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Altars
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Bits and pieces : the Mexican American folk aesthetic
title Bits and pieces : the Mexican American folk aestheticdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website section -
Altarmakers : the historic mediators
title Altarmakers : the historic mediatorsdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Mesa-Bains, Amalia -
Mexicano / Chicano altars : the poetics and politics of space of community self-fashioning
title Mexicano / Chicano altars : the poetics and politics of space of community self-fashioningdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Malagamba Ansótegui, Amelia -
Sanctums of the spirit : the altars of Amalia Mesa-Bains
title Sanctums of the spirit : the altars of Amalia Mesa-Bainsdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Ybarra-Frausto, Tomás -
Day of the Dead
title Day of the Deaddescription Photograph of a shrine featuring an altar with candles, flowers, books, and other objects, a picture of a man hanging on the wall surrounded by several smaller photographs, poems, and newspaper clippings, and brightly-colored paper banners overhead.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Altars Día De Los Muertos Artworks Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Shrines Day Of The Dead Arts And Craftscontributor Portal to Texas History (TPTH) -
Shrine with Flowers and Skull
title Shrine with Flowers and Skulldescription Photograph of a shrine featuring several pots of yellow flowers, a skull, two skeleton figurines, an altar with candles and flowers on it, orange paper banners and other decorations hanging from the ceiling, and several pictures and newspaper clippings displayed on the back wall.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Altars Día De Los Muertos Artworks Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Shrines Day Of The Dead Arts And Craftscontributor Portal to Texas History (TPTH) -
Day of the Dead
title Day of the Deaddescription Photograph of an art installation featuring a cardboard coffin with a skeleton's head sticking out in front of a large altar covered in flowers, a devil figure, and other objects, with several skeletons in dresses standing on the sides, colorful paper banners hanging from the ceiling, and other skeleton decorations behind the altar. Paintings, sculptures, and other exhibits are visible in the background.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Altars Día De Los Muertos Flowers Artworks Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Skeletons Day Of The Dead Arts And Craftscontributor Portal to Texas History (TPTH) -
Home Altar in Zapata, Texas
title Home Altar in Zapata, Texasdescription Photograph of a home altar in Zapata, Texas. The altar has several religious images, framed pictures, candles, and two floral arrangements.artist/creator Graham, Joe Stanley, 1940-1999subject Altars Religious Images Social Life And Customs Places - United States - Texas - Zapata County Religion Christianitycontributor Portal to Texas History (TPTH) -
Photograph of Framed Artwork at an Art Exhibit
title Photograph of Framed Artwork at an Art Exhibitdescription Photograph of an image of an apparent altar to a woman. The original photograph is framed in a tan frame, and placed on a purple background; the altar itself is decorated with Hispanic culture items and has a drawn picture in the center of a woman being held by an angel figure.artist/creator Caselli, Christophersubject Museum Exhibits -- Texas -- Austin -- Photographs. Altars Exhibitions Artworks Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Frames Drawings Arts And Craftscontributor Portal to Texas History (TPTH) -
Día de los Muertos Parade Banner
title Día de los Muertos Parade Bannerdescription Photograph of a parade hosted by the Mexic-Arte Museum in honor of Día de los Muertos. Individuals in costume hold up a parade banner, which reads: "Mexic-Arte Museum presents Día de los Muertos Parade." A statue of a woman in traditional dress stands in the foreground. The photograph was taken in downtown Austin, Texas.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Altars Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Museum Exhibits -- Texas -- Austin. Social Life And Customs - Fairs And Exhibitions Parades Social Life And Customs - Customs - Celebrations Day Of The Deadcontributor Portal to Texas History (TPTH) -
Decorated Mexican Day of the Dead Altar
title Decorated Mexican Day of the Dead Altardescription Photograph of an altar set up during the Mexic-Arte Museum's annual Día de los Muertos celebration. The altar is decorated with candles, paper flowers, colored banners, tamales, pasties, bottles of beer, and rose petals. A miniature skeleton bride and groom stand at the top of the altar. The photograph was taken in downtown Austin, Texas.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Altars Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Museum Exhibits -- Texas -- Austin. Social Life And Customs - Fairs And Exhibitions Parades Social Life And Customs - Customs - Celebrations Day Of The Deadcontributor Portal to Texas History (TPTH) -
Altar with Skull at Día de los Muertos Celebration
title Altar with Skull at Día de los Muertos Celebrationdescription Photograph of an altar set up during the Mexic-Arte Museum's annual Día de los Muertos celebration. The altar is decorated with orange paper flowers and colored banners. A large papier-mâché skull sits at the center of the altar. The photograph was taken in downtown Austin, Texas.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Altars Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Museum Exhibits -- Texas -- Austin. Social Life And Customs - Fairs And Exhibitions Parades Social Life And Customs - Customs - Celebrations Day Of The Deadcontributor Portal to Texas History (TPTH) -
Man and Altar at Día de los Muertos Celebration
