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Date is exactly
1978
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Homenaje a Frida Kahlo II
title Homenaje a Frida Kahlo IIdescription Serigraph, N.N. Serigrafía, S.N. 22 1/4" x 17 1/16" (paper size).artist/creator Cervántez, Yreina D.subject Sexuality in art Kahlo, Frida, 1907-1954 Guadalupe, Our Lady of Jaguars Flowers Animals Women Femininity Reflections Identity Birth Parades Reproduction Women artists Self Help Graphics and Art (SHG) Nudes in artcontributor National Museum of Mexican Art (NMMA) -
La Raza Silkscreen 1978 Calendar
title La Raza Silkscreen 1978 Calendardescriptionartist/creator La Raza Silkscreen Centersubjectcontributor Smithsonian American Art Museum (SAAM) -
South African Women's Day
title South African Women's Daydescription Juan Fuentes, South African Women's Day, 1978, offset lithograph on paper, Smithsonian American Art Museum, Gift of Gilberto Cárdenas and Dolores García, 2019.51.5, ©1978, Juan R Fuentesartist/creator Fuentes, Juansubject Femalecontributor Smithsonian American Art Museum (SAAM) -
Pregnant Woman in a Ball of Yarn
title Pregnant Woman in a Ball of Yarndescriptionartist/creator Carrasco, Barbarasubject Barriers to education Bondage Chicana feminism Crochet hooks Domesticana Gender roles Hair Lithographs Motherhood Nudes Pregnancy Women Yarncontributor Smithsonian American Art Museum (SAAM) -
José Montoya's Pachuco Art, A Historical Update
title José Montoya's Pachuco Art, A Historical Updatedescription José Montoya, Rodolfo O. Cuellar, Luis C. González, José Montoya's Pachuco Art, A Historical Update, 1978, linocut on paper, Smithsonian American Art Museum, Museum purchase through the Julia D. Strong Endowment, 2020.36.3, © 2020, Rodolfo O. Cuellar, Luis C. González, and José Montoyaartist/creator Montoya, Josécontributor Smithsonian American Art Museum (SAAM) -
Who's the Illegal Alien, Pilgrim?
title Who's the Illegal Alien, Pilgrim?description Yolanda López, Who's the Illegal Alien, Pilgrim?, 1978, offset lithograph on paper, Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund, 2020.43.2, © 1978, Yolanda Lopezartist/creator López, Yolanda M.contributor Smithsonian American Art Museum (SAAM) -
The Mexican Museum
title The Mexican Museumdescription Rupert García, The Mexican Museum, 1978, offset lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Mr. and Mrs. Gerald D. Kohs), 2020.20.93, © 1978, Rupert Garcíaartist/creator García, Rupertcontributor Smithsonian American Art Museum (SAAM) -
Benefit for the New People's Army
title Benefit for the New People's Armydescription Rupert García, Benefit for the New People's Army, 1978, offset lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Mr. and Mrs. Gerald D. Kohs), 2020.20.92, © 1978, Rupert Garcíaartist/creator García, Rupertsubject Politicalcontributor Smithsonian American Art Museum (SAAM) -
Brooklyn and Soto, from the East Los Angeles Urban Portrait Portfolio
title Brooklyn and Soto, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Brooklyn and Soto, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.12, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Darby, from the East Los Angeles Urban Portrait Portfolio
title Darby, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Darby, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.11, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Al Gusto, from the East Los Angeles Urban Portrait Portfolio
title Al Gusto, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Al Gusto, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.10, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Couple Balam, from the East Los Angeles Urban Portrait Portfolio
title Couple Balam, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Couple Balam, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.9, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Casper 3rd Street, from the East Los Angeles Urban Portrait Portfolio
title Casper 3rd Street, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Casper 3rd Street, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.8, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Ave. 54, from the East Los Angeles Urban Portrait Portfolio
title Ave. 54, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Ave. 54, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.7, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Clavo, from the East Los Angeles Urban Portrait Portfolio
title Clavo, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Clavo, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.6, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Payasa, from the East Los Angeles Urban Portrait Portfolio
title Payasa, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Payasa, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.5, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
M M, from the East Los Angeles Urban Portrait Portfolio
