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Genocide In Art
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Little Big Boy Meets El Niña
title Little Big Boy Meets El Niñadescription A wooden box supports the simple frame of a house. The floor of the house has been carved and painted to look like an ocean and a ship resembling those of the Spanish conquistadors is riding the waves. On the roof of the house is a torpedo or bomb either waiting to be dropped on the Spaniards because of their decimation of indigenous populations or in reference to the Spaniards massive annihilation of and disrespect for other cultures. Cat.12 019(2) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Avalos, Davidsubject Mexican American Art Colonization Dwellings In Art Bombs Genocide In Art Weapons In Art Chicano Art Ships In Art Sculpture Atomic Bomb In Art Mexican Americans Chicanoscontributor Calisphere -
Bingo: Canonization--Beatification--Veneration
title Bingo: Canonization--Beatification--Venerationdescription Cat.7 027(1) Installation set up to resemble a mission. At the top is an image of Father Junípero Serra. Above his head is the word "Canonization" and below it, "Beatification". The next level down features a cross and a skull, possibly of a horse, and beneath them the word "Veneration". Two human figures in silhouette on their hands and knees support the structure of the Mission, and represent Native Americans. Two pews are arranged so that viewers occupying them face the mission. Behind the pews are potted cacti and indigenous-style molcajetes. This piece concerns the move to canonize Father Serra for founding the California Mission system, criticizing his mistreatment of the Native Americans. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Luna, Jamessubject Catholic Church Serra, Junípero, 1713-1784 Interpersonal Relations Indians Of North America Cactus Molcajetes Genocide In Art California - History Nopales Clergy Installations (Art) Calaveras Missions In Art Chicana Art Mexican Americans Mexican American Art Colonization Crosses In Art Chicano Art Chicanas Chicanoscontributor Calisphere -
Boycott Nestlé
title Boycott Nestlédescription Poster from Centro Cultural de la Raza asking that we boycott Nestle "for unethical promotion and sale of infant formula in the Third World--genocide for profit" The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator San Francisco Poster Brigadesubject Mexican American Art Boycotts Genocide In Art Art And Morals Chicano Art Prints Mexican Americans Posters Infants In Art Graphic Arts Chicanoscontributor Calisphere -
Indian Graveyard
title Indian Graveyarddescription Cat.7 025(1) From the We Are Part of the Earth Exhibition, curated by Jaune Quick-to-See Smith at Centro Cultural de la Raza (April 16-May 20, 1990). Square enclosure constructed of wooden fence posts, wood scraps, wire, and recycled metal head boards from beds. It is filled with soil and stones. Crosses of various sizes and tombstones have been used to create the impression of a graveyard. Lit candles have been placed at the base of each "grave". Part of California Mission Daze. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Luna, Jamessubject Indians Of Mexico Fences In Art Cemeteries Indians Of North America Mexican American Art Intergroup Relations Genocide In Art Art - Exhibitions Chicano Art Death In Art Installations (Art) Candles And Lights Mexican Americans Chicanos Gravepostscontributor Calisphere