title Man and Altar at Día de los Muertos Celebrationdescription Photograph of an altar set up during the Mexic-Arte Museum's annual Día de los Muertos celebration. Photographs, colorful necklaces, statues, potted plants, and vases of flowers are arranged on the altar. A man stands to the right of the altar. The photograph was taken in downtown Austin, Texas.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Altars Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Museum Exhibits -- Texas -- Austin. Social Life And Customs - Fairs And Exhibitions Parades Social Life And Customs - Customs - Celebrations Day Of The Deadcontributor Portal to Texas History (TPTH) -
Group of Hispanic Men at the Altar in a Church
title Group of Hispanic Men at the Altar in a Churchdescription Photograph of a group of Hispanic men standing in front of an altar. The men are standing in three tiered rows; the men in the front row are sitting in chairs. All of the men are wearing suits and ties, plus light colored ribbons pinned to their jackets. There is a table offset slightly from the center with an embroidered tablecloth, books, and papers on it. The man sitting behind the table is holding a gavel. The floor is made of wooden slats, and there is an aisle of checkerboard tile that leads up to the altar. There is a stone arch with a sign strung across it that reads "BIENVENIDOS" (translated to "Welcome") behind the men. There are two cloth banners with writing on them on both sides of the arch way. Not all of the writing is visible, however the writing that is visible on the first banner reads, "Con Su Luz Me Con" (translated to "With Me With Your Light"). The visible writing on the second banner reads, "La Mujer Que Teme" (translated to "The Woman Who Fears"). There is a decorative tan mat around the photograph, which is also inside a double-fold moss green frame folder.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
St. Mary's Catholic Church Altar, c. 1920
title St. Mary's Catholic Church Altar, c. 1920description Photograph of the altar of St. Mary's Catholic Church in Marfa, Texas around 1920. It has candles and statues around it and a decorative dome above it.artist/creator Unknownsubject Altars Religion - Denominations - Catholic Places - United States - Texas - Presidio County - Marfacontributor Portal to Texas History (TPTH) -
Father Ricardo in the late 1800s
title Father Ricardo in the late 1800sdescription Father Ricardo in an unnamed parish in the West Texas area, c. 1899.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph of the performance as it is being filmed. Altar by Felipe Almada. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo
title Border Brujodescription Altar continuity shot. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Oct 17 Day 1 altar table Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph of the performance as it is being filmed. Altar by Felipe Almada. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographssubject Altars Doudera, Yasue Monologues Audiences Shamanism Performance Art Costumes Megaphones Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Promotional Photograph
title Border Brujo: Promotional Photographdescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph taken by Aguilera-Hellweg for promotion of Border Brujo. Altar by Felipe Almada. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo
title Border Brujodescription Altar continuity shot. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Oct 17 1989 Day 1 altar table Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Promotional Photograph
title Border Brujo: Promotional Photographdescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph taken by Aguilera-Hellweg for promotion of Border Brujo. Altar by Felipe Almada. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo
title Border Brujodescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Oct. 17, 1989 Day 1 costume Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Art Wardrobe and makeup continuity shots.subject Altars Monologues Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Promotional Photograph
title Border Brujo: Promotional Photographdescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Altar by Felipe Almada. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo
title Border Brujodescription Altar by Felipe Almada. Altar continuity shot. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Oct. 17, 1989 Day 1 before first shoot Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographssubject Altars Monologues Shamanism Performance Art Costumes Megaphones Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph of performance during video recording. Altar by Felipe Almada. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Monologues Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographssubject Altars Monologues Shamanism Performance Art Costumes Gómez-Peña, Guillermo Reflections (Perceived Properties) Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Gómez-Peña rehearsing on set. Altar by Felipe Almada. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph of the performance as it is being filmed. Altar by Felipe Almada. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Gómez-Peña posing on the altar. Altar by Felipe Almada. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo
title Border Brujodescription Altar continuity shot. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Oct. 17, 1989 Day 1, before first shoot Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Emily Hicks lighting the votive candles. Altar by Felipe Almada. Film, Audio, Video and Digital Art Photographs San Diego (California) Sushi Performance & Visual Artsubject Hicks, Emily Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Altar by Felipe Almada. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Production
