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Ben Fletcher
title Ben Fletcherdescription Carlos A. Cortéz, Ben Fletcher, 1987, linocut on paper, Smithsonian American Art Museum, Museum purchase, 1993.13.2, artist claims work to be in public domainartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
Muni Riders Working For A Better Muni
title Muni Riders Working For A Better Munidescription Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained Linda Lucero c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu White border with orange top background, bottom red background with people on the right standing on the bus. Poster to join the Muni Coalition. not signed.artist/creator Artist Unknownsubject Graphic Arts Mexican American Art Chicano Art Prints Transportation Posters Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Mural in unknown media on an unknown wall depicts the face from the center of the Aztec calendar in the center of the Pacific Ocean. Landmasses on either side of the Bering Strait have the forms of hands reaching out to one another. Trains beneath the face have the heads of Quetzalcoatl. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject International Relations Chicanos Mexican American Art Perry, Matthew Calbraith, 1794-1858 Intergroup Relations Maps In Art Mural Art Chicano Art Quetzalcoatl (Aztec Deity) Hand In Art Ships In Art Transportation Sun - In Art Aztec Calendar Mexican Americans Globescontributor Calisphere -
Viaje A Yucatán - Transportation
title Viaje A Yucatán - Transportationdescription Photo is of a large group of people riding in the back of a truck. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknowncontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Mural in unknown media on an unknown outdoor wall depicts a Japanese woman on a background of a map of Asia. A ship off the shore is labeled "Black Ship Invasion", in reference to Commodore Perry's opening of Japanese markets. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Ochoa, Victorsubject International Relations Mexican American Art Intergroup Relations Yosano, Akiko, 1878-1942 Feminism Mural Art Chicano Art Ships In Art Transportation Women In Art Perry, Matthew Calbraith, 1794-1858 Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown) (Detail)
title (Title Unknown) (Detail)description Mural in unknown media on an exterior wall of an unknown building depicts children on a school bus, children playing soccer, a feathered serpent, an Aztec calendar and two tanks, one of "Agua", and one of "Fuel". Text reads, "Go to College!". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Aztec Gods Children In Art Mexican American Art Fossil Fuels Sports In Art Education Mural Art Quetzalcoatl (Aztec Deity) Chicano Art Calendar Art Water In Art Transportation Colleges Aztec Calendar Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(5) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo shows a woman looking at the bus poster. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Transportation Chicanas Mexican Americans Chicanoscontributor Calisphere -
The Hugo Sanchez Walking Performance
title The Hugo Sanchez Walking Performancedescription Cat.3 054(9) Hugo Sanchez walked the streets of San Diego and Tijuana with a papier-mâché horned 'man' strapped to his back as a part of the En Memoria Exhibition (October-December 1987). In this photo he is buying a ticket for the tram to the border. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Mexican American Art Papier-Mâché Mexican American Border Region Chicano Art Performance Art Mexican Americans Transportation Sculpture Border Art Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(11) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is a closeup of the artwork on the back of a San Diego bus. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Transportation Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(13) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a framed newspaper with the lead story "Bus art takes a controversial route" on a wall behind a dinnertable covered with a sarape. A television, also on the table, broadcasts the daily news. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Transportation Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piecedescription Cat.3 028(23) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of an installation based on the controversy. Installation is set in a corner. On the left wall is the original artwork. On the right wall are statements and photos from critics and community members. In the center is a table with a television and newspapers. From the ceiling hangs a banner with the words "Critics' Choice!" On the back of the "Critics Choice" banner are the words "This is not a bus." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Newspapers In Art Satire Photography In Art Transportation Chicano Art Chicana Art Installations (Art) Chicanas Mexican Americans Chicanoscontributor Calisphere -
August Calendar (7 Agosto 7)
title August Calendar (7 Agosto 7)description August Calendar (7 Agosto 7). Four gold, black and silver photographic images of people: a woman cleaning a window, a train machinist, two men in a car with an airplane in the background, and two workers. On the right side of the print, there is text that reads: "From Chihuahua, y sabrán los dioses desde donde before that, like scattered leafs from an autumn storm we drifted by rails across make believe fronteras del norte. From E.R., Dunsmuir, Chicago, junta hasta Roseville, we layed cold steel rails and sweated at the round house, journ[ey]ing long. Singing a song in search of El Dorado - only to retire and be swept away lost or forgotten by company policy now upheld by your sons and daughters. Trabajadores compañeros les saludo." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Cuellar, Rodolfo "Rudy"subject Graphic Arts Mexican American Art Work Immigration California - History Calendar Art Chicano Art Corn In Art Mexican Americans Prints Transportation Women In Art Posters Airplanes In Art Chicanoscontributor Calisphere -
The King Of Things (Poster)
title The King Of Things (Poster)description "Using the loteria game, I wrote this short prose where a child likes so much his loteria game that he imagines and believes all the loteria characters are part of his personal and unique world." Colors used: O. Light Blue, T. Red, T. Magenta, O. Flesh, T. Yellow, T. Green, T. Off White, T.White, and O. Black. Coventry Rag, 290 gms. I-size: 20 3/4" x 26 1/4"; P-size: 27 1/2" x 35"; Ed# 4/97, 6/97; prnt: José Alpuche; mrtx: destroyed. signed. Inscription in pencil reads, "4/10 Artemio Rodriquez". centered. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Rodriguez, Artemiosubject Owls In Art Birds In Art Animals In Art Fishes In Art Frogs In Art Mermaids In Art Sun - In Art Graphic Arts Horses Clowns In Art Prints Roosters In Art Fantasy In Art Transportation Mexican Americans Children In Art Devil In Art Mexican American Art Moon - In Art Lions In Art Chicano Art Posters Lotería (Game) Chicanoscontributor Calisphere