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Arts--Censorship
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Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(20) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. Photo is of a photocopy of the San Diego Union's opinion page containing six opinions from community members. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(21) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a photocopy of the San Diego Union's Opinion/Editorial page featuring the article "Don't knock the Mexicans: They were really here first". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece (Detail)
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece (Detail)description Cat.3 028(25) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. Detail of installation piece based on the controversy depicts the three artists holding a copy of the bus poster. Above the photo are two scathing criticisms of the work. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Newspapers In Art Satire Photography In Art Chicano Art Chicana Art Installations (Art) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(5) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo shows a woman looking at the bus poster. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Transportation Chicanas Mexican Americans Chicanoscontributor Calisphere -
Basta Con Censura (Detail)
title Basta Con Censura (Detail)description Cat.8 070(6) From the Capp Street Project--Border Axes at San Francisco, CA (July-August 1989). Mural from outside the Galería de la Raza depicts a foot stepping on jars containing symbols of free expression. Detail is of a jar containing a brain and a broken jar that once held the Statue of Liberty. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Arts--Censorship Statue Of Liberty (New York, N.Y.) In Art Mexican American Art Mural Art Chicano Art Symbolism Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece (Detail)
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece (Detail)description Cat.3 028(27) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. Detail of installation piece based on the controversy depicts headshots of the three artists and two quotes pertaining to them. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Newspapers In Art Satire Artists Photography In Art Chicano Art Chicana Art Installations (Art) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(11) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is a closeup of the artwork on the back of a San Diego bus. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Transportation Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(13) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a framed newspaper with the lead story "Bus art takes a controversial route" on a wall behind a dinnertable covered with a sarape. A television, also on the table, broadcasts the daily news. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Transportation Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(30) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. Photo is of a television broadcast in which a newscaster or pundit calls for the removal of the works. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Television Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piece
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"--Installation Piecedescription Cat.3 028(23) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of an installation based on the controversy. Installation is set in a corner. On the left wall is the original artwork. On the right wall are statements and photos from critics and community members. In the center is a table with a television and newspapers. From the ceiling hangs a banner with the words "Critics' Choice!" On the back of the "Critics Choice" banner are the words "This is not a bus." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Newspapers In Art Satire Photography In Art Transportation Chicano Art Chicana Art Installations (Art) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(15) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a bus poster sticking out of a trash can. A critic's reaction? The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(22) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a photocopy of an article in The Tribune entitled, "'Plantation' posters: No illegality found". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Basta Con Censura (Detail)
title Basta Con Censura (Detail)description Cat.8 070(4) From the Capp Street Project--Border Axes at San Francisco, CA (July-August 1989). Mural from outside the Galería de la Raza depicts a foot stepping on jars containing symbols of free expression. Detail is of a jar containing a man's head with three faces and two tongues. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Arts--Censorship Mexican American Art Bilingualism Mural Art Chicano Art Mestizaje Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(33) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a television interview with artist Louis Hock. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Television Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Basta Con Censura (Detail)
title Basta Con Censura (Detail)description Cat.8 070(5) From the Capp Street Project--Border Axes at San Francisco, CA (July-August 1989). Mural from outside the Galería de la Raza depicts a foot stepping on jars containing symbols of free expression. Detail is of a jar containing a fetus. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Arts--Censorship Fetus Mexican American Art Mural Art Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(16) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a television that broadcasts the news. Attached to it are two sets of earphones, and at each place a notebook is open with newspaper clippings of the controversy. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Capp Street Project--Border Axes
title Capp Street Project--Border Axesdescription Cat.3 007(6) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Victor Ochoa stands in front of his mural in front of the Galería de la Raza, San Francisco, with two other men. Text beneath mural reads, "Basta con Censura".artist/creator Border Arts Workshop/Taller De Arte Fronterizocontributor Calisphere -
Basta Con Censura
title Basta Con Censuradescription Cat.8 070(1) From the Capp Street Project--Border Axes at San Francisco, CA (July-August 1989). Mural from outside the Galería de la Raza depicts a foot stepping on jars containing symbols of free expression. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Ochoa, Victorsubject Arts--Censorship Statue Of Liberty (New York, N.Y.) In Art Fetus Mexican American Art Mural Art Chicano Art Mestizaje Symbolism Mexican Americans Chicanoscontributor Calisphere -
Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"
title Bus Art/Bus Poster: "Welcome To America'S Finest Tourist Plantation"description Cat.3 028(18) Slides document the mass media response to the poster, which commented on the plight of undocumented and low wage workers. It was displayed on 100 San Diego Transit buses and resulted in controversy. The issues became complicated by the city's refusal to name a convention center after Martin Luther King. This photo is of a stack of newspapers with articles, opinions, and cartoons pertaining to the controversy, creating an impromptu collage. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Centro Cultural De La Razasubject Arts--Censorship Mexican American Art Satire Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Self Portrait
title Self Portraitdescription 2/70, 11/70; Signed;, Inscription in pencil below the image area reads: "2/70, title and signature" print: Stephen Grace Atelier 3; Somerset 320 gram 100% Rag Archival; image size: 23 1/2" x 35"; paper size: 28" x 40" Prints: #3. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Light blue grid background. White paint roller. Large green paint brush. Depiction of the artist with a green to white t-shirt with #2 written on it. Atelier information on the back.artist/creator Carrasco, Barbarasubject Arts--Censorship Carrasco, Barbara Siqueiros, David Alfaro Mexican American Art Chicana Art Self-Portraits Chicanas Mexican Americans Chicanoscontributor Calisphere -
Jaguar Woman Warrior: Woman's Work Is Never Done
title Jaguar Woman Warrior: Woman's Work Is Never Donedescription Atelier 33; silkscreen; I-size: 18" x 26"; P-size: 22" x 30 1/4"; Ed#: 4/73, 6/73; Signed;, Inscription in pencil below image reads: "4/73, 'Woman's Work is Never Done', Thank you, Dr. Sandra Hernandez and Dr. Nilda Alverio, Yolanda M. Lopez 1999."; chopmark: embossed "SHG" insignia in lower left-hand corner of poster. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 (323) 881-6444 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu The focus of the poster is a woman dressed in a jaguar suit. There are purple flowers to the right of the poster while a hand writes "Rx" on a piece of paper to the left of the image. To the far left is the title "Jaguar Woman Warrior: Woman's Work is Never Done" written sideways on pink background. "Her piece is dedicated to two women who have doctored the social body during our times through policy making and community activism, as well as through their medical practice, Latina doctors Sandra Hernandez and Nilda Alverio"--Maestras Atelier XXXIII 1999.artist/creator López, Yolanda M.subject Arts--Censorship Flowers In Art Huerta, Dolores, 1930- Mexican American Art Chicano Art Chicana Art Chicanas Mexican Americans Chicanoscontributor Calisphere