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Ships In Art
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Compositional Designs For Kelco Mural
title Compositional Designs For Kelco Muraldescription A woman holding a child and watching a kelp ship bring in its haul. "The kelp ship is substituted for the California sea otter male, female and pup." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Children In Art Mexican American Art Mural Art Chicano Art Ships In Art Mexican Americans Chicanoscontributor Calisphere -
Mictlantecuhtli And The Spanish Galleon
title Mictlantecuhtli And The Spanish Galleondescription Call Number: Box 09, Folder 03, slide 19-20 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com The sculpture of painted homemade paper with the face of a skull is now paired with a sculpture resembling a ship, with feathers for sails. There are also two sculpted ears of corn on the ship.artist/creator Vallejo, Lindasubject Aztec Gods Mexican American Art Calaveras Colonization Boats And Boating In Art Mictlantecuhtli (Aztec Deity) Conquistadors Feather (Material) Chicano Art Corn In Art Chicana Art Ships In Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Mural in unknown media on an unknown wall depicts the face from the center of the Aztec calendar in the center of the Pacific Ocean. Landmasses on either side of the Bering Strait have the forms of hands reaching out to one another. Trains beneath the face have the heads of Quetzalcoatl. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject International Relations Chicanos Mexican American Art Perry, Matthew Calbraith, 1794-1858 Intergroup Relations Maps In Art Mural Art Chicano Art Quetzalcoatl (Aztec Deity) Hand In Art Ships In Art Transportation Sun - In Art Aztec Calendar Mexican Americans Globescontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Mural in unknown media on an unknown outdoor wall depicts a Japanese woman on a background of a map of Asia. A ship off the shore is labeled "Black Ship Invasion", in reference to Commodore Perry's opening of Japanese markets. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Ochoa, Victorsubject International Relations Mexican American Art Intergroup Relations Yosano, Akiko, 1878-1942 Feminism Mural Art Chicano Art Ships In Art Transportation Women In Art Perry, Matthew Calbraith, 1794-1858 Mexican Americans Chicanoscontributor Calisphere -
Children'S Recital
title Children'S Recitaldescription Photo is of five children and a woman standing in front of an unknown mural. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Statue Of Liberty (New York, N.Y.) In Art Globes Mexican American Art Colonization Mural Art Chicano Art Children Poetry Mexican Americans Ships In Art Flags In Art Oral Interpretation Of Poetry Airplanes In Art Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Photo is of a textile on display on a wall at an exhibition at the Centro Cultural de la Raza. It features images of airplanes, ships, and other modes of transportation. Text in Arabic at the top and bottom of the cloth is illegible. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Artist Unknownsubject Mexican American Art Art - Exhibitions Chicano Art Mexican Americans Ships In Art Airplanes In Art Chicanoscontributor Calisphere -
Mariner
title Marinerdescription Mural in unknown media depicts Poseidon holding a triton and a ship in the ocean. Coronado High School, San Diego. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Granados, Ernest R.subject Chicanos Mexican American Art Boats And Boating In Art Education Myth In Art Mural Art Chicano Art Ships In Art Mexican Americanscontributor Calisphere -
Highways Opening Benefit--Cinco De Mayo Celebration
title Highways Opening Benefit--Cinco De Mayo Celebrationdescription Cat.3 053(17) Performance commemorates Cinco de Mayo as well as providing commentary on Columbus' role in the decimation and exploitation of native peoples. This photo is of a stage set or installation art for ambiance. On the ground is a ship dated October 12, 1492, and beneath it, a cross. Against the back wall is a picture of a crowd with their hands up, possibly at a third reich rally. Highways Performance Space, Santa Monica. The picture is placed in a boat named "U.S.S. Amnesty". Text on the boat reads, "If you catch an alien, you ought to clean 'em and try 'em yourself.- Hi Ezell." Ezell was the Western Regional Commissioner for the Immigration Naturalization Services under Regan. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Columbus, Christopher Cinco De Mayo (Mexican Holiday) Mexican American Art Crosses In Art Immigration Chicano Art Installations (Art) Ships In Art Mexican Americans Chicanoscontributor Calisphere -
Little Big Boy Meets El Niña
title Little Big Boy Meets El Niñadescription A wooden box supports the simple frame of a house. The floor of the house has been carved and painted to look like an ocean and a ship resembling those of the Spanish conquistadors is riding the waves. On the roof of the house is a torpedo or bomb either waiting to be dropped on the Spaniards because of their decimation of indigenous populations or in reference to the Spaniards massive annihilation of and disrespect for other cultures. Cat.12 019(2) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Mexican American Art Colonization Dwellings In Art Bombs Genocide In Art Weapons In Art Chicano Art Ships In Art Sculpture Atomic Bomb In Art Mexican Americans Chicanoscontributor Calisphere -
