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Goddesses
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Cast Zambuigus: de gachupin e india, criado por Tio Sam
title Cast Zambuigus: de gachupin e india, criado por Tio Samdescription Slipcast porcelain with airbrushed glaze, ed. 13 / porcelana colada con esmalte aerografiad, ed. 13. 22" x 9 1/2" x 10".artist/creator García, Eric J.subject National Museum of Mexican Art (NMMA) 25th Anniversary Donation Chicago artists Statue of Liberty (New York, N.Y.) in art Coatlicue (Aztec deity) Serpents in art Snakes Skull in art Goddesses Classical sculpture Venus de Milo Irony Animals Sculpturecontributor National Museum of Mexican Art (NMMA) -
Great Wall Of Los Angeles: Detail: A New Perspecive On Edison; Bridge Across The Tujunga Wash
title Great Wall Of Los Angeles: Detail: A New Perspecive On Edison; Bridge Across The Tujunga Washdescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) In this scene Thomas Edison’s Mexican‑American heritage is symbolized by the Chichimeca corn goddess who whispers the secrets of the ancient builders and inventors in his ear. Los Angeles Valley College Paintings Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Bridges Goddesses Chichimecs Mural Painting And Decoration Symbolism History Narrative Art Cityscapes (Representations) Pyramids California Edison, Thomas A. (Thomas Alva), 1847-1931contributor Calisphere -
Great Wall Of Los Angeles: Detail: A New Perspecive On Edison And William S. Hart
title Great Wall Of Los Angeles: Detail: A New Perspecive On Edison And William S. Hartdescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Edison’s Mexican‑American heritage is symbolized by the Chichimeca corn goddess who whispers the secrets of the ancient builders and inventors in his ear. In one hand he holds a light bulb which lights the world, in the other a movie camera symbolizing the modern communications industry. Hollywood is celebrated by the depiction of William S. Hart, star of the first cowboy movie ever made, "The Great Train Robbery." The scene shows the movie actors on the set and also in the camera viewer. The 1978 Project ends with a list of participating artists. Los Angeles Valley College Paintings Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Actors Goddesses Chichimecs Hart, William S. (William Surrey), 1864-1946 Inventions Mural Painting And Decoration Symbolism History Light Bulbs Motion Picture Cameras Narrative Art Cityscapes (Representations) Pyramids California Edison, Thomas A. (Thomas Alva), 1847-1931 Cowboyscontributor Calisphere -
Great Wall Of Los Angeles: Detail: A New Perspecive On Edison
title Great Wall Of Los Angeles: Detail: A New Perspecive On Edisondescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Edison’s Mexican‑American heritage is symbolized by the Chichimeca corn goddess who whispers the secrets of the ancient builders and inventors in his ear. In one hand he holds a light bulb which lights the world, in the other a movie camera symbolizing the modern communications industry. Los Angeles Valley College Paintings Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Goddesses Chichimecs Mural Painting And Decoration Symbolism History Light Bulbs Motion Picture Cameras Narrative Art Cityscapes (Representations) Pyramids California Edison, Thomas A. (Thomas Alva), 1847-1931 Inventionscontributor Calisphere -
The Middle Of The Road
title The Middle Of The Roaddescription After her initial residency in the region, Mexico City artist Silvia Gruner was drawn to working directly on the border fence. She chose a stretch of the fence running along the residential neighborhood of Colonia Libertad in Tijuana. Entitled "The Middle of the Road/La mitad del camino," the installation consisted of more than 100 replicas of the Aztec goddess Tlazolteotl in a birthing position on metal stools, mounted directly onto the border fence. The goddess suggests fertility, a point of passage - an entering through the ritual of birth where life is being recycled or regenerated. Colonia Libertad, Baja California Norte, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 135) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gruner, Sylviasubject Childbirth Walls Goddesses Political Art Boundaries Stools Public Art Sculpture (Visual Work) Feminism Mexican-American Border Region Fertility Tlazolteotl (Aztec Deity) Insite94 Fences Installations (Visual Works) Border Artcontributor Calisphere -
The Middle Of The Road
title The Middle Of The Roaddescription After her initial residency in the region, Mexico City artist Silvia Gruner was drawn to working directly on the border fence. She chose a stretch of the fence running along the residential neighborhood of Colonia Libertad in Tijuana. Entitled "The Middle of the Road/La mitad del camino," the installation consisted of more than 100 replicas of the Aztec goddess Tlazolteotl in a birthing position on metal stools, mounted directly onto the border fence. The goddess suggests fertility, a point of passage - an entering through the ritual of birth where life is being recycled or regenerated. Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 136) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gruner, Sylviasubject Childbirth Walls Goddesses Political Art Boundaries Stools Public Art Sculpture (Visual Work) Feminism Mexican-American Border Region Fertility Tlazolteotl (Aztec Deity) Insite94 Fences Installations (Visual Works) Border Artcontributor Calisphere -
The Middle Of The Road: Detail Of The Aztec Goddess Tlazolteotl Against Border Fence
title The Middle Of The Road: Detail Of The Aztec Goddess Tlazolteotl Against Border Fencedescription After her initial residency in the region, Mexico City artist Silvia Gruner was drawn to working directly on the border fence. She chose a stretch of the fence running along the residential neighborhood of Colonia Libertad in Tijuana. Entitled "The Middle of the Road/La mitad del camino," the installation consisted of more than 100 replicas of the Aztec goddess Tlazolteotl in a birthing position on metal stools, mounted directly onto the border fence. The goddess suggests fertility, a point of passage - an entering through the ritual of birth where life is being recycled or regenerated. Colonia Libertad, Baja California Norte, Mexico Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 05, Item 137) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Gruner, Sylviasubject Childbirth Walls Goddesses Political Art Boundaries Stools Public Art Sculpture (Visual Work) Feminism Mexican-American Border Region Fertility Tlazolteotl (Aztec Deity) Insite94 Fences Installations (Visual Works) Border Artcontributor Calisphere