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Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 362) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 357) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Machinery Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 358) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Milk At L'Urbe Mooseum: Detail
title Milk At L'Urbe Mooseum: Detaildescription Collaborating with three other artists for her inSITE97 project, Helen Escobedo created a three-room installation at the ReinCarnation Project in downtown San Diego. "Milk at the L'Ubre Mooseum" was a spoof on the continuous efforts to improve milk's marketability. The Three rooms, the De-Spotting Room, Freeze-Dri room, and PR room, incorporated the machinery and equipment left from the ReinCarnation's milk factory and introduced new objects, such as the oversized papier-mache cow suspended from the ceiling, sadly stripped of its spots. In her proposal, Escobedo suggested the installation was meant to examine the meaning of milk to people on both sides of the border. --inSITE97 Paintings Performing Arts (including Performance Art) ReinCarnation Project San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 110) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Milk Humor Factories Sculpture (Visual Work) Cows Mexican-American Border Region Insite97 Industries Installations (Visual Works)contributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 359) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Milk At L'Urbe Mooseum: Detail Of Freez-Dri Room
title Milk At L'Urbe Mooseum: Detail Of Freez-Dri Roomdescription Collaborating with three other artists for her inSITE97 project, Helen Escobedo created a three-room installation at the ReinCarnation Project in downtown San Diego. "Milk at the L'Ubre Mooseum" was a spoof on the continuous efforts to improve milk's marketability. The Three rooms, the De-Spotting Room, Freeze-Dri room, and PR room, incorporated the machinery and equipment left from the ReinCarnation's milk factory and introduced new objects, such as the oversized papier-mache cow suspended from the ceiling, sadly stripped of its spots. In her proposal, Escobedo suggested the installation was meant to examine the meaning of milk to people on both sides of the border. --inSITE97 Paintings Performing Arts (including Performance Art) ReinCarnation Project San Diego (Calif.) Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 04, Item 111) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Milk Humor Factories Sculpture (Visual Work) Cows Mexican-American Border Region Insite97 Industries Installations (Visual Works)contributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 360) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere -
Animal Vegetable Mineral
title Animal Vegetable Mineraldescription Artists Nanette Yannuzzi Macias and Melissa Smedley collaborated on a two-part installation for inSITE94 at El Sotano (an abandoned mop factory) in Tijuana and the San Diego Natural History Museum. Entitled "Animal Vegetable Mineral: Comidas para los sombreros," the artists explained the installations as explorations of the rituals of communication. At El Sotano, the work consisted of a multitude of materials from a cotton loom, gourds, candles, and buckets, to a deerskin, bird cage, and eucalyptus tree stump, suggesting, according to the artists, a laboratory space that referenced the machine and ritual. The installation at the Natural History Museum acted as a response to this magical machine and incorporated video elements situating the materials in dialogues that suggested not yet considered relationships. --inSITE94 El Sotano, Tijuana Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 310, Folder 06, Item 361) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Manufacturing Processes Sculpture (Visual Work) Mexican-American Border Region Rituals (Events) Insite94 Communication (Function) Installations (Visual Works) Border Artcontributor Calisphere