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De La Loza, Ernesto
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El Nuevo Mundo: Homage To The Worker, Los Angeles, 1996
title El Nuevo Mundo: Homage To The Worker, Los Angeles, 1996description El Nuevo Mundo: homage to the worker, Los Angeles, 1996, Peerless Hardware, exterior, 2011 West Sunset Boulevard (at Park Avenue), Echo Park. Breaking barriers. How immigrants contribute to our everyday lives, including solo image of a day laborer. Acrylic, 16' x 40' (2 panels), by Ernesto de la Loza. Sponsored by Echo Park Pride Committee. -- Dunitz, Street gallery, p. 113, #37.contributor Calisphere -
Resurrection Of The Green Planet, Boyle Heights, 1991
title Resurrection Of The Green Planet, Boyle Heights, 1991description Resurrection of the green planet, Boyle Heights, 1991. 2242 East Cesar Chavez Avenue (at Breed Street), Boyle Heights. The importance of protecting and preserving the earth is the theme. A grandmother/curandera (healer) is shown passing her wisdom on to a younger generation. Acrylic, approximately 15' x 50', by Ernesto de la Loza, assisted by Sandra de la Loza, Gloria Guerrero, Nikki Michel, Rene Olmos. Sponsored by Social and Public Art Resource Center. -- Dunitz, Street gallery, rev. 2nd ed., p. 311,, #72.artist/creator De La Loza, Ernesto Guerrero, Gloria Michel, Nikki Olmos, Rene De La Loza, Sandra Dunitz, Robin Jcontributor Calisphere -
Bridges To East L.A., Boyle Heights, 1993
title Bridges To East L.A., Boyle Heights, 1993description Bridges to East L.A., Boyle Heights, 1993. St. Louis Street at East First Street, Boyle Heights. Chicano identity within the context of war, cultural imperialism, urbanization, economic exploitation, and miscegination. The central image is a larger-than-life Chicana rising from the embers and the dizzying forces from which she was born. She embodies the resistance and vitality of the local community. The youth assistants did the aerosol piece facing the back of the building. Acrylic and aerosol, approximately 15' x 40', by Ernesto de la Loza, assisted by youth. Sponsored by L.A. Cultural Affairs Dept., L.A. Recovery Fund. -- Dunitz, Street gallery, rev. 2nd ed., p. 316, #88.contributor Calisphere -
City Of Passion, Los Angeles, 1997
title City Of Passion, Los Angeles, 1997description City of passion, Los Angeles, 1997, Carmelo's Cuban Restaurant, 1800 West Sunset Boulevard (at Lemoyne Street), Echo Park. Latino folklore, romance, and drama as found in the classic novela. Acrylic, 18' x 50', by Ernesto de la Loza, assisted by Naomi Goffman and local youth. Sponsored by Echo Park Pride Committee. -- Dunitz, Street gallery, Rev. 2nd ed., p.114, #42.contributor Calisphere -
Los Cuatros Grandes, Boyle Heights, 1993
title Los Cuatros Grandes, Boyle Heights, 1993description Los cuatros grandes, Boyle Heights, 1993. Hunter Street. The first mural painted at Estrada courts in ten years, it portrays (from left to right) Cesar Chavez, Emiliano Zapata, Pancho Villa, and the Spanish comic actor (who had just died), Cantinflas. Acrylic on stucco, by Ernesto de la Loza lead artist, with youth and residents. -- Dunitz, Street gallery, rev. 2nd ed., p. 296, #AW.subject Cantinflas, 1911-1993 Mural Painting And Decoration Villa, Pancho, 1878-1923 Chavez, Cesar, 1927-1993 Street Art Zapata, Emiliano, 1879-1919contributor Calisphere -
Capitalista
title Capitalistadescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com Work is composed of 20 silkscreen panels and depicts George Washington riding the monster of Eurocentrism. A jaguar looks on as indigenous people confront this beast. In the background, the Capitol"ista" Records building looms. In the sky above George Washington is a seal with Caesar's quote "Veni Vidi Vici".artist/creator De La Loza, Ernestosubject Washington, George, 1732-1799 Mexican American Art Capitalism Jaguar In Art Caesar, Julius Chicano Art Architecture In Art Prints Mexican Americans Chicanos Anti-racism Criticismcontributor Calisphere