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1984
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Head - Guernica Rattlesnake
title Head - Guernica Rattlesnakedescription Lithograph on paper, 18.5 in. x 24.5 in. Sketches of rattlesnakes with grenade rattle tails. Proud of his Chicano roots, Luis Jiménez (1940 – 2006) was an El Paso, Texas native, best known for his large-scale, brightly colored sculptures immersed in the Chicano iconography of Texas and New Mexico. Jiménez studied art and architecture at The University of Texas in Austin and El Paso. He eventually traveled to Mexico to study with the famous Mexican muralists Diego Rivera and José Clemente Orozco, and he was also influenced by regionalists Thomas Hart Benton and Grant Wood. After completing school, he went to work for his father making neon signs and car decals. In 1966 Jiménez moved to New York and joined the Pop Art scene, making painted fiberglass figurative works inspired by the everyday lives of Latinos living in the Southwest. His work shows his concern for working-class people and those who have suffered from discrimination. Jimenez was and remains respected in Latino communities for his perspective and narrative of the culture of Mexico and the Southwest. His artwork emulates popular Cholo car culture, demonstrated in his use of fiberglass, spray paint, and imagery consisting of Aztec emperors, border crossing, and vaqueros riding wild broncos. His works are in the collections of the Albuquerque Museum, the Smithsonian American Art Museum in Washington, D.C., the El Paso Museum of Art, the Metropolitan Museum of Art in New York, the Art Institute of Chicago, and the Museum of Fine Arts in Houston, among others.artist/creator Jiménez, Luissubject Borderlands Frontera Animals in art Snakes Serpents in art Grenades Lithographs Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Untitled
title Untitleddescription Oil pastel on paper, 19 in. x 25.25 in. Man wearing a green fedora with a colorful background.artist/creator Luján, Gilbert "Magu"subject Portraits Borderlands Frontera Hats Oil pastels Drawings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Self-Portrait
title Self-Portraitdescriptionartist/creator Carrasco, Barbarasubject Censorship Muralists Murals Olympic Games Painters Prints Runners (Sports) Siqueiros, David Alfaro, 1896-1974 Self-portraits Whitewashingcontributor Smithsonian American Art Museum (SAAM) -
Self-Portrait
title Self-Portraitdescriptionartist/creator Gamboa, Dianesubjectcontributor Smithsonian American Art Museum (SAAM) -
An Ofrenda for Dolores del Rio
title An Ofrenda for Dolores del Riodescription Amalia Mesa-Bains, An Ofrenda for Dolores del Rio, 1984, revised 1991, mixed media installation including plywood, mirrors, fabric, framed photographs, found objects, dried flowers and glitter, Smithsonian American Art Museum, Museum purchase through the Smithsonian Institution Collections Acquisition Program, 1998.161, © 1991, Amalia Mesa-Bainsartist/creator Mesa-Bains, Amaliacontributor Smithsonian American Art Museum (SAAM) -
De la tierra somos !no somos ilegales!
title De la tierra somos !no somos ilegales!description Carlos A. Cortéz, De la tierra somos !no somos ilegales!, 1984, linoleum cut on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.6, © 2020, Dora Katsikakisartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
De la Tierra Somos (!No Somos Illegales!)
title De la Tierra Somos (!No Somos Illegales!)description Carlos A. Cortéz, De la Tierra Somos (!No Somos Illegales!), 1984, woodcut on paper, Smithsonian American Art Museum, Museum purchase, 1993.13.3, artist claims work to be in public domainartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
To Fan the Flames!
