on canvas. Dimensions: 48" x 32"artist/creator Barraza, Santasubject Paintings Figurative art Abstraction Chicana art Tejana art Concentric patterns Nudes in artcontributor Santa C. Barraza -
Iztaccihuatl and Popocatepetl Reversed
title Iztaccihuatl and Popocatepetl Reverseddescription The artist used a posed photograph of Sylvia Orozco and Pio Pulido (1950-2018) as resource material for the serigraph. It depicts the iconic image of Iztaccihuatl and Popocatepetl in reverse roles to convey a feminist perspective. Serigraphy. Dimensions of image: 21 ⅜” x 15 ¼”subject Prints Iztaccíhuatl and Popocatépetl Feminism Chicana art Legends Figurative art Tejana art Couplescontributor Santa C. Barraza -
La Mano Poderosa de Coyolxauhqui
title La Mano Poderosa de Coyolxauhquidescription This painting was created during an artist residency of the Nepantla Project organized by Gloria E. Anzaldúa (1942-2004) in Saratoga, California. The central image is the Almighty Hand reimagined as the hand of Coyolxauhqui that emerges from a maguey and is surrounded by symbols. It is influenced by Anzaldúa's philosophy about Coyolxauhqui and the coming era of women's empowerment. Acrylic on canvas. Dimensions: 39" x 48"artist/creator Barraza, Santasubject Chicana art Feminism Coyolxauhqui (Aztec deity) Nepantla Five Rabbit Symbols Corn Hieroglyphs Hummingbirds Maguey Armadillos Roses Serpents in art Tlaloc (Aztec deity) Huitzilopochtli (Aztec deity) Tonalli Sun ray Flint Guadalupe, Our Lady of Tonantzin Virgen de Guadalupe Calli Paintings Tejana art Calendar art Maiz Eye of God Ojo de Dioscontributor Santa C. Barraza -
La Llorona II
title La Llorona IIdescription The monumental painting depicts La Llorona in occupied America, as indicated by the cave hieroglyph, oztotl, pierced by the atlatl dart. The maguey gives energy and life to La Llorona. The composition of the water in the background is informed by the artist's study of the Mesoamerican codices. Oil on canvas. Dimensions: 48" x 87"artist/creator Barraza, Santasubject La Llorona Maguey Water Landscapes Tattoos Codices Oztotl glyph Sacred Hearts Corazón sagrado Conquest Atlatl dart Symbols Hieroglyphs Nepantla Indigeneity Genesis Nudes in art Chicana art Tejana art Occupied America Borderlands Frontera Paintings Roses Yellow Rose of Texascontributor Santa C. Barraza -
Los Migrantes
title Los Migrantesdescription Drawn from a photograph by Russell Werner Lee (1903-1986), this is a portrait of two migrants, one a child, in a tent city of braceros. Pencil on mat board. Dimensions: 40" x 60"artist/creator Barraza, Santasubject Portraits Chicana art Immigration Immigrants Children Visual quotation Braceros Drawings Photorealism Tejana art Families Restingcontributor Santa C. Barraza -
Mi Duende Teasing Me
title Mi Duende Teasing Medescription This print is from the Dream Series. The nude figure holds the steps to the Underworld on her vulva, and the hair on her head is energized with movement. Monoprint. Dimensions: 22" x 28"artist/creator Barraza, Santacontributor Santa C. Barraza -
Mother Looks on While Vulture Preys on Us, III
title Mother Looks on While Vulture Preys on Us, IIIdescription This print is from the Dream Series. The image depicts the artist and her daughter in bed with a vulture sitting on them. The artist's mother stands near the door, innocently looking on but not assisting. Lithography. Dimensions of the image: 10 ½” x 14 ¾”artist/creator Barraza, Santacontributor Santa C. Barraza -
Las Mujeres de las Americas
title Las Mujeres de las Americasdescription The artist was invited to create a print at Talleres del Centro Cultural Antiguo Colegio Jesuita, in Pátzcuaro, Michoacán, in preparation for the exhibition, Blanco y Negro at the Museo Nacional de la Estampa in Mexico City. She created this image to honor the women in her life. Guadalupe, the central image, represents mestizaje, empowerment, and the Americas. The other figures from left to right are the goddess Coyolxauhqui, the artist's mother, her grandmother, and Petra Vela de Vidal Kenedy (1823-1885), the matriarch of the Kenedy Ranch in Sarita, Texas. Coyolxauhqui wears Coatlicue's necklace of hearts and hands. Nopales and the green jay locate the artist in South Texas. Etching on copper. Dimensions of image: 24" x 38 ¾”artist/creator Barraza, Santasubject Birds Families Symbols Talisman Chicana art Feminism Portraits Coyolxauhqui (Aztec deity) Nepantla Hieroglyphs Maguey Tejana art Codices South Texas Roses Abuelas Mestizaje Artist proofs Tattoos Matriarchy Kenedy, Petra Vela de Vidal (1823-1885) Contreras, Andrea Lopez Barraza, Frances Contreras Doves Holy Spirit Ollin Prints Guadalupe, Our Lady of Tonantzin Virgen de Guadalupecontributor Santa C. Barraza -
Mujeres de Nepantla
title Mujeres de Nepantladescription This painting was created during a residency of the Nepantla Project organized by Gloria E. Anzaldúa (1942-2004) in Saratoga, California. The central image is La Llorona, who emerges from the water and from the cipactli, the crocodile. Shells, fish, and Coyolxauhqui's body parts float in the water, and the profile of her face appears in the moon. The tattoos on the two faces of La Llorona are appropriated from the codices. The soul of the fetus that she carries rises behind her. On the left, Malinche emerges from the maguey, and on the right, the artist's grandmother, Andrea, appears with a javelina, which locates the artist in South Texas. Other symbols are the butterfly, the hummingbirds, and the double-headed horse, appropriated from José Clemente Orozco. Oil on canvas. Dimensions: 63" x 72"artist/creator Barraza, Santasubject Chicana art Feminism Coyolxauhqui (Aztec deity) Nepantla Symbols Hieroglyphs Hummingbirds Maguey Javelina Paintings Tejana art La Llorona Tattoos Codices South Texas Butterflies Visual quotation Abuelas Mestizaje Malinche Moon Duality Indigeneity Nudes in art Portraits Rabbitscontributor Santa C. Barraza -
Retablo Codex Mural, Eye of God design
title Retablo Codex Mural, Eye of God designdescription This drawing of the Eye of God is a design for the Retablo Codex Mural's frame at the University of Texas, San Antonio. Ink on drawing paper. Dimensions: 6" x 11 ⅜"artist/creator Barraza, Santasubject Drawings Eye of God Ojo de Dios Patterns Mural art Retablo Codex Mural Texas--San Antonio Chicana art Tejana art Indigeneity Production processcontributor Santa C. Barraza -
Retablo Codex Mural, frame design
