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Deer
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Soy un Pobre Vendadito . . .
title Soy un Pobre Vendadito . . .description Acrylic and color pencil on paper, 8.5 in. x 11 in. Wounded deer with male head and cacti on a treadmill. A banner reading "Soy un pobre vendadito que...la serancia como no [...] bajo noche[...] tus brazos..." Francisco Delgado was born on November 3, 1974, in Ciudad Juárez, and grew up in El Paso’s Segundo Barrio. He received his Master of Fine Arts from the Yale School of Art. His Bordeño artworks are informed by the social and cultural struggles inherent to life on the Mexican and United States border. His artwork addresses issues of identity, race, cultural traditions, and government policies that affect migration and immigrants. In his own words, Delgado says, “I am a visual artist with an artistic focus on social issues.” He visually represents the history of his community and creates a dialogue for social change. Often using dark humor or satire to depict his narratives, his artwork highlights the struggles of underrepresented people along the border. A prolific artist, Delgado works in painting, drawing, printmaking, and has also produced community murals. His works have been published in books and exhibited in national and international art exhibitions and community institutions. Francisco currently resides, teaches, and creates artwork in El Paso.artist/creator Delgado, Franciscosubject Satire Borderlands Frontera Treadmills Deer Bow and arrow in art Cactus Antlers Banners Acrylic and color pencils Drawings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Lotería-Tercera Tabla
title Lotería-Tercera Tabladescription Carmen Lomas Garza, Lotería-Tercera Tabla, 1972, color etching on paper, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1995.25.3, © 1972, Carmen Lomas Garzaartist/creator Lomas Garza, Carmensubject Trumpet Umbrella Drum Ladder Deer Skeleton Eagle Bird Shoe Butterfly Hat Hammer Ruins Temple Container Lion Fishingcontributor Smithsonian American Art Museum (SAAM) -
Untitled (Chorus Line)
title Untitled (Chorus Line)description Martín Ramírez, Untitled (Chorus Line), ca. 1950, watercolor, crayon and pencil on joined papers, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr., 1991.96.4Rartist/creator Ramírez, Martíncontributor Smithsonian American Art Museum (SAAM) -
White-Tailed Buck
title White-Tailed Buckdescription Photograph of a white-tailed buck standing on a ridge, among plants and brush in Big Bend country. This photo was included in a research paper for an American History class.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Mule Deer Buck
title Mule Deer Buckdescription Photograph of a beautiful mule deer buck in a clearing in West Texas. This photo was included in a research paper by Harvey Slaton for an American History class in 1971.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Wildllife of the Big Bend
title Wildllife of the Big Benddescription Research paper written for an American History Class at Marfa High School, describing a day in the Big Bend area and noting all the wildlife one might see. It includes free-hand drawings of many animals and birds.artist/creator Slaton, Harveysubject Skunks Predators Cougars Javelinas Turkeys Jack Rabbits Golden Eagles Black Gap Badgers Sheep Antelopes Bobcats Deer Partridges Animals Big Bend Region National Audubon Society Landscape And Nature - Wildlife Texas Parks And Wildlife Management Coyotes Food Chains Quail Porcupines Gray Foxes Doves Rattlesnakes Jackrabbitscontributor Portal to Texas History (TPTH) -
Moon Spirit
title Moon Spiritdescription Call Number: Box 09, folder 04, slide 05 The thorny branches of a rosebush form the base for this sculpture. Handmade paper is plastered around the base and mussels shells serve as eyes. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Moon - In Art Thorns Art, Abstract Chicana Art Sculpture Indigenous cultures Earth-based Paper pulp Mixed media Environmental art Environmentalism Deer Wood (plant material) Indígenas Indigeneity Shells in artcontributor Calisphere