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Date is exactly
1980
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Governor of the Tarahumaras
title Governor of the Tarahumarasdescription Etching on paper, 20 in. x 13 in. Portrait of Governor of the Tarahumaras in foreground, with flat landscape and wooden house in background. Artist Marta Arat (1932-2002) was born in Ciudad Juarez, Chihuahua, Mexico. She spent most of her adult life along the El Paso-Juárez border, where she studied art at The University of Texas at El Paso. Arat painted her social and spiritual self and created work that experimented with color while mirroring a time and place that reflects the region of the Chihuahuan borderlands. Arat’s work presents images taken from the beauty and diversity of people’s hopes, aspirations and dreams. Marta Arat painted a full spectrum of women, with the belief that women along the US-Mexico border are often overlooked though they are a historic example of life and change. She was a close friend of the El Paso collector Juan Sandoval. Arat was active in the Soñando Juntos organization, an immigrant youth-led organization that empowers borderland immigrant youth through civic engagement. Locally, her first exhibition Life in the Barranca Del Cobre in 1980 was followed by her first group exhibition La Mujer y Su Arte in 1984. Arat’s artwork has been published in magazines, books, and commercially. From Chihuahua, Mexico throughout Texas and to other parts of the region, she has exhibited in museums, galleries and university libraries. Her paintings can be found in many private, corporate, and public museum collections throughout Mexico and the United States.artist/creator Arat, Martasubject Indigenous peoples Indígenas Workers Governors Farmworkers Elders Ancianos Nature in art Leadership Borderlands Frontera Tarahumara Indians Intaglio Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Untitled
title Untitleddescription Graphite on paper, 14 in. x 16 in. Portrait of elderly woman wearing a sun hat. Artist Marta Arat (1932-2002) was born in Ciudad Juarez, Chihuahua, Mexico. She spent most of her adult life along the El Paso-Juárez border, where she studied art at The University of Texas at El Paso. Arat painted her social and spiritual self and created work that experimented with color while mirroring a time and place that reflects the region of the Chihuahuan borderlands. Arat’s work presents images taken from the beauty and diversity of people’s hopes, aspirations and dreams. Marta Arat painted a full spectrum of women, with the belief that women along the US-Mexico border are often overlooked though they are a historic example of life and change. She was a close friend of the El Paso collector Juan Sandoval. Arat was active in the Soñando Juntos organization, an immigrant youth-led organization that empowers borderland immigrant youth through civic engagement. Locally, her first exhibition Life in the Barranca Del Cobre in 1980 was followed by her first group exhibition La Mujer y Su Arte in 1984. Arat’s artwork has been published in magazines, books, and commercially. From Chihuahua, Mexico throughout Texas and to other parts of the region, she has exhibited in museums, galleries and university libraries. Her paintings can be found in many private, corporate, and public museum collections throughout Mexico and the United States.artist/creator Arat, Martasubject Elders Ancianos Workers Sun hats Farmworkers Women Borderlands Frontera Indigenous peoples Indígenas Tarahumara Indians Graphite pencils Drawings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
It's Simple Steve
title It's Simple Stevedescription Herbert Sigüenza, Unidentified, It's Simple Steve, ca. 1980, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2020.45.8artist/creator Sigüenza, Herbertsubject Politicalcontributor Smithsonian American Art Museum (SAAM) -
Chile Presente
title Chile Presentedescriptionartist/creator Castro, Renésubjectcontributor Smithsonian American Art Museum (SAAM) -
Azlo Magazine
title Azlo Magazinedescriptionartist/creator González, Louie "The Foot"subjectcontributor Smithsonian American Art Museum (SAAM) -
Los Santos de San Antonio
title Los Santos de San Antoniodescriptionartist/creator Treviño, Jessesubjectcontributor Smithsonian American Art Museum (SAAM) -
Aparador
title Aparadordescriptionartist/creator Yampolsky, Marianasubjectcontributor Smithsonian American Art Museum (SAAM) -
Chicano Week University Minnesota 1980
title Chicano Week University Minnesota 1980description Rupert García, Chicano Week University Minnesota 1980, 1980, offset lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Mr. and Mrs. Gerald D. Kohs), 2020.20.94, © 1980, Rupert Garcíaartist/creator García, Rupertsubject Dogcontributor Smithsonian American Art Museum (SAAM) -
Undocumented
title Undocumenteddescription Malaquias Montoya, Undocumented, 1980, signed 1981, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2015.29.2, © 1981, Malaquias Montoyaartist/creator Montoya, Malaquiascontributor Smithsonian American Art Museum (SAAM) -
Unidentified boxer, full length portrait
title Unidentified boxer, full length portraitdescription Rafael Doniz, Unidentified boxer, full length portrait, 1980, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.13artist/creator Doniz, Rafaelcontributor Smithsonian American Art Museum (SAAM) -
Lapstrake I
title Lapstrake Idescription Jesús Moroles, Lapstrake I, 1980, Georgia gray granite, Smithsonian American Art Museum, Gift of Alton and Emily Steiner, 2002.82artist/creator Moroles, Jesússubjectcontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, Termino Ave. and Pacific Coast Highway, Looking North, from the Long Beach Documentary Survey Project