title To Fan the Flames!description Carlos A. Cortéz, To Fan the Flames!, 1984, linocut on paper, Smithsonian American Art Museum, Museum purchase, 1993.13.1, artist claims work to be in public domainartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
15 notes for Rosata Q: text for the exhibition quinceañera works, 1984
title 15 notes for Rosata Q: text for the exhibition quinceañera works, 1984description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Trasobares, César -
The wall : image and boundary, Chicano art in the 1970s
title The wall : image and boundary, Chicano art in the 1970sdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website section -
Urban exile (or, the Chicano Artist as a lie of omission)
title Urban exile (or, the Chicano Artist as a lie of omission)description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Gamboa, Harry, Jr. -
Introduction : the beginnings of Chicano art
title Introduction : the beginnings of Chicano artdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Quirarte, Jacinto -
Cultural Expression for a Community Outside of the Law : Paper presented at "Murals in Education", a panel discussion on Chicano Art in the future at the Centro Cultural de la Raza, San Diego, California on April 27, 1984.
title Cultural Expression for a Community Outside of the Law : Paper presented at "Murals in Education", a panel discussion on Chicano Art in the future at the Centro Cultural de la Raza, San Diego, California on April 27, 1984.description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Avalos, David -
The beginnings of Chicano art : introduction
title The beginnings of Chicano art : introductiondescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Quirarte, Jacinto -
Exhibition at Galery
title Exhibition at Galerydescription Photograph of Sylvia Orozco giving a tour of the gallery to a small group; a woman in the foreground is taking a picture and there are several paintings hanging on the wall on the right side.artist/creator Mexic-Arte Museum (Austin, Tex.)subject Museum Exhibits -- Texas -- Austin -- Photographs. Orozco, Sylvia Artworks Art Exhibits Mexic-Arte Museum (Austin, Tex.) Education People - Individuals Arts And Craftscontributor Portal to Texas History (TPTH) -
News Clip: Hispanics
title News Clip: Hispanicsdescription Video footage from the KXAS-TV/NBC station in Fort Worth, Texas, to accompany a news story.subject Arts And Crafts - Dance News Stories Social Life And Customs - Meetings And Conferences Economy Video Footage Video Clips Business, Economics And Finance - Communications - Media Interest Rates People - Ethnic Groups - Hispanics Television Broadcasting Of News. Ortega Television News Programs Carter, Jimmy Opportunities News Segments Government And Law - Politics Inflation Reagan, Ronald Social Life And Customs - Families Interviewscontributor Portal to Texas History (TPTH) -
Mexican Family Archives
title Mexican Family Archivesdescription Portrait of a first grade girl that attends St. Mary's School with a plain backdrop in background. The girl is wearing an outfit with suspenders and white shirt. She has long straight hair. There is a note on the back of the photograph in Spanish. There is a note on the back of the photograph that reads "St. Mary's School 1st Grade. "artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Celebrating Día de los Muertos
title Celebrating Día de los Muertosdescription Photograph of a member of a mariachi band in motion to stand up from sitting. In the background, there is a man in a devil-like costume with a large head over his. Behind him there is a woman in a white dress and veil reaching out.artist/creator Unknownsubject Museum Exhibits -- Texas -- Austin -- Photographs. Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Social Life And Customs - Customs - Celebrations Day Of The Deadcontributor Portal to Texas History (TPTH) -
Día de los Muertos Celebrations
title Día de los Muertos Celebrationsdescription Photograph of a man, woman and a young girl leaning on a car. The rear of the car can be seen. There is art hanging on the walls in the background. Each person in the picture is wearing a green shirt.artist/creator Unknownsubject Museum Exhibits -- Texas -- Austin -- Photographs. Cars Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Social Life And Customs - Customs - Celebrations Day Of The Deadcontributor Portal to Texas History (TPTH) -
Día de los Muertos Celebrations
title Día de los Muertos Celebrationsdescription Photograph of a man in a suit standing next a woman dressed up in Día de los Muertos fashion. She has a long white dress on and a large, feathered hat and her face is made up to look like a sugar skull. In the foreground, members of a mariachi can be seenartist/creator Unknownsubject Museum Exhibits -- Texas -- Austin -- Photographs. Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Social Life And Customs - Customs - Celebrations Day Of The Deadcontributor Portal to Texas History (TPTH) -
Mariachi Band Performing
title Mariachi Band Performingdescription Photograph of a five-piece mariachi band, all playing a variety of stringed instruments. They are all men dressed in fanciful sombreros and traditional mariachi attire. Four of the performers are in tan versions of the outfit and one in a black version. There is a man in the background near a microphone stand.artist/creator Unknownsubject Museum Exhibits -- Texas -- Austin -- Photographs. Día De Los Muertos Performances All Souls' Day -- Texas -- Austin -- Photographs. Arts And Crafts - Music - Bands Social Life And Customs - Customs - Celebrations Mariachis Day Of The Deadcontributor Portal to Texas History (TPTH) -
Working on a Station Wagon for Día de los Muertos
title Working on a Station Wagon for Día de los Muertosdescription Photograph of a person sitting on a chair at the rear bumper of a white station wagon. Most of the car can be seen in the picture and the man is cut off. There are newspapers scattered on the ground around him and a bucket next to him. Decorations for Día de los Muertos are hung from the ceiling.artist/creator Unknownsubject Museum Exhibits -- Texas -- Austin -- Photographs. Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Social Life And Customs - Customs - Celebrations Vehicles Day Of The Deadcontributor Portal to Texas History (TPTH) -
Prepping a Vehicle for Día de los Muertos Celebrations
title Prepping a Vehicle for Día de los Muertos Celebrationsdescription Photograph of a person sitting on a chair at the rear bumper of a white station wagon-like vehicle. He appears to be preparing the bumper for the Día de los Muertos celebrations. There are people behind him watching him as he works. The ground around him has newspapers scattered all around him.artist/creator Unknownsubject Museum Exhibits -- Texas -- Austin -- Photographs. Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Social Life And Customs - Customs - Celebrations Day Of The Deadcontributor Portal to Texas History (TPTH) -
Discussing Preparations for Celebrations
title Discussing Preparations for Celebrationsdescription Photograph of people preparing for Día de los Muertos Celebration celebrations at the Mexic-Arte Museum. There are a group of older women sitting along two tables containng supplies. There is a man kneeling at the head of the table chatting with the woman closest to him.artist/creator Unknownsubject Museum Exhibits -- Texas -- Austin -- Photographs. Día De Los Muertos All Souls' Day -- Texas -- Austin -- Photographs. Social Life And Customs - Customs - Celebrations Day Of The Deadcontributor Portal to Texas History (TPTH) -
Texas Trends in Art Education, Volume 2, Number 9, Fall 1984
title Texas Trends in Art Education, Volume 2, Number 9, Fall 1984description Journal of the Texas Art Education Association includes articles related to theoretical, social, educational, and cultural issues affecting art education in Texas as well as articles about practical methods and programs for art education at various levels of instruction.artist/creator Theisen, Olive Jensen Moon, Betty Wilder, Bonnie Moon, Marvin Lockhart, Bill C. Mittler, Gene A. Texas Art Education Association Miller, Phyllis Rollins, Jeanne Johnson, James J., Jr. Ulbricht, J. Krieger, Beverly Felts, Rebecca N.subject Teaching Methods Teachers Art Classes Education Art -- Study And Teaching -- Texas -- Periodicals. Arts And Craftscontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, from street
title Santa Anita Restaurant, from streetdescription Photograph of the Santa Anita Mexican Restaurant taken from the street. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, view of front entrance
title Santa Anita Restaurant, view of front entrancedescription Photograph of the Santa Anita Mexican Restaurant. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, plaque
title Santa Anita Restaurant, plaquedescription Photograph of commemorative plaque hung outside of the Santa Anita Mexican Restaurant.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, view of street entrance
title Santa Anita Restaurant, view of street entrancedescription Photograph of the Santa Anita Mexican Restaurant. White stucco building with red-clay tiled roof. Central Bank building and a billboard advertisement for Sprite visible in the background.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, view from opposite street
title Santa Anita Restaurant, view from opposite streetdescription Photograph of the Santa Anita Mexican Restaurant taken from the opposite street. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant and street parking, 1984
title Santa Anita Restaurant and street parking, 1984description Photograph of the Santa Anita Mexican Restaurant and its parking lot. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, front entrance from across the street
title Santa Anita Restaurant, front entrance from across the streetdescription Photograph of the Santa Anita Mexican Restaurant's front entrance. White stucco building with red-clay tiled roof. Large billboard advertising Sprite is visible in the background.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, rear view
title Santa Anita Restaurant, rear viewdescription Photograph of the Santa Anita Mexican Restaurant taken from behind the wall enclosing the courtyard. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, back entrance
title Santa Anita Restaurant, back entrancedescription Photograph of Santa Anita Mexican Restaurant back entrance. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, front view
title Santa Anita Restaurant, front viewdescription Photograph of the Santa Anita Mexican Restaurant taken from the opposite street corner. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, courtyard entrance
title Santa Anita Restaurant, courtyard entrancedescription Photograph of the Santa Anita Mexican Restaurant. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, courtyard
title Santa Anita Restaurant, courtyarddescription Photograph of the Santa Anita Mexican Restaurant. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, exterior
title Santa Anita Restaurant, exteriordescription Photograph of the Santa Anita Mexican Restaurant. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Santa Anita Restaurant, front entrance
title Santa Anita Restaurant, front entrancedescription Photograph of the Santa Anita Mexican Restaurant. White stucco building with red-clay tiled roof.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Photograph of John J. Herrera, Tatcho Mindiola and A. Hernandez at LULAC Conference
title Photograph of John J. Herrera, Tatcho Mindiola and A. Hernandez at LULAC Conferencedescription Photograph of John J. Herrera, Tatcho Mindiola, Jr., and A. Hernandez at the League of United Latin American Citizen (LULAC) Conference, 1984.artist/creator Unknownsubject Mindiola, Tatcho, Jr. League Of United Latin American Citizens. Herrera, John J., 1910-1986 People - Ethnic Groups - Hispanicscontributor Portal to Texas History (TPTH) -
Post Office & Store at the Brite, Ranch
title Post Office & Store at the Brite, Ranchdescription Photograph of the Post Office & Store on the Brite Ranch. It is a small stucco building with a tin roof.artist/creator Unknownsubject Stores Government And Law - Civil Servants - Postal Service Post Offices Agriculture - Ranching - Ranchescontributor Portal to Texas History (TPTH) -
House on the Brite Ranch
title House on the Brite Ranchdescription Photograph of the house on the Brite Ranch in 1984. It is a one story stucco house with a red tin roof, with a chain link fence around it. Cactus and flowers grow in the yard. An old wagon wheel leans against the house to the right. This photo was included in a report for an American History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Barn and Corrals at the Brite Ranch
title Barn and Corrals at the Brite Ranchdescription Photograph of the barn and corrals at the Brite Ranch in West Texas. The barn has cattle brands decorating the doors. A horse is in the corral. This photo was included in a report for an American History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Shed at the Brite Ranch
title Shed at the Brite Ranchdescription Photograph of the shed at the Brite Ranch in West Texas. This photo was included in a report for an American History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Post Office & Store at the Brite, Ranch
title Post Office & Store at the Brite, Ranchdescription Photograph of the Post Office & Store on the Brite Ranch. The small stucco building has a tin roof. This photo was included in a report for an American History class at Marfa High School.artist/creator Unknownsubject Stores Government And Law - Civil Servants - Postal Service Post Offices Agriculture - Ranching - Ranchescontributor Portal to Texas History (TPTH) -
Brite Ranch Shed and Store
title Brite Ranch Shed and Storedescription Photograph of the shed and store on the Brite Ranch in West Texas. The Capote Mountain is in the background. This photo was included in a report for an American History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Rimrock at the Brite Ranch in West Texas
title Rimrock at the Brite Ranch in West Texasdescription Photograph of the rimrock on the Brite Ranch in West Texas.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
View of the Country Below the Rimrock at Brite Ranch
title View of the Country Below the Rimrock at Brite Ranchdescription Photograph of the view below the rimrock at the Brite Ranch in West Texas.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Brite Ranch House and Capote Mountain
title Brite Ranch House and Capote Mountaindescription Photograph of the Brite Ranch house in West Texas. Capote Mountain stands behind the house. This photo was included in a report for an American History class at Marfa High School.artist/creator Unknownsubject Trees Capote Mountain Wagons Agriculture - Ranching - Ranches Landscape And Nature - Mountainscontributor Portal to Texas History (TPTH) -
The Brite Ranch Raid
title The Brite Ranch Raiddescription This is a collection of pages and objects related to an entry by Clint W. White for the Alpine History Fair in Marfa, Texas in March 1984. Accompanying the research paper are three "History Day" judges' rating cards, a participant ribbon, and a certificate. The paper mentions a model of the ranch headquarters that accompanied this report. as well. Three ia a hand-written paper telling about the author's sources of information about the ranch. The three-page typed report tells the story of the raid on the Brite Ranch in 1917.artist/creator White, Clint W.contributor Portal to Texas History (TPTH) -
Sleeping Woman, El Sereno, 1984
title Sleeping Woman, El Sereno, 1984description Sleeping woman, untitled mural, El Sereno, 1984. 5477 Alhambra Avenue, rear (at Warwick Avenue), El Sereno. An Aztec warrior kneel beside a sleeping woman, illustrating a popular legend. A Latino woman holds the Mexican flag. Acrylic on brick, 2 panels, 25' x 15', by Fernando Sandoval. -- Dunitz, Street gallery, p. 117, #15.contributor Calisphere -
Bay Area Teach In On U.S. Involvement In Central America
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Assault With A Deadly Weapon
title Assault With A Deadly Weapondescription The posters document a wide variety of issues, from preserving local neighborhoods to expressing opinions on international events. The works to be digitized were made by diverse artists, collectives and organizations.artist/creator Libreria Latino Americanasubject Police Brutalitycontributor Calisphere -
Corridos A New American Musical By Luis Valdez
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Ride Bart To Cinco De Mayo Celebrations
title Ride Bart To Cinco De Mayo Celebrationsdescriptionartist/creator Sances, Jossubject Chicano/Latinocontributor Calisphere -
Ii Festival De Canto A El Salvador
title Ii Festival De Canto A El Salvadordescriptionartist/creator Castro, Renecontributor Calisphere -
12Th Annual Dia Del Barrio
title 12Th Annual Dia Del Barriodescriptionartist/creator Montoya, Malaquiassubject Chicano/Latinocontributor Calisphere -
We Are Number One
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Artist Call Against U.S. Intervention In Central America
title Artist Call Against U.S. Intervention In Central Americadescriptionartist/creator Mission Graficacontributor Calisphere -
(Indigenous Woman Carrying A Bundle On Her Head)
title (Indigenous Woman Carrying A Bundle On Her Head)descriptionsubject Indigenous Peoplescontributor Calisphere -
No Pasaran
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Si Nicaragua Vencio, El Salvador Vencera
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Berkeley City Money Out Of South Africa
title Berkeley City Money Out Of South Africadescriptionsubject South Africa (Southern Africa)contributor Calisphere -
Somos Cultivadoras De Lo Inexpresable
title Somos Cultivadoras De Lo Inexpresabledescriptionartist/creator Montoya, Malaquiassubject Chicano/Latinocontributor Calisphere -
Metamorphosis Of U.S. Dollars
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Music For Peace And Liberation Con Fest
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Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Isaac Artenstein climbing the scaffolding. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Pedro J. Gonzalez Meeting With The City Of San Diego
title Pedro J. Gonzalez Meeting With The City Of San Diegodescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Gonzalez is sitting next to his daughter. Pedro J. Gonzalez meeting with the City of San Diego regarding the establishment of a Pedro J. Gonzalez Day to be recognized in the cities of San Diego and Los Angeles. The official day was established on December 22, 1984. Photographsartist/creator Artenstein, Isaaccontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermosubject Mural Painting And Decorationcontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Pedro J. Gonzalez Meeting With The City Of San Diego
title Pedro J. Gonzalez Meeting With The City Of San Diegodescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Gonzalez is sitting next to his daughter. Pedro J. Gonzalez meeting with the City of San Diego regarding the establishment of a Pedro J. Gonzalez Day to be recognized in the cities of San Diego and Los Angeles. The official day was established on December 22, 1984. Photographsartist/creator Artenstein, Isaaccontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Michael Schnorr and David Avalos. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Pedro J. Gonzalez Meeting With The City Of San Diego
title Pedro J. Gonzalez Meeting With The City Of San Diegodescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Gonzalez is sitting next to his daughter. Pedro J. Gonzalez meeting with the City of San Diego regarding the establishment of a Pedro J. Gonzalez Day to be recognized in the cities of San Diego and Los Angeles. The official day was established on December 22, 1984. Photographsartist/creator Artenstein, Isaaccontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Michael Schnorr and David Avalos. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza. Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Michael Schnorr and David Avalos. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Michael Schnorr and David Avalos. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. David Avalos and Isaac Artenstein. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. David Avalos and Isaac Artenstein. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre: Installation
title Voz Libre: Installationdescription A collaborative project by Schnorr, Ochoa, Guillermo Rosette, Yasue Doudera, and Carlos Esparza Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Installation of the mural Voz Libre, which commemorates Pedro J. González, the 1930’s Los Angeles Spanish-language radio pioneer and immigrant labor advocate. Paintings Photographsartist/creator Doudera, Yasue Ochoa, Victor Esparza, Carlos Schnorr, Michael Artenstein, Isaac Rosette, Guillermocontributor Calisphere -
Voz Libre, P.J. Gonzales (Detail)
title Voz Libre, P.J. Gonzales (Detail)description Detail is of lower 3/4 of mural and features symbols associated with radio broadcasting, as well as writing and music. Edges of square panels are visible. "Painted at the artist studio and Centro Cultural, then taken to the Chicano Park site where they are glued on to the column H-46. This technique is introduced by Michael Schnorr, influenced by a "French" muralist, has not fared well. The community is tearing and scratching, at the surfaces. A metal flashing was used to contain the sides in coming off, creating a danger to the public. Manuel Parsons referred to this approach as "Stickies", because of the method used. This experiment of working in the artist studio, away from Chicano Park is akin to "Plop Art", no one knows when or what the art piece is until it is installed. There is no community interaction, as the work progresses. This approach seems to be very successful in Europe. Not so in Chicano Park until a better solution is found where the art is not easily torn or desecrated." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Doudera, Carlossubject Mexican American Art Radio Stations Mural Art Chicano Art Mass Media And The Arts Mexican Americans Chicanoscontributor Calisphere -
Master Plan Restoration
title Master Plan Restorationdescription "Mario Torero, sporting his "Picasso eye T-shirt", the activity is the restoration of "The Master Plan", mural at S-Abut on Logan Ave." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorcontributor Calisphere -
Restoration Of "The Master Plan Mural"
title Restoration Of "The Master Plan Mural"description Al Ducheny restores mural with Nova color paint and Gesso. "Al Ducheny and his wife Denise Moreno Ducheny, now a California politician, first assisted Salvador Torres organize the restoration work of 1984" Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Unknowncontributor Calisphere -
Drummer
title Drummerdescription "The Chicano Park Arts Council fund-raiser event. Each member displayed art works for sale at a supporter's home." Salvador Torres. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torero, Mariosubject Angels In Art Mexican American Art Chicano Art Musical Instruments In Art Mexican Americans Chicanoscontributor Calisphere -
Voz Libre: The Life Of Pedro J. Gonzalez (Detail)
title Voz Libre: The Life Of Pedro J. Gonzalez (Detail)description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Very bottom portion of Pedro Gonzalez mural, showing him operating a Morse code telegraph transmitter, as well as a biographical statement. This portion of the mural has suffered vandalism in the form of graffiti, which perhaps is the purpose of the detail photo.artist/creator Doudera, Yasuecontributor Calisphere -
Radiating Hand
title Radiating Handdescription "The radiating hand of olin, movement and change. The golden healing hand of light, pure and clean, touching all." Call Number: Box 08, Folder 09, Photo 03 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com;artist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Hand In Art Chicana Art Sculpture Symbolism Chicanas Mexican Americans Chicanoscontributor Calisphere -
Running Deer
title Running Deerdescription A tree branch forms the base of this sculpture, which features an abstract animal face at the top. From behind the face come a part of the branch resembling an antler and a feather. Triangles of handmade paper line the remainder of the branch and diminish in size as they go down. Call Number: Box 09, Folder 02, slide 35 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Animals In Art Feather (Material) Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanos Deer In Artcontributor Calisphere -
Food Of The Gods
title Food Of The Godsdescription Call Number: Box 09, Folder 02, slide 11, and Box 09, Folder 04, slide 13 Circular abstract sculpture features a row of small, purple ears of corn overlapped with semi-circular pieces of handmade paper. There is a tube closed with pipe cleaners on either side of the row. All is contained within a circle formed by bound branches and twigs. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Food In Art Chicano Art Art, Abstract Corn In Art Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Cabroncito
title Cabroncitodescription An animal skull with seashells for eyes rests atop a cone with drawings of women. Long white feathers are attached to the back of the skull and the center of the rear of the cone, as if to represent tailfeathers. Call Number: Box 09, Folder 02, slide 08 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Calaveras Shells In Art Skull In Art Feather (Material) Chicano Art Art, Abstract Bone Chicana Art Sculpture Women In Art Chicanas Mexican Americans Chicanoscontributor Calisphere -
Quetzalcoatl
title Quetzalcoatldescription A square print with an abstract design forms the base for this sculpture. It is hung diagonally, so that is has the shape of a diamond. On top of this print is a white triangle composed of handmade paper. A wooden snake with seashells at the tail stretches from the bottom of the triangle to the top of the diamond and is adorned with copper fixtures and green scales. Call Number: Box 09, Folder 02, slide 34 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Aztec Gods Mexican American Art Shells In Art Quetzalcoatl (Aztec Deity) Serpents In Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
Spirit Cloak
title Spirit Cloakdescription Call Number: Box 09, Folder 02, slide 36 Strips of colored paper and metal are interwoven as they hang from opposite branches of a tree bough. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Art, Abstract Chicana Art Sculpture Chicanas Mexican Americans Chicanoscontributor Calisphere -
All The Way To The Bay Sculptures
title All The Way To The Bay Sculpturesdescription A wooden structure in Chicano Park is painted yellow, red, and blue. A panel of the structure depicts the San Diego Coronado Bay Bridge and a raised Chicano fist. Text on this panel reads, "All the Way to the Bay! 5.4 Acres & More More Murals & Sculptures Not Shipyard". Text on the yellow panel reads, "Being in this urban forest is more than just a day in the sun.". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknowncontributor Calisphere -
Victor Ochoa And Michael Schnorr
title Victor Ochoa And Michael Schnorrdescription Photo is of the artists Victor Ochoa and Michael Schnorr holding a plan for the Voz Libre: The Life of Pedro J. Gonzalez mural. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Unknowncontributor Calisphere -
(Title Unknown)
title (Title Unknown)description A Huichol-style yarn painting from an exhibition at the Centro Cultural de la Raza depicts a woman in a rebozo carrying an infant. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Espinoza, Raulsubject Huichol Textile Fabrics Chicanos Mexican American Art Rebozos Huichol Art Chicano Art Mexican Americans Infants In Artcontributor Calisphere -
Codex
title Codexdescription Mural on unidentified T-Abut, Chicano Park, contains much indigenous imagery, including a deer, a priest, and plants, meant to evoke the Aztec or Mayan codices The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Gonzalez, Octaviosubject Indians Of North America Mexican American Art Aztecs Mural Art Native Americans Chicano Art Shamanism Mayans Mexican Americans Chicanos Deer In Artcontributor Calisphere