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Figurative art
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No Coconuts, 1973
title No Coconuts, 1973description Serigraph, 6/27. Serigrafía, 6/27. 23 7/8" x 17 7/8" (paper size).artist/creator Marroquin, Nicolecontributor National Museum of Mexican Art (NMMA) -
Damn I Forgot to Block
title Damn I Forgot to Blockdescription Acrylic on linen / acrílico sobre lino. 33 3/4" x 36".artist/creator Ortiz, Errolsubject Chicago Imagists (Group of artists) Self-portraits Figurative art Black belt Autobiographies Karatecontributor National Museum of Mexican Art (NMMA) -
Layers of the Subconscious
title Layers of the Subconsciousdescription Acrylic and mixed media on canvas mounted on wood with wood appliqués / acrílico y técnica mixta sobre lienzo montada en madera con aplicaciones de madera. 36' x 24' x 4".artist/creator Castillo, Mariosubject Psychedelic art Plants Animals Pre-Cuauhtémoc Geometric abstraction Surrealism Figurative art Men Turmoil Symbolism Symbols Profiles Subconscious Chicago artistscontributor National Museum of Mexican Art (NMMA) -
The Encounter
title The Encounterdescription Acrylic on canvas / acrílico sobre lienzo. 44" x 99".artist/creator Romero, Alejandrosubject Chicago artists Minotaur Myth in art Bulls in art Animals Figurative art Mythology Labyrinths Theseus Monsterscontributor National Museum of Mexican Art (NMMA) -
Predicción cumplida
title Predicción cumplidadescription Woodcut, 21/35. Xilografía, 21/35. 15 1/8" x 11 1/8" (paper size). From the Posada Presente portfolio.artist/creator Guerra, Manuelsubject Posada, José Guadalupe, 1852-1913 Printmaking Arroyo Spiral Target Murder Figurative art Devil in art Diablo Masks Guns Blindfold Victims of crimes Animals Homage Firearmscontributor National Museum of Mexican Art (NMMA) -
When the Opportunist Is King, Women Are a Commodity
title When the Opportunist Is King, Women Are a Commoditydescription Acrylic on linen / acrílico sobre lino. 52 3/4" x 67 1/2".artist/creator Álvarez, Cecilia Concepciónsubject National Museum of Mexican Art (NMMA) 25th Anniversary Donation Feminism Washington (State)--Seattle Women Figurative art Oppression Liberation Women of Juárez Violence Rastros y cronicas Women artists California Society Skull in art Día de los muertos Day of the Dead Día de muertos Días de los muertos Suffering Pain Money Guadalupe, Our Lady of Religion in art Pink crosses Factories Borderlands Fronteracontributor National Museum of Mexican Art (NMMA) -
Earache Treatment / Ventosa
title Earache Treatment / Ventosadescription Epson gicleé digital print, 12/180. Impresión digital gicleé Epson, 12/180. 21" x 18 1/8" (paper size).artist/creator Garza, Carmen Lomassubject Curanderas Healers Medicine Botanica Illness Sickness Curanderismo National Museum of Mexican Art (NMMA) 25th Anniversary Donation Figurative art Texas artists Ears Earache Ventosa Cucurucho Paper cone Women artistscontributor National Museum of Mexican Art (NMMA) -
Alfonsina
title Alfonsinadescription Acrylic on canvas / acrílico sobre lienzo. 60" x 48".artist/creator Gama, Esperanzasubject Modernist poetry Women Women artists Storni, Alfonsina, 1892-1938 Figurative art Chicago artists Portraits Suicide Argentina Drowning Sea Ocean Fishes in art Seahorses Plantscontributor National Museum of Mexican Art (NMMA) -
Lágrimas entre sollozos
title Lágrimas entre sollozosdescription Etching and aquatint, 17/100. Aguafuerte y aguatinta, 17/100. 15 1/4" x 11 3/8" (paper size). From The Song of Paper portfolio.artist/creator Bringas, Tomássubject Religion in art Spirituality Figurative art Portfolios Chicago artists Taller Mexicano de Grabado Hands Symbolism Symbols Nudes in artcontributor National Museum of Mexican Art (NMMA) -
Magueyes II
