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"At daylight the miserable man was carried to an oak..." from the series Searching for California Hang Trees
title "At daylight the miserable man was carried to an oak..." from the series Searching for California Hang Treesdescription Ken Gonzales-Day, "At daylight the miserable man was carried to an oak..." from the series Searching for California Hang Trees, 2007, lightjet print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2012.12.1, © 2007, Ken Gonzales-Dayartist/creator Gonzales-Day, Kencontributor Smithsonian American Art Museum (SAAM) -
View Of The Front Entrance To The Old Mill Of Mission San Gabriel, El Molino Viejo, Ca.1890
title View Of The Front Entrance To The Old Mill Of Mission San Gabriel, El Molino Viejo, Ca.1890description Photograph of a view of the front entrance to the old mill of Mission San Gabriel, El Molino Viejo, ca.1890. The two-story adobe mill is at center. A covered porch can be seen at center, and a balcony is visible above. Two small square windows are cut into the walls at left. Several trees are visible in the foreground, and a line of large bushes obscures the view of the base of the building. On the back of the photo is an advertisement for Pierce Photo studio - including "Chinese, Indian and Mexican Character Scenes."artist/creator Unknownsubject Racism Indians Of North America Mills And Mill-Work El Molino Viejo Ethnicity Los Angeles County--San Marino--Architecture--El Molino Viejo Chinese Americans Buildings Mexican Americanscontributor Calisphere -
Free Narciso And Perez
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Semana Nacional De Resistencia
title Semana Nacional De Resistenciadescriptionartist/creator Offset Printingcontributor Calisphere -
March On Raleigh
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Bakkke
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Respect Others
title Respect Othersdescription Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained Linda Lucero c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu For Instituto Familiar de la Raza. Two kids, one white and one latino, done in gray at the bottom of the poster. Chavez done in red in the lower right with the United Farmworkers emblem on lower left. Colors: rainbow with lettering done in tagging fashion. Funded by: California Arts Council and the National Endowment for the Artsartist/creator Siguenzasubject Racism Mexican American Art Chicano Art Prints Mexican Americans Posters Chávez, Cesar, 1927-1993 Graphic Arts Chicanoscontributor Calisphere -
Vandalism
title Vandalismdescription Photo is of vandalism on the exterior of the Centro Cultural de la Raza building that reads, "Fuck Mexico". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Racism Mexican American Art Graffiti Vandalism Mural Art Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Demonstration Against Anti-Indian Bills
title Demonstration Against Anti-Indian Billsdescription Photo is of a demonstration against anti-Indian legislation. People carry signs and banners. The main banner reads, "Defeat HR 9054 9736 4169 9906 917[illegible] 9951 9950 HJR1 HJR 206 S.B. 1437 Ass. Students Peoples College of Law". H.R. 9054 called for abrogation of all Indian treaties and termination of the tribes; H.R. 9950 and 9951 called for turning over Indian reservation jurisdiction to the states and severely limiting Indian water rights. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Racism American Indian Movement Native Americans Chicano Movement Demonstrations Student Movements Mexican Americans Chicanoscontributor Calisphere -
National Chicano Moratorium 20Th Anniversary
title National Chicano Moratorium 20Th Anniversarydescription A police officer points his weapon at five unarmed men in front of a restaurant. Above the entry hangs an image of Ruben Salazar. Above the window is painted "Lindas Meseritas". Cat.3 055(37) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Royal Chicano Air Force c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Web:http://www.rcaf.info/artist/creator National Chicano Moratorium Committeesubject Racism Men Mexican Americans--California--Los Angeles Law Enforcement Police Brutality Processions Racial Profiling In Law Enforcement Political Violence Chicano Movement Demonstrations Salazar, Ruben, 1928- Chicanas Mexican Americans Chicanoscontributor Calisphere -
Raza Beware