title Public Transit Areas, Termino Ave. and Pacific Coast Highway, Looking North, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, Termino Ave. and Pacific Coast Highway, Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.685, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, 1st and Pine Ave., Looking North, from the Long Beach Documentary Survey Project
title Public Transit Areas, 1st and Pine Ave., Looking North, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, 1st and Pine Ave., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.684, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, Olive Ave. and 7th St., Looking North, from the Long Beach Documentary Survey Project
title Public Transit Areas, Olive Ave. and 7th St., Looking North, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, Olive Ave. and 7th St., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.683, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, California Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project
title Public Transit Areas, California Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, California Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.682, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project
title Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.681, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, 4th St. and Junipero Ave., Looking North, from the Long Beach Documentary Survey Project
title Public Transit Areas, 4th St. and Junipero Ave., Looking North, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, 4th St. and Junipero Ave., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.680, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project
title Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.679, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, 10th St. and Long Beach Blvd., Looking East, from the Long Beach Documentary Survey Project
title Public Transit Areas, 10th St. and Long Beach Blvd., Looking East, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, 10th St. and Long Beach Blvd., Looking East, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.678, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, 4th St. and Olive, Looking North, from the Long Beach Documentary Survey Project
title Public Transit Areas, 4th St. and Olive, Looking North, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, 4th St. and Olive, Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.677, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
Public Transit Areas, Ocean and Pacific Ave., Looking East, from the Long Beach Documentary Survey Project
title Public Transit Areas, Ocean and Pacific Ave., Looking East, from the Long Beach Documentary Survey Projectdescription Anthony Hernandez, Public Transit Areas, Ocean and Pacific Ave., Looking East, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.676, © 1980, Anthony Hernandezartist/creator Hernandez, Anthonycontributor Smithsonian American Art Museum (SAAM) -
St. Martin Caballero (Double figure)
title St. Martin Caballero (Double figure)description Enrique Rendon, St. Martin Caballero (Double figure), 1980, painted cottonwood, cloth, leather, fiber, metal, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.79artist/creator Rendon, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Tenth Annual Día de los Muertos Celebration
title Tenth Annual Día de los Muertos Celebrationdescription Luis C. González, Tenth Annual Día de los Muertos Celebration, 1980, screenprint on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.52artist/creator González, Louie "The Foot"contributor Smithsonian American Art Museum (SAAM) -
EL TEATRO CAMPESINO, EL FIN del MUNDO
title EL TEATRO CAMPESINO, EL FIN del MUNDOdescription Dan Segura, Richard Duardo, EL TEATRO CAMPESINO, EL FIN del MUNDO, 1980, screenprint on paperboard, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.46artist/creator Segura, Dancontributor Smithsonian American Art Museum (SAAM) -
5 aniversario, San Antonio cinefestival
title 5 aniversario, San Antonio cinefestivaldescription César Martínez, 5 aniversario, San Antonio cinefestival, 1980, mechanical reproduction on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.35artist/creator Martínez, Césarcontributor Smithsonian American Art Museum (SAAM) -
Cholo, Live
title Cholo, Livedescription Juan Fuentes, Cholo, Live, 1980/printed 1981, offset lithograph on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.19, ©1980, Juan R Fuentesartist/creator Fuentes, Juancontributor Smithsonian American Art Museum (SAAM) -
Untitled (nahui ollin)
title Untitled (nahui ollin)description Carlos A. Cortéz, Untitled (nahui ollin), 1980, woodcut on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.11, © 2020, Dora Katsikakisartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
Anisinabe Waki-Aztlan
title Anisinabe Waki-Aztlandescription Carlos A. Cortéz, Anisinabe Waki-Aztlan, 1980, linoleum cut on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.5, © 2020, Dora Katsikakisartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
Untitled (Sketches of Animals)
title Untitled (Sketches of Animals)description Felipe Archuleta, Untitled (Sketches of Animals), 1980, ballpoint pen and ink on paperboard, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak, 1992.109artist/creator Archuleta, Felipe Benitocontributor Smithsonian American Art Museum (SAAM) -
Placa/Rollcall
title Placa/Rollcalldescription Charles "Chaz" Bojórquez, Placa/Rollcall, 1980, acrylic on canvas, Smithsonian American Art Museum, Gift of the artist, 1992.64.1artist/creator Bojórquez, Charles "Chaz"contributor Smithsonian American Art Museum (SAAM) -
"One man with courage makes a majority."--Andrew Jackson, 1767-1845. From the series Great Ideas.