title Magueyes IIdescription Intaglio on paper, 24 in. x 18 in. The New Immigration: Ten Etchings Portfolio by Self Help Graphics, Los Angeles, CA and Galería Sin Fronteras, Austin, TX. Layers of faces within what looks like a detention center with barbed wire fences. In 1988, Sister Karen Boccalero, founder of Self Help Graphics in Los Angeles, and Dr. Gilberto Cárdenas, founder of Galería Sin Fronteras in Austin, co-organized this portfolio of ten etchings by five artists. The prints, sponsored by Self Help Graphics and co-published by Galería Sin Fronteras, were produced at Taller Romero in Mexico City by printer Renato Esquivel Romero. According to Cárdenas, this series pays “homage to the perseverance and dignity of the new Latino immigrants as they struggle with the transition into American society.” He also said that they are a reminder of “the role that immigration plays in enriching the economic vitality of our society and the contributions that the immigrants and their children will have in making American society a better community for tomorrow—a community ‘sin fronteras.’” Each of the five selected artists presented a distinctive perspective on politics, immigration, and the border.artist/creator Romero, Alejandrosubject Politics in art Faces Figurative art Fences Barbed Wire Immigration Immigrants Borderlands Frontera Intaglio Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
La U.S.A. and the Three Diablos
title La U.S.A. and the Three Diablosdescription Intaglio on paper, 18 in. x 24 in. The New Immigration: Ten Etchings Portfolio by Self Help Graphics, Los Angeles, CA and Galería Sin Fronteras, Austin, TX. A man's head becomes a part of the land as he smiles and looks at the "three diablos" to the right. He has a cap with stars and a bald eagle on his head. There are people running across the land and people picking vegetables in a field in the foreground. In 1988, Sister Karen Boccalero, founder of Self Help Graphics in Los Angeles, and Dr. Gilberto Cárdenas, founder of Galería Sin Fronteras in Austin, co-organized this portfolio of ten etchings by five artists. The prints, sponsored by Self Help Graphics and co-published by Galería Sin Fronteras, were produced at Taller Romero in Mexico City by printer Renato Esquivel Romero. According to Cárdenas, this series pays “homage to the perseverance and dignity of the new Latino immigrants as they struggle with the transition into American society.” He also said that they are a reminder of “the role that immigration plays in enriching the economic vitality of our society and the contributions that the immigrants and their children will have in making American society a better community for tomorrow—a community ‘sin fronteras.’” Each of the five selected artists presented a distinctive perspective on politics, immigration, and the border.artist/creator Limón, Leosubject Eagles Immigration Immigrants Demons Demonios Devil Diablo Workers Figurative art Animals in art Vegetables Stars Estrellas Running Intaglio Prints Allegory Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Over the problems of conceptual art
title Over the problems of conceptual artdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Almaraz, Carlos -
The Virgin Of Guadalupe
title The Virgin Of Guadalupedescription California artist Jeffrey Vallance proposed to make an intervention at the Tijuana Wax Museum for inSITE2000. Collaborating with Mexico City-based wax-figure maker Victor Hugo Yanez, Vallance produced three new figures for the museum: the Virgin of Guadalupe, Dante, and former US President Richard Nixon. Vallance started with a list of about twenty-eight names of historical and contemporary figures as potential additions to the display at the museum, and arrive at the selection of the three figures based on the existing exhibition structure. The Virgin of Guadalupe could be seen in full figure situated on her own, while Nixon was placed in the presidential room holding in his hands the symbolic element that came to define his public career, a simulated set of reel-to-reel Watergate tapes, and Dante was placed at the entrance to hell with his hand pointing the way. With his project for the Wax Museum, Vallance deepened his own interest and fascination with the three selected figures. In this way, having followed stories for years from different parts of the world detailing apparitions of the Virgin of Guadalupe, Vallance, during a residency period in San Diego, could add yet another apparition to the list - he spotted her up high on a stone column at the Courtyard by Marriott downtown hotel. -- inSITE2000 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 386) Tijuana Wax Museum [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Wax Figures Popular Culture Religions (Concept) Humor Boundaries Sculpture (Visual Work) Figurative Art Mexican-American Border Region Kitsch Piety In Art Visions Prayer Waxworks Gesture Insite2000 Installations (Visual Works) Border Art Christianity And Artcontributor Calisphere -