title M M, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, M M, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.4, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Indio, from the East Los Angeles Urban Portrait Portfolio
title Indio, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Indio, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.3, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Alice, from the East Los Angeles Urban Portrait Portfolio
title Alice, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Alice, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.2, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
Two Guys, from the East Los Angeles Urban Portrait Portfolio
title Two Guys, from the East Los Angeles Urban Portrait Portfoliodescription John M. Valadez, Two Guys, from the East Los Angeles Urban Portrait Portfolio, ca. 1978, printed 2016, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2017.8.1, © 1978, John M. Valadezartist/creator Valadez, John M.contributor Smithsonian American Art Museum (SAAM) -
No oyes, Rio/No o yes, Rio
title No oyes, Rio/No o yes, Riodescription RCAF, Luis C. González, No oyes, Rio/No o yes, Rio, 1978, screenprint on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.30subject Written Mattercontributor Smithsonian American Art Museum (SAAM) -
No oyes, Rio/No o yes, Rio
title No oyes, Rio/No o yes, Riodescription RCAF, Luis C. González, No oyes, Rio/No o yes, Rio, 1978, screenprint on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.29subject Written Mattercontributor Smithsonian American Art Museum (SAAM) -
Ricardo Flores-Magon
title Ricardo Flores-Magondescription Carlos A. Cortéz, Ricardo Flores-Magon, 1978, linocut on paper, Smithsonian American Art Museum, Museum purchase, 1993.13.4, artist claims work to be in public domainartist/creator Cortéz, Carlos A.contributor Smithsonian American Art Museum (SAAM) -
Christ Child in Manger
title Christ Child in Mangerdescription Felipe Archuleta, Christ Child in Manger, 1978-1979, carved and painted wood, cloth, straw, and glass, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr., 1991.96.1artist/creator Archuleta, Felipe Benitocontributor Smithsonian American Art Museum (SAAM) -
Mexican Immigrant (Mural Study for U. S. Border Patrol, Marfa, Texas)
title Mexican Immigrant (Mural Study for U. S. Border Patrol, Marfa, Texas)description Roberto Rios, Mexican Immigrant (Mural Study for U. S. Border Patrol, Marfa, Texas), ca. 1978, carbon transfer drawing on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1988.29.2artist/creator Rios, Robertocontributor Smithsonian American Art Museum (SAAM) -
Mexican Immigrant (Mural Study for U. S. Border Patrol, Marfa, Texas)
title Mexican Immigrant (Mural Study for U. S. Border Patrol, Marfa, Texas)description Roberto Rios, Mexican Immigrant (Mural Study for U. S. Border Patrol, Marfa, Texas), ca. 1978, carbon transfer drawing on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1988.29.1artist/creator Rios, Robertocontributor Smithsonian American Art Museum (SAAM) -
Baboon
title Baboondescription Felipe Archuleta, Baboon, 1978, carved and painted cottonwood and pine, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.227artist/creator Archuleta, Felipe Benitocontributor Smithsonian American Art Museum (SAAM) -
Aesthetics of Graffiti
title Aesthetics of Graffitidescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Castellón, Rolando -
Nuestras artes : statement
title Nuestras artes : statementdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Nuestras Artes De Michigan, Inc -
Fabulous party at lace
title Fabulous party at lacedescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Unknown -
Mexican influence on U.S. art: 1930-1936
title Mexican influence on U.S. art: 1930-1936description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Quirarte, Jacinto -
RAYAS update
title RAYAS updatedescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Armas, José -
The politics of popular art
title The politics of popular artdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Garcia, Rupert -
Recent raza murals in the U.S.
title Recent raza murals in the U.S.description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website section -
Yolanda M. López Works : 1975-1978
title Yolanda M. López Works : 1975-1978description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator López, Yolanda M. -
El mural chicano en Nuevo Mexico
title El mural chicano en Nuevo Mexicodescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Lefebre, Francisco -
Mexican Family Archives