title Border Brujo: Productiondescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photographs Production equipment for viewing the performance as it is being recorded. San Diego (California) Sushi Performance & Visual Artsubject Altars Television Receivers Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Altar by Felipe Almada. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographssubject Hicks, Emily Altars Monologues Shamanism Performance Art Costumes Megaphones Gómez-Peña, Guillermo Masks Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph of the performance as it is being filmed. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo
title Border Brujodescription Day 2 Scene VI Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Art Wardrobe and makeup continuity shots.subject Altars Monologues Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographscontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph of the performance as it is being filmed. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo
title Border Brujodescription Altar continuity shot. Day 2 altar Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Artcontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monologue which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph of performance during video recording. Altar by Felipe Almada. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographssubject Kahlo, Frida, 1907-1954 Altars Doudera, Yasue Monologues Shamanism Performance Art Costumes Masks Border Artcontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph of the performance as it is being filmed. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo
title Border Brujodescription Altar continuity shot. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Oct. 17 Day 1 altar Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Artcontributor Calisphere -
Border Brujo: Performance Still
title Border Brujo: Performance Stilldescription A ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. Centro Cultural de la Raza (San Diego, California) Collaboration with Emily Hicks and Yasue Doudera Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Performing Arts (including Performance Art) Photographssubject Altars Monologues Shamanism Schnorr, Michael Performance Art Costumes Megaphones Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Birth Of Border Brujo: Performance Still
title Birth Of Border Brujo: Performance Stilldescription Centro Cultural de la Raza (San Diego, California) Collaboration with performance artist Hugo Sanchez Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of Border Realities IV in association with the Border Art Workshop, Centro Cultural de la Raza, San Diego. This performance is the genesis of "Border Brujo," a ritual-linguistic journey across the U.S./Mexico border. In the guise of a cross-cultural shaman, Gómez Peña shifts into 9 different personas, each speaking a different language. Performed outside the Centro Cultural de la Raza. Performing Arts (including Performance Art) Photographssubject Altars Sánchez, Hugo (Mexican Artist, Contemporary) Monologues Audiences Shamanism Performance Art Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo: Film Still
title Border Brujo: Film Stilldescription A performance art monolog which examines linguistic and cultural stereotypes. Written and performed by Guillermo Gómez-Peña, produced and directed by Isaac Artenstein, Cinewest. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Photograph of the performance as it is being filmed. Photographs San Diego (California) Sushi Performance & Visual Artsubject Altars Film Stills Shamanism Performance Art Experimental Films Costumes Gómez-Peña, Guillermo Border Artcontributor Calisphere -
Border Brujo
title Border Brujodescription Altar continuity shot. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Oct. 17 Day 1 altar Performing Arts (including Performance Art) Photographs San Diego (California) Sushi Performance & Visual Artcontributor Calisphere -
Photo With The Tree Of Life
title Photo With The Tree Of Lifedescription Call Number: Box 09, folder 06, slide 14 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. In this photo, six unidentified participants stand in front of the Tree of Life. Some wear silly expressions.artist/creator Artist Unknownsubject Mexican American Art Altars Artists Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 20 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of the bottom portion of the altar.artist/creator Vallejo, Lindasubject Chicanos Mexican American Art Altars Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Assemblage (Art)contributor Calisphere -
Dance Performance
title Dance Performancedescription Call Number: Box 09, folder 01, slide 20 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides is from the opening reception of Madre Tierra Press Publications. Slides 16-18 and 20 are of a dance performance in which Vallejo participated.artist/creator Artist Unknowncontributor Calisphere -
Tree Of Life, Second Phase
title Tree Of Life, Second Phasedescription Call Number: Box 09, folder 06, slide 10 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. The Tree of Life now has potted plants behind it, a bench in front of it, and a pile of rocks forming an arc around it. A man stand in front of the altar and a woman sits beside it. Both are unidentified.artist/creator Artist Unknowncontributor Calisphere -
Hot Gluing Leaves
title Hot Gluing Leavesdescription Call Number: Box 09, folder 06, slide 04 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. In this photo, two unidentified men attach leaves to the tree with a hot glue gun.artist/creator Artist Unknowncontributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 19 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of vegetation leaning against the wall behind the Tree of Life.artist/creator Vallejo, Lindasubject Mexican American Art Altars Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Linda Vallejo And The Tree Of Life