Dante Alighieri
title Dante Alighieridescription California artist Jeffrey Vallance proposed to make an intervention at the Tijuana Wax Museum for inSITE2000. Collaborating with Mexico City-based wax-figure maker Victor Hugo Yanez, Vallance produced three new figures for the museum: the Virgin of Guadalupe, Dante, and former US President Richard Nixon. Vallance started with a list of about twenty-eight names of historical and contemporary figures as potential additions to the display at the museum, and arrive at the selection of the three figures based on the existing exhibition structure. The Virgin of Guadalupe could be seen in full figure situated on her own, while Nixon was placed in the presidential room holding in his hands the symbolic element that came to define his public career, a simulated set of reel-to-reel Watergate tapes, and Dante was placed at the entrance to hell with his hand pointing the way. With his project for the Wax Museum, Vallance deepened his own interest and fascination with the three selected figures. In this way, having followed stories for years from different parts of the world detailing apparitions of the Virgin of Guadalupe, Vallance, during a residency period in San Diego, could add yet another apparition to the list - he spotted her up high on a stone column at the Courtyard by Marriott downtown hotel. -- inSITE2000 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 387) Tijuana Wax Museum [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Authors Wax Figures Popular Culture Dante Alighieri, 1265-1321 Boundaries Sculpture (Visual Work) Figurative Art Mexican-American Border Region Kitsch Waxworks Gesture Insite2000 Installations (Visual Works) Border Artcontributor Calisphere -
Richard Nixon: Wax Figure Of Richard Nixon Holding Audio Tapes
title Richard Nixon: Wax Figure Of Richard Nixon Holding Audio Tapesdescription California artist Jeffrey Vallance proposed to make an intervention at the Tijuana Wax Museum for inSITE2000. Collaborating with Mexico City-based wax-figure maker Victor Hugo Yanez, Vallance produced three new figures for the museum: the Virgin of Guadalupe, Dante, and former US President Richard Nixon. Vallance started with a list of about twenty-eight names of historical and contemporary figures as potential additions to the display at the museum, and arrive at the selection of the three figures based on the existing exhibition structure. The Virgin of Guadalupe could be seen in full figure situated on her own, while Nixon was placed in the presidential room holding in his hands the symbolic element that came to define his public career, a simulated set of reel-to-reel Watergate tapes, and Dante was placed at the entrance to hell with his hand pointing the way. With his project for the Wax Museum, Vallance deepened his own interest and fascination with the three selected figures. In this way, having followed stories for years from different parts of the world detailing apparitions of the Virgin of Guadalupe, Vallance, during a residency period in San Diego, could add yet another apparition to the list - he spotted her up high on a stone column at the Courtyard by Marriott downtown hotel. -- inSITE2000 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 01, Item 385) Tijuana Wax Museum [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Wax Figures Evidence (Law) Popular Culture Politicians Boundaries Sculpture (Visual Work) Audiotapes Figurative Art Mexican-American Border Region Corruption Kitsch Nixon, Richard M. (Richard Milhous), 1913-1994 Waxworks Insite2000 Installations (Visual Works) Border Artcontributor Calisphere