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Date is exactly
1973
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A Third World Women's Art Exhibit
title A Third World Women's Art Exhibitdescriptionartist/creator Pérez, Irenesubjectcontributor Smithsonian American Art Museum (SAAM) -
Bodega de Oro
title Bodega de Orodescriptionartist/creator Bueno, Carlossubjectcontributor Smithsonian American Art Museum (SAAM) -
Salvador Allende Memorial Poetry Reading Pablo Neruda
title Salvador Allende Memorial Poetry Reading Pablo Nerudadescription Rupert García, Salvador Allende Memorial Poetry Reading Pablo Neruda, 1973, offset lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Museum Purchase, Gift of Richard Rodriguez), 2020.20.79, © 1973, Rupert Garcíaartist/creator García, Rupertcontributor Smithsonian American Art Museum (SAAM) -
Pablo Picasso
title Pablo Picassodescription Rupert García, Pablo Picasso, 1973, silkscreen, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Museum Purchase, Gift of Richard Rodriguez), 2020.20.78, © 1973, Rupert Garcíaartist/creator García, Rupertcontributor Smithsonian American Art Museum (SAAM) -
Anthony Russo on Crisis '73
title Anthony Russo on Crisis '73description Rupert García, Anthony Russo on Crisis '73, 1973, offset lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Museum Purchase, Gift of Richard Rodriguez), 2020.20.77, © 1973, Rupert Garcíaartist/creator García, Rupertsubjectcontributor Smithsonian American Art Museum (SAAM) -
Viet Nam / Aztlan
title Viet Nam / Aztlandescription Malaquias Montoya, Viet Nam / Aztlan, 1973, offset lithograph on paper, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2015.29.3, © 1973, Malaquias Montoyaartist/creator Montoya, Malaquiascontributor Smithsonian American Art Museum (SAAM) -
Raza
title Razadescription Amado M. Peña, Jr., Raza, 1973, screenprint on paper, Smithsonian American Art Museum, Gift of Amado M. Peña, Sr. and Maria Peña, 1996.47.4, © 1973, Amado M. Peña, Jr.artist/creator Peña Jr., Amado Mauriliosubject Latinocontributor Smithsonian American Art Museum (SAAM) -
Boycott Grapes, Support the United Farm Workers Union
title Boycott Grapes, Support the United Farm Workers Uniondescription Xavier Viramontes, Boycott Grapes, Support the United Farm Workers Union, 1973, offset lithograph on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.58, © 1973, Xavier Viramontesartist/creator Viramontes, Xaviercontributor Smithsonian American Art Museum (SAAM) -
Untitled (Child with Pearls and Wig)
title Untitled (Child with Pearls and Wig)description Joe B. Ramos, Untitled (Child with Pearls and Wig), ca. 1973, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1987.7.3artist/creator Ramos, Joe B.subjectcontributor Smithsonian American Art Museum (SAAM) -
Concerning Patrocinio Barela
title Concerning Patrocinio Bareladescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Hunter, Rusell Vernon -
El pachuco y otros extremos
title El pachuco y otros extremosdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Paz, Octavio -
Part III : pound for pound
title Part III : pound for pounddescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Almaraz, Carlos -
Over the problems of conceptual art
title Over the problems of conceptual artdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Almaraz, Carlos -
Part II : Andy Loves Marx
title Part II : Andy Loves Marxdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Almaraz, Carlos -
Concilio de Arte Popular (State Coalition of La Raza Artists)
title Concilio de Arte Popular (State Coalition of La Raza Artists)description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Concilio De Arte Popular (Los Angeles, Calif.) -
Arte de la raza
title Arte de la razadescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Torres, Salvador Roberto -
8. Mexican, Mexican American, Chicano Art : Two Views
title 8. Mexican, Mexican American, Chicano Art : Two Viewsdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Quirarte, Jacintosubject Mexican American -
Creative aspects of La Raza inspired by chicano experiences
title Creative aspects of La Raza inspired by chicano experiencesdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Torres, Salvador Roberto -
Mexican American artists
title Mexican American artistsdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Quirarte, Jacinto -
Murals changing face of east L.A.