title "One man with courage makes a majority."--Andrew Jackson, 1767-1845. From the series Great Ideas.description Rufino Tamayo, "One man with courage makes a majority."--Andrew Jackson, 1767-1845. From the series Great Ideas., 1980, color intaglio on paper, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.283artist/creator Tamayo, Rufinosubject Figure Malecontributor Smithsonian American Art Museum (SAAM) -
Barnburning, Monrovia, Maryland
title Barnburning, Monrovia, Marylanddescription Frank P. Herrera, Barnburning, Monrovia, Maryland, 1980, gelatin silver print, Smithsonian American Art Museum, Museum purchase, 1986.22.1, © 1980, Frank P. Herreraartist/creator Herrera, Frank P.contributor Smithsonian American Art Museum (SAAM) -
Singing Head
title Singing Headdescription Elizabeth Catlett, Singing Head, 1980, black Mexican marble, Smithsonian American Art Museum, Museum purchase, 1989.52artist/creator Catlett, Elizabethsubject Headcontributor Smithsonian American Art Museum (SAAM) -
Gronk : off-the-wall artist
title Gronk : off-the-wall artistdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Gamboa, Harry, Jr. -
Introduction
title Introductiondescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Weitz, Robert L. -
Some thoughts concerning the exhibit of "Hispanic American Art in Chicago"
title Some thoughts concerning the exhibit of "Hispanic American Art in Chicago"description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Sorell, V. A. (Victor A.) -
Artists' statements
title Artists' statementsdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Unknown -
[Letter] 1980 December 18, La Misión, San Francisco [to] Malaquías Montoya
title [Letter] 1980 December 18, La Misión, San Francisco [to] Malaquías Montoyadescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Carrillo, Graciela -
An aesthetic alternative
title An aesthetic alternativedescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Almaraz, Carlos -
Chicano hispanic arts philanthropy : a statement on the state of the art
title Chicano hispanic arts philanthropy : a statement on the state of the artdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Trujillo, Lorenzo A. -
Response : another opinion on the state of Chicano art
title Response : another opinion on the state of Chicano artdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Goldman, Shifra M. -
A critical perspective on the state of Chicano Art
title A critical perspective on the state of Chicano Artdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website section -
Mexican Family Archives
title Mexican Family Archivesdescription Portrait of a young man, Rogelio Martinez, wearing a Letterman jacket with a backdrop in background. There is a note on the back of the photograph in Spanish.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Texas Trends in Art Education, Volume 2, Number 5, Fall 1980
title Texas Trends in Art Education, Volume 2, Number 5, Fall 1980description Journal of the Texas Art Education Association includes articles related to theoretical, social, educational, and cultural issues affecting art education in Texas as well as articles about practical methods and programs for art education at various levels of instruction.artist/creator Wilder, Bonnie Mattil, Ed Moon, Marvin Ulbricht, J. Lockhart, Bill C. Felts, Rebecca Hastie, Reid Stewart, Charles Texas Art Education Association Kincaid, Clarence Miller, Phyllis Johnson, James J., Jr. Francis, Bill D. Lucas, Margaret White, Dennis Schlichter, Karlsubject Teaching Methods Teachers Art Classes Education Art -- Study And Teaching -- Texas -- Periodicals. Arts And Craftscontributor Portal to Texas History (TPTH) -
Dallas Museum of Fine Arts Bulletin (1980-1983)
title Dallas Museum of Fine Arts Bulletin (1980-1983)description Issue Contents:
Museum Activities for November-December 1980: Shakespeare's World Arrives; Thomas A Livesay Appointed Assistant Director for Administration; New Museum Update; An English Japanned Cabinet on Stand, c. 1680-1700;
DMFA November-December Events: Shakespeare Film Program; Evening Lecture Series; Museum Staff Lectures; Elizabethan Theater Performances; Icebergs Oil Sketches on Display; Fall Children's Programs; Visit Kimbell's China Bronze Show; Shakespeare Around Dallas; Chrysler Imperial Museum Ball Prize; Shakespeare Shop Opensartist/creator Dallas Museum Of Fine Artscontributor Portal to Texas History (TPTH) -