title Retablo Codex Mural, frame designdescription This drawing is the design for Retablo Codex Mural's frame, constructed of metal, at the University of Texas, San Antonio. Each compartment contains a motif of Mesoamerican hieroglyphs. The frame imitates a colonial tin retablo with rounded corners and sacred imagery. The date of the mural is written in Mayan hieroglyphs in the lower right corner. The frame is constructed of aluminum with embossing. Ink on vellum. Dimensions: 11 ¼" x 18"artist/creator Barraza, Santasubject Maya Hieroglyphs Drawings Chicana art Tejana art Retablo Codex Mural Mural art Indigeneity Texas--San Antonio Science Sun raycontributor Santa C. Barraza -
Retablo Codex Mural, rabbit detail
title Retablo Codex Mural, rabbit detaildescription This drawing specifies the design for a section of the frame of the Retablo Codex Mural at the University of Texas, San Antonio. The rabbit represents the moon or Coyolxauhqui, the moon goddess. The concentric circle represents a rain drop. Ink on vellum. Dimensions: 6" x 11 ½"artist/creator Barraza, Santasubject Rabbits Circles Concentric patterns Chicana art Tejana art Drawings Hieroglyphs Retablo Codex Mural Mural art Indigeneity Texas--San Antonio Codices Production processcontributor Santa C. Barraza -
Retablo Codex Mural, star detail
title Retablo Codex Mural, star detaildescription This drawing is the design for a section of the frame for the Retablo Codex Mural at the University of Texas, San Antonio. It combines the star and sun hieroglyphs with the Eye of God, all of which the artist appropriated from codices. Ink on vellum. Dimensions: 6" x 9"artist/creator Barraza, Santasubject Sun Stars Codices Hieroglyphs Chicana art Tejana art Drawings Eye of God Ojo de Dios Retablo Codex Mural Mural art Indigeneity Texas--San Antonio Production processcontributor Santa C. Barraza -
Retablo Codex Mural, working technical and architectural drawing of metal surface for painting
title Retablo Codex Mural, working technical and architectural drawing of metal surface for paintingdescription This working drawing is essential for the modeling of the Retablo Codex Mural and its frame since the selected wall is curved. The mural is located at the University of Texas, San Antonio, Biosciences Building. Created for the fabricator, the drawing details the radius and other measurements critical for the mural. Graphite drafting pencil on Bristol drawing paper. Dimensions: 8 ½" x 11"artist/creator Barraza, Santasubject Drawings Technical drawings Architectural drawings Murals Retablo Codex Mural Chicana art Tejana art Production process Texas--San Antoniocontributor Santa C. Barraza -
Ride in a 50s Pink Cadillac
title Ride in a 50s Pink Cadillacdescription This work is from the Dream Series. It depicts the artist and her daughter traveling in a pink car while curanderos observe their flight. Ribbons are stitched along the edges of the surface. The text in the top left register reads: "Dec. 30, 1982 (Thursday). I dreamt the other day that I had died in a car accident. I was in a 50s pink Ford or a long, huge car (square)." A work of mixed media that includes watercolors, collage, feathers, ribbons, ink, and crayon with the technique of crayon and ink resist. Mixed media. Dimensions: 10 ¾” x 7 ¾”artist/creator Barraza, Santasubject Image and text Cars Curanderos Calaveras Chicana art Fiber arts Tejana art Curanderismo Landscapescontributor Santa C. Barraza -
Presente y pasado
title Presente y pasadodescription The image is a portrait of a grandmother and her granddaughter. It was originally created as an illustration for a bilingual book about the wisdom of abuelitas, heritage, intergenerational storytelling, and families. Pencil on illustration board. Dimensions: 16" x 20"artist/creator Barraza, Santasubject Portraits Chicana art Heritage Families Storytelling Memories Drawings Abuelas Children Grandchilden History Photorealism Tejana artcontributor Santa C. Barraza -
Sacred Heart with Hand of Tlaloc
title Sacred Heart with Hand of Tlalocdescription From the Retablo Series, this painting portrays a maguey, the Sacred Heart, clouds, water, and Tlaloc's hand, which fertilizes the earth. Tlaloc's presence is informed by the Tepantitla murals at Teotihuacan. Richard Dennis created the metal frame, which he fabricated for the artist. Enamel and oil on metal with metal frame. Dimensions: 15 ½" x 16 ½" x 1"artist/creator Barraza, Santasubject Retablos Sacred Hearts Corazón sagrado Tlaloc (Aztec deity) Paintings Landscapes Chicana art Tejana art Maguey Metal Rosescontributor Santa C. Barraza -
Las Soldaderas Jovenes
title Las Soldaderas Jovenesdescription Influenced by Las Adelitas of the Mexican Revolution, the artist created this etching using her daughter as the model. The composition of the figures is a visual quotation of a photograph by Agustín Víctor Casasola (1874-1938). Techniques of burnishing, scrapping, rosin, soft ground, mezzotint, dry point, and aquatint are visible throughout the image. Etching. Dimensions: 23" x 17 ¾”artist/creator Barraza, Santacontributor Santa C. Barraza -
Teotl
title Teotldescription This drawing was created during a residency of the Nepantla Project organized by Gloria E. Anzaldúa (1942-2004) in Saratoga, California. The artist reimagines Michelangelo's representation of the Creation of Man as portrayed in the Sistine Chapel. Rather than God touching Adam to bestow life force, the artist presents a feminist and Indigenous moment of creation. The central image is La Llorona, whose face has tattoos that signify death, and thus infinity, as she emerges from the maguey. Coyolxauhqui's hand reaches down from a cloud and touches the maguey, which animates La Llorona, giving her life. Rain drops depicted as the Eye of God nourish the earth and prepare the soil for harvest. The outer band produced in acrylic paint contains symbols of South Texas, hieroglyphs, and parts of the Moon Goddess's body. Charcoal drawing and acrylic on canvas. Dimensions: 112" x 74"artist/creator Barraza, Santasubject Drawings Tattoos Maguey Coyolxauhqui (Aztec deity) Codices Oztotl glyph Rabbits Moon Eye of God Ojo de Dios Conquest Atlatl dart Symbols Hieroglyphs Nepantla Indigeneity Genesis Nudes in art Landscapes Chicana art Tejana art Borderlands Feminism Flint Frontera Occupied America Ollin Roses Serpents in artcontributor Santa C. Barraza -
Los Tios
title Los Tiosdescription The print is an appropriation of a 1940s family photograph, taken when the artist's aunt and uncle were dating. They are standing on a pier at Loyola Beach in Texas. A/P etching print. Dimensions: 23 ¾” x 17 ½"artist/creator Barraza, Santacontributor Santa C. Barraza -
The Codex of Tlaloc
