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2009
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When the Opportunist Is King, Women Are a Commodity
title When the Opportunist Is King, Women Are a Commoditydescription Acrylic on linen / acrílico sobre lino. 52 3/4" x 67 1/2".artist/creator Álvarez, Cecilia Concepciónsubject National Museum of Mexican Art (NMMA) 25th Anniversary Donation Feminism Washington (State)--Seattle Women Figurative art Oppression Liberation Women of Juárez Violence Rastros y cronicas Women artists California Society Skull in art Día de los muertos Day of the Dead Día de muertos Días de los muertos Suffering Pain Money Guadalupe, Our Lady of Religion in art Pink crosses Factories Borderlands Fronteracontributor National Museum of Mexican Art (NMMA) -
Esto es un Río
title Esto es un Ríodescription Serigraph on paper, 22 in. x 30 in. Desert Triangle Print Carpeta. "Esto es un Río is a memory of growing up on the border. As a child, I would remember crossing the bridge from El Paso to Juárez and watching people cross the river in makeshift inner-tube rafts. People with jobs in the U.S. side and who didn’t want to get wet would pay lancheros to ferry them across the river every day. I see this as the universal experiences; we all have people who cross boundaries and blaze paths to reach our goals, whatever they may be. For years, political graffiti has been painted on the concrete banks of the border. I decided to use “Esto No Es Una Frontera/ Esto es un Río” as one of many messages painted on the concrete banks for years. The quote is from [The Liberator of Venezuela] Simón Bolívar, who alluded to the use of borders to divide communities instead of uniting them. Bolívar suggested that the overreaching powers in place politically at the time benefitted from the ensuing chaos that occurred once divisions were made and enforced. He further suggested that if one community suffered, the other 'opposite' community suffered, as well. Another graffiti tag appears on one of pillars that support the international bridge. The message was painted by the family of Sergio Adrian Hernandez Guereca, who was shot and killed by a U.S. Customs and Border Protection agent through a barbed wire border fence near El Paso, Texas. At the time of the shooting, Guereca, a 15-year-old-Mexican national, was standing on the Mexican side of the Mexico-United States border, while the agent was on the American side. The agent claimed after the shooting that he had used deadly force because Guereca had been throwing rocks." — Jesus “Cimi” Alvaradoartist/creator Alvarado, Jesus "Cimi"subject Politics in art Borderlands Frontera Rio Grande Environment Ecology Geography Nature in art Bridges Immigration Immigrants Screen prints Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
I Am IMMIGRANT You Are
title I Am IMMIGRANT You Aredescription Serigraph on paper, 11 in. x 15 in. Text as image composition that reads "I Am IMMIGRANT You Are."artist/creator Coronado, Pepesubject Borderlands Frontera Immigration Immigrants Prints Screen prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Cesar Chavez
title Cesar Chavezdescriptionartist/creator Jiménez, Luissubjectcontributor Smithsonian American Art Museum (SAAM) -
Huelga
title Huelgadescriptionartist/creator Jackson, Carlos Franciscosubjectcontributor Smithsonian American Art Museum (SAAM) -
Crystal City
title Crystal Citydescription Franco Mondini-Ruiz, Crystal City, 2009, mixed media installation, including glass, crystal, silver, plastic, and ceramic objects, Smithsonian American Art Museum, Gift of Henry R. Muñoz III in honor of Debra Guerrero, 2013.48.1, © 2009, Franco Mondini-Ruizartist/creator Mondini-Ruiz, Francosubjectcontributor Smithsonian American Art Museum (SAAM) -
SPIN (red)
title SPIN (red)description Paul Henry Ramirez, SPIN (red), 2009, screenprint on linen canvas with rotating wall-mount armature, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2011.11.1A-B, © 2009, Paul Henry Ramirezartist/creator Ramirez, Paul Henrysubject Abstractcontributor Smithsonian American Art Museum (SAAM) -
