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Date is exactly
2011
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Damn I Forgot to Block
title Damn I Forgot to Blockdescription Acrylic on linen / acrílico sobre lino. 33 3/4" x 36".artist/creator Ortiz, Errolsubject Chicago Imagists (Group of artists) Self-portraits Figurative art Black belt Autobiographies Karatecontributor National Museum of Mexican Art (NMMA) -
Gallery Without Borders Sign
title Gallery Without Borders Signdescription Neon, glass and metal sign / anuncio en neón, vidrio y metal. 55" x 58" x 13".artist/creator Voyles, Evansubject Galería Sin Fronteras Neon signs Texas--Austin Advertisements Cárdenas, Gilberto Art galleries Sculpturecontributor National Museum of Mexican Art (NMMA) -
Little Champ
title Little Champdescription Oil on canvas / óleo sobre lienzo. 60" x 36". From the Game Piece Portraits Series.artist/creator Soliz, Evasubject National Museum of Mexican Art (NMMA) 25th Anniversary Donation Games Children Portraits Baseball Little League Chess Life Texas artistscontributor National Museum of Mexican Art (NMMA) -
Carlos Cortéz
title Carlos Cortézdescription Linocut, N.N. Linograbado, S.N. 18 5/8" x 18" (paper size).artist/creator Mendoza, Francisco G.subject National Museum of Mexican Art (NMMA) 25th Anniversary Donation Portraits Cortéz, Carlos A., 1923-2005 Homage Printmakers Chicago Public Schools (CPS) Chicago artists Illinois--Chicago--Pilsencontributor National Museum of Mexican Art (NMMA) -
Los angelitos
title Los angelitosdescription Acrylic on canvas / acrílico sobre lienzo. 20 3/4" x 16 1/2".artist/creator Esquivel, Josésubject Día de los muertos Day of the Dead Día de muertos Días de los muertos National Museum of Mexican Art (NMMA) 25th Anniversary Donation Soul Neighborhoods Angel Religion in art Animals Plants Architecture Homes Houses Spiritualitycontributor National Museum of Mexican Art (NMMA) -
Soy un Pobre Vendadito . . .
title Soy un Pobre Vendadito . . .description Acrylic and color pencil on paper, 8.5 in. x 11 in. Wounded deer with male head and cacti on a treadmill. A banner reading "Soy un pobre vendadito que...la serancia como no [...] bajo noche[...] tus brazos..." Francisco Delgado was born on November 3, 1974, in Ciudad Juárez, and grew up in El Paso’s Segundo Barrio. He received his Master of Fine Arts from the Yale School of Art. His Bordeño artworks are informed by the social and cultural struggles inherent to life on the Mexican and United States border. His artwork addresses issues of identity, race, cultural traditions, and government policies that affect migration and immigrants. In his own words, Delgado says, “I am a visual artist with an artistic focus on social issues.” He visually represents the history of his community and creates a dialogue for social change. Often using dark humor or satire to depict his narratives, his artwork highlights the struggles of underrepresented people along the border. A prolific artist, Delgado works in painting, drawing, printmaking, and has also produced community murals. His works have been published in books and exhibited in national and international art exhibitions and community institutions. Francisco currently resides, teaches, and creates artwork in El Paso.artist/creator Delgado, Franciscosubject Satire Borderlands Frontera Treadmills Deer Bow and arrow in art Cactus Antlers Banners Acrylic and color pencils Drawings Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
1 Million Deporations ain't Enough for Pres. Obama! Sign the Petition & Spread Art
title 1 Million Deporations ain't Enough for Pres. Obama! Sign the Petition & Spread Artdescription Favianna Rodriguez, César Maxit, 1 Million Deporations ain't Enough for Pres. Obama! Sign the Petition & Spread Art, 2011, digital image, Smithsonian American Art Museum, Museum purchase through the Julia D. Strong Endowment, 2020.38.4, © 2020, Favianna Rodriguezartist/creator Rodriguez, Faviannacontributor Smithsonian American Art Museum (SAAM) -
Inner Landscape Series (Looking Within)