title Mexican Family Archivesdescription Photograph of a baby girl with dark hair, visible from the chest up. An accompanying page has an image of a infant in the left hand corner. Text in the middle of the page reads, " Monica Yvette Roscles, Aug. 14, 1978, 6 pounds 2 ounces, my happy parents are Robert & JoAnn Roscles." On the front of the announcement there is text in a circle that reads "Announcing." and numerous lines are coming from the circle.artist/creator First Fotosubject Rosales, Jo Anne Rosales, Robert Infants Portraits People - Ethnic Groups - Hispanics Babies Rosales, Monica Yvette Birth Announcements. People - Childrencontributor Portal to Texas History (TPTH) -
Memorial Service: Kathleen Menard - April 24, 1978
title Memorial Service: Kathleen Menard - April 24, 1978description Script for the memorial service of Kathleen Menard at Nalley-Pickle Rosewood Chapel on the morning of April 24, 1978. Kathleen Menard attend and graduated valedictorian form Marfa High School in Marfa, Texas. Kathleen Menard was deeply devoted to her father, Frank Duncan, and helped him in his photography business.artist/creator Unknownsubject Nalley-Pickle Rosewood Chapel Valedictorian Marfa (Tex.) -- History. Religion - Chapels Marfa High School Government And Law - Vital Records - Deaths Menard, Kathleen Business, Economics And Finance - Service Industries - Photography Memorial Servicescontributor Portal to Texas History (TPTH) -
Texas Trends in Art Education, Volume 2, Number 3, Spring 1978
title Texas Trends in Art Education, Volume 2, Number 3, Spring 1978description Journal of the Texas Art Education Association includes articles related to theoretical, social, educational, and cultural issues affecting art education in Texas as well as articles about practical methods and programs for art education at various levels of instruction.artist/creator Moon, Marvin Texas Art Education Association Ulbricht, J. Johnson, James Felts, Rebecca N.subject Teaching Methods Teachers Art Classes Education Art -- Study And Teaching -- Texas -- Periodicals. Arts And Craftscontributor Portal to Texas History (TPTH) -
Photograph of Miss Fiestas Patrias in parade car
title Photograph of Miss Fiestas Patrias in parade cardescription Photograph of Miss Fiestas Patrias 1977-78, Martha Quintanilla, waving in a parade car, 1978. Sakowitz Building in background.artist/creator Unknownsubject Quintanilla,Martha Fiestas Patrias International Parade Central Business Districts. Parades. People - Ethnic Groups - Hispanics Downtown Sakowitz Buildingcontributor Portal to Texas History (TPTH) -
Spectators at Fiestas Patrias parade
title Spectators at Fiestas Patrias paradedescription Photograph of spectators at Fiestas Patrias parade, 1978.artist/creator Unknownsubject Fiestas Patrias International Parade Central Business Districts. Parades. People - Ethnic Groups - Hispanics Downtowncontributor Portal to Texas History (TPTH) -
Decorated Fiestas Patrias car
title Decorated Fiestas Patrias cardescription Photograph of a decorated Fiestas Patrias car, 1978.artist/creator Unknownsubject Buildings Fiestas Patrias International Parade Central Business Districts. Parades. People - Ethnic Groups - Hispanics Downtowncontributor Portal to Texas History (TPTH) -
Decorated car with banner in Fiestas Patrias parade
title Decorated car with banner in Fiestas Patrias paradedescription Photograph of a decorated car with banner in the Fiestas Patrias parade, 1978.artist/creator Unknownsubject Fiestas Patrias International Parade Central Business Districts. Parades. People - Ethnic Groups - Hispanics Downtowncontributor Portal to Texas History (TPTH) -
Photograph of Rice Hotel
title Photograph of Rice Hoteldescription Photograph of the Rice Hotel, 1978.artist/creator Unknownsubject Fiestas Patrias International Parade Central Business Districts. Buildings. Parades. People - Ethnic Groups - Hispanics Downtowncontributor Portal to Texas History (TPTH) -
Fiestas Patrias parade near Rice Hotel
title Fiestas Patrias parade near Rice Hoteldescription Photograph of Fiestas Patrias parade near the Rice Hotel, 1978.artist/creator Unknownsubject Fiestas Patrias International Parade Central Business Districts. Parades. People - Ethnic Groups - Hispanics Downtown Rice Hotelcontributor Portal to Texas History (TPTH) -
Houston Mexican Chamber of Commerce float in front of Kress building
title Houston Mexican Chamber of Commerce float in front of Kress buildingdescription Photograph of Houston Mexican Chamber of Commerce float in front of the Kress building, Fiestas Patrias Parade, 1978.artist/creator Unknownsubject Fiestas Patrias International Parade Kress Building Central Business Districts. Buildings. Parades. People - Ethnic Groups - Hispanics Downtowncontributor Portal to Texas History (TPTH) -
Arturo Rosales standing at podium
title Arturo Rosales standing at podiumdescription Photograph of Arturo Rosales, Professor of Chicano History at the University of Houston, standing at a podium. Rosales is wearing glasses and a white shirt.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Letter from Sister Mary Prendergast, 1978