Dallas Museum of Fine Arts Bulletin (1980-1983)
title Dallas Museum of Fine Arts Bulletin (1980-1983)description Issue Contents:
Museum Activities for September-October 1980; Dallas Museum of Fine Arts Calendar of Events; DMFA September-October Events; Books, Crafts, Jewelry, and Rare Giftsartist/creator Dallas Museum Of Fine Artscontributor Portal to Texas History (TPTH) -
Dallas Museum of Fine Arts Bulletin, July-August 1980
title Dallas Museum of Fine Arts Bulletin, July-August 1980description Issue Contents: Museum Activities for July-August 1980: Steven Nash Appointed Assistant Director/Chief Curator; Curators Lunsford and Graze Promoted; New Museum Update; Andre Sculpture Acquired with Assistance from The 500, Inc.; McDermott Summer Intern Chosen; DMFA July-August Events: Guatemalan Textiles from the Collection of Patsy and Raymond D. Nasher; Georges Vantongerlooartist/creator Dallas Museum Of Fine Artscontributor Portal to Texas History (TPTH) -
Dallas Museum of Fine Arts Bulletin (1980-1983)
title Dallas Museum of Fine Arts Bulletin (1980-1983)description Issue Contents: Museum Activities for May-June 1980: New Museum Receives Million Dollar ARCO Gift, Colorful "Wiley Territory", Canova's "Victory" Acquired; DMFA May-June Events: Assemblage, SMU, and DMFA Sponsor Lectures, Wine and Cheese at SMU; Museum League Hosts Walsh; Gallery Talks; Area Noteworthy Events; Offerings from the United States to China in Your Museum Shop.artist/creator Dallas Museum Of Fine Artscontributor Portal to Texas History (TPTH) -
Dallas Museum of Fine Arts Bulletin, April-May 1980
title Dallas Museum of Fine Arts Bulletin, April-May 1980description Issue contents: Museum Activities for April-May 1980: $200,000 Member Challenge, Original Plaster Sculpture from Henry Moore, Henry Moore on Bronze Casting, Monet Water Lilies Here on Loan; Dallas Museum of Fine Arts Calendar of Events; Exhibitions: Japan Photographs 1854-1905, Wiley Territory; Gallery Talks; Films, Evening Lectures; Saturday Slide Lectures, Children's Programs, Noteworthy Events Elsewhere; Museum Shop Oriental Offeringsartist/creator Dallas Museum Of Fine Artscontributor Portal to Texas History (TPTH) -
Unveiling of statue of Ignacio Zaragoza at Goliad, Texas
title Unveiling of statue of Ignacio Zaragoza at Goliad, Texasdescription Photograph of the unveiling of a statue of Ignacio Zaragoza in Goliad, Texas, on September 13, 1980.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Create Barrios Unidos, San Fernando, Early 1980S
title Create Barrios Unidos, San Fernando, Early 1980Sdescription Create barrios unidos, San Fernando, early 1980s. Chacon's Barber Shop, exterior, 750 Kalisher Street (mural on Woodworth Street), San Fernando. This is a call for pride in being Chicano, for unity instead of fighting between gangs. The central figure is the Aztec king Cuauhtemoc. His name means "Descending Eagle" in the Aztec language Nahuatl. By Juan Pueblo, Donna Reyes, George Duarte, and several assistants. -- Dunitz, Street gallery, p. 139, #25.subject Peace Mural Painting And Decoration History Mexican-Americans Cuauhtemoc, Emperor Of Mexico, 1495?-1525 Gangs Street Art Chacon'S Barber Shopcontributor Calisphere -
The History Of L.A., East Los Angeles, 1980
title The History Of L.A., East Los Angeles, 1980description Dunitz, Street Gallery, Revised 2nd edition, p. 304, #41. The History of L.A., East Los Angeles, 1980. Argil Building Materials Company, exterior, 4754 Floral Drive (near North Mednick Avenue). Symbols from Chicano history and modern Los Angeles. Acrylic on cinder block, by Carlos Almaraz, assisted by Guillermo Bejarano. -- Dunitz, Street gallery, p. 315, #60contributor Calisphere -
The History Of L.A., East Los Angeles, 1980
title The History Of L.A., East Los Angeles, 1980description The History of L.A., East Los Angeles, 1980. Argil Building Materials Company, exterior, 4754 Floral Drive (near North Mednick Avenue). Symbols from Chicano history and modern Los Angeles. Acrylic on cinder block, by Carlos Almaraz, assisted by Guillermo Bejarano. -- Dunitz, Street gallery, p. 315, #60.contributor Calisphere -
Moctezuma, Boyle Heights, 1980