title Inner Landscape Series (Looking Within)descriptionartist/creator Romero, Soniasubjectcontributor Smithsonian American Art Museum (SAAM) -
Cuando El Rio Suena Gatos Lleva
title Cuando El Rio Suena Gatos Llevadescription Michael Menchaca, Cuando El Rio Suena Gatos Lleva, 2011, screenprint on paper, Smithsonian American Art Museum, Gift of Drs. Harriett and Ricardo Romo, 2019.50.33, © MMXX, Michael Menchacaartist/creator Menchaca, Michaelcontributor Smithsonian American Art Museum (SAAM) -
Secuencia Del Nacimiento
title Secuencia Del Nacimientodescription Michael Menchaca, Secuencia Del Nacimiento, 2011, screenprint on paper, Smithsonian American Art Museum, Gift of Drs. Harriett and Ricardo Romo, 2019.50.32, © MMXX, Michael Menchacaartist/creator Menchaca, Michaelsubject Lifecontributor Smithsonian American Art Museum (SAAM) -
Sacrificio De La Deidad Del Queso
title Sacrificio De La Deidad Del Quesodescription Michael Menchaca, Sacrificio De La Deidad Del Queso, 2011, screenprint on paper, Smithsonian American Art Museum, Gift of Drs. Harriett and Ricardo Romo, 2019.50.30, © MMXX, Michael Menchacaartist/creator Menchaca, Michaelsubject Sacrificecontributor Smithsonian American Art Museum (SAAM) -
Journalistas Listas
title Journalistas Listasdescription Michael Menchaca, Journalistas Listas, 2011, screenprint on paper, Smithsonian American Art Museum, Gift of Drs. Harriett and Ricardo Romo, 2019.50.18, © MMXX, Michael Menchacaartist/creator Menchaca, Michaelsubject Televisioncontributor Smithsonian American Art Museum (SAAM) -
Quince II
title Quince IIdescription Sam Coronado, Quince II, 2011, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2020.24.5, © 01-01-14, Jill Ramirezartist/creator Coronado, Samsubject Cattlecontributor Smithsonian American Art Museum (SAAM) -
Black and Grey Toaster
title Black and Grey Toasterdescription Margarita Cabrera, Black and Grey Toaster, 2011, vinyl, copper wire and thread, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2012.36, © 2011, Margarita Cabreraartist/creator Cabrera, Margaritasubject Appliancecontributor Smithsonian American Art Museum (SAAM) -
White Coffee Maker
title White Coffee Makerdescription Margarita Cabrera, White Coffee Maker, 2011, vinyl, copper wire and thread, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2012.35.2A-D, © 2011, Margarita Cabreraartist/creator Cabrera, Margaritasubject Appliancecontributor Smithsonian American Art Museum (SAAM) -
Brown Blender
title Brown Blenderdescription Margarita Cabrera, Brown Blender, 2011, vinyl, copper wire and thread, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2012.35.1A-D, © 2011, Margarita Cabreraartist/creator Cabrera, Margaritasubject Appliancecontributor Smithsonian American Art Museum (SAAM) -
Chicanerio
title Chicaneriodescription Pamphlet produced to accompany two exhibits, "Sam Coronadas, A Retrospective" and "Chicanas Only, Mas Rudas," containing biographical information and artistic statements for both featured artists.subject Gamez, Kristin Buentello, Ruth Hernandez, Mari Castillo, Sarah Paintings Printmaking Coronado, Sam Más Rudas Art Collectives Biographies Arts And Craftscontributor Portal to Texas History (TPTH) -
Flyer: Thought Cloud, Young Latino Artists 16
title Flyer: Thought Cloud, Young Latino Artists 16description Flyer for two exhibits happening at the 16th Young Latino Artists Exhibition at the Mexic-Arte Museum.subject Museum Exhibits -- Texas -- Austin -- Photographs. Artworks Social Life And Customs - Fairs And Exhibitions Art Exhibits Mexic-Arte Museum (Austin, Tex.) Serie Project Arts And Craftscontributor Portal to Texas History (TPTH) -
Annual Young Latino Artists Exhibition, June 17- September 25, 2011
title Annual Young Latino Artists Exhibition, June 17- September 25, 2011description Catalog for the 16th annual Young Latino Artists Exhibition including biographies of participating artists, descriptions of the art pieces in the exhibit, and other information about the series.subject Museum Exhibits -- Texas -- Austin -- Photographs. Exhibitions Artworks Young Artists Social Life And Customs - Fairs And Exhibitions Art Exhibits Catalogs Latino Artists Mexic-Arte Museum (Austin, Tex.) Arts And Craftscontributor Portal to Texas History (TPTH) -