SPIN (pink)
title SPIN (pink)description Paul Henry Ramirez, SPIN (pink), 2009, screenprint on linen canvas with rotating wall-mount armature, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2011.11.2A-B, © 2009, Paul Henry Ramirezartist/creator Ramirez, Paul Henrysubject Abstractcontributor Smithsonian American Art Museum (SAAM) -
SPIN (orange)
title SPIN (orange)description Paul Henry Ramirez, SPIN (orange), 2009, screenprint on linen canvas with rotating wall-mount armature, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2011.11.3A-B, © 2009, Paul Henry Ramirezartist/creator Ramirez, Paul Henrysubject Abstractcontributor Smithsonian American Art Museum (SAAM) -
Texas Trends in Art Education, 2009
title Texas Trends in Art Education, 2009description Journal of the Texas Art Education Association includes articles related to theoretical, social, educational, and cultural issues affecting art education in Texas as well as articles about practical methods and programs for art education at various levels of instruction.artist/creator Cornelius, Angela M. Muñoz, Marissa Murphy, Betsy Carpenter, B. Stephen, Ii Texas Art Education Association Kraft, Michelle Akins-Tillet, Future Check, Ed Sherow, Ernie Blount, Marsha Bain, Chris Kundu, Rinasubject Teaching Methods Teachers Art Classes Education Art -- Study And Teaching -- Texas -- Periodicals. Arts And Craftscontributor Portal to Texas History (TPTH) -
Art Lies, Dead Reckoning
title Art Lies, Dead Reckoningdescription Journal containing essays, commentaries, and exhibition information regarding Texas artwork and other contemporary art issues.artist/creator Masterpiece Litho, Inc. Puleo, Risa Bourbon, Matthew Cook, Rachel Small Project Office Bonansinga, Kate Gupta, Anjali Ewing, John Mueller, Kurt Judson, Ben Murray, Elizabeth University Of Texas Presssubject Journals Art, Modern -- 20Th Century -- Periodicals. Art Analysis Art, Modern -- 21St Century -- Periodicals. Art -- Texas -- Periodicals. Art Appreciation Arts And Craftscontributor Portal to Texas History (TPTH) -
Art Lies, Volume 63, Fall 2009
title Art Lies, Volume 63, Fall 2009description Journal containing essays, commentaries, and exhibition information regarding Texas artwork and other contemporary art issues.artist/creator Masterpiece Litho, Inc. Puleo, Risa Bourbon, Matthew Cook, Rachel Small Project Office Bonansinga, Kate Gupta, Anjali Ewing, John Mueller, Kurt Murray, Elizabeth University Of Texas Presssubject Journals Art, Modern -- 20Th Century -- Periodicals. Art Analysis Art, Modern -- 21St Century -- Periodicals. Art -- Texas -- Periodicals. Art Appreciation Arts And Craftscontributor Portal to Texas History (TPTH) -
Art Lies, A Contemporary Art Quarterly, No. 62
title Art Lies, A Contemporary Art Quarterly, No. 62description Journal containing essays, commentaries, and exhibition information regarding Texas artwork and other contemporary art issues.artist/creator Masterpiece Litho, Inc. Puleo, Risa Bourbon, Matthew Cook, Rachel Small Project Office Bonansinga, Kate Gupta, Anjali Ewing, John Mueller, Kurt Murray, Elizabeth University Of Texas Presssubject Journals Art, Modern -- 20Th Century -- Periodicals. Art Analysis Art, Modern -- 21St Century -- Periodicals. Art -- Texas -- Periodicals. Art Appreciation Arts And Craftscontributor Portal to Texas History (TPTH) -
Art Lies, A Contemporary Art Quarterly, No. 61
title Art Lies, A Contemporary Art Quarterly, No. 61description Journal containing essays, commentaries, and exhibition information regarding Texas artwork and other contemporary art issues.artist/creator Masterpiece Litho, Inc. Puleo, Risa Bourbon, Matthew Cook, Rachel Small Project Office White, Michelle Gupta, Anjali Ewing, John Murray, Elizabeth University Of Texas Presssubject Journals Art, Modern -- 20Th Century -- Periodicals. Art Analysis Art, Modern -- 21St Century -- Periodicals. Art -- Texas -- Periodicals. Art Appreciation Arts And Craftscontributor Portal to Texas History (TPTH) -