title Raza Bewaredescription Announcement Poster for "Raza Beware." Black and white image of two young women and a young man in front of a wall where blue lettering reads: "Are you 10 to 20 years old / do you wear: / pendletons, khakis, t-shirts, / counties, zoot suits. / Do you live in a barrio / do you hang-out with / other homegirls and / homeboys like yourself / If so you are being / labeled as a gang / member by police, / city + state officials / schools + the public / in general / to them you are / a criminal!! / For more info. write to the / "Committee Against the Labeling / and Monitoring of Raza Youth" / 20993 Foothill Blvd. Ste 323 / Hayward, Califas 94541." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artistas De Aztlánsubject Graffiti Graphic Arts Cholas Law Enforcement Prints Gangs Barrios Racism Neighborhoods Cholos Racial Profiling In Law Enforcement Mexican Americans Clothing And Dress In Art Mexican American Art Chicano Art Discrimination Posters Chicanas Chicanoscontributor Calisphere -
Angelitos Negros, Film Poster For
title Angelitos Negros, Film Poster Fordescription Cat.3 077(48) From the Mexican Movie Poster Exhibition, curators: Ralph Maradiaga, René Yáñez, Carmen Lomas Garza (main curator) and María V. Pinedo; A collection of Mexican movie posters from the Enrique Flores Collection, Mission, Texas. Poster is for the film "Angelitos Negros" and features an elegant looking man and woman looking at one another. Between them is the face of a small child. At top left, a servant (an actress in blackface) looks on. Text reads, "Prod. Rodriguez Hnos. S.A. presenta a su Artista Exclusiva Pedro Infante con Emilia Guiu y Rita Montaner en Angelitos Negros con Titina Argumento de Joselito Rodriguez". Vertical text along right side reads "Juanino [illegible]". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Renán Berenguer, Juaninosubject Racism Racism In Art Guiú, Emilia Film Posters Motion Pictures Lithography Infante, Pedro, 1917-1957 Mass Media And The Arts Performing Arts Prints Lithography, Mexican Art, Mexican Posters Advertising In Art Graphic Arts Minstrelsy Anti-racism Criticism Political artcontributor Calisphere -
101 Uses For Lawn Grooms
title 101 Uses For Lawn Groomsdescription A toy-like cut out image of a black person is holding a ring with a rope connected to the gallows from which a tied-up person with a bandana covering his eyes is hanging. On the side of the gallows, there is the following text: "How to constructively engage aparthied [sic] or racism on the line." The background is absolutely black with a golden color stripe at the top and a green one at the bottom. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Sances, Jossubject Racism Posters Africa Mexican American Art Chicano Art Murder In Art Prints Mexican Americans South Africa Lynching Graphic Arts Chicanos Anti-racism Criticismcontributor Calisphere -
Art Against Apartheid, Announcement Poster For
title Art Against Apartheid, Announcement Poster Fordescription Announcement poster for "Art Against Apartheid / San Francisco Bay Area 1985 / Support / The Liberation / Movements in / Southern Africa. . . . For More Info East Bay 527-1401 / S.F. 641-9055." Full bleed image of a girl looking scared and worried behind jail bars. The image is framed by an almond shape. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Sances, Jossubject Racism Africa Mexican American Art Rivera, Diego, 1886-1957 Art - Exhibitions Chicano Art Blacks Prints Mexican Americans Prisoners South Africa Posters Imprisonment Graphic Arts Chicanos Anti-racism Criticismcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.3 060(1-13)(8) From the Fashion Moda Traveling Exhibition, From South Bronx, New York, curated by René Yáñez. Collage of early American advertisements that exploit stereotypes of blacks to sell products. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Collage Racism Stereotypes Ethnic Stereotypes Art - Exhibitions Discrimination Blacks Consumption (Economics) In Art Advertising In Art Anti-racism Criticismcontributor Calisphere -
Cause And Effect
title Cause And Effectdescription Minstrel Orchestra in blackface with tornado in background and text. "Weel about turn about and da jis' so / Ebry/ time I weel about I jump Jim Crow". Colors used: Blue Green, Burgundy, Gray/Brown, and Eggshell Yellow. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevencontributor Calisphere -
Untitled (Sometimes We Become What We Hate)
title Untitled (Sometimes We Become What We Hate)description Image four men in drag in black face holding golliwog dolls with text arranged as an eye chart reading "Sometimes We Become What We Hate". Colors used: Beige, Off White, Warm Dk Brown, Warm Brown/Black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevensubject Racism Mexican American Art Stereotypes Intergroup Relations Ethnic Stereotypes Chicano Art Prints Mexican Americans Women In Art Posters Graphic Arts Chicanos Minstrelsy Anti-racism Criticismcontributor Calisphere -
Untitled (So Tell Me Who'S The Nigger Now)
title Untitled (So Tell Me Who'S The Nigger Now)description Image of a man in drag in black face holding a feather duster with text arranged as an eye chart reading "So Tell Me Who's the Nigger Now". Colors used: Beige, Off White, Cold Gray/Brown, Warm Brown/Black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevensubject Racism Mexican American Art Stereotypes Women Domestics Ethnic Stereotypes Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanos Minstrelsy Drag Anti-racism Criticismcontributor Calisphere -
Some Indignities Persist
title Some Indignities Persistdescription "Man in blackface holds up dress against wooden fence background with text over printed in the form of an eye chart reading "Some Indignities Persist". Images of people in blackface have been a source of both disturbance and fascination to me. These images are intensely powerful in both their literal statements and in their ability to allow the viewer to create a context through the bias of their associations. Generations of African Americans have suffered grievous injury at the hands of people whose livelihood was derived from creating and reinforcing stereotypes through blackface minstrelsy. The creation of a stereotype was an essential element in maintaining white America's illusion of superiority. It characterized us as buffoons and tricksters, as inherently lazy and immoral and perennial children who were dependent on the paternalism of our "masters" for survival. Slavery, even the post emancipation more subliminal variety, was contingent on making its victims appear to be less than human. The images I've used are taken from late nineteenth century photographs of vaudeville and minstrel show performers. Ironically, blackface minstrelsy, through its wholesale appropriation of African American culture, is recognized as the "America;s first indigenous musical-theater genre." Manifestations exist to this day in everything from black stand-up comedy to the "crews" and "posses" of hip-hop. My work entreats the viewer to look at these images, while at the same time looking through them, to discover an alternate context. It is my hope that the work might offer a glimpse into the origins of some conscious or subconscious contemporary thinking with regard to race, color, and gender. If you are discomforted by what you see, I invite you to examine those feelings, for out of this examination will come enlightenment." Colors used: Rust/Beige, Off White, Dark Gray, and Gray Black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevensubject Fences In Art Racism Mexican American Art Stereotypes Ethnic Stereotypes Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanos Minstrelsy Drag Anti-racism Criticismcontributor Calisphere -
Topsyturvy
title Topsyturvydescription "Photographic image of a woman in blackface surrounded by a lavender ring with the word "Topsyturvy" in blue letters that get progressively smaller". Colors used: Black, Blue, Lavender, and Light Ochre. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Greenfield, Mark Stevensubject Racism Mexican American Art Stereotypes Ethnic Stereotypes Chicano Art Prints Mexican Americans Posters Graphic Arts Chicanos Minstrelsy Drag Sexism in artcontributor Calisphere -
Recording Of Parker'S Remarks Made About Mexican-American Citizens (City Council), 1960
title Recording Of Parker'S Remarks Made About Mexican-American Citizens (City Council), 1960description 4 images. Recording of Parker's remarks made about Mexican-American citizens (City Council), 2 February 1960. Chief William Parker Caption slip reads: "Photographer: Wilson. Date: 1960-02-02. Assignment: Chief Parker hearing. 28: Specified population categories 'chart' presented by Parker. 62: Ed Roybal speaks after Chief Parker. 81-82: Chief Wm. H. Parker tells his story. 66-67, L to R: Police Sgt. F.H. Fast spins tape Chief Parker & tape. 27: Show Latin people's crime and population on map of Los Angeles City." Ed Roybal. Population charts Sergeant E.H. Fastartist/creator Unknownsubject Racismcontributor Digital Public Library of America (DPLA)