title The Codex of Tlalocdescription This painting includes thirteen paired boxes, representing night and day. The central panel is the rain god, Tlaloc, emerging from the maguey. Acrylic on canvas. Dimensions: 36 ¾” x 40"artist/creator Barraza, Santasubject Tlaloc (Aztec deity) Chicana art Tejana art Maguey Appropriation Calendar art Hieroglyphs Paintings Landscapes Butterflies Codices Postmodernism Serpents in art Symbols Tonallicontributor Santa C. Barraza -
Torso of La Guadalupana with Holy Spirit
title Torso of La Guadalupana with Holy Spiritdescription From the Torso Series, the artist appropriates her own image of La Virgen Indigena (2016), focusing on the midsection of Guadalupe. The image is extended around the frame, making it appear three-dimensional and sculptural. The painting includes symbols, such as the dove representing peace and the Holy Spirit, and Mesoamerican hieroglyphs, such as the canto icon in the lower left. The gown is adorned with a band found in Mesoamerican codices. Acrylic on canvas. Dimensions: 12" x 12"artist/creator Barraza, Santasubject Chicana art Healing Mesoamerican Visual quotation Guadalupe, Our Lady of Tonantzin Virgen de Guadalupe Guadalupanas Paintings Tejana art Holy Spirit Doves Hieroglyphs Appropriationcontributor Santa C. Barraza -
Una Vida Continua
title Una Vida Continuadescription This artist book was influenced by Mesoamerican codices, designed with thirteen boxes surrounding each of the eight figures. The work honors the women in her life, including Coatlicue, Guadalupe, Barraza’s great-grandmother, grandmothers, mother, and her daughter, Andrea. The veils covering five of the figures indicate that the women are no longer with us. The artist's creative process was inspired by elementary school students whom the artist taught to produce artist books. The students' signatures appear on the first back panel of the book. This is a mixed media work with ribbons, milagros of amate paper, tulle, lace, thread, hair, appropriated family photos, glitter, sequins, safety pins, and hand-colored prints and photocopies. It also includes a self-portrait panel. Artist book. Opened dimensions: 10 ¾” x 80"artist/creator Barraza, Santasubject Artist books Codices Coatlicue (Aztec deity) Garza, Canuta Meza Barraza, Victoria Barraza, Frances Contreras Self-portraits Guadalupe, Our Lady of Tonantzin Virgen de Guadalupe Aztec calendar Mixed media Appropriation Postmodernism Fiber arts Feminism Chicana art Tejana art Calendar art Image and text Matriarchy Portraits Abuelas Milagros Nepantla Tonallicontributor Santa C. Barraza -
Una Vida Continua, back cover
title Una Vida Continua, back coverdescription This artist book was inspired by elementary school students whom the artist taught to produce artist books. The image captures the students' signatures which appear on the first back panel of the book. The artwork honors the women in her life, including Coatlicue, Guadalupe, Barraza’s great-grandmother, grandmothers, mother, and her daughter, Andrea. This is a mixed media work with ribbons, milagros of amate paper, tulle, lace, thread, hair, appropriated family photos, glitter, sequins, safety pins, and hand-colored prints and photocopies. It also includes a self-portrait panel. Artist book. Opened dimensions: 10 ¾” x 80"artist/creator Barraza, Santasubject Artist books Mixed media Appropriation Postmodernism Feminism Chicana art Tejana art Calendar art Image and text Nepantla Una Vida Continuacontributor Santa C. Barraza -
Una Vida Continua, display view
title Una Vida Continua, display viewdescription The documentary photograph captures the accordion construction of this artist book, illuminating how the artist was influenced by Mesoamerican codices. The image also shows the cover of the artist book with Guadalupe/Tonanzin, and a small pouch that contains the students' contributions to the project. The work honors the women in the artist's life, including Coatlicue, Guadalupe, Barraza’s great-grandmother, grandmothers, mother, and her daughter, Andrea, and some of these portraits are visible in the image. The artist's creative process was inspired by elementary school students whom the artist taught to produce artist books. The students' signatures appear on the first back panel of the book. This is a mixed media work with ribbons, milagros of amate paper, tulle, lace, thread, hair, appropriated family photos, glitter, sequins, safety pins, and hand-colored prints and photocopies. Artist book. Opened dimensions: 10 ¾” x 80"artist/creator Barraza, Santasubject Artist books Codices Coatlicue (Aztec deity) Garza, Canuta Meza Barraza, Victoria Barraza, Frances Contreras Self-portraits Guadalupe, Our Lady of Tonantzin Virgen de Guadalupe Aztec calendar Mixed media Appropriation Postmodernism Fiber arts Feminism Chicana art Tejana art Calendar art Image and text Matriarchy Portraits Abuelas Milagros Nepantla Tonalli Una Vida Continuacontributor Santa C. Barraza -
Una Vida Continua, front cover
title Una Vida Continua, front coverdescription The cover of the artist book depicts Guadalupe/Tonanzin. The work honors the women in her life, including Coatlicue, Guadalupe, Barraza’s great-grandmother, grandmothers, mother, and her daughter, Andrea. This is a mixed media work with ribbons, milagros of amate paper, tulle, lace, thread, hair, appropriated family photos, glitter, sequins, safety pins, and hand-colored prints and photocopies. It also includes a self-portrait panel. Artist book. Opened dimensions: 10 ¾” x 80"artist/creator Barraza, Santasubject Artist books Codices Guadalupe, Our Lady of Tonantzin Virgen de Guadalupe Mixed media Appropriation Postmodernism Fiber arts Image and text Feminism Chicana art Tejana art Matriarchy Portraits Milagros Nepantla Una Vida Continuacontributor Santa C. Barraza -
Self-Portrait
title Self-Portraitdescription The self-portrait is one of the artist's first prints, and she blended various techniques, such as rosin, awl, scrapping, burnishing, aquatint, and mezzotint. The combination of techniques create a mysterious tone in the composition. Etching from metal plate, 5/5 edition. Dimensions: 8 ½” x 11 ½”artist/creator Barraza, Santacontributor Santa C. Barraza -
Untitled