title Letter from Sister Mary Prendergast, 1978description Letter written in 1978 by Sister Mary Prendergast of the Incarnate Word Generalate in San Antonio thanking Mrs. Murphy Bennett of Marfa Hight School for sharing papers and photographs with her and asking for duplicates of the photos.artist/creator Prendergast, Sister Marycontributor Portal to Texas History (TPTH) -
1919 Plane Crash: A Paper Presented to the History Department of Marfa High School
title 1919 Plane Crash: A Paper Presented to the History Department of Marfa High Schooldescription Research paper written by Danny Roman about a plane crash that happened in 1919 in Marfa that killed Benito Viscaino, Jr., and Augustin Viscaino. The paper was written for a class at Marfa High School in 1978.artist/creator Roman, Dannysubject Business, Economics And Finance - Transportation - Aviation Viscaino, Benito Viscaino, Lupe Viscaino, Augustin Viscaino, Josefita Viscaino, Benito Jr.contributor Portal to Texas History (TPTH) -
1930 Wedding
title 1930 Weddingdescription This is a paper accompanying a photograph, written by Danny Roman for an American History Class at Marfa High School on February 21, 1978. It describes a wedding party.artist/creator Roman, Dannysubject Quintana, Cecilia Bejarano, Rafael Quintana, Sixta Quintana, Daniel Social Life And Customs - Customs - Weddings Jiminez, Alicecontributor Portal to Texas History (TPTH) -
One Picture is Worth a Thousand Words
title One Picture is Worth a Thousand Wordsdescription This is a research paper written by Jaime Javier Vasquez for an American History Class at Marfa High School in 1978. It is about the early photographers in Marfa and the West Texas area. These men and women documented the landscape, the people and events of the early 20th century in that area. The author found little information about these photographers personally but included what he did uncover.artist/creator Vasquez, Jaime Javiersubject Keith, James Panoramic Photography Arnold, Herbert J. Photographers Keith, Nancy Aerial Photography Landscape And Nature - Water - Rivers Smithers, William Dudley Share, Ellsworth E. Biographies Landscape And Nature - Deserts Duncan, Francis King (Frank) Business, Economics And Finance - Service Industries - Photography Big Bend National Park Inventionscontributor Portal to Texas History (TPTH) -
Cow Country Comedy
title Cow Country Comedydescription Paper on the history and development of West Texas humorartist/creator Odell, Cindysubject Social Life And Customs - Popular Culture Gillett, James B. Evans, Joe M. Middleton, Lee Roycontributor Portal to Texas History (TPTH) -
The Crosson Family
title The Crosson Familydescription Paper written by Jon Polson for his history class at Marfa High School on January 29, 1978. It is about the family of George and Lizzie Crosson, two of the earliest settlers in west Texas. They arrived by covered wagon in 1866-1867. The started the Goat Mountain Ranch and had five children.artist/creator Polson, Jonsubject Goat Mountain Ranch Crosson, George Davis, Lizzie Crosson Agriculture - Ranching - Ranches Crosson, Lizziecontributor Portal to Texas History (TPTH) -
Chaney
title Chaneydescription Biographical paper by Dolores Navarette about Chaney, a well-loved African American man who lived in Marfa from 1932-1972. This paper was written for an American History class at Marfa High School in February 1978.contributor Portal to Texas History (TPTH) -
Tree Of Knowledge (Aka Read), City Terrace, 1978
title Tree Of Knowledge (Aka Read), City Terrace, 1978description Tree of knowledge (aka READ), City Terrace, 1978. Anthony Quinn Public Library, exterior, 3965 East Cesar E. Chavez Avenue (formerly known as Brooklyn Avenue prior to 1994) at Hazard Avenue. This Los Angeles County branch library sits on the former site of the home in which actor Anthony Quinn grew up after he moved to East Los Angeles from Chihuahua, Mexico, at age four. Acrylic on stucco, 40' x 10'. Chicana Action Service Center under the supervision of Josefina Quezada. Designed by Teresa Chacon. Also painted by Thelma Heavilin Sanchez, Susan Valdez Torres, Rosa M. Quezada, Patricia Rivera, Vivian Sanchez, and Herlinda Bustamante. Sponsored by CETA/Title VII. -- Dunitz, Street gallery, p. 309, #39.artist/creator Chacon, Teresa Bustamante, Herlinda Quezada, Josefina Dunitz, Robin J Heavilin Sanchez, Thelma Rivera, Patricia Valdez Torres, Susan Sanchez, Vivian Quezada, Rosa Mcontributor Calisphere -
The Murals Of Estrada Courts. We Are Not A Minority, Los Angeles, 1978
title The Murals Of Estrada Courts. We Are Not A Minority, Los Angeles, 1978description The murals of Estrada Courts. We are not a minority, Los Angeles, 1978, 3217 East Olympic Boulevard. Tribute to Latin American revolutionary Che Guevara. In acrylic on stucco, 32' x 24' by El Congreso de Artistas Cosmicos de las Americas de San Diego (Mario Torero, Rocky, El Lion, Zade) -- Dunitz, Street gallery, p. 297, #28 L. "The murals were produced by a number of Chicano artists from Los Angeles, San Diego, and Northern California between 1972 and 1978, during the height of the Chicano civil rights and art movements" -- Estrada Courts at http://www.heritagepreservation.org/RPM/archive.html (viewed on Dec. 2, 2012).artist/creator Torero, Mario El Lton Dunitz, Robin J Zade El Congreso De Artistas Cosmicos De Las Americas De San Diego Rockycontributor Calisphere -
Para Que En Cada Hijo Tambien Se Traduzca En Germinacion De Luz/ Ternura Y Creacion
title Para Que En Cada Hijo Tambien Se Traduzca En Germinacion De Luz/ Ternura Y Creaciondescriptionartist/creator Montoya, Malaquiassubject Art And Culturecontributor Calisphere -
La Inefable Razon De La Sangre En Movimiento
title La Inefable Razon De La Sangre En Movimientodescriptionartist/creator Montoya, Malaquiassubject Art And Culturecontributor Calisphere -
Harlan County U.S.A
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El Fin Del Mundo
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Pro Liberacion De Nicaragua
title Pro Liberacion De Nicaraguadescriptionartist/creator La Raza Silkscreen Centercontributor Calisphere -
Its 2Nd Annual Calypso Carnival Costume Parade, Dance And Show
title Its 2Nd Annual Calypso Carnival Costume Parade, Dance And Showdescriptionsubject Cultural Eventscontributor Calisphere -
Commemorate Aug 29 Chicano Moratorium
title Commemorate Aug 29 Chicano Moratoriumdescriptionartist/creator Callejo, Carloscontributor Calisphere -
Youth For Unity Conference
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Homenaje A Sandino En Solidaridad Con El Pueblo De Nicaragua
title Homenaje A Sandino En Solidaridad Con El Pueblo De Nicaraguadescriptionartist/creator Fuentes, Juancontributor Calisphere -
U.C. Raza Day 1978
title U.C. Raza Day 1978descriptionartist/creator Montoya, Malaquiassubject Chicano/Latinocontributor Calisphere -
Dia De Las Madres Celebracion
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La Tierra Es De Quien La Trabaja
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Philippine National Day
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Jose Montoya'S Pachuco Show
title Jose Montoya'S Pachuco Showdescriptionartist/creator Méchicano Art Centercontributor Calisphere -
Semana Nacional De Resistencia
title Semana Nacional De Resistenciadescriptionartist/creator Offset Printingcontributor Calisphere -
The Longest Walk
title The Longest Walkdescriptionartist/creator Montoya, Malaquiassubject Native Americanscontributor Calisphere -
Community Health In The Barrio
title Community Health In The Barriodescriptionartist/creator Montoya, Malaquiascontributor Calisphere -
Poetry Benefit For The Longest Walk
title Poetry Benefit For The Longest Walkdescriptionartist/creator Garcia, Rupertsubject Native Americanscontributor Calisphere -
La Segunda Independencia
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Mindanao
title Mindanaodescriptionartist/creator Garcia, Rupertsubject Philippines (Philippines/India)contributor Calisphere -
Attica
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Semana Continental De Solidaridad Con El Pueblo De Nicaragua
title Semana Continental De Solidaridad Con El Pueblo De Nicaraguadescriptioncontributor Calisphere -
Great Wall Of Los Angeles: Detail: Charlie Chaplin
title Great Wall Of Los Angeles: Detail: Charlie Chaplindescription A collaborative project by Judith Baca and over 400 employed youths and artists. The 1978 project continues where the first 1000 feet left off. From this point forward, Baca exerted more control over the design, which resulted in more stylistic unity and an evolving complexity in the transitions between the sections and linkages between historical incidents. As World War I reached into every aspect a American life, Charlie Chaplin, the famous silent movie comedian and a symbol of the common man, became involved in the national campaign. He is represented in the mural as a typical "dough boy" fighting in the trenches for the ideals in which he believes and for which the war was being fought. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Los Angeles Valley College Paintings Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Mural Painting And Decoration Chaplin, Charlie, 1889-1977 History World War, 1914-1918 Soldiers Narrative Art Bunkers (Fortification) Symbolism California Edison, Thomas A. (Thomas Alva), 1847-1931contributor Calisphere -
Estrada Courts: We Are Not A Minority
title Estrada Courts: We Are Not A Minoritydescription Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. In memoriam to the Guevrillero Heroico, el Doctor Che. Dia del Rebelde International XI aniversario Oct. 8th 1978 Paintings This tribute to Latin American revolutionary Che Guevara was painted in 1978 by artists from the Chicano Park struggle in San Diego. It was restored in 1995 by the Mural Conservancy of Los Angeles. The original artists were Mario Torero, Rocky, El Lion, and Zade. The restoration artists were Mario Torero and Carmen Kalo, assisted by Ernesto de la Loza.artist/creator Torero, Mariosubject Mexican American Art Mural Painting And Decoration Leaders (People) Portraits History Low-Income Housing Revolutionaries Guevara, Che, 1928-1967 Symbolism Californiacontributor Calisphere -
Chicano Park: Tenochitilan: Detail Of Hunters
title Chicano Park: Tenochitilan: Detail Of Huntersdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Gazebo ceiling mural illustrates the foundation myth of Tenochtitlan/Mexico City. Paintingssubject Mexican American Art Mural Painting And Decoration Aztec (Culture Or Style) Hunters Lakes History Gazebos Bow And Arrow Eagles Symbolism--Religious Aspects Snakes Mexico Creationcontributor Calisphere -
Great Wall Of Los Angeles: Detail: A New Perspecive On Edison; Bridge Across The Tujunga Wash
title Great Wall Of Los Angeles: Detail: A New Perspecive On Edison; Bridge Across The Tujunga Washdescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) In this scene Thomas Edison’s Mexican‑American heritage is symbolized by the Chichimeca corn goddess who whispers the secrets of the ancient builders and inventors in his ear. Los Angeles Valley College Paintings Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Bridges Goddesses Chichimecs Mural Painting And Decoration Symbolism History Narrative Art Cityscapes (Representations) Pyramids California Edison, Thomas A. (Thomas Alva), 1847-1931contributor Calisphere -
Chicano Park: Tenochitilan: Detail Of Hunters
title Chicano Park: Tenochitilan: Detail Of Huntersdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Gazebo ceiling mural illustrates the foundation myth of Tenochtitlan/Mexico City. Paintingssubject Mexican American Art Mural Painting And Decoration Aztec (Culture Or Style) Hunters Lakes History Gazebos Bow And Arrow Eagles Symbolism--Religious Aspects Snakes Mexico Creationcontributor Calisphere -
Chicano Park: Aztec Warrior: Detail
title Chicano Park: Aztec Warrior: Detaildescription Aztec Warrior wearing the costume of the Eagle Order Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingsartist/creator Adame, Felipesubject Aztec (Culture Or Style) Bridges California Chicano Park Eagles Helmets History Mexican American Art Mexico Mural Painting And Decoration Parks Shields Warriorscontributor Calisphere -
Chicano Park: Chicano Pinto Union
title Chicano Park: Chicano Pinto Uniondescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) JUSTICIA PARA LAS PINTOS (justice for the inmates) Paintingsartist/creator Vargas, Tony Desubject Bridges Mexican American Art Mural Painting And Decoration History Parks Symbolism Californiacontributor Calisphere -
Chicano Park: Kiosko/Tenochtitlan: Artist Painting Gazebo Ceiling Mural
title Chicano Park: Kiosko/Tenochtitlan: Artist Painting Gazebo Ceiling Muraldescription Architecture and City Planning Chicano Park (San Diego, California); Barrio Logan (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintings The central gazebo called Kiosko was designed by architect Alfredo Larrin in a style reminiscent of Aztec and Mayan architecture and painted by muralists Vargas, Aguirre and Adame. The ceiling mural illustrates the foundation myth of Tenochtitlan/Mexico City.subject Mexican American Art Mural Painting And Decoration Aztec (Culture Or Style) Hunters Lakes History Gazebos Bow And Arrow Eagles Symbolism--Religious Aspects Snakes Mexico Creation Chicano Parkcontributor Calisphere -
Chicanas/Escuelas
title Chicanas/Escuelasdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingsartist/creator López, Yolanda M.contributor Calisphere -
Chicano Park: Kiosko/Tenochtitlan: Artist Painting Gazebo Ceiling Mural
title Chicano Park: Kiosko/Tenochtitlan: Artist Painting Gazebo Ceiling Muraldescription Architecture and City Planning Chicano Park (San Diego, California); Barrio Logan (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintings The central gazebo called Kiosko was designed by architect Alfredo Larrin in a style reminiscent of Aztec and Mayan architecture and painted by muralists Vargas, Aguirre and Adame. The ceiling mural illustrates the foundation myth of Tenochtitlan/Mexico City.subject Mexican American Art Mural Painting And Decoration Aztec (Culture Or Style) Hunters Lakes History Gazebos Bow And Arrow Eagles Symbolism--Religious Aspects Snakes Mexico Creationcontributor Calisphere -
We The Razas Live In The Barrios But We Do Not Own The Barrios: Detail
title We The Razas Live In The Barrios But We Do Not Own The Barrios: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) East Los Angeles mural painted on the wall of a coin operated laundromat. Paintings Viva La Raza Unida, Hasta La Victoriaartist/creator Cruz, Manuelsubject Mexican American Art Mural Painting And Decoration Prohibition Deterioration History Violence Narrative Art Uncle Sam (Symbolic Character) Devil Laundries Symbolism Californiacontributor Calisphere -
Virgin Of Guadalupe: Detail Of Artist Painting Mural
title Virgin Of Guadalupe: Detail Of Artist Painting Muraldescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Paintingsartist/creator Torero, Mario Acevedosubject Mexican American Art Mural Painting And Decoration Symbolism--Religious Aspects Guadalupe, Our Lady Of Scaffoldingcontributor Calisphere -
Beauty Of Our People: Detail
title Beauty Of Our People: Detaildescription Avenida Cesar Chavez at Soto St. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Mural designed by John Valadez, painted by Irma Ayala, Glenna B., Carlos Callejo, Barbara Carrasco, Daniel Cruz, Susan Fierro, Frank Gonzalez, Leo Limon, Frank Marin, Jose Marin, Manuel Martinez, Irma Medina, Jose Medina, Joe Rodriguez, and Rodney Sakai. The mural reads, "1978 Citywide murral Project/Public Art Center. This is the last mural sponsored by the city of Los Angeles." Mural was painted over in 1983 with another mural titled El Corrido de Boyle Heights by the East Los Streetscapers. Paintings The Beauty of our People is in our Culture, The Strength of our Culture lies within our Struggleartist/creator Carrasco, Barbara Valadez, John Limon, Leo Avila, Glenna Boltuch Callejo, Carlos Sakai, Rodney Yepes, Georgesubject Mexican American Art Mural Painting And Decoration Pride And Vanity Symbolism History Narrative Art Faces Mexican Americanscontributor Calisphere -
Beauty Of Our People: Detail: Two Young Boys
title Beauty Of Our People: Detail: Two Young Boysdescription Avenida Cesar Chavez at Soto St. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Mural designed by John Valadez, painted by Irma Ayala, Glenna B., Carlos Callejo, Barbara Carrasco, Daniel Cruz, Susan Fierro, Frank Gonzalez, Leo Limon, Frank Marin, Jose Marin, Manuel Martinez, Irma Medina, Jose Medina, Joe Rodriguez, and Rodney Sakai. The mural reads, "1978 Citywide mural Project/Public Art Center. This is the last mural sponsored by the city of Los Angeles." Mural was painted over in 1983 with another mural titled El Corrido de Boyle Heights by the East Los Streetscapers. Paintings The Beauty of our People is in our Culture, The Strength of our Culture Lies Within our Struggleartist/creator Carrasco, Barbara Valadez, John Limon, Leo Avila, Glenna Boltuch Callejo, Carlos Sakai, Rodney Yepes, Georgesubject Mexican American Art Mural Painting And Decoration Pride And Vanity Boys History Narrative Art Symbolism Mexican Americanscontributor Calisphere -
Great Wall Of Los Angeles: Detail: World War I, Doughboys
title Great Wall Of Los Angeles: Detail: World War I, Doughboysdescription A collaborative project by Judith Baca and over 400 employed youths and artists. The 1978 project continues where the first 1000 feet left off. From this point forward, Baca exerted more control over the design, which resulted in more stylistic unity and an evolving complexity in the transitions between the sections and linkages between historical incidents. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Los Angeles Valley College Paintings Take up the Sword of Justice The "doughboys" leave, kissing their wives and girlfriends goodbye. In the recruiting poster, woman appears in her mythic form as the symbol of Liberty. In reality, she works in the war industry replacing men in nontraditional jobs like welding, as well as contributing to the war effort through "women's jobs" like nursing. Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Mexican American Art Mural Painting And Decoration Symbolism History World War, 1914-1918 Soldiers Narrative Art Kissing Railroad Trains Californiacontributor Calisphere -
Great Wall Of Los Angeles: Detail: World War I, Female Nurses Helping A Wounded Soldier
title Great Wall Of Los Angeles: Detail: World War I, Female Nurses Helping A Wounded Soldierdescription A collaborative project by Judith Baca and over 400 employed youths and artists. The 1978 project continues where the first 1000 feet left off. From this point forward, Baca exerted more control over the design, which resulted in more stylistic unity and an evolving complexity in the transitions between the sections and linkages between historical incidents. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Los Angeles Valley College Paintings Tujunga Wash, Los Angeles (California) Women in the war experience.artist/creator Baca, Judith Franciscasubject Mural Painting And Decoration Soldiers--Wounds And Injuries History World War, 1914-1918 Narrative Art Nurses Symbolism Californiacontributor Calisphere -
Beauty Of Our People: Detail
title Beauty Of Our People: Detaildescription Avenida Cesar Chavez at Soto St. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Mural designed by John Valadez, painted by Irma Ayala, Glenna B., Carlos Callejo, Barbara Carrasco, Daniel Cruz, Susan Fierro, Frank Gonzalez, Leo Limon, Frank Marin, Jose Marin, Manuel Martinez, Irma Medina, Jose Medina, Joe Rodriguez, and Rodney Sakai. The mural reads, "1978 Citywide murral Project/Public Art Center. This is the last mural sponsored by the city of Los Angeles." Mural was painted over in 1983 with another mural titled El Corrido de Boyle Heights by the East Los Streetscapers. Paintings The Beauty of our People is in our Culture, The Strength of our Culture lies within our Struggleartist/creator Carrasco, Barbara Valadez, John Limon, Leo Avila, Glenna Boltuch Callejo, Carlos Sakai, Rodney Yepes, Georgesubject Mexican American Art Mural Painting And Decoration Pride And Vanity Symbolism History Narrative Art Faces Mexican Americanscontributor Calisphere -
Beauty Of Our People: Detail
title Beauty Of Our People: Detaildescription Avenida Cesar Chavez at Soto St. Contemporary scene of Chicanos in Los Angeles. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Mural designed by John Valadez, painted by Irma Ayala, Glenna B., Carlos Callejo, Barbara Carrasco, Daniel Cruz, Susan Fierro, Frank Gonzalez, Leo Limon, Frank Marin, Jose Marin, Manuel Martinez, Irma Medina, Jose Medina, Joe Rodriguez, and Rodney Sakai. The mural reads, "1978 Citywide murral Project/Public Art Center. This is the last mural sponsored by the city of Los Angeles." Mural was painted over in 1983 with another mural titled El Corrido de Boyle Heights by the East Los Streetscapers. Paintings The Beauty of our People is in our Culture, The Strength of our Culture lies within our Struggleartist/creator Carrasco, Barbara Valadez, John Limon, Leo Avila, Glenna Boltuch Callejo, Carlos Sakai, Rodney Yepes, Georgesubject Mexican American Art Mural Painting And Decoration Pride And Vanity History Narrative Art Reflections (Perceived Properties) Faces Mexican Americanscontributor Calisphere -
We The Razas Live In The Barrios But We Do Not Own The Barrios: Detail
title We The Razas Live In The Barrios But We Do Not Own The Barrios: Detaildescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) East Los Angeles mural painted on the wall of a coin operated laundromat. Paintings Viva La Raza Unida, Hasta La Victoriaartist/creator Cruz, Manuelsubject Mexican American Art Graffiti Mural Painting And Decoration Deterioration History Television Receivers Violence Narrative Art Symbolism California Radio And Television Towerscontributor Calisphere -
Dance Of The Eagles
title Dance Of The Eaglesdescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Paintings Two Aztec warriors, dressed in full regalia, clasp arms as they engage in a ritual dance with a mountainous landscape stretching behind them.artist/creator Loza, Ernesto De Lasubject Mural Painting And Decoration Aztec (Culture Or Style) Warriors Symbolism Dance Clothing and dresscontributor Calisphere -
Great Wall Of Los Angeles: Detail: World War I Doughboys
title Great Wall Of Los Angeles: Detail: World War I Doughboysdescription A collaborative project by Judy Baca and over 400 employed youths and artists. the Great Wall was initially a beautification project proposed by the Army Corps of Engineers in 1974. Under the direction of Baca, the mural transformed into a bold illustration of the history of California from the state's prehistoric past to the struggles of its ethnic minorities for civil rights and equality. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Los Angeles Valley College Paintings The "doughboys" leave, kissing their wives and girlfriends goodbye. In the recruiting poster, woman appears in her mythic form as the symbol of Liberty. In reality, she works in the war industry replacing men in nontraditional jobs like welding, as well as contributing to the war effort through "women's jobs" like nursing. Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Mural Painting And Decoration Symbolism History World War, 1914-1918 Soldiers Narrative Art Kissing Railroad Trains Californiacontributor Calisphere -
Great Wall Of Los Angeles: Detail: World War I Doughboys
title Great Wall Of Los Angeles: Detail: World War I Doughboysdescription A collaborative project by Judy Baca and over 400 employed youths and artists. the Great Wall was initially a beautification project proposed by the Army Corps of Engineers in 1974. Under the direction of Baca, the mural transformed into a bold illustration of the history of California from the state's prehistoric past to the struggles of its ethnic minorities for civil rights and equality. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Los Angeles Valley College Paintings The "doughboys" leave, kissing their wives and girlfriends goodbye. In the recruiting poster, woman appears in her mythic form as the symbol of Liberty. In reality, she works in the war industry replacing men in nontraditional jobs like welding, as well as contributing to the war effort through "women's jobs" like nursing. Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Mural Painting And Decoration Symbolism History World War, 1914-1918 Soldiers Narrative Art Wounds And Injuries Kissing Californiacontributor Calisphere