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Colonization
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Untitled (Cover), from Calendario de Comida 1976
title Untitled (Cover), from Calendario de Comida 1976description Ralph Maradiaga, Untitled (Cover), from Calendario de Comida 1976, 1975, screenprint on paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.36artist/creator Maradiaga, Ralphcontributor Smithsonian American Art Museum (SAAM) -
Border watch: local and global
title Border watch: local and globaldescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Torruella Leval, Susana -
The Indians of The Big Bend Country
title The Indians of The Big Bend Countrydescription This is a research paper written by Nancy Edwards for an American History Class at Marfa High School in April 1968. The paper discusses the various tribes in west Texas and how they lived, artifacts found in pueblos and caves, historical descriptions of early Spanish interactions with the tribes, and relationships between the tribes. It covers popular legends of some tribes and legends surrounding the Marfa Lights.artist/creator Edwards, Nancysubject Comanches Jumanos People - Ethnic Groups - American Indians Basketmakers Pueblos Apaches Marfa High School Marfa Lights Artifacts Imperialism Colonizationcontributor Portal to Texas History (TPTH) -
Sails Project
title Sails Projectdescription After a visit to California, Cuban artist Jose Bedia proposed to address the subject of cultural mythology and modes of transportation in his installation "Sails Project/Proyecto de velas para navegar." Covering the entrance façade of the Santa Fe Depot in downtown San Diego with large yellow sails displaying silhouettes of mythological figures, Bedia's piece explored issues of Colonization and the subjugation and preservation of culture. Incorporating the names of Native American tribes and John Henry, it touched on California's past and in turn brought about a consideration of the confluence of cultures between Mexico and the US. - inSITE94 Architecture and City Planning Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 040) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Façades Mythology Colonization Public Art Mexican-American Border Region Architecture (Object Genre) Insite94 Murals (Any Medium) Silhouettes Transportation Buildings Border Artcontributor Calisphere -
Sails Project: General View Of Santa Fe Train Station With Facade
title Sails Project: General View Of Santa Fe Train Station With Facadedescription After a visit to California, Cuban artist Jose Bedia proposed to address the subject of cultural mythology and modes of transportation in his installation "Sails Project/Proyecto de velas para navegar." Covering the entrance façade of the Santa Fe Depot in downtown San Diego with large yellow sails displaying silhouettes of mythological figures, Bedia's piece explored issues of Colonization and the subjugation and preservation of culture. Incorporating the names of Native American tribes and John Henry, it touched on California's past and in turn brought about a consideration of the confluence of cultures between Mexico and the US. --inSITE94 Architecture and City Planning Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 041) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Façades Mythology Colonization Public Art Mexican-American Border Region Architecture (Object Genre) Insite94 Murals (Any Medium) Silhouettes Transportation Buildings Border Artcontributor Calisphere -
Metamorphosis
title Metamorphosisdescription Performing Arts (including Performance Art) San Diego-based artist Deborah Small's project for inSITE94, titled Metamorphosis/Metamorfosis, explored the life and original research of seventeenth-century entomologist Maria Sybylla Merian. The installation drew on Merian's observations as a naturalist and her prolific engraved records of flora and fauna in the Dutch colony of Surinam. Apart from the work performed by Merian, the interest for Small was in the intersection of colonizer and the colonized, created by Merian's presence as a white European woman in a society and social system reliant on patriarchy, both at home and in the colony. --inSITE94 Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 347) Timken Museum of Art [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Small, Deborahsubject Colonization Imperialism Artifacts Sculpture (Visual Work) Merian, Maria Sibylla, 1647-1717 Patriarchy Feminism Mexican-American Border Region Insite94 Natural History Museums Installations (Visual Works)contributor Calisphere -
