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Atomic Bomb In Art
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(Title Unknown)
title (Title Unknown)description Mural in unknown media on an unknown outdoor wall depicts Ronald Reagan and Jimmy Carter fighting over a missile. Three soldiers stand beside them behind buildings labeled "Unemployment Office" and "Public School". A sign in front of the buildings reads, "Closed in favor of the military budget". The next panel depicts an airplane flying through outer space. The next panel depicts two men in front of the United Nations symbol in a war room. Above this panel are two men pouring buckets of red paint or blood onto the men below them. Text reads, "Free the U.N. 2". The panel on the right depicts a demonstration march. Slogans on signs include, "La Migra La Policia La Misma Porqueria" and "Alto a la Tercera Guerra Mundial". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Farm Workers Bombs Education Demonstrations In Art War In Art Reagan, Ronald Mural Art Weapons In Art Soldiers Politics In Art Carter, Jimmy, 1924- United Nations Armed Forces Drugs Globes Political Prisoners In Art Calaveras Peace Movements Prisoners Atomic Bomb In Art Mexican Americans War Mexican American Art Politicians Agricultural Laborers Crosses In Art Economic Policy Chicano Art Airplanes In Art Chicanos Drug Abusecontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.8 054 From the On the Spot Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego, CA (January 1988). Acrylic on dry wall surface. Temporary mural depicts a woman looking out a window at a volcano. To the right are the images of a candy sucker, a condom on a bone, and a toothbrush. To the left is a mushroom cloud. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Gronksubject Mexican American Art Bombs Weapons In Art Mural Art Chicano Art Installations (Art) Atomic Bomb In Art Mexican Americans Chicanoscontributor Calisphere -
Little Big Boy Meets El Niña
title Little Big Boy Meets El Niñadescription A wooden box supports the simple frame of a house. The floor of the house has been carved and painted to look like an ocean and a ship resembling those of the Spanish conquistadors is riding the waves. On the roof of the house is a torpedo or bomb either waiting to be dropped on the Spaniards because of their decimation of indigenous populations or in reference to the Spaniards massive annihilation of and disrespect for other cultures. Cat.12 019(2) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Mexican American Art Colonization Dwellings In Art Bombs Genocide In Art Weapons In Art Chicano Art Ships In Art Sculpture Atomic Bomb In Art Mexican Americans Chicanoscontributor Calisphere -
No Nukes For Mother Nature
title No Nukes For Mother Naturedescription Cat.8 044(1) From the California Murals off the Wall Exhibition at Centro Cultural de la Raza, 2004 Park Blvd. Building #671, Balboa Park, San Diego, CA (March 1983). Acrylic on canvas. Portable mural personifies Mother Nature as a nude woman holding the Earth in her arm. The trajectory of a nuclear missile is directly toward her other hand. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator East Los Streetscaperssubject Cemeteries Birds In Art Animals In Art Bombs Weapons In Art Mural Art Nudes Death In Art Globes Nature In Art Peace Movements Atomic Bomb In Art Mexican Americans Graveposts Mexican American Art Crosses In Art Chicano Art Chicanas Chicanoscontributor Calisphere -
No Nukes For Mother Nature (Detail)
title No Nukes For Mother Nature (Detail)description Cat.8 044(3) From the California Murals off the Wall Exhibition at Centro Cultural de la Raza, 2004 Park Blvd. Building #671, Balboa Park, San Diego, CA (March 1983). Detail is of "Mother Nature". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator East Los Streetscaperssubject Globes Birds In Art Animals In Art Mexican American Art Nature In Art Weapons In Art Mural Art Nudes Chicano Art Atomic Bomb In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown) [How Hot It Must Have Been, Miyoko]
title (Title Unknown) [How Hot It Must Have Been, Miyoko]description Cat.3 093(13) Photographs from Hiromi Tsuchida from the Hiroshima Exhibit at Galería de la Raza, curated by René Yáñez and Sal García. Print features a Japanese-style wooden sandal aflame, as well as other small images along the left and right sides. Text is in English and Japanese. English text reads, "Miyoko Inoue's Slipper. At the time, Miyoko, who was in her first year of junior high school, was helping to clear away the rubble at Zainoku-chi (500 meters from the hypocenter). The 550 students there were all killed by the bomb. Her mother searched the ruins for two months to find some trace of her daughter. The only thing she could find was the imprint of her daughter's left foot. Miyoko never returned. How hot it must have been, Miyoko. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Bombs War In Art Weapons In Art Japanese Americans Asian American Art Graphic Arts Hiroshima-Shi (Japan) Asian Americans Fire In Art Prints Death In Art Shoes In Art Atomic Bomb Victims World War, 1939-1945 Atomic Bomb In Art War Children In Art Biculturalism Japanese American Art Chicano Art Hiroshima-Shi (Japan) - History--Bombardment, 1945 Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.3 093(12) Photographs from Hiromi Tsuchida from the Hiroshima Exhibit at Galería de la Raza, curated by René Yáñez and Sal García. Photograph of man in business suit with a forlorn look holding sign with Japanese text. He also wears a sash with Japanese text. In the background is a large work of public art, as well as other individuals with signs. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Tsuchida, Hiromisubject War Men Hiroshima-Shi (Japan) - History--Bombardment, 1945 Hiroshima-Shi (Japan) Atomic Bomb Victims Asian Americans Bombs Demonstrations In Art Japanese American Art Disasters In Art War In Art Weapons In Art Photography, Artistic World War, 1939-1945 Japanese Americans Asian American Art Atomic Bomb In Artcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.9 009(2) From Art from Jail Exhibition at Galería de la Raza. Painting of indeterminate media depicts the suffering and death that result from drugs and violence amidst an urban skyline. A coffin hovers portentously in the middle ground, and half of the earth is visible in the sky. A cholo is tied to a rocket that doubles as a hypodermic needle; mushroom cloud in rear. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Landscapes (Representations) Bombs Coffins Violence Bandannas Cholas Drugs Death In Art Suffering In Art Gang Violence Globes Calaveras Prisons Cholos Prisoners Atomic Bomb In Art Mexican Americans Skull In Art Graveposts Mexican American Art Crosses In Art Chicano Art Pinto Art Chicanas Chicanos Drug Abusecontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat. 3 032(6) From the Defiant Eye: Solo Exhibition of Works by Ester Hernández, curated by Enrique Chagoya at Galería de la Raza. Drawing in unknown media depicts a skeleton with its arms up behind a door with a hazardous waste symbol. The wall the door is in has crumbled, revealing a wasteland on the other side. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Hernandez, Estersubject Mexican American Art Calaveras Atomic Bomb Victims Hazardous Wastes Art - Exhibitions Chicano Art Death In Art Environmentalism Chicana Art Atomic Bomb In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Hiroshima Exhibition, Announcement Mural For
title Hiroshima Exhibition, Announcement Mural Fordescription Cat.3 093(14) Mural outside the Galería de la Raza announcing exhibition features a large pocketwatch or stopwatch center on a white background. Text in English and Japanese. English text reads, "Hiroshima March 14-April 14 Galería de la Raza". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Galería De La Razasubject War In Art Weapons In Art Mural Art Japanese Americans Asian American Art Clocks And Watches In Art Hiroshima-Shi (Japan) Asian Americans Death In Art Atomic Bomb Victims Mural Paintings World War, 1939-1945 Atomic Bomb In Art Mexican Americans War Biculturalism Mexican American Art Japanese American Art Art - Exhibitions Chicano Art Hiroshima-Shi (Japan) - History--Bombardment, 1945 Chicanoscontributor Calisphere -
Alles Gute Fur Die Zukunft Mit Der Humanen Bombe
title Alles Gute Fur Die Zukunft Mit Der Humanen Bombedescription Image of the explosion of the atomic bomb blending with the image of Jimmy Carter. Two or three persons are dead, laying on the ground. The image is composed of dots of several sizes--like an enlarged reproduction from a newspaper. Red lettering reads: "Alles Gute Fur Die Zukunft Mit Der Humanen Bombe." ("All is well for the future with the human bomb") The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Mexican American Art Politicians Atomic Bomb Victims Bombs United States Presidents Weapons In Art Chicano Art Prints Death In Art Mexican Americans Carter, Jimmy, 1924- Atomic Bomb In Art Posters Graphic Arts Chicanoscontributor Calisphere -
No Missile Envy
title No Missile Envydescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org Two skeletons portrayed as Ronald Reagan and Margaret Thatcher on a background of a nuclear explosion. The scene is framed by an oval composition of angel heads with wings. Along the upper edge of the image it reads: "To commemorate and remember the largest antinuclear weapons demostration that took place in New York City on June twelfth nineteen eighty two. Dia de los Muertos." This same text is translated into Spanish.artist/creator De Batuc, Alfredosubject Bombs Demonstrations In Art Reagan, Ronald Weapons In Art Graphic Arts Thatcher, Margaret Prints Death In Art Día De Los Muertos Flags In Art Cowboys In Art Calaveras Atomic Bomb In Art Mexican Americans Angels In Art Mexican American Art Politicians Chicano Art Posters Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.9 013(2) From El Día de los Muertos 1988 Exhibition at Galería de la Raza (October 18-November 12, 1988). A metal sculpture in the shape of a bomb with cowering skeletons engraved on it. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Mexican American Art Calaveras Bombs Sculpture Metal Sculpture Skull In Art Weapons In Art Chicano Art Death In Art Día De Los Muertos Atomic Bomb In Art Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown) [That Playful Girl Was In Fact Grown-Up]
title (Title Unknown) [That Playful Girl Was In Fact Grown-Up]description Cat.3 093(11) Photographs from Hiromi Tsuchida from the Hiroshima Exhibit at Galería de la Raza, curated by René Yáñez and Sal García. Poster is of a handbag, small images of clothing and miscellanea on left and right sides. Text is in English and Japanese. English text reads, "Mariko Fujii's emergency bag. Mariko Fujii died from the blast while she was working near Teramachi Betsuin (1,000 meters from the hypocenter). The only article of his daughter's that her father, Chikara, was able to find was this emergency bag. Apart from the first-aid medicines, she had also included her baby brother's diaper in the bag. The thoughtfulness of this usually playful daughter brought tears to the eyes of her parents. That playful girl was in fact grown-up." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Bombs War In Art Weapons In Art Japanese Americans Asian American Art Graphic Arts Hiroshima-Shi (Japan) Asian Americans Photography In Art Disasters In Art Prints Death In Art Atomic Bomb Victims World War, 1939-1945 Atomic Bomb In Art Mexican Americans Clothing And Dress In Art War Children In Art Mexican American Art Japanese American Art Chicano Art Hiroshima-Shi (Japan) - History--Bombardment, 1945 Chicanoscontributor Calisphere