title Untitleddescription This self-portrait is composed of multiple media including three-dimensional milagros created of paper and thread. The image of the Guadalupe is appropriated from a serigraph or silkscreen print created at Diseño Studios in Austin, Texas. The self-portrait that covers the bottom portion of Guadalupe is a charcoal drawing. Three images appear on the right side: the top image is a portrait of Popocatépetl and Iztaccíhuatl with an "x" mark of refusal, the middle figure is a dream-image, and the bottom image is inspired by a Mesoamerican goddess. A work of mixed media with pencil, charcoal, ink, embroidery thread, ribbon, tulle, and paper. Dimensions: 20" x 28"artist/creator Barraza, Santasubject Self-portraits Iztaccíhuatl and Popocatépetl Milagros Chicana art Healing Mesoamerican Visual quotation--Aztec sculpture Guadalupe, Our Lady of Tonantzin Virgen de Guadalupe Guadalupanas Mixed media Tejana art Nepantlacontributor Santa C. Barraza -
Retablo Codex Mural, detail 1
title Retablo Codex Mural, detail 1description In this detail of the final section of the Retablo Codex Mural in the Biosciences Building at University of Texas, San Antonio, the artist combines scientific and Mesoamerican symbols. The mural is a codex and read from right to left in the Mixtec style and includes red bars that guide the reader's eye. Industrial paint on metal with aluminum frame. Dimensions: 7' x 11 ½'artist/creator Barraza, Santasubject Chicana art Tejana art Mixtecs Science Mural art Retablo Codex Mural Texas--San Antonio Indigeneity Appropriation Metal Murals Postmodernismcontributor Santa C. Barraza -
Retablo Codex Mural, detail 2
title Retablo Codex Mural, detail 2description This detail of the Retablo Codex Mural in the Biosciences Building at University of Texas, San Antonio, emphasizes motifs appropriated from codices, renderings of the human brain, and medical images created by the scientists working in the building. The mural is a codex and read from right to left in the Mixtec style and includes red bars that guide the reader's eye. This section merges Indigenous iconography with scientific images. Industrial paint on metal without the aluminum frame. Dimensions: 7' x 11 ½'artist/creator Barraza, Santasubject Mural art Chicana art Tejana art Texas--San Antonio Codices Science Mixtecs Indigeneity Retablo Codex Mural Appropriation Metal Murals Postmodernismcontributor Santa C. Barraza -
Retablo Codex Mural
title Retablo Codex Muraldescription This image depicts the Retablo Codex Mural at University of Texas, San Antonio, located on the second floor of a curved wall in the Biosciences Building. The motifs are appropriated from codices, renderings of the human brain, and medical images created by the scientists working in the building. The frame imitates a colonial tin retablo with embossing, rounded corners, and sacred and scientific imagery. The mural is a codex and read from right to left in the Mixtec style and includes red bars that guide the reader's eye. Industrial paint on metal with aluminum frame. Overall dimensions, 7' x 11 ½ ' and dimensions of the painting, 6' x 10 ½'artist/creator Barraza, Santasubject Codices Murals Chicana art Tejana art Mural art Retablos Metal Appropriation Science Texas--San Antonio Indigeneity Mixtecs Postmodernismcontributor Santa C. Barraza -
Ollin Rotunda Mural Prototype I Painting
title Ollin Rotunda Mural Prototype I Paintingdescription This painting is the selected prototype for the Ollin Rotunda Mural at the University of Texas, San Antonio. Satisfying the requirements of the commission, the design conveys three components: Texas history, Indigenous history, and science. The central image is the ollin symbol, an ancient Aztec hieroglyph heralding movement and change. It is surrounded by the seven caves, Chicomoztoc, the place of Aztec origins as depicted in the codices. The composition of the seven caves also resembles an abstracted rendering of the dendrites in the human brain. The blue field contains neurons and engrams of the brain. For the scientists who selected the artist's design, the dotted patterns on the surface of the blue field resemble DNA. The concept for the ochre yellow band is derived from ancient Indigenous pictographs at Monte Albán and Maya disks used in the ball courts. This final outer ring includes symbols that represent the Pecos River area that borders Texas and Mexico. The colors are inspired by multiple sources, including colors of the Maya manuscript known as the Dresden Codex and ceramics from colonial Puebla, Mexico. Acrylic on canvas. Dimensions: 20" x 20"artist/creator Barraza, Santasubject Paintings Chicana art Tejana art Indigeneity Hieroglyphs Ollin Chicomoztoc Science Symbols Borderlands Frontera Texas--Pecos River Human body Abstraction Appropriation Color Production process Mural art Texas--San Antonio Maps Caves Postmodernismcontributor Santa C. Barraza -
Ollin Rotunda Mural Prototype II Painting
title Ollin Rotunda Mural Prototype II Paintingdescription This painting was the second prototype for the Ollin Rotunda Mural at the University of Texas, San Antonio. Tonalli, or spirit, is the central symbol, and the water symbol from Mesoamerican art surrounds the seven caves, Chicomoztoc, the place of Aztec origins as depicted in the codices. Pictographs embellish the outer circle. Acrylic on canvas. Dimensions: 20" x 20"artist/creator Barraza, Santasubject Paintings Chicana art Tejana art Indigeneity Hieroglyphs Ollin Chicomoztoc Science Symbols Borderlands Frontera Texas--Pecos River Human body Abstraction Appropriation Color Production process Mural art Texas--San Antonio Maps Caves Postmodernismcontributor Santa C. Barraza -
Ollin Rotunda Mural, view 1
title Ollin Rotunda Mural, view 1description The Ollin Rotunda Mural, located at the University of Texas, San Antonio, satisfies the requirements of the commission with three components: Texas history, Indigenous history, and science. The central image is the ollin symbol, the Aztec hieroglyph indicating movement and change. It is surrounded by the seven caves, Chicomoztoc, the place of Aztec origins as depicted in the codices. The composition of the seven caves also resembles an abstracted rendering of the dendrites in the human brain. The blue section contains neurons and engrams of the brain. For the scientists who selected the artist's design, the dotted patterns on the surface of the blue field resemble DNA. The concept for the ochre yellow band is derived from ancient Indigenous pictographs at Monte Albán and Maya disks used in the ball courts. This final outer ring includes symbols representing the Pecos River area that borders Texas and Mexico. The colors are inspired by multiple sources, including colors of the Maya manuscript known as the Dresden Codex and ceramics from colonial Puebla, Mexico. Alice Adams (b. 1930) designed the fountain below the mural. Acrylic emulsion on plaster. Dimensions: 43' in diameter.artist/creator Barraza, Santasubject Murals Chicana art Tejana art Indigeneity Hieroglyphs Ollin Chicomoztoc Science Symbols Borderlands Frontera Texas--Pecos River Human body Abstraction Appropriation Color Mural art Texas--San Antonio Caves Maps Postmodernismcontributor Santa C. Barraza -