Texas Trends in Art Education, 2011
title Texas Trends in Art Education, 2011description Journal of the Texas Art Education Association includes articles related to theoretical, social, educational, and cultural issues affecting art education in Texas as well as articles about practical methods and programs for art education at various levels of instruction.artist/creator Gower, Stacy Bain, Christina Allison, Amanda Texas Art Education Association Mayer, Melinda Peralta, Andres Schlievert, Chelsea Ulbricht, J. Hye, Shelly Fretz, Laurensubject Teaching Methods Teachers Art Classes Education Art -- Study And Teaching -- Texas -- Periodicals. Arts And Craftscontributor Portal to Texas History (TPTH) -
Art Lies, Architecture Is Not Art
title Art Lies, Architecture Is Not Artdescription Journal containing essays, commentaries, and exhibition information regarding Texas artwork and other contemporary art issues.artist/creator Beck, Logan Masterpiece Litho, Inc. Dearing, Harry Blaylock, Cameron Bourbon, Matthew Puleo, Risa Small Project Office Tannahill, Kaylan Bonansinga, Kate Ewing, John Mueller, Kurt Judson, Ben Murray, Elizabeth Evans, Ariel Adams, Laurensubject Journals Architecture Art, Modern -- 20Th Century -- Periodicals. Art Analysis Art, Modern -- 21St Century -- Periodicals. Art -- Texas -- Periodicals. Art Appreciationcontributor Portal to Texas History (TPTH) -
Our Oakland Our Solutions
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After The Gold Rush
title After The Gold Rushdescriptionartist/creator Barraza, Jesussubject Chicano/Latinocontributor Calisphere -
Herman Gallegos Interview, 2011
title Herman Gallegos Interview, 2011description Gallegos, Herman - Oral History Interview - CSWA ❧ Interviewer: Manuel Fimbres, MSW. Date: 10/29/2011. An interview with Herman Gallegos, MSW, as he discusses his work as a pioneer civil rights activist, as well as the importance of community organizing and philanthropy in social work. ❧ CONTENTS: (00:35)- Introduction by Manuel Fimbres. (01:47)- Early childhood experiences that led to his career in social work Ludlow mining strike. (03:50)- The Depression and government's involvement in social welfare. (04:45)- Losing leg at age 9 -- Referral to The Cripple Children's Society (now Easter Seals). (07:15)- Lack of Latino mentors/teachers in public school system. (07:45)- The Loyalty Oath -- Influence of Dr. John Beecher. (11:18)- Working on Skid Row in Santa Clara County. (12:00)- Negative reputation of welfare and social work. (13:30)- Working in juvenile probation with Mexican- American children. (15:05)- Working with Saul Alinsky and Fred Ross in organizing Community Service Organization (CSO). (17:10)- MSW from UC Berkeley -- concentrating on community organizing. (19:40)- First job organizing community services in the High Desert. (20:30)- Recruited to be one of the first Latinos on a foundation board. (20:45)- Fighting racism in San Bernardino County. (22:00)- Combating discouragement within the social work profession. (24:18)- Management of the AIDS Epidemic. (25:26)- Farm workers' struggle -- Dr. Ernesto Galarza Research. (29:10)- The power of organizing. (29:40)- Voter registration for the Latino community and working with Cesar Chavez. (30:50)- Launched statewide voter registration campaign. (31:25)- Support in the field of social work. (33:40)- Pledge to non- violence in Chicano movement. (34:40)- Creation of National Council de la Raza (NCLR). (35:04)- Lack of Latinos on foundation boards -- working toward inclusion. (36:00)- Importance of philanthropy in social work. (38:10)- The seduction of power and charismatic leadership regarding sustainability. (41:10)- The power of collaboration in social work. (43:43)- Religion and humility. (44:15)- Advice to future social workers -- his career from the barrios to the boardroom. (50:05)- Social work's role in the Occupy Wall Street Movement. (54:30)- The future of social work in creating change. (55:15)- The use of new technology in social work. (57:00)- The obligation to give back. ❧ Herman Gallegos. Interviewed by Manuel Fimbres. Date of interview: 10-29-11. Length of interview: 59 minutes. ❧ ADDITIONAL MATERIALS: 1. California Social Work Hall of Distinction Biography ( http://socialworkhallofdistinction.usc.edu/honorees/ ). 2. DVD containing interview.contributor Digital Public Library of America (DPLA) -