End Of The Line Workshop
title End Of The Line Workshopdescription Cat.3 010(99) Performance artists dressed as characters from Victor Ochoa's Border Bingo/Lotería Fronteriza on the borderline between Tijuana, Mexico, and San Diego, U.S.A. This piece appears as the silhouette of a ship possibly one of Columbus' ship, painted to look like a chain link fence. It is on fire. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Border Arts Workshop/Taller De Arte Fronterizosubject Columbus, Christopher Fences In Art Mexican American Art Columbus Day Fire In Art Chicano Art Día De La Raza (Mexican Holiday) Performance Art Mexican Americans Ships In Art Border Art Chicanoscontributor Calisphere -
¡Tierra Y Libertad! Images Of The Mexican Revolution Exhibition
title ¡Tierra Y Libertad! Images Of The Mexican Revolution Exhibitiondescription Casasola photograph of a U.S. warship. Cat.11 010(44) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Casasola, Agustín Víctor, 1874-1938subject Mexicans In Art Casasola, Agustín Víctor, 1874-1938 Mexico - History--Revolution, 1910-1920 Art - Exhibitions Photography, Artistic Soldiers Ships In Art Revolutionaries Art, Mexican Armed Forces Mexican Americans Chicanoscontributor Calisphere -
Introduction Of The Spanish Language To The New World
title Introduction Of The Spanish Language To The New Worlddescription Cat.4 023 From the Reunion XX--20th Anniversary Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (June 15-July 29, 1990). Drawing of Columbus and his men with three ships anchored in the background (presumably the Nina, Pinta, and Santa Maria). A bar of gold is drawn above his head with rays extending from it so it appears to be the idea or motivation behind the carnage among indigenous people witnessed in the drawing. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Quiroz, Alfredo J.subject Columbus, Christopher Mexican American Art Colonization Crosses In Art Conquistadors Native Americans Chicano Art Ships In Art Chains Mexican Americans Chicanoscontributor Calisphere -
Here Comes Trouble
title Here Comes Troubledescription Cat.12 031(1) From El Día de los Muertos 1984 exhibition and celebration at Galería de la Raza. Installation of three sculptures for Galería de la Raza display window. They are all wooden ships navigated by calaveras. The first is labeled, "Niña", the second, "Pinta", and the third, "Santa María". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Connell, Katesubject Columbus, Christopher Mexican American Art Calaveras Ethnicity In Art Colonization Intergroup Relations Sculpture Skull In Art Chicano Art Chicano Movement Chicana Art Installations (Art) Día De Los Muertos Ships In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
El Día De Los Muertos Exhibition
title El Día De Los Muertos Exhibitiondescription Cat.3 065(10) Mural outside the Galería announces exhibit. Curated by Enrique Chagoya and Eduardo Pineda. Background is pink. In the center, Posada's famous "La Catrina" rides a bicycle, surprising other figures, including sailors, a sacerdotal figure, and the U.S.S. Missouri (the site of the japanese surrender ending World War II). Text reads, "El Día de los Muertos Annual Exhibition Oct. 18- Nov. 19 Procession- Nov. 2 700 pm Starts Mission Cultural Center and film 930 at the York." Mural has been defaced. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Graffiti Mural Art Ships In Art Death In Art Clergy Día De Los Muertos Posada, José Guadalupe, 1852-1913 Memory In Art Missouri (Battleship : Bb 63) Calaveras Mural Paintings Mexican Americans Skull In Art Mexican American Art Processions Art - Exhibitions Chicano Art Bicycles In Art Chicanoscontributor Calisphere -
The Voyage Of The Akatsuki Maru
title The Voyage Of The Akatsuki Marudescription A black ship sails on light green and dark green sea. The green sky has white clouds--one which dominates and overlooks the ship, roughly the shape and demeanor of a skull. The cloud is reflected in the sea with an ominous black shadow--larger than the cloud which seems to merge with the black ship as if it is consuming the ship or a part of the ship. The symbol which is used to warn people of the presence of hazardous waste is in the lower right-hand corner of the print below Japanese characters which state the title of the print. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Colors used: 1. Clear Base, 2. Blend: Blue Green to Light Green, 3. Red (Twice), 4. Trans. Med. Grey, 5. Dark Blue Green, 6. Very Dark Blue. "'The Voyage of the Akatsuke Maru' was created in objection to the Japanese Government's insensitive disregard of worldwide concern and outcry over the severe environmental risks of transporting massive amounts of deadly radiotoxic plutonium. One ounce can kill one million people. The Akatsuke Maru carried 1.7 tons of plutonium; a total of 30 tons are (sic.) scheduled to be transported. The imagery is intended to convey the risk which such a shipment represents." M.Uribe Images Of The Future; Coventry Rag; 290 grms; I-size: 16 1/8" x 22 1/8"; P-size: 20" x 26"; Ed#: 4/69, 12/69; Signed;, Inscription in pencil below image area reads: "4/69, 'The Voyage of The Akatsuki Maru', signature [illegible], '93"; chopmark: embossed "SHG" insignia in the lower left corner outside image area.artist/creator Uribe, Mariosubject Mexican American Art Skull In Art Chicano Art Death In Art Ships In Art Symbolism Mexican Americans Chicanoscontributor Calisphere