title Moctezuma, Boyle Heights, 1980description Moctezuma, Boyle Heights, 1980. El Moctezuma Cafe, exterior, 3277 Avenida Cesar Chavez (at Bernal Avenue), Boyle Heights. A scene of the Spanish arrival on Mexican shores, including a confrontation between the Spanish and the Aztecs. Moctezuma was the emperor of the Aztecs at the time of the Spanish Conquest. Acrylic on stucco, by Manuel Cruz. -- Dunitz, Street gallery, rev. 2nd ed., p. 303, #38.contributor Calisphere -
Senzo, Los Angeles, 1980
title Senzo, Los Angeles, 1980description Senzo, Los Angeles, 1980, Japanese Village Plaza, exterior, 327 East 1st Street (near Central Avenue), Little Tokyo. Dedicated to the pioneering spirit of early Japanese immigrants, the mural includes eight historical photographs depicting their struggles, and achievements. Four are images of the World War II internment camps in which Japanese-Americans were placed. The others are pictures of 19th century railroad and agricultural workers, and Little Tokyo in its early days. Photo-sensitized ceramic tile, 24' x 9', by M. Matsukuma. Sponsored by NEA, CETA, CAC. -- Dunitz, Street gallery, p. 38, #43.contributor Calisphere -
Class Daydream, Boyle Heights, 1980
title Class Daydream, Boyle Heights, 1980description Class daydream, Boyle Heights, 1980. Murchison Street School, lunch pavilion, 1501 Murchison Street (between Norfolk and Alcazar Streets). A blending of education-themed imagery. Acrylic, 60' x 8', by Ernesto de la Loza. Sponsored by the Murchison Street School. -- Dunitz, Street gallery, rev. 2nd ed., p. 303, #39.contributor Calisphere -
Chile Presente
title Chile Presentedescription These posters are unique primary historical documents that record local events that might otherwise go untold and address diverse social issues of great significance to California residents.subject Art And Culturecontributor Calisphere -
Rumbos De Expresion
title Rumbos De Expresiondescriptionartist/creator Carrasco, Barbarasubject Chicano/Latinocontributor Calisphere -
Nucleus
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El Futuro De Nuestra Raza
title El Futuro De Nuestra Razadescriptionartist/creator Estaban Palacios, Patricia Rcontributor Calisphere -
Rudy Lozano
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Respect Life Stop Reagan
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In Memoriam To The Children Of Africa
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November 29 International Day Of Solidarity With Palestine
title November 29 International Day Of Solidarity With Palestinedescriptionsubject Palestine (Middle East)contributor Calisphere -
National Chicano Moratorium
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Victor Jara
title Victor Jaradescription These posters are unique primary historical documents that record local events that might otherwise go untold and address diverse social issues of great significance to California residents.artist/creator Castro, Renesubject Human Rightscontributor Calisphere -
La Raza Graphic
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Aura Benefit Dance
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Sandino
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Cinco De Mayo
title Cinco De Mayodescriptionartist/creator Montoya, Malaquiassubject Chicano/Latinocontributor Calisphere -
Tuloy Ang Pakikibaka
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Free Narciso And Perez
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Justice
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Sandino Vive
title Sandino Vivedescription These posters are unique primary historical documents that record local events that might otherwise go untold and address diverse social issues of great significance to California residents.artist/creator Mission Graficacontributor Calisphere -
Black To Roots Music Festival
title Black To Roots Music Festivaldescriptionartist/creator Garcia, Rupertsubject African Americanscontributor Calisphere -
Triunfo Sandinista
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8Th Annual Dia Del Barrio
title 8Th Annual Dia Del Barriodescriptionartist/creator Montoya, Malaquiascontributor Calisphere -
Raza Day 80 U.C. Berkeley
title Raza Day 80 U.C. Berkeleydescriptionartist/creator Guerrero, Ernestosubject Chicano/Latinocontributor Calisphere -
Vivan Los Heroes Del Fdr
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Sadomasochist Man: Detail