Dolores Rodriguez Interview, 2010
title Dolores Rodriguez Interview, 2010description Rodriguez, Dolores - Oral History Interview - CSWA ❧ An interview with Dolores Rodriguez, MSW, as she discusses her development as a Latina social worker (1957-present), the first ever Chicano/Latino Adoptions Unit in Los Angeles County, pivotal programs she was involved with, and opportunities for practice in the field. Interviewer: Carlos Sosa, MSW. Date: 6/30/10. Dolores Rodriguez. Interviewed by Carlos Sosa. Date of interview: 6-30-10. Length of interview: 1 hour and 7 minutes. ❧ CONTENTS: (01:20)- Initial Professional Training. (04:15)- Latino children and child welfare. (07:55)- Los Angeles and the adoptions arena. (11:12)- Los Angeles County and the first Chicano/Latino Adoptions Unit. (18:45)- Wednesday's Child. (19:40)- Chicano/Latino Unit program supporters. (21:10)- Chicano/Latino Unit recruitment. (24:30)- Worker's perceptions of adoptive families. (27:45)- Internal opposition to the Chicano/Latino specialized unit. (30:50)- Initial community response to Chicano/Latino adoptions program. (34:35)- Family life and role models. (40:30)- Difference between education and social work in confronting social issues. (43:12)- Post retirement and most memorable parts of career. (55:30)- Impact of merger between Department of Adoptions and DCFS. (1:02:00)- Regrets?. ❧ ADDITIONAL MATERIALS: 1. California Social Work Hall of Distinction Biography ( http://socialworkhallofdistinction.usc.edu/honorees/ ). 2. DVD containing interview.contributor Digital Public Library of America (DPLA) -
Uc San Diego Unveils Groundbreaking Chicano Legacy 40 Años Mosaic--International Art Project Celebrates Chicano Culture During Uc San Diego'S 50Th Anniversary
title Uc San Diego Unveils Groundbreaking Chicano Legacy 40 Años Mosaic--International Art Project Celebrates Chicano Culture During Uc San Diego'S 50Th Anniversarydescription "UC San Diego Unveils Groundbreaking Chicano Legacy 40 Años Mosaic," May 13, 2011. University Communications Public Relations Materials. RSS 6020. Special Collections & Archives, UC San Diego. [Digital Object URL] Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This digital image is a surrogate generated from the University Communications and Public Affairs website, UCSD News archives.artist/creator Clark, Christinecontributor Digital Public Library of America (DPLA) -
Chicano Legacy Mural
title Chicano Legacy Muraldescription Chute, J. (2011, May 24). Mural at UCSD breaks boundaries, builds bridges. The San Diego Union-Tribune. Retrieved from http://www.sandiegouniontribune.com/sdut-mario-toreros-new-mural-at-ucsd-breaks-boundaries-2011may24-story.html Image: Wang, Kirk (Photographer). (2017, May 8). Mural [Photograph]. San Diego, CA: N.p. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Working with [literature professor Jorge] Mariscal and students in the campus organization Movimiento Estudiantil Chicano de Aztlán (MEChA), [Artist Mario] Torero created a 2 by 8 foot painting that included familiar faces (César Chávez), cultural icons (the Corn Mother) and local places (Chicano Park, whose 40th anniversary in 2010 is celebrated in the mural’s title: “Chicano Legacy 40 Años”). He expanded it to mural size and the canvas was hung outside Peterson Hall in 2009 in an installation that was intended to be temporary. "Through the tireless efforts of UC San Diego’s student leaders, working with campus administrators, the mural was made permanent," said Vice Chancellor of Resource Management and Planning Gary Matthews. "Students from MEChA have long worked to connect the campus with our surrounding community (Chute, 2011)."artist/creator Unknownsubjectcontributor Digital Public Library of America (DPLA)