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Dancers on stage at 2015 Carnaval 2
title Dancers on stage at 2015 Carnaval 2description A photograph of dancers on a stage in the Library Mall during the 2015 Hispanic Heritage Month Carnaval. They are wearing outfits made of feathers and sequin details with collars and bracelets with feather and jewel crowns. Another performer is standing with them.artist/creator University Of North Texas. Multicultural Center.subject Arts And Crafts - Dance Performances Dancers Library Mall Feathers Carnival Groups Hispanic Heritage Month Performers Division Of Institutional Equity And Diversity Multicultural Center Unt Outfits People - Individuals Education - Colleges And Universities - University Of North Texas Education - Schools - Students Headdressescontributor Portal to Texas History (TPTH) -
Dancers on stage at 2015 Carnaval 1
title Dancers on stage at 2015 Carnaval 1description A photograph of dancers on a stage in the Library Mall during the 2015 Hispanic Heritage Month Carnaval. They are wearing outfits made of feathers and sequin details with collars and bracelets with feather and jewel crowns. Another performer is standing with them.artist/creator University Of North Texas. Multicultural Center.subject Arts And Crafts - Dance Performances Dancers Library Mall Feathers Carnival Groups Hispanic Heritage Month Performers Division Of Institutional Equity And Diversity Multicultural Center Unt Outfits People - Individuals Education - Colleges And Universities - University Of North Texas Education - Schools - Students Headdressescontributor Portal to Texas History (TPTH) -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdressescontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdresses Flagscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing Christopher Columbus's discovery of America 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Native American Satire (Artistic Device) Performance Art Costumes Gesture Headdressescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription "1992" a Performance Trilogy by Guillermo Gómez-Peña Assemblage of two "1992" performance stills advertising the performance. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Advertisements Political Art Humor Imperialism Native American Microphone Satire (Artistic Device) Performance Art Costumes Gesture Headdressescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdressescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Headdressescontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Native American Satire (Artistic Device) Performance Art Costumes Megaphones Gómez-Peña, Guillermo Headdressescontributor Calisphere -
The Great Balboa Park Landfill Exposition Of 1997: Aztec Dance Performance
title The Great Balboa Park Landfill Exposition Of 1997: Aztec Dance Performancedescription Balboa Park (San Diego, Calif.) Cindy Zimmerman's Community Engagement project for inSITE97 was the development of a new park environment at the landfill adjacent to Florida Canyon in Balboa Park. Constructing the piece over several months, Zimmerman involved children and families in the creation and placement of straw bales and clay in the landfill to make labyrinths, temporary earthworks, and adobe structures. "The Great Balboa Park Landfill Exposition of 1997/La gran exposicion del relleno del Balboa Park 1997" transformed an unused and unattractive plot of land into a new community park and art installation. Zimmerman led workshops and meetings throughout the project to involve the community and collaborate with the participants to create art from organic materials. -- inSITE97 Garden and Landscape Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 430) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Zimmerman, Cindysubject Landfills Renovation Play Border Art Sculpture (Visual Work) Public Art Mexican-American Border Region Rituals (Events) Insite97 Dance Installations (Visual Works) Headdressescontributor Calisphere