title Sadomasochist Man: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Printscontributor Calisphere -
Day Of The Dead Installation
title Day Of The Dead Installationdescription Day of the Dead art installation with a framed photograph of Diego Rivera and Frida Kahlo, a copy of Friday Kahlo's Self-portrait as a Tehuana, skulls, skeletons, and various other ex-votos. Dia de los Muertos Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Sculpture and Installationssubject Kahlo, Frida, 1907-1954 Popular Culture Marketing Mexican American Art Human Skeleton Skull Rivera, Diego, 1886-1957 All Souls' Day Household Shrines Installations (Visual Works) Votive Offeringscontributor Calisphere -
Shrine
title Shrinedescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Sculpture and Installationscontributor Calisphere -
Houshold Shrine
title Houshold Shrinedescription Decorative Arts, Utilitarian Objects and Interior Design Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s.contributor Calisphere -
Spic Talk
title Spic Talkdescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Film, Audio, Video and Digital Art Television host for a show called Spic Talk interviews an actor impersonating Julio Iglesias. Later "Iglesias" is kidnapped and the host is threatened by a masked "terrorist" with a gun.artist/creator Cinewest Productionssubject Mexican American Art Political Art Humor Comedy Sketches Television Talk Shows Video Art Satire (Artistic Device) Performance Art Iglesias, Julio, 1943- Television Programs Terrorists Parody Television Talk Show Hostscontributor Calisphere -
Bearded Man With Glasses: Detail
title Bearded Man With Glasses: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Printscontributor Calisphere -
Vegetable Sculpture
title Vegetable Sculpturedescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Sculpture and Installationscontributor Calisphere -
Sadomasochist Man: Detail
title Sadomasochist Man: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Printscontributor Calisphere -
Day Of The Dead Installation
title Day Of The Dead Installationdescription Day of the Dead art installation with a portrait of José Guadalupe Posada arm and arm with one of his calaveras (animated skeletons). This image is similar to Diego Rivera's portrait of Posada in Rivera's mural "Dream of a Sunday afternoon in Alameda Park." The installation also includes skulls, skeletons, and various other ex-votos. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Part of the Latino Boom Boom collection of popular culture images focusing on marketing to the Latino population in the United States in the 1980s. Sculpture and Installationssubject Popular Culture Marketing Mexican American Art Human Skeleton Skull Votive Candles All Souls' Day Household Shrines Posada, José Guadalupe, 1852-1913 Installations (Visual Works) Votive Offeringscontributor Calisphere -
Zapata
title Zapatadescription Black border with Zapata's name at the top. There is a saying on the bottom which says "the land belongs to the one who works it." Middle is a yellow drawing of Zapata. not signed. Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained Linda Lucero c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Siguenzasubject Graphic Arts Mexican American Art Chicano Art Prints Revolutionaries Posters Zapata, Emiliano, 1879-1919 Mexican Americans Chicanoscontributor Calisphere -
Bernabé, Announcement Poster For
title Bernabé, Announcement Poster Fordescription Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained Linda Lucero c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Play by Luis Valdez performed by Teatro Latino and Teatro Gusto. June 12-27 at 8 p.m. Blue sky with moon and an aloe very plant on the right. Dirt on the bottom of the poster with a baby being buried.artist/creator Siguenzasubject Mexican American Art Plays Skull In Art Chicano Art Prints Mexican Americans Aloe Teatro Valdez, Luis Posters Graphic Arts Chicanoscontributor Calisphere -
Eagle In The Chicano Park Cactus Garden