title Murals changing face of east L.A.description Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Olmo, Frank Del -
What is Chicano art? : a Chicano artist’s concept
title What is Chicano art? : a Chicano artist’s conceptdescription Interested in reading more? Visit our partner's homepage by clicking on the 'View Item' button or visiting the url in the website sectionartist/creator Valadez, Kathy L. -
Mexican Family Archives
title Mexican Family Archivesdescription Photograph of a woman standing in standing in factory, machines are in front and back of her. Text above the photograph reads "Premium Coupon." There is text on the back of the photograph that reads: "Clara C. Calderon Oct. 4. 1973."artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Texas Trends in Art Education, Spring 1973
title Texas Trends in Art Education, Spring 1973description Journal of the Texas Art Education Association includes articles related to theoretical, social, educational, and cultural issues affecting art education in Texas as well as articles about practical methods and programs for art education at various levels of instruction.artist/creator Steele, Marilyn Harris, Paul Texas Art Education Association Triggs, Edward Taylor, Mary P. Stevens, Zonalynn Howard, Peggysubject Teaching Methods Teachers Art Classes Education Art -- Study And Teaching -- Texas -- Periodicals. Arts And Craftscontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. Burnett's Standard Flavoring; B. Barniz - Milk Glass; C. Dr. W.B. Caldwell's Syrup Pepsin; D. Barniz - Clear; E. Charles H. Fletchers Castoria; Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. Large Whiskey (handspun); B. Champagne; C. Horlicks Malted Milk; D. Large Whiskey (handspun); E. Pluto; Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. Anhauser Bausch - Budweiser; B. Circle A Brand; C. Milks Emulsion; D. Sky Pilot Bottling Company; E. Pabst; Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. Hope's Soda Water; B. Star Soda Water; C. Marfa Bottling Works; D. Magnolia Soda Water; E. Lone Star Bottling Works; Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. Poison; B. Three in One Oil; C. Poison; D. Sperm Sewing Machine Oil; E. Paint Bottle. Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. IB Soda; B. Mission Sparkling Dry; C. National Soda Works; D. Hires; E. Pioneer Soda Water; Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. Hinds Honey and Almond Cream; B. Lee and Perrins Worshestershire Sauce; C. Hinds Honey and Almond Cream; D. Pa-Poose Hot Sauce; E. A.S. Hinds. Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. Dr. J. Hostetter's Stomach Bitters; B. Winstead's Lax-fas; C. Liberty Juice Companay; D. Carlui The Woman's Tonic; E. Evans Daity Grade A Milk; Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. Punkin Flask; B. Regular Whiskey Flask; C. Picnic Flask; D. Habanero Whiskey; E. The Evans Chemical Company. Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Glass Bottles
title Glass Bottlesdescription Photograph of glass bottles:
A. Kerr-Mason; B. Ball Perfect Mason; C. Atlas E-Z Seal; D. Economy Trade Mark; E. Drey Perfect Mason; Part of a report by Galen McCallum for a History class at Marfa High School.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Bloys Campmeeting, 1980-1973
title Bloys Campmeeting, 1980-1973description This pamphlet gives an overview of the origins of the Bloys Campmeetings as well as the services available at the 1973 service.artist/creator Bloys Campmeeting Associationsubject Bloys Camp Meeting Association. Social Life And Customs Davis Mountains Services Camp Meetings -- Texas -- Fort Davis. Religion Bloys, William Benjamin, 1847-1917.contributor Portal to Texas History (TPTH) -
The Murals Of Estrada Courts. Virgin Of Guadalupe, Los Angeles, 1973
title The Murals Of Estrada Courts. Virgin Of Guadalupe, Los Angeles, 1973description The murals of Estrada Courts. Virgin of Guadalupe, untitled, Los Angles, 1973, 1301 Lorena Street (at Hunter Street), 32' x 24' by Steve Delgado -- Dunitz, Street gallery, p. 303, #28 AZ. "The murals were produced by a number of Chicano artists from Los Angeles, San Diego, and Northern California between 1972 and 1978, during the height of the Chicano civil rights and art movements" -- Estrada Courts at http://www.heritagepreservation.org/RPM/archive.html (viewed on Dec. 2, 2012).contributor Calisphere -
The Murals Of Estrada Courts. In Memory Of A Homeboy, Los Angeles, 1973
title The Murals Of Estrada Courts. In Memory Of A Homeboy, Los Angeles, 1973description The murals of Estrada Courts. In memory of a homeboy, 1973, 3328 Hunter Street. Memorial for another victim of gang violence. In acrylic on stuco, 32' x 24' by Daniel Martinez -- Dunitz, Street gallery, p. 303, #28 AW. "The murals were produced by a number of Chicano artists from Los Angeles, San Diego, and Northern California between 1972 and 1978, during the height of the Chicano civil rights and art movements" -- Estrada Courts at http://www.heritagepreservation.org/RPM/archive.html (viewed on Dec. 2, 2012).contributor Calisphere -
The Murals Of Ramona Gardens. A Man Inside A Circle, Los Angeles, 1973 -1977
title The Murals Of Ramona Gardens. A Man Inside A Circle, Los Angeles, 1973 -1977description The murals of Ramona Gardens. A man inside a circle, untitled, 1973-1977, Building 1451-60. Pre-Columbian imagery, including a man inside a circle. Unknown artist. Most of the paintings of the Murals of Ramona Gardens were done by residents with help from Mechicano Arts Center muralists -- Dunitz, Street gallery, rev. 2nd ed., p. 299, #22-N.contributor Calisphere -
The Murals Of Ramona Gardens. Hazard Grande (In Memory Of Homeboys And Homegirls), Los Angeles, 1973-1977
title The Murals Of Ramona Gardens. Hazard Grande (In Memory Of Homeboys And Homegirls), Los Angeles, 1973-1977description The murals of Ramona Gardens. Hazard grande (In memory of homeboys and homegirls), 1973-1977, building 1451-60. A couple standing on a pedestal with rainbows behind them. By Big Hazard Gang. Most of the paintings of the Murals of Ramona Gardens were done by residents with help from Mechicano Arts Center muralists -- Dunitz, Street gallery, rev. 2nd ed., p. 299, #22-O.contributor Calisphere -
The Murals Of Estrada Courts. Portraits Of Abraham Lincoln And John F. Kennedy, Los Angeles, 1973
title The Murals Of Estrada Courts. Portraits Of Abraham Lincoln And John F. Kennedy, Los Angeles, 1973description The murals of Estrada Courts. Portraits of Abraham Lincoln and John F. Kennedy, Los Angeles, 1973, 3347 East Olympic Boulevard (walkway). Portraits of Abraham Lincoln and John F. Kennedy in front of an American flag. Between the two men is an eerie list of comparisons. In acrylic on stucco, 32' x 24' by Frank Lopez-- Dunitz, Street gallery, p. 299, #28 W. "The murals were produced by a number of Chicano artists from Los Angeles, San Diego, and Northern California between 1972 and 1978, during the height of the Chicano civil rights and art movements" -- Estrada Courts at http://www.heritagepreservation.org/RPM/archive.html (viewed on Dec. 2, 2012).subject Lincoln, Abraham, 1809-1865 Mural Painting And Decoration Kennedy, John F. (John Fitzgerald), 1917-1963 Street Art Flagscontributor Calisphere -
Galeria De La Raza Presents The New Members Show
title Galeria De La Raza Presents The New Members Showdescriptionsubject Art And Culturecontributor Calisphere -
United Farm Workers
title United Farm Workersdescriptionartist/creator Ufw Strike Support Committeesubject United Farm Workerscontributor Calisphere -
Estrada Courts: Untitled (Lincoln And Kennedy)
title Estrada Courts: Untitled (Lincoln And Kennedy)description Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. Paintings Portraits of United States presidents Abraham Lincoln and John F. Kennedy in front of an American flag. Between the two men is an outline of the United States Capitol Building and a list of comparisons between the two presidents.artist/creator Lopez, Franksubject Lincoln, Abraham, 1809-1865 Mexican American Art Mural Painting And Decoration Portraits Kennedy, John F. (John Fitzgerald), 1917-1963 Youth History Presidents Low-Income Housing Flags--United States Symbolismcontributor Calisphere -
Chicano Park: Historical Mural: Detail Of Demonstrators
title Chicano Park: Historical Mural: Detail Of Demonstratorsdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Historical Mural (Ramp 1A) was conceived to reinforce the positive contributions of Spanish, Mexican, and Mexican-American men in Chicano history. Restoration completed in 2012 by artists Barajas and Aranda. Paintingssubject Ramp-Freeway Junctions Teaching Demonstrations Mexican American Art Mural Painting And Decoration History Guadalupe, Our Lady Of Parks Symbolism California Mexicocontributor Calisphere -
Estrada Courts: Sun Bathers
title Estrada Courts: Sun Bathersdescription Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. Paintingsartist/creator Hernandez, Gilsubject Siqueiros, David Alfaro Mexican American Art Hidalgo Y Costilla, Miguel, 1753-1811 Mural Painting And Decoration Villa, Pancho, 1878-1923 History Low-Income Housing Sun-Baths Symbolism Zapata, Emiliano, 1879-1919 California Mexicocontributor Calisphere -
Chicano Park: Historical Mural: Detail
title Chicano Park: Historical Mural: Detaildescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Historical Mural (Ramp 1A) was conceived to reinforce the positive contributions of Spanish, Mexican, and Mexican-American men in Chicano history. Restoration completed in 2012 by artists Barajas and Aranda. Paintingssubject Ramp-Freeway Junctions Salazar, Ruben, 1928-1970 Mexican American Art Mural Painting And Decoration Heroes Leaders (People) Portraits History Chavez, Cesar, 1927-1993 Parks Revolutionaries Guevara, Che, 1928-1967 Symbolism California Mexico Olmecscontributor Calisphere -
Estrada Courts: Moratorium: The Black And White Mural: Detail
title Estrada Courts: Moratorium: The Black And White Mural: Detaildescription A monochromatic photo-realistic montage portraying the 1970 Chicano Moratorium, a local anti-Vietnam War protest that was attacked by the Sheriff's Department. Other imagery condemns police brutality in the barrio. In 1979 Herrón returned to paint (in color) himself embracing his wife (not shown in this detail). Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. Paintingssubject Protests Mexican American Art Mural Painting And Decoration Symbolism History Vietnam War, 1961-1975 Low-Income Housing Faces Californiacontributor Calisphere -
Chicano Park: Historical Mural: Detail Of Flames And Skeletons
title Chicano Park: Historical Mural: Detail Of Flames And Skeletonsdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Historical Mural (Ramp 1A) was conceived to reinforce the positive contributions of Spanish, Mexican, and Mexican-American men in Chicano history. Restoration completed in 2012 by artists Barajas and Aranda. Paintingssubject Death Ramp-Freeway Junctions Fire Mexican American Art Mural Painting And Decoration Crosses Human Skeleton History Parks Symbolism California Mexicocontributor Calisphere -
Chicano Park: Historical Mural: Detail Of Rubén Salazar And Ortiz
title Chicano Park: Historical Mural: Detail Of Rubén Salazar And Ortizdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Historical Mural (Ramp 1A) was conceived to reinforce the positive contributions of Spanish, Mexican, and Mexican-American men in Chicano history. Restoration completed in 2012 by artists Barajas and Aranda. Paintingssubject Ramp-Freeway Junctions Salazar, Ruben, 1928-1970 Mexican American Art Mural Painting And Decoration Heroes Portraits History Parks California Mexicocontributor Calisphere -
Chicano Park: Historical Mural: Detail
title Chicano Park: Historical Mural: Detaildescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Historical Mural (Ramp 1A) was conceived to reinforce the positive contributions of Spanish, Mexican, and Mexican-American men in Chicano history. Restoration completed in 2012 by artists Barajas and Aranda. Paintingssubject Ramp-Freeway Junctions Salazar, Ruben, 1928-1970 Mexican American Art Graffiti Mural Painting And Decoration Heroes Portraits History Parks Revolutionaries Leaders (People) Symbolism California Mexicocontributor Calisphere -
Estrada Courts: In Memory Of Home Boy
title Estrada Courts: In Memory Of Home Boydescription Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. Memorial for a victim of gang violence. Paintingsartist/creator Martinez, Danielsubject Roses Mexican American Art Mural Painting And Decoration History Eagles Commemoratives Low-Income Housing Symbolism Jesus Christ Californiacontributor Calisphere -
Chicano Park: Historical Mural: Detail Of An Open Book With Inscription, Broken Chain And A Gun
title Chicano Park: Historical Mural: Detail Of An Open Book With Inscription, Broken Chain And A Gundescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) El pueblo y solo el pueblo, es la fuerza motriz que hace la historia mundial (The people and only the people, are the driving force that makes world history) Historical Mural (Ramp 1A) was conceived to reinforce the positive contributions of Spanish, Mexican, and Mexican-American men in Chicano history. Restoration completed in 2012 by artists Barajas and Aranda. Paintingssubject Ramp-Freeway Junctions Firearms Mexican American Art Mural Painting And Decoration Symbolism Books History Parks Faces Chains California Mexicocontributor Calisphere -
Estrada Courts: Dreams Of Flight
title Estrada Courts: Dreams Of Flightdescription Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. In this mural, Botello's first solo mural, the artist reveals some of his childhood fantasies about flying. Paintingsartist/creator Botello, Davidsubject Mexican American Art Mural Painting And Decoration Flight Boys History Dreams Eagles Low-Income Housing Animals, Mythical Fantasy Symbolism Californiacontributor Calisphere -
Estrada Courts: Moratorium: The Black And White Mural
title Estrada Courts: Moratorium: The Black And White Muraldescription A monochromatic photo-realistic montage portraying the 1970 Chicano Moratorium, a local anti-Vietnam War protest that was attacked by the Sheriff's Department. Other imagery condemns police brutality in the barrio. In 1979 Herrón returned to paint (in color) himself embracing his wife (lower right corner). Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. Paintingssubject Protests Mexican American Art Graffiti Mural Painting And Decoration Symbolism Herrón, Willie (American Muralist And Performance Artist, Born 1951) History Vietnam War, 1961-1975 Low-Income Housing Photorealist Self-Portraits Faces California Barrio calligraphycontributor Calisphere -
Estrada Courts: Two Flags
title Estrada Courts: Two Flagsdescription A man holding flags and a baby while standing on an Olmec head. Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. Paintingsartist/creator Ramirez, Sonnysubject Mexican American Art Mural Painting And Decoration Skyscrapers History Eagles Low-Income Housing Mexico Symbolism California Flags Olmecscontributor Calisphere -
Chicano Park: Historical Mural: Detail Of Coors Beer Can
title Chicano Park: Historical Mural: Detail Of Coors Beer Candescription Barrio Logan (San Diego, California) Chale con Coors (boycott Coors) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Historical Mural (Ramp 1A) was conceived to reinforce the positive contributions of Spanish, Mexican, and Mexican-American men in Chicano history. Restoration completed in 2012 by artists Barajas and Aranda. In 1966, Chicanos called for the boycott of Coors beer because of its racist hiring practices. In 1969, Coors was charged with racial discrimination. Coors was found guilty in 1970. Paintingssubject Ramp-Freeway Junctions Mexican American Art Race Discrimination Mural Painting And Decoration Boycotts History Beer Parks Symbolism California Mexicocontributor Calisphere -
Chicano Park: Historical Mural: Detail Of Olmec Head And Female Revolutionary Fighters (Soldaderas)
title Chicano Park: Historical Mural: Detail Of Olmec Head And Female Revolutionary Fighters (Soldaderas)description Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Historical Mural (Ramp 1A) was conceived to reinforce the positive contributions of Spanish, Mexican, and Mexican-American men in Chicano history. Restoration completed in 2012 by artists Barajas and Aranda. Paintingssubject Ramp-Freeway Junctions Firearms Mexican American Art Graffiti Mural Painting And Decoration History Parks Revolutionaries Symbolism California Mexico Olmecscontributor Calisphere -
Estrada Courts: Untitled
title Estrada Courts: Untitleddescription Based on an ancient stone relief from El Tajin, the ancient capital of a civilization near present-day Veracruz, Mexico. Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. Paintingsartist/creator Felix, Charlessubject Mexican American Art Mural Painting And Decoration Deterioration History Tajin Low-Income Housing Pre-Columbian (American) Symbolism California Mexicocontributor Calisphere -
Chicano Park: Historical Mural: Detail Of Skull Inside A Space Helmet
title Chicano Park: Historical Mural: Detail Of Skull Inside A Space Helmetdescription Barrio Logan (San Diego, California) Chicano Park (San Diego, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Historical Mural (Ramp 1A) was conceived to reinforce the positive contributions of Spanish, Mexican, and Mexican-American men in Chicano history. Restoration completed in 2012 by artists Barajas and Aranda. Paintingssubject Ramp-Freeway Junctions Mexican American Art Mural Painting And Decoration Comets History Skull Flags--United States Parks Symbolism California Mexicocontributor Calisphere -
Gran Baile, Announcement Poster For
title Gran Baile, Announcement Poster Fordescription Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained Linda Lucero c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu White background. Multicolored design creates the form of a figure. Done in orange, purple, blue, and black. Presented by La Raza Unida CCSF. Jan. 26, 1973 8:30 pm - 1:30 pm at top of poster. not signed.artist/creator Artist Unknownsubject Posters Mexicans In Art Chicano Art Prints Mexican Americans Dance Advertising In Art Graphic Arts Chicanoscontributor Calisphere -
Enrique Danza Group, 1973 Chicano Celebration
title Enrique Danza Group, 1973 Chicano Celebrationdescription Children dance folklórico on a temporary stage set up in front of "Wall of Heroes and Martyrs." "Danza has flourished as Folk (as shown here) and Aztec Danza. Logan Avenue was closed for this 1973 Chicano Park Celebration." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorcontributor Calisphere -
Los Paseos De Mi Barrio
title Los Paseos De Mi Barriodescription Text reads: "Escusados Limatados [sic]" etched into slide photo of a rooster. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Mexican American Art Chicano Art Photography, Artistic Roosters In Art Mexican Americans Chicanoscontributor Calisphere -
Los Paseos De Mi Barrio
title Los Paseos De Mi Barriodescription "Queren [sic] este terreno para Parking Lot" etched into dark slide. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorcontributor Calisphere -
Los Paseos De Mi Barrio
title Los Paseos De Mi Barriodescription "Para Nuestros Ancianos" etched into dark slide. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Mexican American Art Chicano Art Photography, Artistic Aged Ancianos Mexican Americans Chicanoscontributor Calisphere -
The First Efforts At Mural Work
title The First Efforts At Mural Workdescription Photo of entirety of "Four Directions" mural, with Roman's contribution of a Mexican removing the chains from around his wrist. "Arturo Roman was a student at San Diego State University, his skill in printmaking was outstanding. He worked on both abutments on Logan Avenue. Arturo's imagery was excellent for mural painting. His imagery was bold and unique. He left San Diego and has not been heard from since. We miss him." Salvador Torres. This mural was restored in 1984 because of fading and rock-throwing damage. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Aranda, Guillermocontributor Calisphere -
Children'S Mural (Detail)
title Children'S Mural (Detail)description "This mural is restored and finished by the CPAC INC. along with children. This image is of the Farm Workers' huelga eagle. A creative happening occurs as half of the image develops down the middle. San Diego and Barrio Logan support Cesar E. Chavez, with many picket demonstrations, and especially our murals speak of this struggle and inspire greater support until the Union becomes a reality." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Ochoa, Victorcontributor Calisphere -
The Master Plan (Detail)
title The Master Plan (Detail)description Detail is of left side of mural, with Coronado Bay Bridge, Chicano Park Kiosco, Quetzalcoatl, and an indigenous face. "The Master Plan of going all the way to the bay. At the bay a waterfront park with public access." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Aranda, Guillermosubject Indians Of Mexico Mexican American Art Mural Art Native Americans Chicano Art Quetzalcoatl (Aztec Deity) Mexican Americans Chicanoscontributor Calisphere -
Los Paseos De Mi Barrio
title Los Paseos De Mi Barriodescription Text over darkened slide reads: "La Ciudad Ofrece Muy Poco". "These etched slides were an experiment by Salvador Torres to create titles for Salvador Torres slide lectures and to make creative use of dark slides as art works. This experiment is still under way by Salvador Torres in other ways not used before." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorcontributor Calisphere -
Children'S Mural
title Children'S Muraldescription Among names, colors, and geometric designs, the only image that stands out is that of the UFW eagle. "Remains incomplete until 1984, Ramses Noriega, Salvador Torres, Ivan Navarro, and other children finish the wall. Note: names on murals stimulate graffiti that eventually destroys the purpose of mural painting. Names make a better statement in a designated location of a mural for names, logos, sponsors and dates and artists' statements. Shows the enthusiasm and impetuousness of individual creative exploration in mural painting. No wall preparations, (washing, cleaning, rinse, base coat for mural paint.) Proline painted directly on raw concrete. This process has resulted in the paint peeling, flaking, and colors dulling due to a lack of base color. This creative impetus of individual initiative contrasts the collective mural preparations, logistics that included the San Diego Parks & Recreation, and Caltrans property jurisdictions, day and night lighting, relevant themes that can be related in color, movement, and unity with all other potential mural/sculpture/landscape sites within the 7.4 acre park and the Cesar E. Chavez 5.4-acre waterfront park." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Ochoa, Victorcontributor Calisphere -
Chicano Park Celebration
title Chicano Park Celebrationdescription Children dance folklórico. "F-L Art exhibition. Folk/Spanish Danza, Speakers. Logan Avenue Street Closed. Enrique Family Danza." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Ballet Folklorico Veracruz (Veracruz, Mexico) Children Dance Chicanas Mexican Americans Chicanoscontributor Calisphere -
Master Plan (Detail)
title Master Plan (Detail)description "This section of "The Master Plan" illustrates the four directions in red. Restoration funds by COMBO a nonprofit organization delegated to disperse City of San Diego funds to art organizations. Ramses Noriega assists Salvador Torres in organizing the San Diego artists into 1. The Chicano Arts Committee, 2. Chicano Park Arts Council, and finally, 3. The Chicano Park Arts Council Inc. This responsibility can not be maintained by the other San Diego artists. Salvador Torres can not sustain CPAC. Inc. by himself. CPAC. Inc. becomes inactive." Salvador Torres. Restored in 1984 due to fading and damage from rock-throwing. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorcontributor Calisphere -
Wall Of Heroes & Martyrs (Detail)
title Wall Of Heroes & Martyrs (Detail)description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu The words "La Logan C/S" in the center of a Aztec calendar-like mandala. "Center composition of the Wall of Heroes and Martyrs, Victor Ochoa paints "La Logan" using a similar graffiti to relate to Logan graffiti." Salvador Torresartist/creator Ochoa, Victorcontributor Calisphere -
Southeast Neighbors Barrio
title Southeast Neighbors Barriodescription "1973, mural art work begins in Chicano Park at S-A but on Logan Avenue. San Diego, California. Collective mural work begins. As artists of San Diego, all are easel trained in flat panel painting. 1968 Salvador Torres enrolls San Diego State University graduate program M.A., graduates 4.0 1973. Major movements represented: painting - hard-edge, pop art, OP art, assemblage, environmental art, abstract expressionism, color-field painting, California & New York graffiti, primitivism, "Rise of Humanism", Fifteenth and Sixteenth-century Italy, conceptual art, PreColumbian art, Mexican mural, sculpture, ceramics, solar art, (working with sun light, mirrors, holograms, solar sculpture) permanent and nonpermanent art concepts. 1983-2002 Art Gallery Activities, Open Air Museum Tours (YAA) and college and university, students, parents, teachers, professors, coordinated tours for city, police, and California transportation officials." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Artist Unknownsubject Mexican American Art Hidalgo Y Costilla, Miguel, 1753-1811 Pyramids - Mexico Mural Art Chicano Art Revolutionaries Barrios Mexican Americans Chicanoscontributor Calisphere -
#T-Abut "Wall Of Heroes And Martyrs"
title #T-Abut "Wall Of Heroes And Martyrs"description A mural in progress. #T-Abut on Logan Avenue. "This was the beginning stage of our learning about mural painting that included the destruction of our own works with experiments that failed, and paints that were not of high quality. The Monumental mural work process begins. Conceptual Art ideas become physical forms of permanent and nonpermanent expressions." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Aranda, Guillermocontributor Calisphere -
Los Paseos De Mi Barrio
title Los Paseos De Mi Barriodescription "El Pinchi [sic] Fuchi Queso" etched into dark slide. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorcontributor Calisphere -
Los Paseos De Mi Barrio
title Los Paseos De Mi Barriodescription "La Raza en General" etched into slide photo of Pancho Villa and La División del Norte. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Mexican American Art Villa, Pancho, 1878-1923 Chicano Art Photography, Artistic Soldiers Mexican Americans Chicanoscontributor Calisphere -
Los Paseos De Mi Barrio
title Los Paseos De Mi Barriodescription "La Tierra y Centro Adecuado" etched into dark slide. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorcontributor Calisphere -
Wall Of Heroes And Martyrs (Detail)
title Wall Of Heroes And Martyrs (Detail)description Detail shows La Virgen de Guadalupe framed by a red rectangle. At her feet, instead of a cherub, is a "Vato"{note: the angels head is that of Ramon "Chunky" Sanchez} "Since the establishment of Chicano Park and the evolution of its Monumental Public Mural concept, the public has responded their approval by having photos taken of themselves and family standing in front of our murals. This photo activity extends into many professionals using our murals to advertise their products and cars. Many amateur student filmmakers as well as big film companies have made their films in Chicano Park. One such film with Chuck Norris, "The Force is One", uses the park and the murals in a negative stereotype manner. See attachment of Carlos Santana promoting himself for the Life Magazine, Story of Wood Stock Remembered, 1994." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Roman, Arturosubject Angels In Art Mexican American Art Mural Art Chicano Art Guadalupe, Our Lady Of Mexican Americans Chicanoscontributor Calisphere -
Master Plan, In Progress
title Master Plan, In Progressdescription This detail of a corner in progress and shows an Aztec design, possibly a deity, covering what was once an eagle. "Slide Photo of the "Master Plan", mural started in March 1973, show Salvador Torres attempting to integrate the S-Abuts all sides as one mural surface. See the corner of this panel. This lower portion once supported an image of an eagle with wide spread wings. One wing on one side, and the other wing on the other side. This surface attempt failed, as well as the second, and third. The idea to give the mural surface a complete feeling of being finished takes the corner spaces and makes a creative challenge that requires a sensitivity and appreciation for corners. In the compositional structure of the mural, all corners can serve to enhance the drama, distortions, emphasis of the artists visual statement in monumental mural work." Salvador Torresartist/creator Torres, Salvadorsubject Aztec Gods Mexican American Art Mural Art Quetzalcoatl (Aztec Deity) Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Salvador Roberto Torres Portaits
title Salvador Roberto Torres Portaitsdescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Torres stands before work. "Photos of Salvador Torres at 2153 1/2 Logan studio." Salvador Torresartist/creator Artist Unknowncontributor Calisphere -
Planning Procedures
title Planning Proceduresdescription "This photo depicts the planning procedures our community undertook to establish our Barrio Logan Harbor 101 Community Plan that is today in 2002 out of date. Many of the alternatives proposed have not been practical or feasible. There is proof that industry cannot coexist. Barrio Logan is under siege by toxins in the air, and noise pollution. Feb. 23 - March 7, 2002 1.90 (ng/ml) Hexavalent Chromium." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Unknowncontributor Calisphere -
Los Paseos De Mi Barrio Logan
title Los Paseos De Mi Barrio Logandescription A clean and proper home. ""Paseos", is a collection of the environmental decay of Barrio Logan sidewalks and industrial pollution and weed abatement negligence by the City of San Diego's civic leadership." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorcontributor Calisphere -
Si Se Puede
title Si Se Puededescription A no-parking sign has been painted dark blue, with the text "Si Se Puede" in light blue and white. Possibly an example of the reclamation of local materials and facilities reconfigured by and for the Chicano community. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Artist Unknowncontributor Calisphere -
Huelga Series
title Huelga Seriesdescription Both sun and moon shine upon this radiant UFW-like eagle. Its body is gold and its wings red. Its feet are planted in the soil of farmland. "This is the second in a series of experiments in litho printing. Hand colored prints are produced." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Screen Prints Mexican American Art Lithography Eagles Chicano Art Prints Mixed Media Mexican Americans Chicanoscontributor Calisphere -
Wall Of Heroes And Martyrs
title Wall Of Heroes And Martyrsdescription Detail of incomplete portion of mural : Carranza, Hidalgo, etc. "This is our first series of public murals to be painted in Chicano Park. The first approaches to this wall design, Salvador Barajas creates charcoal drawings of these figures shown. Note: paint roller was experimented by Guillermo Rosete; spray can paints tested by Salvador Torres. {Salvador Torres explores glass beads implanted in paint, uses mirrors to project beams of solar light, animates mural figures, creates solar sculpture, holographic art movements and measurements of the massive colonnades.} Pencil drawing by Tomas Castaneda was wanting to express Chicano & Chicana's models, as well as historical figures, A point well taken. Figure on the far right is Carranza. This figure is vandalized because Carranza ordered the assassination of Emiliano Zapata. Feelings run high to date for support for Zapatistas in Barrio Logan. Plans (see Salvador Torres., Chicano Park Concept #3-173-A[temp numer]) by Caltrans, & Chicano Park Steering Committee to approve and commission Arturo Singh to release his model for a seven foot bronze sculpture of a Zapatista, to be placed in the entrance of Chicano Park, 2003?" Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Mexican American Art Hidalgo Y Costilla, Miguel, 1753-1811 Mural Art Chicano Art Carranza, Venustiano, 1859-1920 Salazar, Ruben, 1928- Mexican Americans Chicanoscontributor Calisphere -
Etched Slides
title Etched Slidesdescription Etching reads: "Chicano Mural Art Movement". "Salvador Torres discovers how to etch slides by scratching the emulsion side of the slide. Salvador Torres uses these techniques as titles for slide programs. Salvador Torres experiments creating slide art-works from these techniques. This new technique has not been fully realized in its potentials." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorcontributor Calisphere -
Viva La Huelga!
title Viva La Huelga!description A painting of La Virgen de Guadalupe among a crowd of people with huelga flags above. "The center figure with the mustache is Ramon "Chunky" Sanchez. July 13, 2002 this wall is deteriorated badly, some figures are now lost, due to peeling. Caltrans, The San Diego Commission for the Arts & Culture have made no effort to restore. Salvador Torres calls meetings with Caltrans, City, and Chicano Park Steering Committee." Salvador Torres. Restored 1984 due to fading and peeling. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Mexican American Art Demonstrations In Art Mural Art Chicano Art Guadalupe, Our Lady Of Mexican Americans Chicanoscontributor Calisphere -
The Last Buffalo
title The Last Buffalodescription Painting in unknown media depicts a luminous buffalo. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Ochoa, Victorsubject Mexican American Art Animals In Art Extinction (Biology) Chicano Art Mexican Americans Chicanoscontributor Calisphere -
Mass Rally To Free Los Tres
title Mass Rally To Free Los Tresdescription Photo is of a speaker on a platform in front of the flag of Aztlán. A sign on a podium reads, "Mass Rally To Free Los Tres And All Political Prisoners May 19". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Artist Unknownsubject Prisons Aztlán Chicano Movement Political Prisoners In Art Demonstrations Prisoners Flags In Art Mestizaje Mexican Americans Chicanoscontributor Calisphere -
Dreams Of Flight
title Dreams Of Flightdescription Acrylic mural on an exterior wall of the Estrada Courts apartments depicts the various interactions man has with flight. Images include an eagle, a boy playing with an airplane, a Pegasus, a child on a tire swing, a boy holding a bunch of balloons, an Aztec eagle knight, a paper airplane, and an astronaut. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.netartist/creator Botello, Davidsubject Children In Art Mexican American Art Aztecs Education Myth In Art Mural Art Chicano Art Mexican Americans Dreams In Art Airplanes In Art Chicanoscontributor Calisphere -
The Wall Of Heroes And Martyrs (Detail)
title The Wall Of Heroes And Martyrs (Detail)description The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Victor Ochoa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Ochoa’s website: http://www.chicanozauruz.com/ and http://www.victorochoa.net/ E-mail: vochoa@att.net Vinyl mural on #T-Abut on Logan Avenue depicts the heroes of the Chicano Movement. Detail is of a protest march where participants hold United Farm Workers flags.artist/creator Toltecas An Aztlánsubject Mexican American Art Demonstrations In Art Mural Art Chicano Art Chicano Movement Flags In Art Mexican Americans Chicanoscontributor Calisphere -
The Master Plan (Detail)
title The Master Plan (Detail)description Detail of the Master Plan mural features a large swastika with curved arms (an ancient symbol of transformation) in the center of a silhouette of a pyramid. Above the pyramid is a six-pointed star with a spiral in the center. Below the pyramid is a Yin-Yang symbol. On the left side is a Native American man, An Aztec eagle knight, and a column of the San Diego Coronado Bay Bridge. On the right side is a Native American woman with a rose in her hair, a Mexican eagle with a serpent in its mouth, and a United Farm Workers Huelga flag. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: James Prigoff c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563, E-mail: cema@library.ucsb.eduartist/creator Aranda, Guillermosubject Flowers In Art Indians Of North America Mexican American Art Aztecs Pyramids - Mexico Pyramids In Art Mural Art Eagles Chicano Art Native Americans Serpents In Art Yin Yang Symbol Symbolism Mexican Americans Chicanoscontributor Calisphere -
Refer Madness
title Refer Madnessdescription A profile view of a pachuco smoking a cigarette. A dialogue bubble above him reads, " 'ta de Aqueítas! Pásame una Lata, Carnal" The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Montoya, Josésubject Pachucos Mexican American Art Pen Drawing Chicano Art Smoking In Art Zoot Suits Mexican Americans Chicanoscontributor Calisphere -
El Rufas De Aya
title El Rufas De Ayadescription Permanent marker drawing of a pachuco with a cross pendant. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Montoya, Josécontributor Calisphere -
El Monjo
title El Monjodescription A drawing of Jose Montoya straddling a chair with his head resting on the backrest. "These were slides made by various members of RCAF [Royal Chicano Air Force]." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Orosco, Juanishicontributor Calisphere -
(Title Unknown)
title (Title Unknown)description A man sitting right outside his door with his head down and his hands in his lap and his cane by his side. This painting was used for instructional purposes in Barrio Art and other classes. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Hernandez, Johncontributor Calisphere -
Untitled
title Untitleddescription "Drawing of Pachuca with a high pompadour drawn for the pachuco series." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Montoya, Josécontributor Calisphere -
El Monjo
title El Monjodescription A drawing of José Montoya sitting at a desk writing into a book. "Drawing done during Centro meeting." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Orosco, Juanishicontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Installation from an art exhibit at the Washington Community Council, Sacramento. Two United Farm Workers flags separated by two United Farm Workers eagles on stands with a bookshelf in the background. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Artist Unknowncontributor Calisphere -
Ramp 1A
title Ramp 1Adescription Cat.8 011(16) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/ Vinyl paint on concrete wall of south Chicano Park ramp. Wide view of most of the mural from the right side. A Brown Beret holding an indigenous club rides a horse. Portraits of Chicano heroes along the upper edge.artist/creator Aranda, Guillermosubject Hidalgo, Miguel Demonstrations In Art National Brown Beret Organization Mural Art Rojas, Luis Manuel Mestizaje Horses Siqueiros, David Alfaro Villa, Pancho, 1878-1923 Revolutionaries Flags In Art Zapata, Emiliano, 1879-1919 Guevara, Ernesto, 1928-1967 Murieta, Joaquín, D. 1853 Mexico - History--Revolution, 1910-1920 Morelos, José María, 1765-1815 Carranza, Venustiano, 1859-1920 Salazar, Ruben, 1928- Mexican Americans Mexican American Art Santana, Carlos Chicano Art Chicano Movement Chávez, Cesar, 1927-1993 Chicanoscontributor Calisphere -
Ramp 1B
title Ramp 1Bdescription Acrylic paint on concrete wall of north Chicano Park ramp. Artwork after restoration. View is of entire mural as seen from the left side. Cat.8 013(1) The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Aranda, Guillermosubject Indians Of Mexico Aztec Gods Indians Of North America Mexican American Art Mural Art Eagles Chicano Art Quetzalcoatl (Aztec Deity) Yin Yang Symbol Symbolism Mexican Americans Chicanoscontributor Calisphere