title Linda Vallejo And The Tree Of Lifedescription Call Number: Box 09, folder 06, slide 13 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Linda Vallejo squats in front of the now-complete Tree of Life Altar.artist/creator Artist Unknownsubject Mexican American Art Altars Artists Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 17 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of the bench in front of the tree, which is set with an image of La Virgen de Guadalupe, Mesoamerican statuettes, paper cutouts, flowers, kachina dolls, feathers, and a small reproduction of Kahlo's Las Dos Fridas. A semicircle of tall candles in front of theartist/creator Vallejo, Lindasubject Kahlo, Frida Flowers In Art Mexican American Art Altars Mesoamerican Chicano Art Guadalupe, Our Lady Of Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 23 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of the bird's nest in the Tree of Life.artist/creator Vallejo, Lindasubject Chicanos Mexican American Art Altars Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Assemblage (Art)contributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 24 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of five small dolls leaning against the corner behind the tree of life.artist/creator Vallejo, Lindasubject Chicanos Mexican American Art Altars Dolls In Art Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Assemblage (Art)contributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 15 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of the branches of the Tree of Life, which are filled with ornaments, leaves, a bird's nest, an ear of corn, and other miscellany. There is a circular artwork on the wall above the tree.artist/creator Vallejo, Lindasubject Chicanos Mexican American Art Altars Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Assemblage (Art)contributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 16 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of the bench in front of the tree, which is set with an image of La Virgen de Guadalupe, Mesoamerican statuettes, paper cutouts, flowers, kachina dolls, feathers, and a small reproduction of Kahlo's Las Dos Fridas.artist/creator Vallejo, Lindasubject Kahlo, Frida Flowers In Art Mexican American Art Altars Mesoamerican Chicano Art Guadalupe, Our Lady Of Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 12 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is of the branches of the Tree of Life, which are filled with ornaments, leaves, a bird's nest, an ear of corn, and other miscellanyartist/creator Vallejo, Lindasubject Mexican American Art Altars Conquistadors Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Potting Nopales
title Potting Nopalesdescription Call Number: Box 09, folder 06, slide 03 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. In this photo, two unidentified women plant nopales in earthenware pots.artist/creator Artist Unknowncontributor Calisphere -
Tree Of Life - Before Beginning
title Tree Of Life - Before Beginningdescription Call Number: Box 09, folder 06, slide 02 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. In this photo, a bare tree leans in a corner. A wooden cube, a vase of flowers, and other small objects sit before it.artist/creator Artist Unknownsubject Flowers In Art Mexican American Art Altars Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Woman And Child
title Woman And Childdescription Call Number: Box 09, folder 06, slide 05 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. In this photo, an unidentified middle-aged woman holds an infant.artist/creator Artist Unknowncontributor Calisphere -
Tree Of Life Altar (Detail)
title Tree Of Life Altar (Detail)description Call Number: Box 09, folder 06, slide 22 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the construction of the Tree of Life Altar at the Social and Public Art Resource Center, Los Angeles. Detail is a view from above of the area just in front of the altar, with the covered bench and bowl of roses.artist/creator Vallejo, Lindasubject Chicanos Mexican American Art Altars Chicano Art Chicana Art Sculpture Chicanas Mexican Americans Assemblage (Art)contributor Calisphere -
Altar
title Altardescription Altar features a New Mexico-style santo resembling a priest, other religious statuettes, flowers, and photos. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Flowers In Art Mexican American Art Altars Crosses In Art Photography In Art Chicano Art Religious Art Saints In Art Guadalupe, Our Lady Of Mexican Americans Clergy Ceramics Santos Mary, Blessed Virgin, Saint Chicanos Wood-Carvingcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Altar for Día de los Muertos is composed of flowers, candles, papel picado, and calaveras arranged on a set of shelves. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Magos, Asubject Flowers In Art Papel Picado Mexican American Art Calaveras Día De Los Muertos Altars Chicano Art Candles And Lights Mexican Americans Chicanoscontributor Calisphere -
Border Crossing Memorial
title Border Crossing Memorialdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.edu This portion of the Border Crossing Memorial is in the form of an assemblage. In the center is clothing attached to a black cross which leans against the corrugated iron wall on the border. At its base is a vase of flowers. Three crosses on either side of the central black cross enumerate border deaths by year: In 1995, 61 deaths, in 1996, 59 deaths, in 1997, 89 deaths, in 1998, 147 deaths, in 1999, 111 deaths, and in 2000, 117 deaths. On the ground in front of the crosses are empty milk jugs with the words "No identificado" on them.artist/creator Artist Unknownsubject Mexican American Art Altars Crosses In Art Immigration Regulation And Control Immigration Mural Art Chicano Art Death In Art Mexican Americans Chicanoscontributor Calisphere -
Sacra Ceremonia - Fiesta De Maiz
title Sacra Ceremonia - Fiesta De Maizdescription "Ceremonia with danzantes and altars (Xilonen ceremony). Ceremony honoring young ladies, young Chicanas. Lina is placing an ofrenda on altar and is being watched by Johnny." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Royal Chicano Air Force Cultural Affairs Committeesubject Festivals Altars Headgear Feather (Material) Aztec Dance Chicanas Mexican Americans Chicanoscontributor Calisphere