title Eagle In The Chicano Park Cactus Gardendescription "This view of the rear of the sculpture shows the viewer a sculpture that has a flat view from the front facing Logan Avenue. A major viewing is seen from I-5. Millions of viewers see the rear of this sculptures structures cross angle. This sculpture was made away from Chicano Park and placed in the sculpture garden. Guillermo Rosete painted the base. Red represents water, the blood life of the earth. Green represents the plants of the earth that need this life blood." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Jaquez, Raulsubject Mexican American Art Metal Sculpture Eagles Chicano Art Sculpture Mexican Americans Chicanoscontributor Calisphere -
Coatlicue
title Coatlicuedescription Coatlicue, our mother and destroyer. She holds the sun in one hand and the earth (turtle island) in the other. The moon is behind her. She is multi-colored, but Green and Purple dominate. The background is a fiery red. Beneath her feet are indigenously stylized snakes or dragons. Text reads: "Coatlicue Diosa De La Tierra Earth Goddess" The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Yamagata, Susansubject Mexican American Art Aztec Goddesses Mural Art Chicano Art Asian American Art Coatlicue (Aztec Deity) Chicanas Mexican Americans Chicanoscontributor Calisphere -
Amoeba
title Amoebadescription Abstract sculpture in composed of triangular pieces of paper attached to a monotype print in yellow. Many other objects are also adhered to its surface. Call Number: Box 09, Folder 02, slide 07 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Mexican American Art Chicano Art Prints Art, Abstract Chicana Art Sculpture Chicanas Graphic Arts Chicanoscontributor Calisphere -
Jergins Trust Studio
title Jergins Trust Studiodescription Call Number: Box 08, folder 12, slide 15 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the Jergins Trust Studio, where Vallejo worked from 1980-1985. This photo is of several works on a wall in the studio.artist/creator Artist Unknownsubject Mexican American Art Chicano Art Chicana Art Artists' Studios Chicanas Mexican Americans Chicanoscontributor Calisphere -
Jergins Trust Studio
title Jergins Trust Studiodescription Call Number: Box 08, folder 12, slide 29 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.com This series of slides documents the Jergins Trust Studio, where Vallejo worked from 1980-1985. This photo is of Vallejo at work.artist/creator Artist Unknownsubject Mexican American Art Women Artists Chicano Art Chicana Art Artists' Studios Chicanas Mexican Americans Chicanoscontributor Calisphere -
Birth
title Birthdescription A piece of handmade paper serves as the base for this sculpture. On it are placed two pink rectangular prisms arranged to form the shape of a capital lambda. The resulting triangle in the center is white. Wool is bound to the outside of these prisms with coiled wire. Call Number: Box 09, folder 04, slide 01 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Linda Vallejo c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu E-mail: vallejo@earthlink.net Web: www.lindavallejo.comartist/creator Vallejo, Lindasubject Art, Abstract Chicana Art Sculpture Chicana feminism Monotypes Abstraction Abstracts Feminism Electric wires Womb Fetus Birth Mixed Mediacontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Painting in unknown media is divided into four quadrants. A person whose bones are visible through their skin is at the center. Other images include a fetus, a pyramid, and a winged circle. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Ochoa, Victorsubject Fetus Mexican American Art Pyramids - Mexico Pyramids In Art Chicano Art Art, Abstract Bones Mexican Americans Chicanoscontributor Calisphere -
Castillian Mandala
title Castillian Mandaladescription From Parades (Barcelona Province) Exhibition at Centro Cultural de la Raza, Balboa Park, San Diego. Mural in unknown media on an interior wall of an unknown building does not take up the entire wall. It is circular, and features an eye in the center of two outward-facing faces. A tree grows from the top of the eye and fruit hands from its branches. Text on the outer ring reads, "Mas Basteret". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Ochoa, Victorcontributor Calisphere -
Placa/Rollcall
title Placa/Rollcalldescription Acrylic painting is of a series of rows of letters in tagging script. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Bojórquez, Chazcontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Painting in unknown media is a self-portrait. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Ochoa, Victorcontributor Calisphere