Twlf Third World Strike Front
title Twlf Third World Strike Frontdescriptionartist/creator Barraza, Jesussubject Educationcontributor Calisphere -
Justice For Andrew Moppin
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Water Is A Weapon
title Water Is A Weapondescriptionartist/creator Rodriguez, Faviannasubject Ecologycontributor Calisphere -
José Montoya Sketchbook 82
title José Montoya Sketchbook 82description José Montoya sketchbooks generally have a starting date but continue on from that date with only limited mention of dates afterwards. Most sketchbooks do not include an end date.artist/creator Montoya, José - 1932, Creatorcontributor Calisphere -
Noted Filipino And Chicano Farm Labor Scholar To Make April 13 Cesar Chavez Celebration Presentation At Uc San Diego
title Noted Filipino And Chicano Farm Labor Scholar To Make April 13 Cesar Chavez Celebration Presentation At Uc San Diegodescription "Noted Filipino and Chicano Farm Labor Scholar to Make April 13 Cesar Chavez Celebration Presentation at UC San Diego," April 01, 2009. University Communications Public Relations Materials. RSS 6020. Special Collections & Archives, UC San Diego. [Digital Object URL] Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This digital image is a surrogate generated from the University Communications and Public Affairs website, UCSD News archives.artist/creator Jacoby, Patcontributor Digital Public Library of America (DPLA) -
Testimony Of Carmen Chicano, Interview With Jessica Cordova And Jodi Eisenberg; July 4, 2009
title Testimony Of Carmen Chicano, Interview With Jessica Cordova And Jodi Eisenberg; July 4, 2009description Carmen Chicano recounts fleeing with her family on the road to Almería when the Civil War began and retells the fear experienced as they were attacked by ships and planes. She narrates that they fled to Alicante but went to Arijuela after the bombardment, and returned to Vélez when the war ended. Carmen explains that many people were detained, stating that her uncle was imprisoned in Vélez and executed in Málaga. She comments that many people were placed in concentration camps, emphasizing that her brother was put in Caparacena. Carmen details her family's life after the war, noting the hunger as well as her mother's suffering after the Francoists killed her two brothers. She remembers her family members whose bodies have not been recovered because their burial places are unknown. Carmen describes the dictatorship as painful years, underlining the censorship and the daily conditions of vigilance. She tells that people she knew were tortured. Carmen relates wearing black to her wedding in mourning of her family members' deaths. She speaks about Franco's death and the changes that occurred after 1975. Carmen reiterates the difficulties of exhuming and identifying the bodies of her brothers who are buried in mass graves. She recalls her parents' pre-war memories. Carmen discusses the importance of remembering the suffering of the war and instilling awareness of it in the younger generations Carmen Chicano's testimony was recorded in Vélez-Málaga Chicano, Carmen, Testimony of the Spanish Civil War and the Francoist Dictatorship. University of California, San Diego, 2009 Interviews in Spanish Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) Testimony of the Spanish Civil War and the Francoist dictatorship Vélez-Málaga, Spain :, Spanish Civil War Memory Project, 2009artist/creator Federación Estatal De Foros Por La Memoria Eisenberg, Jodi Chicano, Carmen Asociación Para La Recuperación De La Memoria Histórica Asociación De Ex-Presos Y Represaliados Políticos Cordova, Jessicasubject Oral History Interviews Civil War (Spain : 1936-1939) Spain History Nonfiction Films Personal Narratives-Spanishcontributor Digital Public Library of America (DPLA)