Sails Project
title Sails Projectdescription After a visit to California, Cuban artist Jose Bedia proposed to address the subject of cultural mythology and modes of transportation in his installation "Sails Project/Proyecto de velas para navegar." Covering the entrance façade of the Santa Fe Depot in downtown San Diego with large yellow sails displaying silhouettes of mythological figures, Bedia's piece explored issues of Colonization and the subjugation and preservation of culture. Incorporating the names of Native American tribes and John Henry, it touched on California's past and in turn brought about a consideration of the confluence of cultures between Mexico and the US. --inSITE94 Architecture and City Planning Santa Fe Depot (San Diego, Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 039) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Façades Mythology Colonization Public Art Mexican-American Border Region Architecture (Object Genre) Insite94 Murals (Any Medium) Silhouettes Transportation Buildings Border Artcontributor Calisphere -
Mictlantecuhtli And The Spanish Galleon
title Mictlantecuhtli And The Spanish Galleondescription Call Number: Box 09, Folder 03, slide 19-20 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com The sculpture of painted homemade paper with the face of a skull is now paired with a sculpture resembling a ship, with feathers for sails. There are also two sculpted ears of corn on the ship.artist/creator Vallejo, Lindasubject Aztec Gods Mexican American Art Calaveras Colonization Boats And Boating In Art Mictlantecuhtli (Aztec Deity) Conquistadors Feather (Material) Chicano Art Corn In Art Chicana Art Ships In Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Children'S Recital
title Children'S Recitaldescription Photo is of five children and a woman standing in front of an unknown mural. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Statue Of Liberty (New York, N.Y.) In Art Globes Mexican American Art Colonization Mural Art Chicano Art Children Poetry Mexican Americans Ships In Art Flags In Art Oral Interpretation Of Poetry Airplanes In Art Chicanoscontributor Calisphere -
Monumento A Cuauhtémoc: El Tormento (Detail)
title Monumento A Cuauhtémoc: El Tormento (Detail)description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net This Siqueiros mural, on the upper portion of an interior wall of an unknown building, depicts conquistadors burning the feet of Cuauhtémoc. Detail is of a ferocious dog.artist/creator Siqueiros, David Alfarosubject Indians Of Mexico Siqueiros, David Alfaro Colonization Aztecs Conquistadors Mural Art Cuauhtemoc, Emperor Of Mexico, 1495?-1525 Mural Painting And Decoration, Mexican Dogs In Art Art, Mexicancontributor Calisphere -
Cortés Y La Malinche
title Cortés Y La Malinchedescription Fresco (?) mural on the ceiling of el Antiguo Colegio de San Idelfonso depicts Hernán Cortés and his wife Doña Marina, "La Malinche". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Orozco, José Clementesubject Cortés, Hernán, 1485-1547 Marina, Ca. 1505-Ca. 1530 Interpersonal Relations Colonization Women Men Relations Women In Art Conquistadors Mural Art Mural Painting And Decoration, Mexican Nudes Art, Mexican Mestizaje Orozco, José Clemente, 1883-1949contributor Calisphere -
East Los Streetscapers Painting Invasion De Fernando
title East Los Streetscapers Painting Invasion De Fernandodescription Photo is of the East Los Streetscapers (formerly known as Los Dos Streetscapers) painting a mural entitled Invasion de Fernando. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator East Los Streetscaperssubject Mexican American Art Colonization Artists Conquistadors Mural Art Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Lolita Lebrón: ¡Viva Puerto Rico Libre!
title Lolita Lebrón: ¡Viva Puerto Rico Libre!description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ The upper image is a rendering of the portrait of "Lolita Lebrón" underneath it reads: "Lolita Lebrón / 'Todos somos pequeños, solo la patria / es grande y esta encarcelada.'" The bottom image is a Puerto Rican flag design with blue, red and white colors as the background, and the sentence "¡Viva Puerto Rico Libre!" repeated a number of times filling the composition space. See: Ref. "A Public Voice, Fifteen Years of Chicano Posters", Goldman, Shifra, Art Journal, v. 44, No. 1, 1984, p.50-57. One of the prints has a stamp on the back that identifies it as property of the Centro Cultural de la Raza. There are two copies of this print in the Galería de la Raza collection of silkscreen posters.artist/creator Lucero, Lindasubject Nationalism And Art Puerto Rico - History--Nationalist Insurrection, 1950 Graphic Arts Prints Revolutionaries Flags In Art Political Prisoners In Art Women - Puerto Rico Chicana Art Prisoners Women In Art Mexican Americans Puerto Ricans Mexican American Art Colonization Chicano Art Posters Chicanas Chicanoscontributor Calisphere -
(Title Unknown) (Detail)
title (Title Unknown) (Detail)description Cat.8 100(3) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Unknown type of paint on stucco wall of Mesa College, San Diego. Mural depicts scenes from Mexican and Chicano history. Detail is of a dove with an olive branch.artist/creator Rosete, Guillermosubject Doves In Art Mexican American Art Colonization Mural Art Chicano Art Guadalupe, Our Lady Of Mexican Americans Chicanoscontributor Calisphere -
Little Big Boy Meets El Niña
title Little Big Boy Meets El Niñadescription A wooden box supports the simple frame of a house. The floor of the house has been carved and painted to look like an ocean and a ship resembling those of the Spanish conquistadors is riding the waves. On the roof of the house is a torpedo or bomb either waiting to be dropped on the Spaniards because of their decimation of indigenous populations or in reference to the Spaniards massive annihilation of and disrespect for other cultures. Cat.12 019(2) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Mexican American Art Colonization Dwellings In Art Bombs Genocide In Art Weapons In Art Chicano Art Ships In Art Sculpture Atomic Bomb In Art Mexican Americans Chicanoscontributor Calisphere -
Colon Colonizado
title Colon Colonizadodescription Cat.3 035(2) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ This work examines colonization and its aftermath. From Aperto '90, Venice Biennale, Venice.artist/creator Centro Cultural De La Razasubject Mexican American Art Colonization Chicano Art Installations (Art) Sculpture Mexican Americans Chicanoscontributor Calisphere -
Bingo: Canonization--Beatification--Veneration
title Bingo: Canonization--Beatification--Venerationdescription Cat.7 027(1) Installation set up to resemble a mission. At the top is an image of Father Junípero Serra. Above his head is the word "Canonization" and below it, "Beatification". The next level down features a cross and a skull, possibly of a horse, and beneath them the word "Veneration". Two human figures in silhouette on their hands and knees support the structure of the Mission, and represent Native Americans. Two pews are arranged so that viewers occupying them face the mission. Behind the pews are potted cacti and indigenous-style molcajetes. This piece concerns the move to canonize Father Serra for founding the California Mission system, criticizing his mistreatment of the Native Americans. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Luna, Jamessubject Catholic Church Serra, Junípero, 1713-1784 Interpersonal Relations Indians Of North America Cactus Molcajetes Genocide In Art California - History Nopales Clergy Installations (Art) Calaveras Missions In Art Chicana Art Mexican Americans Mexican American Art Colonization Crosses In Art Chicano Art Chicanas Chicanoscontributor Calisphere -
Mexico'S History
title Mexico'S Historydescription Cat.8 111 Pro-line vinyls on acid-etched freeway support column, Chicano Park, San Diego. Mural depicts two snakes winding up a tree, above which flies an eagle. On either side of the tree are the faces of prominent figures in Mexican history. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Sweetwater Union High School Studentssubject Mexican American Art Hidalgo Y Costilla, Miguel, 1753-1811 Colonization Church Buildings In Art Conquistadors Mural Art Eagles Chicano Art Missions In Art Serpents In Art Juárez, Benito, 1806-1872 Revolutionaries Zapata, Emiliano, 1879-1919 Chávez, Cesar, 1927-1993 Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.8 100(1) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Unknown type of paint on stucco wall of Mesa College, San Diego. Mural depicts scenes from Mexican and Chicano history.artist/creator Rosete, Guillermosubject Mexican American Art Birds In Art Colonization Conquistadors Mural Art Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Introduction Of The Spanish Language To The New World
title Introduction Of The Spanish Language To The New Worlddescription Cat.4 023 From the Reunion XX--20th Anniversary Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (June 15-July 29, 1990). Drawing of Columbus and his men with three ships anchored in the background (presumably the Nina, Pinta, and Santa Maria). A bar of gold is drawn above his head with rays extending from it so it appears to be the idea or motivation behind the carnage among indigenous people witnessed in the drawing. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Quiroz, Alfredo J.subject Columbus, Christopher Mexican American Art Colonization Crosses In Art Conquistadors Native Americans Chicano Art Ships In Art Chains Mexican Americans Chicanoscontributor Calisphere -
Orgullo
title Orgullodescription Cat.8 029 Pro-line industrial vinyl paints on canvas stretched by stretcher bars. Portable mural depicts the Virgen de Guadalupe in the center. To the left is a conquistador locked in battle with a jaguar knight in front of a flaming pyramid and two Mexican revolutionaries, one male and the other female. To the right is a demonstration march with protestors holding signs with slogans like "Aztlan Unidos: End Barrio Warfare!" 200 East 12th Street, National City. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Demonstrations In Art Mural Art Mestizaje Cholas Cactus Guadalupe, Our Lady Of Revolutionaries Zapata, Emiliano, 1879-1919 Barrios Aztecs Pyramids In Art Cholos Aztlán Demonstrations Women In Art Mexican Americans Angels In Art Mexican American Art Colonization Pyramids - Mexico Conquistadors Chicano Art Chicanascontributor Calisphere -
(Title Unknown) (Detail)
title (Title Unknown) (Detail)description Cat.8 100(2) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Unknown type of paint on stucco wall of Mesa College, San Diego. Mural depicts scenes from Mexican and Chicano history. Detail is of a fight between a Spanish conquistador and an Aztec eagle knight.artist/creator Rosete, Guillermosubject Indians Of Mexico Mexican American Art Colonization Aztecs Conquistadors Mural Art Chicano Art Soldierscontributor Calisphere -
Cortés Nos Chingó In A Big Way The Hüey
title Cortés Nos Chingó In A Big Way The Hüeydescription Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. Signed. Inscription in black located underneath the poem reads: "Louie the foot". Black type on a white background reads: "Cortes nos Chingó in a Big Way the Hüey / Cortés nos chingó in a big way / españa nos chingó in spanish. . .clint eastwood's honky ass!" The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/artist/creator González, Louie "The Foot"subject Cortés, Hernán, 1485-1547 Mexican American Poets Mexican American Art Colonization Intergroup Relations Eagles Chicano Art Eastwood, Clint, 1930- Poetry Prints Mexican Americans Identity Posters Graphic Arts Chicanoscontributor Calisphere -
200 Years Of Misery
title 200 Years Of Miserydescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/ Unknown edition. signature: "M. Díaz" in black located in the lower right corner of the image area. chopmark: "RCAF" in black. M. Diaz is a Barrio Art Student. Image of a Native American on a red, black & yellow background. Black type reads: "200 years of Misery, 1776-1976, The White Man made us many promises, but only kept one and that promise was to take our land away and they took it."artist/creator Diaz, Manuelsubject Indians Of North America Mexican American Art Colonization Locks And Keys American Indian Movement Native Americans Chicano Art Land Reform Prints Chicano Movement Mexican Americans Posters Graphic Arts Chicanoscontributor Calisphere -
Here Comes Trouble
title Here Comes Troubledescription Cat.12 031(1) From El Día de los Muertos 1984 exhibition and celebration at Galería de la Raza. Installation of three sculptures for Galería de la Raza display window. They are all wooden ships navigated by calaveras. The first is labeled, "Niña", the second, "Pinta", and the third, "Santa María". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Connell, Katesubject Columbus, Christopher Mexican American Art Calaveras Ethnicity In Art Colonization Intergroup Relations Sculpture Skull In Art Chicano Art Chicano Movement Chicana Art Installations (Art) Día De Los Muertos Ships In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Blacks In The Westward Movement, Announcement Poster For
title Blacks In The Westward Movement, Announcement Poster Fordescription Announcement poster for "Blacks In The Westward Movement, The Oakland Museum, Oct 18 - Nov 9." Image of a Black cowboy facing the viewer on a black background. The lettering, in the upper left corner, is dark gray. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Pioneers In Art Cowboys In Art Mexican American Art Colonization Lasso Art - Exhibitions Chicano Art Blacks California - History Mexican Americans Prints Posters Graphic Arts Chicanoscontributor Calisphere -
Luanda Ya No Es De San Pablo, Film Poster For
title Luanda Ya No Es De San Pablo, Film Poster Fordescription Announcement Poster for "Luanda Ya No Es de San Pablo." Image in black, yellow and white (from paper). The outline of Africa is revealed by the negation of the black background. Within the African continent are the words, "Luanda [/] Ya No Es de [/] San Pablo." At the top of the map is an African man and on his head is the sun rising. Below the head of the man is the text, "Documental Cubano En Colores Direccion [sic]: Santiago Alvarez. This print is from the Galería de la Raza collection of Cuban posters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Perez, Antonio "Ñiko"subject Africa Film Posters Art, Cuban Colonization Motion Pictures Blacks Prints Mexican Americans Sun - In Art Posters Graphic Arts Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.9 009(1) From Art from Jail Exhibition at Galería de la Raza. (Acrylic?) painting of three Native Americans and a pioneer, possibly a fur-trapper. Burros are loaded with cargo and mountains form the backdrop for this peaceful scene. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Landscapes (Representations) Animals In Art Intergroup Relations Rifles Weapons In Art Horses Indians Of North America Native Americans Paintings Firearms In Art Prisons Prisoners Mexican Americans Chicanos Mexican American Art Colonization Chicano Art Pinto Art Donkeys In Art Pioneers In Artcontributor Calisphere -
Ceylon Tea: Product Of European Exploitation!
title Ceylon Tea: Product Of European Exploitation!description Silver and white image of a captain sipping a cup of tea. Background is red and yellow. Title is black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator García, Rupertsubject Graphic Arts Mexican American Art Colonization Capitalism Food In Art Chicano Art Prints Mexican Americans Posters Armed Forces - Officers Chicanoscontributor Calisphere -
Calaca Storia
title Calaca Storiadescription December calendar from La Historia de California Calendar 1977. Seven black and white frames with different scenes from California history acted out by skeletons. Colors: red, blue, black and white. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Favela, Ricardosubject Catholic Church Farm Workers Reagan, Ronald Musical Instruments In Art Calendar Art Symbolism California - History Prints Roosters In Art Clergy Indians Of Mexico Calaveras Aztecs Artists Mexican Americans Skull In Art Angels In Art Mexican American Art Politicians Colonization Agricultural Laborers Crosses In Art Comic Books, Strips, Etc., In Art Conquistadors Chicano Art Conflict (Psychology) Christmas In Art Posters Nagualism Chicanoscontributor Calisphere -
Puerto Rico, Film Poster For
title Puerto Rico, Film Poster Fordescription Announcement Poster for "Puerto Rico." Image of a man's torso; across his chest is the United States flag; there is a black crack across its stars. The background is black. Yellow text at the top of the print reads, "Film Cubano Direccion [sic]: Fernando Perez / Jesus Diaz Con la Colaboracion [sic] del [/] Grupo Tirabuzon Rojo de Puerto Rico [/] Puerto Rico." There is a wrinkle on the bottom left corner. This print is from the Galeria de la Raza collection of Cuban posters. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject International Relations Mexican American Art Film Posters Art, Cuban Colonization Motion Pictures Chicano Art Prints Mexican Americans Flags In Art Posters Graphic Arts Chicanos Puerto Ricanscontributor Calisphere -
La Pérdida De Aztlán Del Monjo
title La Pérdida De Aztlán Del Monjodescription March Calendar. Panoramic view of the land divided by a grid of fields with the mountains in the background and a sun with the United Farm Workers Union eagle inscribed in it. Below image area it reads: "North-Americano [sic] Invasion of México." On the right hand side of the print, purple lettering reads: "1848 / Califas / was lost / to the gavas / porque oro / tenían sus venas / y vida / su cuerpo sensual / y Guadalupe / lost Hidalgo / and bears / walked onto flags / aquí / empezó al Chicano- / manifest destinyed." (Note: Richard Favela drawing.). Sacramento-based chicano artist and counding member of the Royal Chicano Air Force. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator González, Louie "The Foot"subject International Relations Landscapes (Representations) Mexican War, 1846-1848 Mexican American Art Colonization War In Art Aztlán Eagles California - History Calendar Art Chicano Art Poetry Mexican Americans Prints Posters Graphic Arts Chicanoscontributor Calisphere