Ollin Rotunda Mural, view 2
title Ollin Rotunda Mural, view 2description The Ollin Rotunda Mural, located at the University of Texas, San Antonio, satisfies the requirements of the commission with three components: Texas history, Indigenous history, and science. The central image is the ollin symbol, the Aztec hieroglyph indicating movement and change. It is surrounded by the seven caves, Chicomoztoc, the place of Aztec origins as depicted in the codices. The composition of the seven caves also resembles an abstracted rendering of the dendrites in the human brain. The blue section contains neurons and engrams of the brain. For the scientists who selected the artist's design, the dotted patterns on the surface of the blue field resemble DNA. The concept for the ochre yellow band is derived from ancient Indigenous pictographs at Monte Albán and Maya disks used in the ball courts. This final outer ring includes symbols representing the Pecos River area that borders Texas and Mexico. The colors are inspired by multiple sources, including colors of the Maya manuscript known as the Dresden Codex and colonial ceramics from Puebla, Mexico. This photograph conveys the accurate color scheme of the mural. Acrylic emulsion on plaster. Dimensions: 43' in diameter.artist/creator Barraza, Santasubject Murals Chicana art Tejana art Indigeneity Hieroglyphs Ollin Chicomoztoc Science Symbols Borderlands Frontera Texas--Pecos River Human body Abstraction Appropriation Color Mural art Texas--San Antonio Maps Caves Postmodernismcontributor Santa C. Barraza -
Ollin Rotunda Mural Drawing
title Ollin Rotunda Mural Drawingdescription This preparatory drawing for the Ollin Rotunda Mural at the University of Texas, San Antonio conveys each of the requirements noted in the call for proposals: Texas history, Indigenous history, and science. The central image is the ollin symbol, the Aztec hieroglyph indicating movement and change. It is surrounded by the seven caves, Chicomoztoc, the place of Aztec origins as depicted in the codices. The design of the seven caves also resembles an abstracted rendering of the human dendrites. The field surrounding the seven caves contains neurons and engrams of the brains. The final outer ring includes symbols representing the Pecos River area that borders Texas and Mexico. Pencil and ink on paper. Dimensions: 16" x 16"artist/creator Barraza, Santasubject Murals Chicana art Tejana art Indigeneity Hieroglyphs Ollin Chicomoztoc Science Symbols Borderlands Frontera Texas--Pecos River Human body Abstraction Appropriation Production process Mural art Texas--San Antonio Maps Caves Drawings Postmodernismcontributor Santa C. Barraza -
La Virgen Indigena
title La Virgen Indigenadescription Emphasizing her indigenous identity and empowerment, the portrait of Guadalupe gazes directly at the viewer. A Mesoamerican motif appears in the background, likely the sky band. The print includes multiple symbols including, the Eye of God, the Holy Spirit as a dove, and the Indigenous symbol for pregnancy. The lithographic print of Series III is the second of three impressions. Lithography on Rives BFK Buff Color paper. Dimensions of the image: 17 ½" x 15"artist/creator Barraza, Santasubject Prints Guadalupe, Our Lady of Tonantzin Virgen de Guadalupe Sacred Hearts Doves Symbols Feminism Chicana art Tejana art Indigenous people Indígenas Mestizaje Holy Spiritcontributor Santa C. Barraza -
Latina art, showcase '87 = Arte de latinas, muestra '87
title Latina art, showcase '87 = Arte de latinas, muestra '87description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Guzmán, Juana -
La Segunda Independencia
title La Segunda Independenciadescription Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained Linda Lucero c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Yellow border with blue background with a map of the Americas. On the right middle is a poem written by Victor Lima. On the right are farmworkers running into the poem. On the left side bottom is a native Indian woman. not signed.artist/creator Lucero, Lindasubject Central America Farm Workers Mexican American Art Chicano Art Prints Mexican Americans Chicana Art Posters Chicanas Graphic Arts Chicanoscontributor Calisphere -
Pacific Beach San Diego (Detail)
title Pacific Beach San Diego (Detail)description Detail is of a pink "wind" figure, blowing, and the top of a plant. "Windy Bravo is a woman muralist from Pacific Beach California. She has joined with many other muralists who have created murals in the California public schools." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Bravo, Windy, Curator Of An Exhibitionsubject Mexican American Art Mural Art Winds Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Sun Mad
title Sun Maddescription Poster mimics the design of the Sun-Maid raisins box. Instead of a maid, however, is a skeleton. Text reads: "SUN MAD Raisins unnaturally grown with Insecticides, Miticides, Herbicides, Fungicides." "Salvador Torres as a young man picked grapes for W.A. Taylor Wine Co.-Almaden buys out WAT, Salvador Torres spends the summers of his adolescent years in rural and urban life styles. Los Baños, and Hollister, La Cienega, "San Benito Vineyards", housing/camp for the permanent farm workers. Ms. Hernandez "Sun Mad" comment on serious pesticides, herbicides, fungicides, are used by Salvador Torres in a lecture about the Toxic Racism Barrio Logan is enduring with deceptive City of San Diego Planning Department abuse of "Coexistence" fallacies between Plating & Welding Company's emitting 21.0 Hexavalent Chromium (ng/m) deadly cancerous chemicals in our Barrio Logan air spaces. See [Temp ID] #3-173-A Salvador Torres environmental rescue efforts. Salvador Torres recalls the dust croppers airplanes flying two wingers over and around our many farm workers campsites then spraying the near by crops. As children, Salvador Torres and others delighted in seeing the pilot, who sometimes would wave back to them as he roared past." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Hernandez, Estersubject Pesticides Mexican American Art Calaveras Chicano Art Prints Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Preliminary Design
title Preliminary Designdescription RCAF muralist Celia Rodriguez designed this portion of the Chicano Park mural, here in its preliminary stages. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Rodriguez, Celiasubject Mexican American Art Mural Art Chicano Art Chicana Art Studies (Visual Works) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Barrio Logan
title Barrio Logandescription "This is one of two paintings that were located in the auditorium of Lowell School. During the renovation these paintings were lost or thrown away? This has become a typical consideration of disposing of our communities' cultural arts. This occurred to Memorial Junior High School auditorium paintings that were commissioned by WPA in the 1930's. Currently the Memorial Junior High art works are in the possession of the San Diego Historical Society. Salvador Torres is striving to have them returned. They were removed in 1975." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Mujeres Muralistas Teamsubject Children In Art Mexican American Art Education Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
La Raza Cosmica Deterioration
title La Raza Cosmica Deteriorationdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu This slide is of La Raza Cosmica, by el Grupo de Santa Ana, and shows the deterioration of the paint as well as the graffiti that it has accumulated.artist/creator Torres, Salvadorcontributor Calisphere -
The Women Hold Up The Universe
title The Women Hold Up The Universedescription Five women across horizontal portion of column #T-45 hold arms up to support sky, represented by yellow clouds. At "T" juncture, a woman cradles a half-globe in her arms, a baby rests therein. The sun rises behind her head. Below an abstract feminine figure holds a yin-and-yang symbol, an indigenously-stylized bird, and stars. She rests on a rainbow created by the music of two nude female flautists. These hover on choppy water. Musical notes fill in the arch beneath the rainbow. Background for entire mural is blue. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Rodriguez, Celiasubject Globes Mexican American Art Infants In Art Mural Art Chicano Art Chicana Art Women In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Portrait Of The Artist As The Virgin Of Guadalupe
title Portrait Of The Artist As The Virgin Of Guadalupedescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator López, Yolanda M.subject Mexican American Art Artists Chicano Art Guadalupe, Our Lady Of Chicana Art Self-Portraits Chicanas Mexican Americans Chicanoscontributor Calisphere -
Pacific Beach San Diego (Detail)
title Pacific Beach San Diego (Detail)description Detail is of a lizard. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Bravo, Windysubject Mexican American Art Animals In Art Reptiles In Art Mural Art Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Coatlicue
title Coatlicuedescription "Vandalized by Junk Yard employees 1980's Paint Bombs, in soda bottles thrown at many CP murals in protest to "Varrio Si, Yonkes No" campaign to clean-up the neighborhood. Michael Schnorr repairs and integrates the splashes, see upper right hand side of the figures' head. Other areas were re-painted. Salvador Torres suggests to Michael S. to take advantage of the expressive power of the paint bomb explosions. Michael paints them in color and adds a dog's head at the mid lower left hand side. The dog "roach" was immortalized in the mural. The dog belonged to one of the gang members of Varrio Logan. The dog was named "Roach" because he loved to eat marihuana butts known as a "Roach"." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Yamagata, Susansubject Mexican American Art Aztec Goddesses Mural Art Chicano Art Chicana Art Asian American Art Coatlicue (Aztec Deity) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Read
title Readdescription Black and white photo of mural. "Salvador Torres includes Josefina Quesada's mural, "Read" to show children the importance of our mural movement, and that reading is a positive activity for success in education." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Quesada, Josefinasubject Mexican American Art Lions In Art Mural Art Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Death Of Farm Worker
title Death Of Farm Workerdescription Mural on column #G-46, Chicano Park depicting a human hand, left, and an agricultural tool, right, both grabbing onto either teeth of a gear or the rays of the sun. All this is at the very top. Beneath, a mountain, and a produce truck drives toward the vanishing point on a field. Just under this is a strike scene that has resulted in the death of a striker. Under this scene, a seemingly peaceful scene of cultivation. Seemingly because the harvesters are chained to boxes containing produce. The lower portion of the mural is not visible. This mural shows deterioration and vandalism. "Rufino Contreras, a farm worker from the valley is shot in the lettuce fields during a strike by the United Farm Workers, led by Cesar E. Chavez. Michael Schnorr, attempts a dramatic and emotionally tense scene, taken from Francisco Goya's period of the Disasters of War, series. "Execution of the Citizens of Madrid, May 3, 1808." Michael Schnorr, like many other artists paints themes of social commentary, inspired by the Chicano Movements' Labor Struggles and immigration issues of abuse. This dramatic column included a small fenced area at the column base. Michael made a fiberglass cast of his body, simulating a figure prone on the ground. He planted squash and flowers. This addition was destroyed by community vandals that rejected his final statement." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Schnorr, Michaelsubject Mexican American Art Mural Art Chicano Art Chicana Art Asian American Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Human Hand
title Human Handdescription "Image shows "OG's" interpretation of the "Human Hand", at the lower column reads the dedication of Mujeres Muralistas, directed by Yolanda Lopez (See Chicano Park Video in Salvador Torres collection.)" Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Gonzalez, Octaviosubject Mexican American Art Mural Art Chicano Art Hand In Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Nacimiento Del Parque Chicano, Chicano Park Astrological Chart (Detail Post-Restoration)
title Nacimiento Del Parque Chicano, Chicano Park Astrological Chart (Detail Post-Restoration)description A detail of a mural featuring a woman wearing a feather headdress. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Serrano-Velez, Doloressubject Mexican American Art Headgear Mural Art Chicano Art Chicana Art Women In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
La Virgen De Guadalupe Defendiendo Los Derechos De Los Xicanos And Libertad
title La Virgen De Guadalupe Defendiendo Los Derechos De Los Xicanos And Libertaddescription Chicano Art images used in Torres' lectures to children. Two black and white prints. Right is La Virgen de Guadalupe in karate gi doing a side kick. The cherub at her feet wears an aggressive expression. Left is a Chicana chiseling Aztec iconography into the Statue of Liberty. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Hernandez, Estersubject Angels In Art Statue Of Liberty (New York, N.Y.) In Art Mexican American Art Chicano Art Prints Guadalupe, Our Lady Of Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
My Grandpa Lolo Sleeping
title My Grandpa Lolo Sleepingdescription Call Number: Box 09, Folder 02, slide 27 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com Watercolor portrait of a dormant elderly man.artist/creator Vallejo, Lindasubject Watercolors Men Mexican American Art Family Chicano Art Aged Chicana Art Ancianos Chicanas Mexican Americans Chicanoscontributor Calisphere -
Photo With The Tree Of Life
title Photo With The Tree Of Lifedescription Call Number: Box 09, folder 06, slide 14 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. In this photo, six unidentified participants stand in front of the Tree of Life. Some wear silly expressions.artist/creator Artist Unknownsubject Mexican American Art Altars Artists Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Amoeba
title Amoebadescription Abstract sculpture in composed of triangular pieces of paper attached to a monotype print in yellow. Many other objects are also adhered to its surface. Call Number: Box 09, Folder 02, slide 07 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Prints Art, Abstract Chicana Art Sculpture Chicanas Graphic Arts Chicanoscontributor Calisphere -
Buffalo Man
title Buffalo Mandescription A face made of handmade paper has two wooden horns. From the bottom of the face hang many long branches that have been painted dark blue. Call Number: Box 09, folder 05, slide 01 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindacontributor Calisphere -
The Letter (Side 2)
title The Letter (Side 2)description Call Number: Box 09, Folder 02, slide 19 Sculpture is composed of folded paper that stands upright. The predominant color is pink. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 20 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of the bottom portion of the altar.artist/creator Vallejo, Lindasubject Chicanos Mexican American Art Altars Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Assemblage (Art)contributor Calisphere -
Vida Eterna (Alternate View)
title Vida Eterna (Alternate View)description Call Number: Box 09, folder 04, slide 04 Side view of Vida Eterna features another, less conspicuous face. From this angle, a butterfly is visible among the red branches. There are two other paper faces on the back of the box. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Butterflies In Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Harvest Moon
title Harvest Moondescription Call Number: Box 09, folder 04, slide 39 Dark clouds mostly obscure a large orange and yellow moon. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Moon - In Art Mexican American Art Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Calavera
title Calaveradescription A human face is attached to a tree branch. Above the face, many objects are contained in a wire mesh. Call Number: Box 09, Folder 02, slide 09, and Box 08, Folder 11, slide 01 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Calaveras Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Untitled
title Untitleddescription Call Number: Box 09, Folder 02, slide 66 Sculpture is composed of two stuffed gloves tied at the ends with fingers interlaced. A leather-burning tool was used to decorate these "hands." Each hand is "tat[t]ooed" with "sacred" language and symbols. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Tattooing In Art Hand In Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Los Cielos Iv
title Los Cielos Ivdescription Call Number: Box 09, folder 04, slide 26 Eyes appear among the clouds in this ethereal skyscape. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Landscapes (Representations) Mexican American Art Chicano Art Eye In Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Moon Spirit
title Moon Spiritdescription Call Number: Box 09, folder 04, slide 05 The thorny branches of a rosebush form the base for this sculpture. Handmade paper is plastered around the base and mussels shells serve as eyes. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Moon - In Art Thorns Art, Abstract Chicana Art Sculpture Indigenous cultures Earth-based Paper pulp Mixed media Environmental art Environmentalism Deer Wood (plant material) Indígenas Indigeneity Shells in artcontributor Calisphere -
Radiating Hand
title Radiating Handdescription "The radiating hand of olin, movement and change. The golden healing hand of light, pure and clean, touching all." Call Number: Box 08, Folder 09, Photo 03 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com;artist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Hand In Art Chicana Art Sculpture Symbolism Chicanas Mexican Americans Chicanoscontributor Calisphere -
Cloud Spirit
title Cloud Spiritdescription A face of handmade paper is attached to a tree branch with many smaller branches, creating the impression of a body. Call Number: Box 09, folder 03, slide 27 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Los Cielos Ii
title Los Cielos Iidescription Call Number: Box 09, folder 04, slide 31 Ethereal skyscape with some dark clouds and some light clouds. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Landscapes (Representations) Mexican American Art Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Fan
title Fandescription A sculpted mass of painted handmade paper holds a number of thorny branches in a radiant formation.From the collection of Sam Francis. Call Number: Box 09, Folder 03, slide 22 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown) (Back)
title (Title Unknown) (Back)description Call Number: Box 09, Folder 03, slide 04 (back of Box 09, Folder 03, slide 03) Part of a tree trunk is covered with handmade paper. The wood is shaped so that items can be place in a large opening. Items placed therein give the impression of gems. From this angle, the entire piece seems to be jewel-encrusted. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Full Moon Daylight
title Full Moon Daylightdescription Call Number: Box 09, folder 04, slide 24 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com The image of a nude woman appears in the moon in a cloudy sky.artist/creator Vallejo, Lindasubject Moon - In Art Mexican American Art Nudes Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Mujer
title Mujerdescription Call Number: Box 09, folder 04, slide 11 Handmade paper affixed to a tree branch is made to resemble a woman's body. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Chicana Art Sculpture Women In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Tree People
title Tree Peopledescription A branch covered in dark red homemade paper features two faces in gold handmade paper. Call Number: Box 09, folder 03, slide 28 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Untitled
title Untitleddescription A glove, stuffed and tied, is decorated with many designs. A leather-burning tool was used to decorate these "hands." Each hand is "tat[t]ooed" with "sacred" language and symbols. Call Number: Box 09, Folder 02, slide 67 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Tattooing In Art Hand In Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Amoeba
title Amoebadescription Call Number: Box 09, Folder 02, slide 06 Sculpture is composed of a diamond-shaped purple piece of paper serving as the base. Affixed to this are four yellow paper cones oriented in the shape of a cross with points corresponding to the points of the diamond. In the corners formed by the cones are what appear to be balls of hair or fur. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Mictlantecuhtli
title Mictlantecuhtlidescription Call Number: Box 08, Folder 11, slide 04 Sculpture is composed of painted handmade paper and a sculpted ear of corn on a fur base. The paper is made to resemble a human figure with the face of a skull. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Aztec Gods Mexican American Art Calaveras Mictlantecuhtli (Aztec Deity) Chicano Art Death In Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Untitled
title Untitleddescription Call Number: Box 09, Folder 03, slide 23 Handmade paper painted with yellow, blue, and red designs, including two hands, partially contains a large mass of branches. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Hand In Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Within/Without 2
title Within/Without 2description An arc in the bottom left corner encloses two right triangles. Primary colors are pink and purple. Call Number: Box 09, Folder 02, slide 55-57 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Prints Art, Abstract Mexican Americans Chicana Art Chicanas Graphic Arts Chicanoscontributor Calisphere -
Quetzalcoatl (Right Side)
title Quetzalcoatl (Right Side)description A piece of gnarled wood somewhat resembling an upright snake has purple handmade paper attached to its front. Pink scales of handmade paper are attached to its back. Purple feathers are attached to its top. Call Number: Box 09, Folder 03, slide 13-14 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Feather (Material) Serpents In Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Tlaloc- God Of Water
title Tlaloc- God Of Waterdescription A tree trunk with many large branches forms the base of this sculpture. Handmade paper at the juncture of the branches is sculpted and painted with linear designs. The trunk is mounted on a square wooden base. This sculpture is from the Tree Spirit Series. Call Number: Box 09, Folder 03, slide 18 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Aztec Gods Mexican American Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Los Cielos Iii
title Los Cielos Iiidescription Call Number: Box 09, folder 04, slide 28 Skyscape with storm clouds near the top of the painting and layered clouds above a red moon near the bottom. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Landscapes (Representations) Moon - In Art Mexican American Art Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Tree Of Life, Second Phase
title Tree Of Life, Second Phasedescription Call Number: Box 09, folder 06, slide 10 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. The Tree of Life now has potted plants behind it, a bench in front of it, and a pile of rocks forming an arc around it. A man stand in front of the altar and a woman sits beside it. Both are unidentified.artist/creator Artist Unknowncontributor Calisphere -
Untitled
title Untitleddescription A glove, stuffed and tied, is decorated with many designs. A leather-burning tool was used to decorate these "hands." Each hand is "tat[t]ooed" with "sacred" language and symbols. Call Number: Box 09, Folder 02, slide 68 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Tattooing In Art Hand In Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Untitled
title Untitleddescription Call Number: Box 09, Folder 03, slide 12 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com Yellow handmade paper attached to a tall tree branch. Where the paper resembles an inverted face, it has been painted red. This sculpture is from the Tree People Series.artist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Triptych Section I
title Triptych Section Idescription Call Number: Box 09, Folder 02, slide 45-46 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com Two purple ovals appear in the corners over an image resembling a house.artist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Prints Art, Abstract Mexican Americans Chicana Art Chicanas Graphic Arts Chicanoscontributor Calisphere -
Pyramid Head Box (Side 2)
title Pyramid Head Box (Side 2)description Call Number: Box 09, Folder 02, slide 33 Sculpture is a box made of dyed paper. This view is of the top and a partial view of the front, which is sealed with twine laces. Designs on the box are abstract. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Chicana Art Chicanas Mexican Americans Sculpturecontributor Calisphere -
(Title Unknown) (Left Side)
title (Title Unknown) (Left Side)description A piece of gnarled wood somewhat resembling an upright snake has purple handmade paper attached to its front. Pink scales of handmade paper are attached to its back. Purple feathers are attached to its top. Call Number: Box 09, Folder 03, slide 15-16 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Feather (Material) Serpents In Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Alpha And Omega
title Alpha And Omegadescription Call Number: Box 09, folder 04, slide 36 Skyscape depicts a swirling mass of luminous clouds. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Landscapes (Representations) Mexican American Art Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere