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(Title Unknown)
title (Title Unknown)description Mural in unknown media on an unknown wall depicts the face from the center of the Aztec calendar in the center of the Pacific Ocean. Landmasses on either side of the Bering Strait have the forms of hands reaching out to one another. Trains beneath the face have the heads of Quetzalcoatl. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject International Relations Chicanos Mexican American Art Perry, Matthew Calbraith, 1794-1858 Intergroup Relations Maps In Art Mural Art Chicano Art Quetzalcoatl (Aztec Deity) Hand In Art Ships In Art Transportation Sun - In Art Aztec Calendar Mexican Americans Globescontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Mural in unknown media on an unknown outdoor wall depicts a Japanese woman on a background of a map of Asia. A ship off the shore is labeled "Black Ship Invasion", in reference to Commodore Perry's opening of Japanese markets. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Ochoa, Victorsubject International Relations Mexican American Art Intergroup Relations Yosano, Akiko, 1878-1942 Feminism Mural Art Chicano Art Ships In Art Transportation Women In Art Perry, Matthew Calbraith, 1794-1858 Mexican Americans Chicanoscontributor Calisphere -
Pancho Villa, Alvaro Obregon And John J. Pershing, August 27, 1914
title Pancho Villa, Alvaro Obregon And John J. Pershing, August 27, 1914description Black-and-white photo is of Generals Pancho Villa, Alvaro Obregón and John Pershing. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Runyon, Robertsubject International Relations Obregón, Alvaro, 1880-1928 Mexican American Border Region Intergroup Relations Villa, Pancho, 1878-1923 Mexico - History--Revolution, 1910-1920 Pershing, John J. (John Joseph), 1860-1948 Photography, Artistic Revolutionaries Armed Forces - Officerscontributor Calisphere -
General Boycott Installation
title General Boycott Installationdescription Installation at an exhibition is on the subject of a general boycott held on August 10 and 11, 1996. The central piece is a suspended banner with the symbol for the boycott and dates. The wall behind the banner features photos, newspaper articles, and a television. Painted panels and pieces of furniture are affixed to the left wall, while the right wall bears artworks. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Artist Unknownsubject Mexican American Art Newspapers In Art Intergroup Relations Photography In Art Television Chicano Art Installations (Art) Mexican Americans Chicanoscontributor Calisphere -
We Are Not A Minority!!
title We Are Not A Minority!!description Mural on an exterior wall of the Estrada Courts, Los Angeles, depicts Che Guevara pointing his finger at the viewer. Text reads, "We Are Not a Minority!!". A dedication in the upper left corner reads, "In memorium to the Guerillero Heroico el Doctor Che Dia del Rebelde Internacional XI aniversario, Oct. 8th 1978". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Mexican American Art Intergroup Relations Mural Art Chicano Art Mexican Americans Revolutionaries Guevara, Ernesto, 1928-1967 Chicanoscontributor Calisphere -
Indian Graveyard
title Indian Graveyarddescription Cat.7 025(1) From the We Are Part of the Earth Exhibition, curated by Jaune Quick-to-See Smith at Centro Cultural de la Raza (April 16-May 20, 1990). Square enclosure constructed of wooden fence posts, wood scraps, wire, and recycled metal head boards from beds. It is filled with soil and stones. Crosses of various sizes and tombstones have been used to create the impression of a graveyard. Lit candles have been placed at the base of each "grave". Part of California Mission Daze. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Luna, Jamessubject Indians Of Mexico Fences In Art Cemeteries Indians Of North America Mexican American Art Intergroup Relations Genocide In Art Art - Exhibitions Chicano Art Death In Art Installations (Art) Candles And Lights Mexican Americans Chicanos Gravepostscontributor Calisphere -
Royal Chicano Air Force Calendario Marzo 1975
title Royal Chicano Air Force Calendario Marzo 1975description Cat.6 025 Offset March calendar printed from a Louie "the Foot" Gonzales silkscreen featuring a poem decrying racism from Cortés to U.S. imperialism. Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/artist/creator González, Louie "The Foot"subject Cortés, Hernán, 1485-1547 Mexican American Art Intergroup Relations Conquistadors Chicano Art Calendar Art Poetry Prints Mexican Americans Silkscreen Graphic Arts Chicanos Prints - Techniquecontributor Calisphere -
Redman'S Plague
title Redman'S Plaguedescription Cat.4 002 Circular pencil drawing of a European face with a semi-obscured Native American face behind it. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web:http://www.rcaf.info/artist/creator Cid, Armandosubject Indians Of Mexico Indians Of North America Mexican American Art Pencil Drawing Intergroup Relations Native Americans Chicano Artcontributor Calisphere -
Cortés Nos Chingó In A Big Way The Hüey
title Cortés Nos Chingó In A Big Way The Hüeydescription Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. Signed. Inscription in black located underneath the poem reads: "Louie the foot". Black type on a white background reads: "Cortes nos Chingó in a Big Way the Hüey / Cortés nos chingó in a big way / españa nos chingó in spanish. . .clint eastwood's honky ass!" The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/artist/creator González, Louie "The Foot"subject Cortés, Hernán, 1485-1547 Mexican American Poets Mexican American Art Colonization Intergroup Relations Eagles Chicano Art Eastwood, Clint, 1930- Poetry Prints Mexican Americans Identity Posters Graphic Arts Chicanoscontributor Calisphere -
(Title Unknown) [Seasons Greetings Gringo]
title (Title Unknown) [Seasons Greetings Gringo]description Cat.5 048(5) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/; The stereotypical image of a Mexican-- a man seated against a cactus with a sombrero covering his face-- is used to send a message to Anglo-Americans. Text reads, "Seasons Greetings Gringo", and the figure represented makes a rude gesture.artist/creator Artist Unknownsubject Intergroup Relations Graphic Arts Cactus Stereotypes Ethnic Stereotypes Prints Prints - Technique Screen Prints Humor Sombreros Silkscreen Mexican Americans Deserts In Art Mexican American Art Mexicans In Art Chicano Art Christmas In Art Posters Chicanoscontributor Calisphere -
Here Comes Trouble
title Here Comes Troubledescription Cat.12 031(1) From El Día de los Muertos 1984 exhibition and celebration at Galería de la Raza. Installation of three sculptures for Galería de la Raza display window. They are all wooden ships navigated by calaveras. The first is labeled, "Niña", the second, "Pinta", and the third, "Santa María". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Connell, Katesubject Columbus, Christopher Mexican American Art Calaveras Ethnicity In Art Colonization Intergroup Relations Sculpture Skull In Art Chicano Art Chicano Movement Chicana Art Installations (Art) Día De Los Muertos Ships In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
El Mito Y Los Matones
title El Mito Y Los Matonesdescription September calendar from La Historia de California Calendar. The image is of a male Zoot-Suiter, as well as, a man and a woman wearing Zoot-Suits in the background. Colors: superimposition of blue, green, magenta and yellow. On the right hand side of the print there is a reproduction of the newspaper's news which reads: "Zoot-Suiter / Hordes Invade / Los Angeles / U.S. Navy And / Marines / Called In." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Montoya, Josésubject Graffiti Intergroup Relations Riots Mass Media And The Arts Calendar Art Riots - California Soldiers Armed Forces Graphic Arts California - History Prints Zoot Suit Riots, Los Angeles, Calif., 1943 Pachucos Pachucas Mexican Americans Mexican American Art Newspapers In Art Chicano Art Posters Chicanos Anti-racism Criticismcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.9 009(1) From Art from Jail Exhibition at Galería de la Raza. (Acrylic?) painting of three Native Americans and a pioneer, possibly a fur-trapper. Burros are loaded with cargo and mountains form the backdrop for this peaceful scene. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Landscapes (Representations) Animals In Art Intergroup Relations Rifles Weapons In Art Horses Indians Of North America Native Americans Paintings Firearms In Art Prisons Prisoners Mexican Americans Chicanos Mexican American Art Colonization Chicano Art Pinto Art Donkeys In Art Pioneers In Artcontributor Calisphere -
Cortés Poem
title Cortés Poemdescription Brown lettering on a turquoise-green gradation background with a red design of the United Farm Workers (UFW) huelga eagle. The poem reads as follows: "Cortés Nos Chingó In a Big Way The Hüey / Cortés nos chingó in a big way / españa nos chingó in spanish. . . .i'm gonna go look for ricardo / to watch me kick / clint eastwood's honky ass!" The poem is by Louie Gonzalez, and the Graphics by Ricardo Favela. Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator González, Louie "The Foot"subject Cortés, Hernán, 1485-1547 Mexican War, 1846-1848 Mexican American Art Intergroup Relations Bilingualism Eagles Chicano Art Eastwood, Clint, 1930- Poetry Prints Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Pachuco Art Show By José Montoya
title Pachuco Art Show By José Montoyadescription A display of photographs of pachucos and pachucas and newspaper articles on the Zoot Suit Riots and their outcome. Cat.3 103(5) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Galería De La Razasubject Pachucos Mexican American Art Ethnicity In Art Newspapers In Art Pachucas Intergroup Relations Photography In Art Riots Art - Exhibitions Chicano Art Lowriders Riots - California Zoot Suit Riots, Los Angeles, Calif., 1943 Zoot Suits Low Rider Mexican Americans Chicanos Clothing and dresscontributor Calisphere -
Props And Scenery
title Props And Scenerydescription "Multi-Colored Abst[r]act depicting minorities in background. Gold-yellow line symbolizes color barrier in advertisement and film industries. This abstract was created after observing first hand, how the media (adver[t]ising & film) reduces minorities to 'Props & Scenery' in ads and/or films. The absence of people of color, particularly in front of the camera, in the adver[t]ising & film world is alive and well in Los Angeles. The abstract here is the background is full of color yet there is a color barrier represented by the yellow-gold line in the foreground." Colors used: Blue, Red, Yellow, Orange, Lt. Purple, Dark Purple, and Black. # Prints:2. Maestras 4; Coventry Rag, 290 gms; I-size 22" x 16"; P-size: 26" x 20"; Ed# 4/78, 6/78; prnt: José Alpuche; mrtx: destroyed; signed. lower left; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Gonzalez, Cicisubject Actors Mexican American Art Intergroup Relations Actresses Art - Exhibitions Chicano Art Discrimination Mass Media And The Arts Mexican Americans Prints Chicana Art Teatro Posters Chicanas Graphic Arts Chicanos Anti-racism Criticismcontributor Calisphere -
Little Gold Man
title Little Gold Mandescription Atelier 15; Westwinds (hearvy weigght) I-size: 36" x 24"; P-size: 39" x 26; Ed#: 2/73, 4/73, 16/73; Signed;, Inscription in pencil below image area reads: "2/73, title, signature and 90" Signed;, Inscription in pencil located below the image reads: "16/73, Little Gold Man, Gamboa, 90"print: Oscar Duardo; chopmark: "SHG" embossed insignia located in the lower right corner below the image. "90" written over insignia. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Colors used: 1. Tan, 2. Mint Green, 3. Aqua, 4. Lime Green, 5. Pink/Red, 6. Blue/Gray, 7. Green, 8. Light Violet, 9. Dark Green, 10. Gold, 11. Dark Violet, 12. Black. "The image/artwork for this print was spcifically designed for the Atelier 15 program. The original drawing was created directly onto the acetate with and inked bruch and technical pen. Through a series of overlappng and underlapping the positive/acetate for each color, I continued to build texture and detail. The LITTLE GOLD MAN himself is the focal point of the other figures in th epiece but at the same time is only on of the many figures invovled in this print. As in all the other pints I have created thorugh the Atelier program I have attempted to work on an image using a new technique that is very different from my other prints." D.Gamboa. Eight light-green skinned figures, whose focus is a gold horned pink creature with a tail, and a small gold man on the top of his hat. Very elaborately decorated interior with tables, chairs, curtains, etc. "A black line drawing of figures in an interior setting is used in trapping eleven other colors:" tan, mint green, aqua, lime green, pink/red, blue/grey, green, light violet, dark green, gold, dark violet, and black. "[At the] center right is a Little Gold Man dancing on the head of a boy/dog like figure."artist/creator Gamboa, Dianesubject Mexican American Art Intergroup Relations Chicano Art Chicana Art Symbolism Chicanas Mexican Americans Chicanoscontributor Calisphere -
Double Happiness
title Double Happinessdescription Coventry Rag 290 gms. I-size:25" x 31"; P-size 30" x 35"; Ed#: 4/42, 10/ 42; prnt: José Alpuche; mtrx: Destroyed signed. Inscription in pencil reads,"10/42 Double Happiness Arai '00". lower left; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com Image of an Asian woman eating with chopsticks; loteria cards and Japanese 'Hanfuda' playing cards, & map of East L.A. are set against a black background. Double Happiness is a piece about the mix of cultures that make up the East L.A. / Boyle Heights Community. In this piece a young asian woman reflects while she is eating; the interplay of Japanese Chicano and Chinese from Boyle Heights and Monterey Park are represented through an array of Chicano loteria cards, Japanese 'Hanafuda' cards and Chinese English language flash cards. Colors used: Yellow, Blue, Green, Pink, Red, Black, and Silver.artist/creator Arai, Tomiesubject Emotions Dinners And Dining Mexican American Art Asian Americans Intergroup Relations Maps In Art Chicano Art Prints Mexican Americans Asian American Art Posters Lotería (Game) Graphic Arts Chicanoscontributor Calisphere -
Mother Of Sorrow
title Mother Of Sorrowdescription Atelier 28;poster; I-size: 22 1/4" x 33"; P-size: 29" x 42"; Ed#: 41/70, 42/70; Signed;print: José Alpuche; chopmark: lower right. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Multiple images of the Virgin with Nicole Simpson and Ron Goldman. Colors that predominate are yellows and browns, turquiose Madonna on right hand side in blue.artist/creator Pullini Brown, Adasubject Mexican American Art Intergroup Relations Goldman, Ron, 1968-1994 Simpson, Nicole Brown, D. 1994 Chicano Art Mexican Americans Chicana Art Chicanas Mary, Blessed Virgin, Saint Chicanoscontributor Calisphere -
Untitled (Sometimes We Become What We Hate)
title Untitled (Sometimes We Become What We Hate)description Image four men in drag in black face holding golliwog dolls with text arranged as an eye chart reading "Sometimes We Become What We Hate". Colors used: Beige, Off White, Warm Dk Brown, Warm Brown/Black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevensubject Racism Mexican American Art Stereotypes Intergroup Relations Ethnic Stereotypes Chicano Art Prints Mexican Americans Women In Art Posters Graphic Arts Chicanos Minstrelsy Anti-racism Criticismcontributor Calisphere -
El Pueblo Chicano Con El Pueblo Centroamericano
title El Pueblo Chicano Con El Pueblo Centroamericanodescription Atelier 7; Accent 290 gram-white; I-size: 24" x 37", P-size: 25" x 38", Ed#: 4/45; Signed;, Inscription in pencil located below the image area reads: "4/45, date and signature" print: Stephen Grace 4/45; Signed;, Inscription in pencil located below the image area reads: "4/45, date and signature" print: Stephen Grace COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Freeway underpass with Mesoamerican motifs and Chicano iconography.artist/creator Cervántez, Yreina D.subject Central America Mexican American Art Aztecs Intergroup Relations Skull In Art Mural Paintings Guadalupe, Our Lady Of Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere