Search Results
Subject is exactly
Interpersonal Relations
Use buttons below to view additional pages.
-
Cortés Y La Malinche
title Cortés Y La Malinchedescription Fresco (?) mural on the ceiling of el Antiguo Colegio de San Idelfonso depicts Hernán Cortés and his wife Doña Marina, "La Malinche". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Orozco, José Clementesubject Cortés, Hernán, 1485-1547 Marina, Ca. 1505-Ca. 1530 Interpersonal Relations Colonization Women Men Relations Women In Art Conquistadors Mural Art Mural Painting And Decoration, Mexican Nudes Art, Mexican Mestizaje Orozco, José Clemente, 1883-1949contributor Calisphere -
Bingo: Canonization--Beatification--Veneration
title Bingo: Canonization--Beatification--Venerationdescription Cat.7 027(1) Installation set up to resemble a mission. At the top is an image of Father Junípero Serra. Above his head is the word "Canonization" and below it, "Beatification". The next level down features a cross and a skull, possibly of a horse, and beneath them the word "Veneration". Two human figures in silhouette on their hands and knees support the structure of the Mission, and represent Native Americans. Two pews are arranged so that viewers occupying them face the mission. Behind the pews are potted cacti and indigenous-style molcajetes. This piece concerns the move to canonize Father Serra for founding the California Mission system, criticizing his mistreatment of the Native Americans. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Luna, Jamessubject Catholic Church Serra, Junípero, 1713-1784 Interpersonal Relations Indians Of North America Cactus Molcajetes Genocide In Art California - History Nopales Clergy Installations (Art) Calaveras Missions In Art Chicana Art Mexican Americans Mexican American Art Colonization Crosses In Art Chicano Art Chicanas Chicanoscontributor Calisphere -
"Amor Indio" Detail Of Mural Entitled : "Crystallization Of The Chicano Myth"
title "Amor Indio" Detail Of Mural Entitled : "Crystallization Of The Chicano Myth"description Cat.8 015 Politec mural paints on Masonite panels. This is a detail of the panel created by Juanishi Orosco in collaboration with Royal Chicano Air Force artistas in an "In Progress" mural installation at the Crocker Museum. Art Administrator: Gina Montoya. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web: http://www.rcaf.info/artist/creator Orosco, Juanishisubject Interpersonal Relations Women Men Relations Mural Art Serpents In Art Cactus Eagles Nopales Murals (Any Medium) Deer In Art Indians Of Mexico Aztecs Mural Paintings Women In Art Mexican American Art Love In Art Chicano Art Ixtaccihuatl and Popocatepetlcontributor Calisphere -
En Memoria A Los Martires
title En Memoria A Los Martiresdescription Announcement Poster for "En Memoria A los Martires." Black, silver and red (from paper) silk screen. Image of a black flower arrangement. Silver text below this image reads; "En Memoria A los Martires" and with a silver border, "Non Intervention in Nicaragua - N.I.N. [/] 'Guerra Popular Prolongada" - Film [/] Chicheros del Chipote - Música [/] Oradores $2.00 [/] Informacion [sic] Comida Gran Rifa [/] Saturday Abril 14 1979 7 a 10 pm [/] Mission Cultural Center [/] 2888 Mission [/] San Francisco." There are two pin holes one at the top two corners. Retrieved 8/94. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Central America Flowers In Art Nicaragua - History--1979-1990 Mexican American Art Interpersonal Relations War In Art Chicano Art Political Violence Prints Death In Art Mexican Americans Nicaragua Posters Graphic Arts Chicanoscontributor Calisphere -
David And Dalilah
title David And Dalilahdescription "This is an oval shaped print boardered by yellow drapery, angels, and stars. With in [sic] this boarder [sic] stands a central man, standing on a platform, swinging a sling-shot. A bed is behind him with a woman seated on it. Beneath the platform lay a woman and a nude man, who is facing down." Atelier 16; Westwinds; I-size: 35" x 26"; P-size: 40" x 28"; Ed#: 56/63; Signed;Oscar Duardo; mtrx: Destroyed; Inscription in pencil below the image reads: "56/63 'David and Dalilah', A Donis, 91"print: Oscar Duardo; chopmark: embossed "SHG" located on the bottom center COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Colors used: 1. Tran. Lt. Brown, 2. Tran. Flesh, 3. Tran. Golden Yellow Ochar (sic.), 4. Tran Cyan, 5. Tran. Magenta, 6. Tran. Lt. Blue, 7. Tran. Lt. Pastel Yellow, 8. Tran. Lt. Pale Pink, 9. Tran. Vilot (sic.), 10. Tran. Dr. Cobalt Green, 11. Yellow shade Gold. "This print represents my reaction toward the battles we wage against each other in the arena of human relations. The wounds we inflict cut deeper than any sword and the pain we endure is just as overwhelming. As all of the David's and the Dalilah's have proven throughout the ages, there are no victors in the games of love and war[,] only victims." A. Donis.artist/creator Donis, Alexsubject Angels In Art Mexican American Art Interpersonal Relations Chicano Art Violence Interpersonal Conflict Mexican Americans Chicanoscontributor Calisphere -
Amor Eterno
title Amor Eternodescription Atelier 30; Coventry Rag 290 grms; I-size: 16" x 22"; P-size: 20" x 26"; Ed#: 4/55; mtrx: Destroyed; Signed;print: José Alpuche; chopmark: Lower left corner. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Colors used: 1. Dark Purple/Opaque, 2. Wine Red/Trans, 3. Yellow Orange/ Trans, 4. Yellow Green/Trans, 5. Purple/Trans, 6. Dark Purple/ Trans. "Love is eternal. Even death is an extension of its existence. They become one totality. Every effect a creation of their passion." M. García Nude man is holding nude woman. Predominant colors: yellow and black.artist/creator García, Martín V.subject Mexican American Art Women Interpersonal Relations Nudes Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Observando
title Observandodescription "Faces shown looking" at the viewer. There is a large face in orange with black details on the right side. The composition is divided by a yellow column, several art frames and a figure falling through an hour glass. Atelier 24; Coventry Rag white; I-size: 16" x 22"; P-size: 20" x 26"; Ed#: 4/69, 20/69; mtrx: Destroyed; Signed;, Inscription in pencil located at the bottom reads: "4/69, Observando, Martin V. Garcia, 1994"print: José Alpuche; chopmark: embossed "SHG" on the lower right. # Prints: 2. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Colors used: 1. Orange, 2. Red, 3. Yellow, 4. Blue, 5. White, 6. Black. "To make correct coices one must observe the direction of those decisions." M. Garcíaartist/creator García, Martín V.contributor Calisphere